Pride and Prejudice, September 2–4 at 7pm, 5 at 2pm! #LiveAtTheLyric!

The Theatre Company of the Ozarks and
the Ozark Arts Council Present a
World Premiere Adaptation of
Jane Austen’s Classic Novel:

Pride and Prejudice

Thursday-Saturday, September 2–4, 7:00PM
Sunday, September 5, 2:00PM

The Theatre Company of the Ozarks and The Ozark Arts Council, will present Pride and Prejudice #LiveAtTheLyric the first weekend of September, 2021 (September 2–5). Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

In the rural countryside of England live Mr. Bennet (Michael Amburn) and Mrs. Bennet (Elizabeth Lambert)—who is fixed on her 5 daughters getting married off quickly (and preferably to rich men!). Fortunately, a man of great wealth, Mr. Bingley (Jude Bilbee), has just moved to the neighborhood, and has set his sight on their eldest daughter, Jane (Bri Coleman). Unfortunately, he has brought along his arrogant friend, Mr. Darcy (Caleb Lord), who insults not only the Bennetts, whom he sees as far beneath him, but their second eldest, Elizabeth (Brinkley Brewer), initiating Elizabeth’s hatred for the prideful man. If Mr. Darcy’s attitude weren’t enough, Elizabeth meets many more people who add fuel to the flames in her heart toward him—such as Mr. Wickham (Joe Claus), who has known Mr. Darcy since infancy and is more than happy to enlighten Elizabeth with tales of his past.

As with any adaptation of a book to a live performance—and our season is full of them this year!—we suggest a (re-)reading of the book both before and after the performance. We suggest this because it both prolongs the entertainment and makes the experience more enriching. By reading the book before and after, you are able to engage your own imagination of the characters and scenery, etc., or even of the nuances of the plot, then gain insight into the playwright’s imagination of the same, and then deepen and broaden your own imagination through the post-performance reading. You may agree or disagree with any playwright’s choices in an adaptation…and, maybe, if you disagree enough, another playwright will have been created!

To read Jane Austen’s novel, visit the Boone County Public Library or a library near you…or buy it online. If print size can cause you difficulty, a large print, unabridged hardback is linked in the image to the right, below, and a version to read on tablets is available for under a dollar and is linked in the image on the left! If you follow our links to buy the book, you’ll notice that where ‘www’ normally is, it says ‘smile’, which means you can designate the OAC/Lyric to receive a portion of what you pay for the book (it won’t increase your price or take money away from creators or producers of a product, but comes out of Amazon’s profit).

This play is a world premiere, adapted by the director, Michele Reynolds, from Jane Austen’s classic novel to bring out more of the nuances of the book—both the comedic elements and the reasons behind some of the animosity between characters—and includes a large and talented ensemble, including Andrew Jackson, Addie Jones, Ella Domino, Faith Nix, Chasity Price, Rilee Young, Preston Garrison, Candace Lambert, Tracy Elledge, Cassandra Elledge, Emily Perkins, Alexis Poor, Caden Lambert, AJ Womack, Julie Sooter, Lily Aronson, Owen Elledge, Vive Allen, Jimmy Elledge, Laura Bracken, Lenora Domino, Emily Still.

Join us at The Lyric for a literary classic brought to life! Tickets for Pride and Prejudice, September 2–5 #LiveAtTheLyric, are available now here at TheLyric.org by clicking any “Get Tickets” link, or calling the OAC office at (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

Pride and Prejudice, September 2–4 at 7pm, 5 at 2pm! #LiveAtTheLyric!

