The Theatre Company of the Ozarks and
the Ozark Arts Council Present a
Jones Hope Wooten Comedy:
Farce of Habit
Friday–Saturday, August 14–15 & 21–22, 7:00PM
Sunday, August 16 & 23, 2:00PM
The Theatre Company of the Ozarks and The Ozark Arts Council, will present Farce of Habit, a typically raucous Jones Hope Wooten comedy, #LiveAtTheLyric the middle two weekends of August, 2020 (August 14–16 & 21–23)! Tickets are available through The Lyric’s ticketing page with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.
Just when you thought it was safe to fish in the Ozarks…
Comic fireworks explode in Farce of Habit (the sequel to 2016’s Farce of Nature), an absurdly funny Southern-fried romp that takes us back to the Reel ’Em Inn, the finest little fishing lodge in the Ozarks. The proprietor, D. Gene Wilburn (Preston Garrison), is looking forward to a peaceful weekend on the lake. But there are only two chances of that happening: slim and none!
Why, for example, has his wife, Wanelle (Michelle Dees), picked these three days to white-knuckle her way through caffeine withdrawal? Why is his son Ty’s (Shade Roberts) marriage to Jenna (Shelby Waters) falling apart so fast? Could it have something to do with the French can-can costume Ty is wearing? How on earth would D. Gene’s feisty sister, Maxie (Kay Arthur), allow herself to get caught up in such a bizarre undercover police assignment?
And that’s just his family. If this isn’t enough to thwart D. Gene’s weekend plans, he’s got a gaggle of nuns who’ve converged on the Inn, hell-bent on experiencing a nature retreat—which might be tolerable if D. Gene didn’t have a chronic fear of anything in a habit. Add to this the presence of Jock McNair (Carl Palmer), a nationally known relationship guru whose colossal ego threatens everyone’s sanity; a shy retiree, Huddle Fisk (Joseph Cotton), anxious to cut loose and embrace his “inner caveman,” and a couple of wild women, Barb Stratton (Emily Still) and Sister Myrtle Agnes (Emily Perkins), who may or may not be who they claim to be. Throw in the storm of the century that’s fast bearing down on Mayhew, Arkansas, and D. Gene has no prayer of baiting a hook any time soon. Oh, and did we mention there’s an ax murderer on the loose?
If you enjoy gloriously preposterous hilarity, then laughing your way through the take-no-prisoners lunacy of a Jones Hope Wooten comedy is one habit you’ll never want to break! Tickets on sale right here on our website…and don’t forget to check out our new Theatre Company Season Passes! When you become an Ozark Arts Council member, you become eligible for these exclusive passes, which will save you money on our upcoming season, including Farce of Habit, Nunsense II, Freaky Friday, and…Arsenic and Old Lace! Visit the ticketing page or call 870-391-3504 for more info!
In trying times, what could be better than a healthy dose of Jones Hope Wooten comedy
? Three of the most popular and widely-produced playwrights in the country, with Broadway, film, and TV credits (e.g., The Golden Girls and Disney’s Teacher’s Pet), Jessie Jones, Nicholas Hope and Jamie Wooten specialize in laugh-out-loud comedies, and this will be a great one!
Please Note for Your Safety and Comfort: We have our patrons’ health and well-being first and foremost in our minds as the Covid-19 numbers rise but we’re all learning to work around it, so please make sure you read the guidelines below that we have put into place (per the Arkansas Department of Health’s directives) to keep you protected. Please read carefully, as we are required to abide strictly by these guidelines—and please note that, as we’ve seen these past several months, these guidelines may change at any moment. If they do, we will be sure to update you. We are doing everything we can in our cleaning procedures and following of the ADH guidelines to keep you safe, and we appreciate your doing the same for our volunteers and performers.
The ADH Requirements
- Patrons must be required to wear a mask if over 10 years of age.
