The Remnants of Rock — February 19, 2022 at 7pm — #LiveAtTheLyric!

Get ready for that good times feeling to return,
those good times of Rock’s Golden Era, with…
The Remnants of Rock!
February 19, 2022 at 7PM

All the best from Rock’s Golden Era is headed back to the historic Lyric Theater, as Harrison, Arkansas relives those glorious days when The St. James Group brought that fantastic music to Harrison High School and NACC—as headliners and to open for such bands as The Amazing Rhythm Aces—on Saturday, February 19 at 7:00PM, for which tickets will go on sale at midnight on Halloween!

“The Remnants of Rock brought down the house during their recent appearance in the Woodlands Auditorium. Hot Springs Village residents were treated to an authentic experience from the Golden Era or Classic Rock and Roll. And from the crowd’s reaction, their music struck the right chords. The band presented a stellar performance to a full house and kept the crowd engaged throughout the evening. The audience was on its feet singing along…even after the encore. The Remnants of Rock produced an evening of new memories for the HSV residents fortunate to hear them play. Rock on.”

– Suzanne Sweeten, Hot Springs Village Voice

Rock and Roll was born in the late 1950s, and by the end of the 1960s, the music had produced such legends as Elvis Presley, The Beatles, The Beach Boys, and the Motown and Memphis sounds. The consensus among historians is that the greatest popular music of all time was created during this ten-year period. Unquestionably, the music defined a generation and continues to be embraced by younger generations.

The St. James Group in 1968
The St. James Group in 1968

The St. James Group formed in 1968 in the middle of this historic era and performed professionally until 1978. The original members all grew up within walking-distance of each other in the small town of Morrilton, Arkansas. The band shared the stage with some of the biggest artists of the 1970s and performed on college campuses from New Orleans to Chicago and all points in between. Unfortunately, The St. James Group quit preforming after the unexpected death of Chuck Gordon, the band’s original keyboard player. The Remnants of Rock is now the musical legacy of The St. James Group.

The Remnants today, ready to rock the Lyric on 2/19/22!
The Remnants today, ready to rock the Lyric!

The Remnants of Rock is composed of original band members that started out together in 1968, with the addition of the current keyboard player. The band’s goal is to successfully recreate the music of the 1960s as authentically as possible. Imagine walking into the student union for the homecoming dance on any college campus during the years 1965-1969 and hearing the best dance band you’ve ever heard! Close your eyes and think back, because this is the performance The Remnants will deliver! The band plays only the top hits from 1959–1969 – the sweet spot of the era.

“The Remnants (of Rock) put on a fantastic show at the Rialto Theater on June third. The crowd knew every word to every song in their set and even got up to dance in their seats! The performance was capped by a sing-a-long in front of the stage and followed by a couple of encores.”

– Rich Moellers, Manager Motown 92.5 Radio

Members of the band have performed with, recorded with, and served as engineers for some of the biggest names in music—from Alice Cooper to Willie Nelson…Dollie Parton, Styx, the Righteous Brothers, and so many more. Their production values are obvious when it’s mentioned thattheir keyboardist was the musical director for “50s at the Hop” in Branson, MO and their sound engineer from day one is the head of audio at Verizon Arena in Little Rock and has worked with Sir Paul McCartney in that capacity.

“The Remnants performed a spectacular concert to a capacity crowd and former classmates and the general public rocked to the awesome music of the 1960s. The band cycled through a collection of classic hits and many in the audience sang alone throughout the concert. The band performed a fast-paced show that kept everyone spellbound and everyone enjoyed the music.”

– Eleanor Stanley

Whether you were there when The St. James Group played the Jr./Sr. Dance in ’74 or when they brought The Amazing Rhythm Aces to NACC, or not, The Remnants of Rock will not only bring back memories, but create new ones! What a fantastic time to re-live that era, to introduce it to grandkids and great-grandkids, or just to admit what everybody knows: that the music of Rock’s Golden Age is a thing to rejoice in at any time and any age! Join us the historic Lyric Theater, as the Remnants bring the house down again on Saturday, February 19 at 7:00PM! Tickets will go on sale at midnight on Halloween!

tickets

Pride and Prejudice, September 2–4 at 7pm, 5 at 2pm! #LiveAtTheLyric!