The Theatre Company of the Ozarks and
the Ozark Arts Council Present a
World Premiere Adaptation of
Jane Austen’s Classic Novel:

Pride and Prejudice

Thursday-Saturday, September 2–4, 7:00PM
Sunday, September 5, 2:00PM

The Theatre Company of the Ozarks and The Ozark Arts Council, will present Pride and Prejudice #LiveAtTheLyric the first weekend of September, 2021 (September 2–5). Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

In the rural countryside of England live Mr. Bennet (Michael Amburn) and Mrs. Bennet (Elizabeth Lambert)—who is fixed on her 5 daughters getting married off quickly (and preferably to rich men!). Fortunately, a man of great wealth, Mr. Bingley (Jude Bilbee), has just moved to the neighborhood, and has set his sight on their eldest daughter, Jane (Bri Coleman). Unfortunately, he has brought along his arrogant friend, Mr. Darcy (Caleb Lord), who insults not only the Bennetts, whom he sees as far beneath him, but their second eldest, Elizabeth (Brinkley Brewer), initiating Elizabeth’s hatred for the prideful man. If Mr. Darcy’s attitude weren’t enough, Elizabeth meets many more people who add fuel to the flames in her heart toward him—such as Mr. Wickham (Joe Claus), who has known Mr. Darcy since infancy and is more than happy to enlighten Elizabeth with tales of his past.

As with any adaptation of a book to a live performance—and our season is full of them this year!—we suggest a (re-)reading of the book both before and after the performance. We suggest this because it both prolongs the entertainment and makes the experience more enriching. By reading the book before and after, you are able to engage your own imagination of the characters and scenery, etc., or even of the nuances of the plot, then gain insight into the playwright’s imagination of the same, and then deepen and broaden your own imagination through the post-performance reading. You may agree or disagree with any playwright’s choices in an adaptation…and, maybe, if you disagree enough, another playwright will have been created!

To read Jane Austen’s novel, visit the Boone County Public Library or a library near you…or buy it online. If print size can cause you difficulty, a large print, unabridged hardback is linked in the image to the right, below, and a version to read on tablets is available for under a dollar and is linked in the image on the left! If you follow our links to buy the book, you’ll notice that where ‘www’ normally is, it says ‘smile’, which means you can designate the OAC/Lyric to receive a portion of what you pay for the book (it won’t increase your price or take money away from creators or producers of a product, but comes out of Amazon’s profit).

This play is a world premiere, adapted by the director, Michele Reynolds, from Jane Austen’s classic novel to bring out more of the nuances of the book—both the comedic elements and the reasons behind some of the animosity between characters—and includes a large and talented ensemble, including Andrew Jackson, Addie Jones, Ella Domino, Faith Nix, Chasity Price, Rilee Young, Preston Garrison, Candace Lambert, Tracy Elledge, Cassandra Elledge, Emily Perkins, Alexis Poor, Caden Lambert, AJ Womack, Julie Sooter, Lily Aronson, Owen Elledge, Vive Allen, Jimmy Elledge, Laura Bracken, Lenora Domino, Emily Still.

Join us at The Lyric for a literary classic brought to life! Tickets for Pride and Prejudice, September 2–5 #LiveAtTheLyric, are available now here at TheLyric.org by clicking any “Get Tickets” link, or calling the OAC office at (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

Brick Fields: Blues Therapy – April 5 @ 7:00 – #LiveAtTheLyric!

Rough Winter?
The Mother of Ozark Gospel Blues is Bringing the Cure:
Brick Fields is Coming to the Lyric!
Friday, April 5 at 7:00PM

If the ‘official’ end of winter on March 20 finds you not quite recovered from it all, join us at ‘The Roots Music Palace of the Ozarks’ on April 5 at 7:00, because Brick Fields is coming to provide you with the Blues Therapy you need to have a healthy outlook for Spring—and the rest of the year! “An unleashed cleansing of the soul” is how the Nashville Blues Society described Brick Fields’ music, and the New Classic Music of Tomorrow music review blog makes it clear why: “Brick Fields is by far the most soulful artist I’ve heard in years!” 