- Every patron’s temperature must be checked upon entrance and will be asked several questions pertaining to travel and health. Patrons will not be able to enter if:
- They have fever, cough, shortness of breath, sore throat, or loss of taste or smell.
- They have had known exposure to someone with Covid-19 in the past 14 days.
- A 6-foot gap must be maintained between patrons who do not “shelter together,” so only groups with family members should get tickets with adjoining seats. If you plan on going with anyone who does not live in the same household with you, please call 870-391-3504 for our help on getting you seats as close together as possible, while still allowing for the “social distancing” regulations.
- We are allowed to serve refreshments, so our concession stand and the upstairs Immortal BarD will be open. However, we will have signs posted reminding patrons to keep a 6 foot distance, and we will not be able to accommodate clustering of groups at the counters.
- Though it is a tradition at the Lyric to allow audience members to come up and greet the cast at the end of plays, we will forego this for now to keep the required 12 feet of distance between those on stage and those in the audience. If you wish to tell the cast “good job!” you can leave comments right here on this page!
If you have any questions about how we are protecting our volunteers, or about any of the guidelines, please don’t hesitate to call 870-391-3504 or send an email here.
Join us at The Lyric for great southern comedy August 14–16 & 21–23. Tickets for Farce of Habit are available now here at TheLyric.org by clicking any “Get Tickets” link or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).
The Theatre Company of the Ozarks and The Ozark Arts Council, will present Always a Bridesmaid #LiveAtTheLyric the last weekend of June, 2020 (June 25–28)! 
country, with Broadway, film, and TV credits (e.g., The Golden Girls and Disney’s Teacher’s Pet), Jessie Jones, Nicholas Hope and Jamie Wooten specialize in laugh-out-loud comedies, and this will be a great one!
The Theatre Company of the Ozarks and The Ozark Arts Council, will present the raucous comedy, Nunsense II: The Second Coming #LiveAtTheLyric the second weekend of September (September 10–13)! 
In Truvy’s (Trish Lockridge), beauty salon in Chinquapin, Louisiana, where all the ladies who are anybody come to have their hair done, the shop is abuzz with gossip and coffee and hairspray. Helped by her eager new assistant, Annelle (Katie Blessing), who may or may not be married, the wise-cracking Truvy dispenses shampoo and free advice to the town’s rich curmudgeon, Ouiser (Mary Bishop), whose 40-year-old bad mood has only sharpened her wit; an eccentric millionaire, Miss Clairee (Gwen Gresham), who has a sweet tooth for football teams; and the local social leader, M’Lynn (Lisa Johnson) and her vivacious daughter, Shelby (Callie Johnson), who is about to marry a “good ol’ boy.” Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions between the five ladies, the play moves toward tragedy when the spunky Shelby (who has 
Steel Magnolias will be performed #LiveAtTheLyric August 16 and 17 at 7:00pm, and August 18 at 2:00pm. Proceeds from the August 16 show will go to the 
focused on vocals, acting, and choreography, as well as the proper etiquette for being in a play and attending a play, all of which culminated in a short performance for the family and friends of the children—many of whom are gracing the Lyric stage for the first time ever. Only then was attention turned fully to this play, where those new or refined acting, singing, and dancing skills could be put into practice for the sellout performances this July will bring.
We hope you will join us both for the entertainment and lesson imparted by this classic story and for the building of our community that attendance at Arts events—especially at young people’s theatre—always brings. The OAC and its Member Organizations are committed to having children of all ages learn about the Arts and develop a love for them that reaches beyond their early years, so that they grow up to be well-rounded, empathetic adults. These “Jr.” plays, and the directors who bless us by giving up a portion of their summers, are a huge first step in that direction.
If I’ve told you once, I’ve told you a hundred times: do not fan the girls when they’re wet! But you’ll never learn; you’ll be a eunuch all your life!