The Theatre Company of the Ozarks and
the Ozark Arts Council Present a
World Premiere Adaptation of
Jane Austen’s Classic Novel:

Pride and Prejudice

Thursday-Saturday, September 2–4, 7:00PM
Sunday, September 5, 2:00PM

The Theatre Company of the Ozarks and The Ozark Arts Council, will present Pride and Prejudice #LiveAtTheLyric the first weekend of September, 2021 (September 2–5). Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

In the rural countryside of England live Mr. Bennet (Michael Amburn) and Mrs. Bennet (Elizabeth Lambert)—who is fixed on her 5 daughters getting married off quickly (and preferably to rich men!). Fortunately, a man of great wealth, Mr. Bingley (Jude Bilbee), has just moved to the neighborhood, and has set his sight on their eldest daughter, Jane (Bri Coleman). Unfortunately, he has brought along his arrogant friend, Mr. Darcy (Caleb Lord), who insults not only the Bennetts, whom he sees as far beneath him, but their second eldest, Elizabeth (Brinkley Brewer), initiating Elizabeth’s hatred for the prideful man. If Mr. Darcy’s attitude weren’t enough, Elizabeth meets many more people who add fuel to the flames in her heart toward him—such as Mr. Wickham (Joe Claus), who has known Mr. Darcy since infancy and is more than happy to enlighten Elizabeth with tales of his past.

As with any adaptation of a book to a live performance—and our season is full of them this year!—we suggest a (re-)reading of the book both before and after the performance. We suggest this because it both prolongs the entertainment and makes the experience more enriching. By reading the book before and after, you are able to engage your own imagination of the characters and scenery, etc., or even of the nuances of the plot, then gain insight into the playwright’s imagination of the same, and then deepen and broaden your own imagination through the post-performance reading. You may agree or disagree with any playwright’s choices in an adaptation…and, maybe, if you disagree enough, another playwright will have been created!

To read Jane Austen’s novel, visit the Boone County Public Library or a library near you…or buy it online. If print size can cause you difficulty, a large print, unabridged hardback is linked in the image to the right, below, and a version to read on tablets is available for under a dollar and is linked in the image on the left! If you follow our links to buy the book, you’ll notice that where ‘www’ normally is, it says ‘smile’, which means you can designate the OAC/Lyric to receive a portion of what you pay for the book (it won’t increase your price or take money away from creators or producers of a product, but comes out of Amazon’s profit).

This play is a world premiere, adapted by the director, Michele Reynolds, from Jane Austen’s classic novel to bring out more of the nuances of the book—both the comedic elements and the reasons behind some of the animosity between characters—and includes a large and talented ensemble, including Andrew Jackson, Addie Jones, Ella Domino, Faith Nix, Chasity Price, Rilee Young, Preston Garrison, Candace Lambert, Tracy Elledge, Cassandra Elledge, Emily Perkins, Alexis Poor, Caden Lambert, AJ Womack, Julie Sooter, Lily Aronson, Owen Elledge, Vive Allen, Jimmy Elledge, Laura Bracken, Lenora Domino, Emily Still.

Join us at The Lyric for a literary classic brought to life! Tickets for Pride and Prejudice, September 2–5 #LiveAtTheLyric, are available now here at TheLyric.org by clicking any “Get Tickets” link, or calling the OAC office at (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

Pride and Prejudice, September 2–4 at 7pm, 5 at 2pm! #LiveAtTheLyric!

The Theatre Company of the Ozarks and
the Ozark Arts Council Present a
World Premiere Adaptation of
Jane Austen’s Classic Novel:

Pride and Prejudice

Thursday-Saturday, September 2–4, 7:00PM
Sunday, September 5, 2:00PM

The Theatre Company of the Ozarks and The Ozark Arts Council, will present Pride and Prejudice #LiveAtTheLyric the first weekend of September, 2021 (September 2–5). Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

In the rural countryside of England live Mr. Bennet (Michael Amburn) and Mrs. Bennet (Elizabeth Lambert)—who is fixed on her 5 daughters getting married off quickly (and preferably to rich men!). Fortunately, a man of great wealth, Mr. Bingley (Jude Bilbee), has just moved to the neighborhood, and has set his sight on their eldest daughter, Jane (Bri Coleman). Unfortunately, he has brought along his arrogant friend, Mr. Darcy (Caleb Lord), who insults not only the Bennetts, whom he sees as far beneath him, but their second eldest, Elizabeth (Brinkley Brewer), initiating Elizabeth’s hatred for the prideful man. If Mr. Darcy’s attitude weren’t enough, Elizabeth meets many more people who add fuel to the flames in her heart toward him—such as Mr. Wickham (Joe Claus), who has known Mr. Darcy since infancy and is more than happy to enlighten Elizabeth with tales of his past.