Brick Fields is an Arkansas original musical group fronted by the ambrosial voice of Rachel Fields. With her husband, Larry Brick, who has spent over 40 years in the music business as a guitar player and songwriter (and was a worship leader during the California Calvary movement of the 1970s), there is a ‘two talents expressing one flesh’ vibe throughout the music—a unity of purpose in music and vocals that is neither forced nor self-conscious, but just is. Rachel cut her musical teeth first in the Arkansas River valley, by way of her Uncle Mike “Burger” Scoggins, then in the jam band circuit touring in the late ’90s east and west coast festivals, opening for acts like Government Mule and later singing on a tour with the Jerry Garcia Band. Together, they bring a true Americana Soul feel—weaving Folk, Gospel, and Blues together in such a way that former Buffalo River Concert Association president Rick Hinterheuer told Rachel, “You’re going to have a good time playing at the Lyric!”…because Rick knows what we like!

Brick Fields’ current core band is a treasure of solid creativity including Ben Sass, Kevin Bonner, Hoobie Daniels, and Chris Parker.

  • Ben Sass of Jerusalem, Israel is the vibrant enthusiastic steed on and off stage, possibly one of the world’s finest up-and-coming harmonica players on the scene.
  • Kevin Bonner is from Northwest Arkansas and honed his drumming chops in the Cate Bro’s garage; he has been the backbone for numerous of NWA’s most loved bands.
  • Bass player, Hoobie Daniels, of Southern Mississippi (via Austin Texas), joined Brick Fields in 2016 after retiring to the Ozark Mountains where he is continuing his musical journey.
  • Chris Parker adds his Tulsa guitar stylings with influences that largely play themselves out between Chet Atkins and BB King.

Comfortable with themselves and numerous surprise guests, it’s not unusual at a Brick Fields show for the night to end with a few or as many as 20 players on stage. As musicians’ musicians, Brick Fields has been called a magnet for other musicians and music lovers alike.  Ever evolving, this couple’s original music can charm venues in an intimate relaxed setting with the acoustic duo telling stories of musical roots or bring a full-on band experience that brings the house to its feet.

The Ozark Arts Council is pleased to welcome Brick Fields to The Roots Music Palace of the Ozarks, Harrison’s historic Lyric Theater, on Friday, April 5 at 7:00. Tickets are just $10 in advance, but $15 at the door; just click any of the ‘Get Tickets’ links here on our website and you’ll be taken to our ticketing page, or call Jules or Dill at (870) 391-3504 or visit Dill at the OAC office M-W-F 8:00–2:00 (or Jules by appointment).

OAC Ticketing Link

Black Stone Cherry – February 15 @ 7:00 – #LiveAtTheLyric!

Fewer than 25 Tickets Remaining…

Roots Rock: Black Stone Cherry Celebrates Their “Family Tree” Live at The Lyric!
Friday, February 15 at 7:00PM

Join us on February 15 at 7:00pm, as Black Stone Cherry returns to the Lyric! If you know their songs White Trash Millionaire, In My Blood, or Please Come In, you won’t want to miss the driving southern rock of Black Stone Cherry live in support of their new album, Family Tree.

For 17 years, Black Stone Cherry has put forth a new, vicious breed of Southern rock, injecting youthful vitality and a myriad of fresh new influences into the beloved American rock tradition. To date, the band has released five critically-acclaimed studio albums and one well-received blues EP. Black Stone Cherry has also rocked 12,000-cap arena shows, topped the UK charts, and shared the stage with a diverse roster of superstars, including Def Leppard, Lynyrd Skynyrd, Bad Company, Motörhead, and ZZ Top.

Family Tree is the much-anticipated follow up to 2016’s Kentucky, which debuted at #5 on the Official UK Album Chart and went to #1 on the Billboard Album

Anya Svirskaya for Antihero Magazine

Chart. Drummer John Fred Young says, “Family Tree showcases all of our collective musical influences and how we have taken those to create something that is truly our own unique Southern American rock ’n’ roll sound.” Two special guests appear, one bringing the concept of family full circle: lead guitarist/vocalist Chris Robertson’s 5-year-old-old son contributes backup vocals on the swaggering You Got The Blues, while the other, revered jam-band musician Warren Haynes (Allman Bros/Gov’t Mule) offers a guitar cameo and vocals on the delta stomp of Dancing In The Rain. “I remember coming to New York when we first were signed, and hearing Warren’s voice behind me the minute my feet hit the street,” recalls bassist Jon Lawhon. “Hearing him play on this track all these years later gave me chills.”