When Senex and Domina leave for the day, Hero declares his love for one of the ladies who live at his next door neighbor’s house, Philia (Katie Blessing), and that’s when Pseudolus begins to hatch a scheme to buy his own freedom.
When the two visit Lycus’s house, once they get past the eunuchs (Donovan Walters and Nicholas Prpich) they meet Tintinabula (Cady Wheeler), a bell-wearing beauty; Vibrata (Kennedy Bottoms), an energetic, lively lovely with a leopard skin bikini; the Geminae (Faith Nix and Dante Lowe), a “matched pair”; Panacea (Nikki Forehand), a seductive dancer; and Gymnasia (Spree Hilliard), with a body upon which “a thousand dramas can be played.” They and the other lovely courtesans (Lena Rocole, Jenna Wilson, Rilee Young, Kaley Jones) are tempting, but Hero and Pseudolus are alarmed to find out that Philia has been sold to the great Captain Miles Gloriosus (Caleb Lord), and will be claimed that very day.
doubled over with laughter, attempting to keep up with what wackiness will occur next.
It doesn’t matter if you win or lose, it’s what you do with your dancin’ shoes.
naming him Wilbur (Preston Garrison), even though her mother, Martha (Kayla Smith), thinks she already spends too much time with the animals, and her brother, Avery (Wyatt Mahoney) is too busy with his frogs to take much notice. When he’s older, Wilbur is sold to Fern’s aunt and uncle, Edith and Homer Zuckeman (Abigail Kops, Landon Helsel), and cared for by their farmhand, Lurvy (Matthew Brown), in whose barnyard he is left yearning for companionship but is snubbed by the other animals (Emily Akins, Laine Hilliard, Shelby Stracner, Elizabeth Smith), until he is befriended by a spider named Charlotte (Callie Johnson), living on a web overlooking Wilbur’s enclosure. Upon Wilbur’s discovery that he is once again intended for slaughter, she promises to hatch a plan guaranteed to spare his life, with a little help from the local barn rat, Templeton (Daniel Seay). As fans already know, and as those new to this beloved tale shall soon find out: “No one had ever had such a friend. So affectionate, so loyal, and so skillful,” as Charlotte.
The show is a challenging one for sure! Asking actors to portray animals and humans all at the same time…well, that gets tricky; but we have an extraordinary cast who is both dedicated and fearless in this adventure and I couldn’t be prouder of them. I am thrilled we were able to get some area schools to attend and I look forward to future 
projects where we can also involve our local school children. That is what it is all about, right? We are bringing the Arts to our community and we are having so much fun doing it. As always, I am grateful for the opportunity to work with Michael Mahoney and North Arkansas College, as well as the Ozark Arts Council. Charlotte’s Web is fun entertainment for the whole family that also provides some amazing life lessons and heartfelt human emotions to which we can all relate. I hope to see everyone in our community come out and support the children and adults who have worked so hard to bring this show to life!
Area schools were invited to four special matinee performances and will be filling the theater with their laughter. We weren’t able to fit all of the students from all of the schools into the theater, though, (and those who get to see it with their classmates will want to come back and share it with Mom, Dad, Grandma, Grandpa, and their siblings!), so make sure not to miss your chance to once again delight in this story of friendship: 
two years from 1953 to 1955. In mid-1955, Mr. Sharkey enlisted in the Army. He served at Sandia Base, New Mexico as a Special Services worker. He wrote, produced, and directed one show per month for the Enlisted Men’s Club. In 1958, Mr. Sharkey went to New York to begin a full-time freelance writing career. He wrote Science Fiction stories and novels, humor articles, and mystery novels. In 1961, he returned to Chicago where he worked as joke editor for Playboy Magazine and then was Editor of the Allstate Insurance Company Magazine for 11 years from 1964-75. Mr. Sharkey wrote his first stage comedy in 1965. At the end of 1975, he went exclusively into playwriting, which he continued until a few months before his death. He has 83 published plays written under his own name and four others – 