As with any adaptation of a book to a live performance—and our season is full of them this year!—we suggest a (re-)reading of the book both before and after the performance. We suggest this because it both prolongs the entertainment and makes the experience more enriching. By reading the book before and after, you are able to engage your own imagination of the characters and scenery, etc., or even of the nuances of the plot, then gain insight into the playwright’s imagination of the same, and then deepen and broaden your own imagination through the post-performance reading. You may agree or disagree with any playwright’s choices in an adaptation…and, maybe, if you disagree enough, another playwright will have been created!

To read Jane Austen’s novel, visit the Boone County Public Library or a library near you…or buy it online. If print size can cause you difficulty, a large print, unabridged hardback is linked in the image to the right, below, and a version to read on tablets is available for under a dollar and is linked in the image on the left! If you follow our links to buy the book, you’ll notice that where ‘www’ normally is, it says ‘smile’, which means you can designate the OAC/Lyric to receive a portion of what you pay for the book (it won’t increase your price or take money away from creators or producers of a product, but comes out of Amazon’s profit).

This play is a world premiere, adapted by the director, Michele Reynolds, from Jane Austen’s classic novel to bring out more of the nuances of the book—both the comedic elements and the reasons behind some of the animosity between characters—and includes a large and talented ensemble, including Andrew Jackson, Addie Jones, Ella Domino, Faith Nix, Chasity Price, Rilee Young, Preston Garrison, Candace Lambert, Tracy Elledge, Cassandra Elledge, Emily Perkins, Alexis Poor, Caden Lambert, AJ Womack, Julie Sooter, Lily Aronson, Owen Elledge, Vive Allen, Jimmy Elledge, Laura Bracken, Lenora Domino, Emily Still.

Join us at The Lyric for a literary classic brought to life! Tickets for Pride and Prejudice, September 2–5 #LiveAtTheLyric, are available now here at TheLyric.org by clicking any “Get Tickets” link, or calling the OAC office at (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

Ozarks DynaCom FiveStar Talent Contest Semi-Finals, November 6 at 7pm #LiveAtTheLyric!

 

Ozarks DynaCom FiveStar Talent Contest Semi-Finals II, November 6 at 7pm #LiveAtTheLyric!

We Believe…

Our region of the Ozarks is overflowing with talent.

Amazing vocalists, dancers, comics and musicians appear regularly on stages, at events, in theaters, restaurants, bars and festivals throughout the Ozarks.

And we know, there’s incredible talent that isn’t very well-known too. There are up-and-comers and less experienced performers who are dedicated and working hard on their skills. They might be young, or they might have had to put their talent on the back-burner, or just decided that their special gifts and talents were going to be a hobby, instead of a career.

Ozarks DynaCom wants to give striving performers, the unknown and the inexperienced their moment in the spotlight. The Ozarks DynaCom FiveStar Talent Contest is the perfect opportunity to dust off the cobwebs, fine tune performance skills, or test new material on a real audience.

Together with our listeners, online fans, and social media friends, we might even discover the next entertainment sensation of the Ozarks, or beyond!

Contest Basics

The second semi-final show will be performed #LiveAtTheLyric on November 6, and tickets are available through The Lyric’s ticketing page, priced at $17 for adults and $14 for students. As this is a regional contest, tickets are not expected to last. Face coverings for disease transmission are no longer required by the state, but no one will object if you still wish to wear one.

Tickets for the first semi-final show, which will be performed at Branson’s historic Owens Theater, are available through the Branson Regional Arts Council’s website.

FiveStar Talent Contest Is Brought to You by…

The stations of Ozarks DynaCom!

 

 

and…



 

as well as These Fantastic Sponsors:

OAC Ticketing Link

HHS@TheLyric: Tuck Everlasting, September 30–October 2 at 7pm, Oct. 3 at 2pm! #LiveAtTheLyric!