We grew up in the Kentucky Headhunters’ rehearsal space, looking up at posters of Cream, Led Zeppelin, Uriah Heep, the Stones, Montrose, and the Faces. We were like kids someone took in a time capsule and put in the woods.

— John Fred Young

Family Tree rocks hard with the immediacy and spontaneity of in-the-moment takes, and Chris Robertson mixing perfectly fits the loose, creative process that birthed the album—and makes it so easily translate to the ever-evolving jams of their incredible live show.

The concept of family looms large in the world of Black Stone Cherry’s four band members. John Fred Young’s father Richard and his uncle Fred, are founding members of the Grammy Award-winning country rock n’ roots band, The Kentucky HeadHunters. BSC’s four high school-aged friends—Young, plus frontman/guitarist Chris Robertson, guitarist Ben Wells and bassist Jon Lawhon—grew up honing their craft in the Headhunters’ practice house, an abandoned property on the Young family’s farmland. John Fred says, “We grew up in the Kentucky Headhunters’ rehearsal space, looking up at posters of Cream, Led Zeppelin, Uriah Heep, the Stones, Montrose, and the Faces. We were like kids someone took in a time capsule and put in the woods.”

It’s a great time for Black Stone Cherry to return to the Lyric, “The Roots Music Palace of the Ozarks,” as they have recently moved to Mascot Label Group, home of some of the finest blues icons of this generation, such as Joe Bonamassa, Beth Hart, Walter Trout, Kenny Wayne Shepherd, Eric Gales, Jonny Lang, Robben Ford, Bernie Marsden, Ronnie Baker Brooks, and Sonny Landreth. The move came with the release of their EP of blues covers, Black to Blues, which shows both the foundation and the progress of music through the past century. The band selected 6 of their favorite tunes by Howlin’ Wolf, Muddy Waters, Freddie King, and Albert King, and reimagined them with the meaty moxie of classic BSC.

“It’s amazing to me how four good old boys from nowhere Kentucky can still be around 17 years later,” singer/guitarist Chris Robertson says. Guitarist Ben Wells concludes: “I don’t remember how life was outside of Black Stone Cherry. The four of us are family.” Every album, every concert, is a family reunion, and Black Stone Cherry is happy to have you join the family this October.

With the support of a great team of sponsors—including the “Boulder Bankers” at Stone Bank, the Harrison Convention and Visitors Bureau, and media sponsors ESPN Arkansas 104.3 (“Hit That Line!”), KHOZ 102.9 (“102.9 the Z”), and the Harrison Daily Times—the Ozark Arts Council is pleased to welcome Black Stone Cherry back to the historic Lyric Theater on Friday, February 15 at 7:00. Tickets are just $25 in advance, but $30 at the door (in the unlikely event that any are available); just click any of the ‘Get Tickets’ links here on our website and you’ll be taken to our ticketing page, or call Jules or Dill at (870) 391-3504 or visit Dill at the OAC office M-W-F 8:00–2:00 (or Jules by appointment).

OAC Ticketing Link

Multi-level Guitar Workshop with Laurence Juber — Saturday, September 22, 2018 at 2:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber to Hold Guitar Workshop!
Saturday, September 22 at @:00PM

Guitarists, join us on September 22 at 2:00pm, for a special class from two-time Grammy winner, Laurence Juber!

Laurence JuberNowhere else in Arkansas can you get this opportunity to study under guitar virtuoso Laurence Juber. LJ will hold a two hour class in the afternoon before his 7:00pm concert at Harrison’s “Roots Music Palace of the Ozarks,” the historic 1929 Lyric Theater! The price for this class is $50—but, if you have a ticket to the concert at the Lyric on Saturday evening (or to Friday’s concert at Sunrise Guitars adjoining venue Sunrise Stage in Fayetteville), you only pay $40!