 

The Ozark Arts Council proudly presents
the first-ever entirely student-driven
production by HHS Theatre at the Lyric:

🌲 Tuck Everlasting  ❤️

Thursday–Saturday, Sept. 30–Oct. 2, 7:00PM
Sunday, October 3, 2:00PM

 

HHS•Theatre@TheLyric and The Ozark Arts Council will bring a beloved book to the Lyric stage with a most intriguing cast and crew: Mrs. Hamblin is turning her veteran youth loose on the community to treat us to all of the energy—and all of the angst—that Tuck Everlasting deserves, with Harrison High School’s first student-led (from director to actors to tech!) production. Performed #LiveAtTheLyric September 30–October3, tickets are available through The Lyric’s ticketing page with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults. Face coverings for disease transmission are no longer required by the state, but no one will object if you still wish to wear one.

10-year-old Winnie Foster, trapped by the rules imposed by her strait-laced family, runs away and discovers the humble Tucks who had accidentally stumbled upon a spring long ago that gave them eternal life. Winnie promises to keep their dangerous secret but then a sinister stranger in a yellow suit arrives at their door with intentions to steal the immortal water for himself. Ultimately Winnie must choose whether or not to drink the immortal water and join them in an everlasting adventure—or live on in a natural way, living a life full of the ordinary beauty of growth and change.

Directed by Khloe Shorb, the 🌲Tuck Everlasting ❤️ cast includes:

Winnie Foster: Faith Nix
Angus Tuck: Zach Jimerson
Mae Tuck: Mysteri Cotton
Jesse Tuck: Tori Hudson
Miles Tuck: Joe Claus
Stranger: Jude Bilbee
Constable: Charlie Knieff
Granny Foster: Sara Sims
Voices: Kaci Flower, Donovan Walters, Mandy Prpich, Rilee Young, Jenna Wilson, Addie Jones

Join us at The Lyric for Tuck Everlasting! Tickets are available now here at TheLyric.org by clicking any “Get Tickets” link or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).

Get your tickets now, but keep checking back here for updates from the director, cast, and crew!

The cast and crew were so excited to have the Lyric open after nine months being dark that they had their read-through already in May!

OAC Ticketing Link

An Evening with Carol Burnett and Friends, June 11–12 at 7pm, 13 at 2pm! #LiveAtTheLyric!

 

The Theatre Company of the Ozarks and
the Ozark Arts Council Present a
Sketch Comedy Cavalcade in Tribute to:

The Carol Burnett Show

Friday–Saturday, June 11–12, 7:00PM
Sunday, June 13, 2:00PM

 

The Theatre Company of the Ozarks and The Ozark Arts Council will present a tribute to a wonderful lady and the glorious sketch comedy and variety she shared with us through her weekly CBS TV series—a tribute to The Carol Burnett Show, performed #LiveAtTheLyric June 11–13! Tickets are available through The Lyric’s ticketing page with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults. Face coverings for disease transmission are not required, but no one will object if you still wish to wear one.

Eight comedy sketches from Carol Burnett’s televised shows will be performed, including such favorites as “The Old Folks,” the deadbeat “Fusco” family, and a parody of Bonnie and Clyde. Cherished memories of Carol, Harvey, Tim, and the gang are sure to flood back for you, just as they have for the cast.

But that’s not all…

The show is nonstop with entertainment between the sketches, as well, and a half time intermission. Concessions will, of course, be available in the lobby and libations up upstairs.

The Theatre Company is sponsoring this event as a fundraiser for the Lyric to help pay for repairs from water damage sustained during the winter storm.  We will also gladly accept donations (see the potty in the lobby!).

The cast and crew are so excited to have the Lyric open after nine months being dark.

Harrison, welcome back to the Lyric!

 

Join us at The Lyric for some of the greatest comedy sketches in TV history, for the first time ever #LiveAtTheLyric! Performances will be June 11–13. Tickets for our Tribute to Carol Burnett are available now here at TheLyric.org by clicking any “Get Tickets” link or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

Farce of Habit, August 14–15 & 21–22 at 7pm, 16 & 23 at 2pm! #LiveAtTheLyric!

 

The Theatre Company of the Ozarks and
the Ozark Arts Council Present a
Jones Hope Wooten Comedy:

Farce of Habit

Friday–Saturday, August 14–15 & 21–22, 7:00PM
Sunday, August 16 & 23, 2:00PM

 

The Theatre Company of the Ozarks and The Ozark Arts Council, will present Farce of Habit, a typically raucous Jones Hope Wooten comedy, #LiveAtTheLyric the middle two weekends of August, 2020 (August 14–16 & 21–23)! Tickets are available through The Lyric’s ticketing page with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

Just when you thought it was safe to fish in the Ozarks…

Kay Arthur

Comic fireworks explode in Farce of Habit (the sequel to 2016’s Farce of Nature), an absurdly funny Southern-fried romp that takes us back to the Reel ’Em Inn, the finest little fishing lodge in the Ozarks. The proprietor, D. Gene Wilburn (Preston Garrison), is looking forward to a peaceful weekend on the lake. But there are only two chances of that happening: slim and none!