James White (local guitarist and vocalist and columnist for the Harrison Daily Times) writes, “Although some people refer to ‘Up Close with LJ’ as a master class, he thinks of it as a workshop. He says it’s multi-level and addresses a range of fundamental concepts, some advanced musical information and general guitaristic ‘tune-ups.’ There is a component he calls ‘guitarology,’ in which he explores differing finger style patterns that go back to the beginning of the instrument.

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine—and he is on its cover again for the October, 2018 issue, as he releases his new album, which traces the roots of fingerstyle guitar. From classical to the Beatles and Hendrix, LJ is a master of it all, and is coming to share his insights with you!

To sign up for “Up Close with LJ,” simply go to our ticketing page! Enroll now, as space is limited!

OAC Ticketing Link

Grease! — Tuesday through Saturday, November 27–December 1 @ 7:00 & Sundays, December 2 & 9 @ 2:00 — #LiveAtTheLyric!

 

What’s the word that you heard…that you heard…
that you heard?  If it’s got a groove, if it’s got meaning…
if it is the time…is the place…is the motion…then…

Grease
is the way you are feeling!

Performances: Tuesday through Saturday, November 26–December 1 at 7:00PM
Sundays, December 2 & 9 at 2:00PM

It doesn’t matter if you win or lose, it’s what you do with your dancin’ shoes.
 – “Vince Fontaine”

If Grease is the way you are feeling, the end of November and beginning of December are your time of the year this year, because…yes, Grease the Musical is coming to the Lyric Theater LIVE for your viewing pleasure!

As Executive Director Hamblin was excited to announce, this is a play everyone can enjoy, whether you have nostalgia for the 1950s, for the play and film of the 1970s, or just for young people blasting energy from the stage to invigorate you in the midst of all your holiday preparations!

Join Greased Lightning, the Burger Palace Boys, and the Pink Ladies as they tell one of the most lasting love stories of all time. The 1950s high school dream is about to explode in this rollicking musical that is both an homage to the idealism of the fifties and a satire of high schoolers’ age-old desire to be rebellious, provocative and…rebellious! It’s 1959, and Rydell High School’s senior class is in rare form. The too-cool-for-school “Burger Palace Boys” (Andrew Coble, Gavin Wilson, Daniel Seay, Nathan Edwards) are stealing hub-caps and acting tough, and their gum-snapping, chain-smoking “Pink Ladies” (Katie Blessing, Eden Wilson, Ella Rush, Callie Johnson) are looking hot in bobby sox and pedal pushers.

At the heart of the story is the romance between hot-rodding gangster Danny Zuko (Laine Hilliard) and the sweet new girl in town, Sandy Dumbrowski (GiGi Crenshaw). They had a secret romance in summer, but now back in the context of school, peer-pressure and cliques make their love a bit more complicated. Can Danny maintain his “cool dude” status and still make demure Sandy his girl? The whole gang (Ann Lemley, Rowen Bolonsky, Nic Prpich, David Wilson, Preston Garrison, Serena Bolonsky, Candace Lambert, Abby Potter, Lena Rocole, Lexi Knight, Spree Hilliard, Haley Bright, Sky Blue Keen, Dylan Newby, Kinder Hinrichs, Jaxon Whitney, Zoe Arthur, Daniel Hart, Wesley Sanders, Liam Dupre, Julian Moehr) sings and dances around Danny and Sandy’s romance, through such hit songs as “Greased Lightnin,” “We Go Together,” and “Mooning,” recalling the music of Buddy Holly, Little Richard and Elvis Presley that became the soundtrack of a generation.