Why, for example, has his wife, Wanelle (Michelle Dees), picked these three days to white-knuckle her way through caffeine withdrawal? Why is his son Ty’s (Shade Roberts) marriage to Jenna (Shelby Waters) falling apart so fast? Could it have something to do with the French can-can costume Ty is wearing? How on earth would D. Gene’s feisty sister, Maxie (Kay Arthur), allow herself to get caught up in such a bizarre undercover police assignment?

L-R: Emily Still, Carl Palmer, Michelle Dees

And that’s just his family. If this isn’t enough to thwart D. Gene’s weekend plans, he’s got a gaggle of nuns who’ve converged on the Inn, hell-bent on experiencing a nature retreat—which might be tolerable if D. Gene didn’t have a chronic fear of anything in a habit. Add to this the presence of Jock McNair (Carl Palmer), a nationally known relationship guru whose colossal ego threatens everyone’s sanity; a shy retiree, Huddle Fisk (Joseph Cotton), anxious to cut loose and embrace his “inner caveman,” and a couple of wild women, Barb Stratton (Emily Still) and Sister Myrtle Agnes (Emily Perkins), who may or may not be who they claim to be. Throw in the storm of the century that’s fast bearing down on Mayhew, Arkansas, and D. Gene has no prayer of baiting a hook any time soon. Oh, and did we mention there’s an ax murderer on the loose?

L-R: Shade Roberts, Joseph Cotton, Michelle Dees

If you enjoy gloriously preposterous hilarity, then laughing your way through the take-no-prisoners lunacy of a Jones Hope Wooten comedy is one habit you’ll never want to break! Tickets on sale right here on our websiteand don’t forget to check out our new Theatre Company Season Passes!  When you become an Ozark Arts Council member, you become eligible for these exclusive passes, which will save you money on our upcoming season, including Farce of Habit, Nunsense II, Freaky Friday, and…Arsenic and Old Lace! Visit the ticketing page or call 870-391-3504 for more info!

In trying times, what could be better than a healthy dose of Jones Hope Wooten comedy? Three of the most popular and widely-produced playwrights in the country, with Broadway, film, and TV credits (e.g., The Golden Girls and Disney’s Teacher’s Pet), Jessie Jones, Nicholas Hope and Jamie Wooten specialize in laugh-out-loud comedies, and this will be a great one!

Please Note for Your Safety and Comfort: We have our patrons’ health and well-being first and foremost in our minds as the Covid-19 numbers rise but we’re all learning to work around it, so please make sure you read the guidelines below that we have put into place (per the Arkansas Department of Health’s directives) to keep you protected. Please read carefully, as we are required to abide strictly by these guidelines—and please note that, as we’ve seen these past several months, these guidelines may change at any moment. If they do, we will be sure to update you. We are doing everything we can in our cleaning procedures and following of the ADH guidelines to keep you safe, and we appreciate your doing the same for our volunteers and performers.

The ADH Requirements

  • Patrons must be required to wear a mask if over 10 years of age.
  • Every patron’s temperature must be checked upon entrance and will be asked several questions pertaining to travel and health. Patrons will not be able to enter if:
    • They have fever, cough, shortness of breath, sore throat, or loss of taste or smell.
    • They have had known exposure to someone with Covid-19 in the past 14 days.
  • A 6-foot gap must be maintained between patrons who do not “shelter together,” so only groups with family members should get tickets with adjoining seats. If you plan on going with anyone who does not live in the same household with you, please call 870-391-3504 for our help on getting you seats as close together as possible, while still allowing for the “social distancing” regulations.
  • We are allowed to serve refreshments, so our concession stand and the upstairs Immortal BarD will be open. However, we will have signs posted reminding patrons to keep a 6 foot distance, and we will not be able to accommodate clustering of groups at the counters.
  • Though it is a tradition at the Lyric to allow audience members to come up and greet the cast at the end of plays, we will forego this for now to keep the required 12 feet of distance between those on stage and those in the audience. If you wish to tell the cast “good job!” you can leave comments right here on this page!