Hamblin adds: “With an absolutely rockin’ 50s band (Steve Richards, Christopher Dees, Chris LaFata, Tony Foster, Jake Woolston, Eli Barrett, and led by Leisa Phillips) you won’t want to miss it! Not only do they play the classic soundtrack to perfection, but for those who arrive before the 7:00 curtain time, they will be performing a mini-concert of songs from ‘back in the day’…so boogie, bunny hop, and hand jive your way at least a half-hour early out to Grease, a NorthArk Drama and Ozark Arts Council production, LIVE at the Lyric Theater, November 27-30, Dec 1 at 7:00 PM, December 2 & 9 at 2:00PM.” Tickets available at TheLyric.org. Special discount if bought online!

Tickets are available by clicking any “Get Tickets” link on this site or by calling (870) 391-3504. Advance Tickets are $12 Adults, $11 Seniors, $10 Students; tickets purchased at the door are $15 Adults, $14 Seniors, $13 Students.

OAC Ticketing Link

Two-Time Grammy Winner Laurence Juber Returns! — Saturday, September 22, 2018 at 7:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber Returns to The Lyric!
Saturday, September 22 at 7:00PM

Join us on September 22 at 7:00pm, for universally acknowledged master of the guitar, Laurence Juber!

Breaking News! LJ to teach multi-level guitar workshop #OnlyAtTheLyric! Follow this link to page for workshop info and signup!

Laurence JuberThis two-time Grammy-winner (once with Sir Paul McCartney’s “Wings” and once as a solo artist) thrilled the Lyric audience in 2015, and is returning to continue to dazzle us with his wit, which is as evident in his playing as his absolute mastery of his instrument—not only in its standard implementation, but through a variety of tunings that allow him to express far more than one normally associates with the playing of a single acoustic guitar.

As an award-winning fingerstyle acoustic guitarist also known for his electric work as lead guitarist in Wings, LJ has a large following among guitar fans and Beatles/classic rock fans. His shows feature his original compositions along with amazing covers of Beatles and classic rock songs like “Layla” and “Little Wingwhere he literally plays every melody of the song on just one guitar!

Seriously, How Good Is He?

Well, let’s put it this way…when C.F. Martin & Co. make a series of signature guitars named after you, you’re a bit beyond “pretty good.”

Pete Townsend of The Who simply exclaims, “A master!”

As a studio musician, LJ can be heard on recordings from artists as diverse as Dan Hicks & the Hot Licks to Seal to Barry Manilow, plus he is featured on the soundtracks to hundreds of TV shows such as Home Improvement and movies including the academy award-winning Dirty Dancing, Good Will Hunting, and Pocahontas.

You like video games? LJ co-composed the soundtrack of the award-winning video game Diablo III.

You watch the news? LJ crafted the score to the NBC Dateline documentary Children Of The Harvest. His music is also featured in the Ken Burns’ documentary The Tenth Inning.

In other words: You’ve Heard Him Even if You Haven’t Heard of Him!

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine.

A dynamic, entertaining performer and an accomplished clinician, LJ brings his passion for the guitar to venues around the world, creating a multi-faceted performance that belies the use of only one instrument. In Spring 2013 Laurence Juber released Under an Indigo Sky on Solid Air Records with a special limited edition vinyl for Record Store Day, and has just released LJ Can’t Stop Playing the Beatles.

At the heart of LJ’s sound and style breathes a near-flawless technique where a fiercely emotional underbelly, alternate tunings, and keen sense of melody and rhythm coalesce into something uniquely his own……you don’t have to be a solo-happy guitar worshipper to appreciate his talents.
– Inland Empire Weekly

OAC Ticketing Link

Cult Classic Alert: “The Rocky Horror Picture Show” on the Big Screen…and Prop Bags Available! — Friday, October 27, 2017 at 9pm!

The Rocky Horror Picture Show
Friday, October 27 at 9:00PM 

Let’s do the Time Warp again!

Some people like “prop comics” and some people don’t…but everybody loves a whole theater full of happy people adding to a movie’s hilarity because they all have the right props!

On October 27th at 9:00 pm, join your fellow Time Warp enthusiasts for The Rocky Horror Picture Show! In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter, a scientist. Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.”