If you have any questions about how we are protecting our volunteers, or about any of the guidelines, please don’t hesitate to call 870-391-3504 or send an email here.

Join us at The Lyric for great southern comedy August 14–16 & 21–23. Tickets for Farce of Habit are available now here at TheLyric.org by clicking any “Get Tickets” link or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

Always a Bridesmaid, June 25-27 at 7pm, 28 at 2pm! #LiveAtTheLyric!

The Theatre Company of the Ozarks and
the Ozark Arts Council Present a
Jones Hope Wooten Comedy:

Always a Bridesmaid

Thursday-Saturday, June 25–27, 7:00PM
Sunday, June 28, 2:00PM

The Theatre Company of the Ozarks and The Ozark Arts Council, will present Always a Bridesmaid  #LiveAtTheLyric the last weekend of June, 2020 (June 25–28)! Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

In trying times, what could be better than a healthy does of Jones Hope Wooten comedy? Three of the most popular and widely-produced playwrights in the country, with Broadway, film, and TV credits (e.g., The Golden Girls and Disney’s Teacher’s Pet), Jessie Jones, Nicholas Hope and Jamie Wooten specialize in laugh-out-loud comedies, and this will be a great one!

Please Note for Your Safety and Comfort: We have our patrons’ health and well-being first and foremost in our minds as the Covid-19 numbers rise but we’re all learning to work around it, so please make sure you read the guidelines below that we have put into place (per the Arkansas Department of Health’s directives) to keep you protected. Please read carefully, as we are required to abide strictly by these guidelines—and please note that, because the play is still a month away, these guidelines may change. If they do, we will be sure to update you. We are doing everything we can in our cleaning procedures and following of the ADH guidelines to keep you safe, and we appreciate your doing the same for our volunteers and performers.

Wedding Season is just around the corner…

…and we can’t wait to see our darling Southern Belles marry their soulmates this month (June 25-27 at 7:00pm and June 28 at 2:00pm) at our own beautiful and historic “wedding venue,” The Lyric Theater! More about the story will follow the ADH guidelines for attending plays this Summer.

The ADH Requirements

  • Patrons must be required to wear a mask if over 10 years of age.
  • Every patron’s temperature must be checked upon entrance and will be asked several questions pertaining to travel and health. Patrons will not be able to enter if:
    • They have fever, cough, shortness of breath, sore throat, or loss of taste or smell.
    • They have had known exposure to someone with Covid-19 in the past 14 days.
  • A 6-foot gap must be maintained between patrons who do not “shelter together,” so only groups with family members should get tickets with adjoining seats. If you plan on going with anyone who does not live in the same household with you, please call 870-391-3504 for our help on getting you seats as close together as possible, while still allowing for the “social distancing” regulations.
  • We are allowed to serve refreshments, so our concession stand and the upstairs Immortal BarD will be open. However, we will have signs posted reminding patrons to keep a 6 foot distance, and we will not be able to accommodate clustering of groups at the counters.
  • Though it is a tradition at the Lyric to allow audience members to come up and greet the cast at the end of plays, we will forego this for now to keep the required 12 feet of distance between those on stage and those in the audience. If you wish to tell the cast “good job!” we will have a digital guestbook set up where you can leave your well wishes!

If you have any questions about how we are protecting our volunteers, or about any of the guidelines, please don’t hesitate to call 870-391-3504 or send an email here.

The Story

Always a Bridesmaid is a Jones Hope Wooten Southern Comedy.

If you’ve ever elbowed a stranger out of the way to catch a brideís bouquet, seriously questioned the mental stability of the duo saying “I do” or been forced to wear the world’s ugliest bridesmaid dress, this deliriously funny Jones Hope Wooten comedy is definitely for you—and your dearly beloved!

In this hilarious comedic romp, four friends have sworn to keep the promise they made on the night of their Senior Prom: to be in each other’s weddings—no matter what. More than thirty years later, these Southern friends-for-life are still making “the long walk” for each other, determined to honor that vow. Libby Ruth (Julianna Hamblin), the hopeful romantic with the perfect marriage, believes—in spite of all evidence to the contrary—that her friends can find the very same happiness. Headstrong Deedra’s (Spree Hilliard) “rock-solid” union hangs by a thread when she discovers her husband of many years not only has a wandering eye, but the hands to match. Monette (Kirstyn Walker), flashy, high-spirited and self-involved, continues to test her friends’ love and patience with all-too-frequent trips down the aisle. And salt-of-the-earth, tree-hugging Charlie (Emily Akins) discovers—the hard way—that marital bliss is not the end of her rainbow and panics in outrageous style when the opportunity presents itself.