If you have yet to see this cult classic, now is the time! Costumes and props are encouraged! Don’t have a clue? You’re just a click away from the official guide for first time attendees! And if you don’t know what to bring (or don’t have the time to gather the materials), don’t worry: Prop Bags will be available for $5 to the first 100 people through the door OR by reservation onlineNO water or fire (or hotdogs or prunes!) permitted in our historic building. Advance tickets are $10 online or by calling (870) 391-3504, and tickets at the door are $15.

OAC Ticketing Link

POSTPONED: Máire Ní Chathasaigh and Chris Newman: Traditional Celtic Music, Baroque, Bluegrass, and Swing with Harp and Guitar — Thursday, November 2, 2017 at 7pm — #LiveAtTheLyric!

Máire Ní Chathasaigh and Chris Newman:
Celtic Traditional, Baroque, Bluegrass, Swing
with Harp and Guitar
POSTPONED Due to Visa Problems Thursday, November 2 at 7:00PM 

The celebrated virtuoso partnership of “the doyenne of Irish harpers” (Scotland on Sunday) and “one of the UK’s most staggering and influential acoustic guitarists” (fRoots) is coming to “The Roots Music Palace of the Ozarks,” Harrison, Arkansas’s historic Lyric Theater, Thursday, November 2, at 7:00! Their performances—described by The Irish Times as “music of fire and brilliance from the high-wire act in traditional music”—are rooted but eclectic, emotional but adventurous: a breathtaking blend of traditional Irish music, hot jazz, bluegrass and baroque, coupled with striking new compositions and Chris’s delightfully subversive wit.

The children of the neighborhood teased Máire Ní Chathasaigh and her sister as they walked down the street. Her family in Brandon, West Cork, Ireland was the only one playing traditional music, so they would be teased for being out of step with the times. “We used to be laughed at by other kids because they thought we were being old hat, she says. But that first Planxty album let people see that traditional music could be modern and sophisticated, that it wasn’t some sort of hick music.” (Quoted from “Harping in the Traditions,” by Rob Adams.)

Not only her name (pronounced, Moyruh Nee Kha-huuh-sig), but her upbringing was in keeping with the traditional ways of the Gaelic-speaking Irish, her family featuring generations of musicians and poets carrying forward the folklore of her heritage. She and her sister, fiddler Nollaig Casey (Casey being the Anglicised version of Chathasaigh), were trained in both classical and folk music, both instrumental and vocal. While many worked at bringing forward the old music in new forms for pipes and fiddle, Máire revitalized the harp tradition virtually all by herself. “Since then, there’ve been lots of young people playing traditional music on the harp but there wasn’t anybody else playing when I was coming up,” she says. “If you played the pipes there were loads of recordings and a whole tradition to learn from. But I had nobody, just my ears, and I created techniques and ornaments, ways of doing things, and it was all done by trial and error, by myself. So if I got a lot of attention, it was because I was the first to do it.” (Quotes from “Harping in the Traditions.”)

Having become the first harpist to record an album primarily off Irish dance music in 1985, Máire first teamed up with English guitarist Chris Newman two years later. Celebrating their thirtieth anniversary of collaboration with their current tour of the United States, Máire and Chris will bring their internationally-heralded mastery of styles from traditional Celtic to Baroque to Swing along with a penchant for inventive soloing and challenging interaction between the artists to Harrison’s Lyric Theater for a 7:00 performance on Thursday, November 2.

“When I met Chris, he liked, but didn’t know that much about, traditional music, so he spent a lot of time learning from me,” says Maire. “Then we started experimenting with things he was proficient in, like swing, which he played with Stephane Grappelli as a teenager. We’re completely open, if we hear something nice, we’ll just say, ‘let’s play that.’ It’s extremely enjoyable to experiment and see just what your instruments can do, and we never run out of things to play.” (Quotes from “Harping in the Traditions.”)