Narrated hilariously by blushing bride Kari (Callie Johnson) and with energetic life-force Sedalia (Linda Henson) running the show, this is sure to make you believe in what friendship can do. Libby Ruth, Deedra, Monette and Charlie are committed to the notion that careers, waistlines and even marriages may disappear, but real friendships last a lifetime. Forsaking all others, in sickness and in health, they repeatedly struggle to stage the perfect wedding in spite of fistfights at the altar, runaway brides and the mistaken, and unfortunate, release of a flock of white doves on the first day of hunting season.

Hop on this marriage-go-round for a laugh-out-loud journey with these beleaguered bridesmaids as they navigate the choppy waters of love and matrimony. Always a Bridesmaid is the rollicking tale of four loyal and determined women who definitively answer the question, “Just how far are you willing to go to keep a promise to a friend?”

Join us at The Lyric for great southern comedy June 25–28. Tickets for Always a Bridesmaid are available now here at TheLyric.org by clicking any “Get Tickets” link, by stopping by the OAC office at 115 W. Rush Ave. between 9 & 1 Tuesday through Friday, or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

Got Albert Cummings? You’d Better “Believe” We Do! — September 23, 2021 at 7pm — #LiveAtTheLyric!

NEW Blues from and for the Working Man: Albert Cummings Returns to the Lyric—
Believe!
Re-Rescheduled to September 23 at 7PM 

The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does[…]. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.”

– Guitar Edge Magazine

From full on, straight ahead hard-edged to mellow-without-being-prissy, Blues-rock guitar with lyrical mastery is headed back,  in all its glory, to the historic Lyric Theater, as Harrison, Arkansas enjoys “An Evening with Albert Cummings” on Thursday, September 23 at 7:00 PM, for which tickets are now available.

Entertaining audiences from his phenomenal guitar work to his incredibly impassioned lyrics and overall songwriting prowess – one thing has certainly become clear about Albert Cummings’s music: he is far more than simply just the guitarist or the bluesman he’s often painted as by fans and the media alike. He offers the complete package.

Albert Cummings
Albert Cummings, Live at the Lyric, 9/23/21 @ 7pm

Though undoubtedly a masterful guitar player who burst onto the blues-rock scene in the early 2000s and almost immediately began gaining praise in that realm, his latest live release “Live at the ‘62 Center” and his new studio album, “Believe,” further portray not only his versatility as singer/songwriter and live performer but as an artist first and foremost.

While generally performing live as a trio, the true spontaneity and creative spirit of these albums show Albert’s mastery of the whole art form, as he put together a newly formed version of his usual trio that afternoon of the October 2016 recording, along with keyboards and backing vocals that hint at just how massive Albert’s talent for composition and improvisation really is. With longtime friend and Grammy Winner Jim Gaines behind the soundboard, what comes through in both sight and sound is an incredible journey into the live performance world and true artistry of one of today’s most seasoned musicians.

“His muscular guitar work is simply outstanding. He’s a great blues singer as well, with passion for the tunes inherent in his full-throttle approach.”

– Rock and Blues Muse on Live at the ‘62 Center

Like many greats before him who’ve been painted into a corner as merely great blues players, or guitar players, or singers, Cummings seeks to rise above these labels and be praised for the devotion to his overall craft as a true musician. In artist terms, he’s sought to be known for ‘the overall pallet of his music’, rather than one specific color. From greats like Eric Clapton to the more recent stylings of John Mayer, his artistic integrity has allowed him to focus on the big picture, writing songs from the heart rather than catering to his specifics strengths as a singer, guitarist, or bandleader (all of which he does impeccably, however!).

His musical journey began when young Albert first picked up a guitar – learning the requisite three chords from his father, but later switched over to banjo at the age of 12 after becoming a bluegrass fan. After hearing the early recordings of Stevie Ray Vaughan, he was impressed by the sheer virtuosity of the artist, and following his first chance to see him live while in college in Boston he returned to the guitar with a new outlook and resolve.

“He attacks his axe with unbridled ferocity and deep soulfulness… his depth and expression are matched only by his terrifying technique and tone.”