Máire won the Senior All-Ireland Fleadh Cheoil Harp Competition three times in succession, in 1975, 1976 and 1977—a record that is still unsurpassed. More recently, she was Female Musician of the Year in the Live Ireland Music Awards 2016, where she was described in the citation as “the greatest Celtic harper of our age”. This recognition is not confined to Ireland, though, as she also was named Female Musician of the Year in the Chicago Irish American News Top TIR Awards 2016.

She is the best harp player in Irish music. There are several great Irish harpists—we think of Michelle Mulcahy, Catriona McDonald, Ailie Robertson, and Emer Mallon. There are more. They are all uber-fab. But, then there is Maire. Her new album is called Sibling Revelry. Really, there are no words. Just know this.

– , writing for Live Ireland about
the 2016 Live Ireland Female Artist of the Year Award

Máire has also won awards with Chris Newman, including “Album of the Year” (Live Ireland) and also the “Best Celtic Instrumental Album” (JUST PLAIN FOLKS AWARDS Nashville, Tennessee), 2009 for their album FireWire, as well as “Folk Album of the Year” (The Daily Telegraph) for their 1987 album The Living Wood.

Traditional Celtic music, along with Baroque, Bluegrass, and Swing will be performed by Máire Ní Chathasaigh and Chris Newman at downtown Harrison’s historic Lyric Theater, Thursday, November 2, at 7:00. Tickets available now at our ticketing page or by calling (870) 319-3504.

 

OAC Ticketing Link

Two-Time Grammy Winner Laurence Juber Returns! — Saturday, September 22, 2018 at 7:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber Returns to The Lyric!
Saturday, September 22 at 7:00PM

Join us on September 22 at 7:00pm, for universally acknowledged master of the guitar, Laurence Juber!

Laurence JuberThis two-time Grammy-winner (once with Sir Paul McCartney’s “Wings” and once as a solo artist) thrilled the Lyric audience in 2015, and is returning to continue to dazzle us with his wit, which is as evident in his playing as his absolute mastery of his instrument—not only in its standard implementation, but through a variety of tunings that allow him to express far more than one normally associates with the playing of a single acoustic guitar.

As an award-winning fingerstyle acoustic guitarist also known for his electric work as lead guitarist in Wings, LJ has a large following among guitar fans and Beatles/classic rock fans. His shows feature his original compositions along with amazing covers of Beatles and classic rock songs like “Layla” and “Little Wingwhere he literally plays every melody of the song on just one guitar!

Seriously, How Good Is He?

Well, let’s put it this way…when C.F. Martin & Co. make a series of signature guitars named after you, you’re a bit beyond “pretty good.”

Pete Townsend of The Who simply exclaims, “A master!”

As a studio musician, LJ can be heard on recordings from artists as diverse as Dan Hicks & the Hot Licks to Seal to Barry Manilow, plus he is featured on the soundtracks to hundreds of TV shows such as Home Improvement and movies including the academy award-winning Dirty Dancing, Good Will Hunting, and Pocahontas.

You like video games? LJ co-composed the soundtrack of the award-winning video game Diablo III.

You watch the news? LJ crafted the score to the NBC Dateline documentary Children Of The Harvest. His music is also featured in the Ken Burns’ documentary The Tenth Inning.

In other words: You’ve Heard Him Even if You Haven’t Heard of Him!

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine. A dynamic, entertaining performer and an accomplished clinician, LJ brings his passion for the guitar to venues around the world, creating a multi-faceted performance that belies the use of only one instrument. In Spring 2013 Laurence Juber released Under an Indigo Sky on Solid Air Records with a special limited edition vinyl for Record Store Day, and has just released LJ Can’t Stop Playing the Beatles.

At the heart of LJ’s sound and style breathes a near-flawless technique where a fiercely emotional underbelly, alternate tunings, and keen sense of melody and rhythm coalesce into something uniquely his own……you don’t have to be a solo-happy guitar worshipper to appreciate his talents.
– Inland Empire Weekly

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