– Guitar One

The whiz-kid carpenter began his ascent to masterful blues rock guitarist at age 27, with his first public performance on guitar. As he continued to grow in his newfound passion, he landed on the Northeast blues circuit with his first band Swamp Yankee. Then, in 1998, after walking into a Northeast Blues Society open jam, Cummings won the right to compete in the Blues Foundation’s International Blues Challenge the following year. By 2000, his debut single “The Long Way” was released to rave reviews, and began opening new doors for the artist. Bluesprint magazine said it was “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix.”

Albert Cummings
Albert Cummings, Live at the Lyric, September 23, 2021, 7pm

His first big opportunity came in the form of a chance to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. Having begun his musical journey in part due to Vaughan’s inspiration, it seemed Cummings’ passion had brought him full-circle.

Cummings’ soulful and explosive approach to blues and rock then caught the attention of Blind Pig Records (Muddy Waters, Jimmy Vivino, Elvin Bishop), which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, fully showcasing his well-rounded talents.

 “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix. – Bluesprint Magazine

Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience.

His second release, Working Man (2006), also produced by Jim Gaines, furthered a growing focus and maturity both in Albert’s stinging, incisive guitar work as well as in his fluently idiomatic songwriting, leading Billboard Magazine to exclaim “This recording is the calling card of a star who has arrived”

2008 saw Albert’s first live album “Feel So Good,” recorded at the historic Colonial Theatre in Pittsfield, Massachusetts which has hosted everyone from Will Rogers to Al Jolson. The audience was so enthralled and supportive they became part of the performance in a way that’s rarely heard. As AllMusic put it, “It sounds like it was one hell of a party that night.” Music Connection also called it “one of the best live albums recorded in a long time.”

Albert Cummings
Albert Cummings, Live at the Lyric, 9/23/21 @ 7pm

As he continued to grow, playing with the likes of legends from B.B. King (who called dubbed him “a great guitarist”), Johnny Winter, Buddy Guy, and many more – Cummings built on not only his all-around songwriting and musicianship but his guitar playing skill as well. Using his knowledge to give back to fellow guitarists wanting to advance in their craft, he released the instructional DVD “Working Man Blues Guitar” in 2011. His next album, 2012’s self-released “No Regrets” followed as a return to his true musical roots, poignantly capturing the core of his influences and displaying the impact that R&B, Rock, Soul, Country, and the Blues have had on both his playing and writing. It debuted at #1 on iTunes music charts in the USA, Canada, and France.

Now, as he continues writing and performing, relentlessly devoting effort to his craft, Cummings is ready to continue on his ever expansive musical journey. “An Evening with Albert Cummings” in support of his new album, “Believe,” is scheduled at the historic Lyric Theater on the Harrison, Arkansas square for Thursday, September 23 at 7:00PM Tickets are now available.

tickets

RESCHEDULED: Nunsense II: The Second Coming, September 10-12 at 7pm, 13 at 2pm! #LiveAtTheLyric!

The Theatre Company of the Ozarks and the Ozark Arts Council Present:

Nunsense II:
The Second Coming!

Thursday-Saturday, September 10–12, 7:00PM
Sunday, September 13, 2:00PM

The Theatre Company of the Ozarks and The Ozark Arts Council, will present the raucous comedy, Nunsense II: The Second Coming  #LiveAtTheLyric the second weekend of September (September 10–13)! Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

Nunsense II: The Second Coming takes place six weeks after the convent has staged its first benefit. The sisters are back presenting a “thank-you” show for all the people who supported them in the past. They’re a bit slicker, now, though, having been “bitten by the theater bug”…

Things get to off to a rousing start as the sisters sing Nunsense, the Magic Word, but before long. chaos erupts. Two Franciscans come to claim Sister Mary Amnesia (who has won the Publishers’ Clearing House Sweepstakes) as one of their own. At the same time, the nuns hear that a talent scout is in the audience to see them strut their stuff. From the riotous bingo game run by Sister Amnesia to the hilarious duet, “What Would Elvis Do?”, to the rousing finale (“There’s Only One Way to End Your Prayers and That’s to Say Amen!”, this show will have you rolling in the aisles!

Join us at The Lyric for music and laughter September 10–13. Tickets for Nunsense II are available now here at TheLyric.org by clicking any “Get Tickets” link, by stopping by the OAC office at 115 W. Rush Ave. between 9 & 1 Tuesday through Friday, or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link