Leadfoot 65 – March 30 @ 7:30 – #LiveAtTheLyric!

Put the Pedal to the Metal and Keep on Rockin’ with Leadfoot 65!
Saturday, March 30 at 7:30PM

Join us on March 30 at 7:30, as Leadfoot 65 speeds onto the Lyric stage! If you heard them at last Summer’s Battle of the Bands or elsewhere, you know that they waste no time in getting your adrenalin flowing and keep it building throughout their set with both riffs and lyrics so solid that you not only can taste the music in the theater’s rarefied air, but chew on it all the way home and through the weekend. As the title track from their just-released second album says, there is “More than Meets the Eye” in the rock from Tomahawk!

Sean Bing’s vocals are a good match for his guitar playing.  Even in something as ‘pretty’ as the introduction to “Black Smoke Rollin’” (and later, in the melodic solo), there is an edge and you know that at any moment it could become all edge; Sean can actually both sing and growl — with both instruments — and he knows when to do each (or both) for best effect. At the same time, Skip Reed’s drum work and Nathan Popejoy’s bass are singing their own deep and steady song for Sean to play off of. This is a great rhythm section and a guitarist that has a feel for how to keep attached to what they’re playing, not just go off and show off his chops in some barely-related way. If you like rock music that puts the emphasis on both the music and the rock, you will love Leadfoot 65.

Leadfoot 65’s two albums reveal a band that is bringing in what we might call ‘The New Mainstream of Southern Rock’. That is, they display a broad set of roots and influences that include the same background as the earlier wave of Southern rockers, plus all the music that has come since then. They move easily from a Molly Hatchet-like sound to one that is clearly akin to Pantera, without ever falling into the sometime-muddiness of Dixie Witch. Southern Rock with a power groove and the soloing sensibilities of melodic and neo-classical metal without losing the focus of the main musical and lyrical intent; Leadfoot 65 is clearly ‘coming of age’ and not to be missed.

The Ozark Arts Council is pleased to welcome Leadfoot 65 back to the historic Lyric Theater on Saturday, March 30 at 7:30. Tickets are just $5 in advance, but $10 at the door; just click any of the ‘Get Tickets’ links here on our website and you’ll be taken to our ticketing page, or call Jules or Dill at (870) 391-3504 or visit Dill at the OAC office M-W-F 8:00–2:00 (or Jules by appointment).

OAC Ticketing Link

Jack Williams – February 8 @ 7:00 – #LiveAtTheLyric!

Jack Is Back! Singer-Songwriter Extraordinaire, Jack Williams, Once Again “Live at The Lyric”!
Friday, February 8 at 7:00PM

Crooked Creek Concerts and the Ozark Arts Council are proud to welcome the mighty Jack Williams back to the Lyric Theater!

Jack Williams is a songwriter, singer, and guitarist with few (if any) peers. HIs songs are a literary record of the joy, brilliance, disappointments, and aspirations of our American experience. His live shows romp through the melodic and lyric wit of the Jazz Era, the sentimental strains of doo-wop, and the birth of rock and roll. This is all set against the backdrop of steamy South Carolina, the wilds of the Sonoran desert, and vast stretches of interstate… on and on he’ll go, until you find yourself in Mama Lou’s kitchen with her wood-fired stove, breathing in the scent of maternal love in the form of fried chicken.

Friday, February 8 is the date and tickets are $10 in advance, whether online or at the OAC Office (115 W. Rush, just to the left of the theater; hours 8–2, M-W-F; phone 870-391-3504) and $15 at the door.

It’s been said already, but I’ll say it again: Jack Williams is a national treasure. When it comes to pulling the
worlds of blues, country, rock and roll and jazz together on an acoustic guitar, I’ve never heard his equal.

— Luke Tom, The Washington Post

Jack is the best guitar-player I’ve ever heard.

— Peter Yarrow (of Peter, Paul, and Mary)

OAC Ticketing Link

Black Stone Cherry – February 15 @ 7:00 – #LiveAtTheLyric!

Fewer than 25 Tickets Remaining…

Roots Rock: Black Stone Cherry Celebrates Their “Family Tree” Live at The Lyric!
Friday, February 15 at 7:00PM

Join us on February 15 at 7:00pm, as Black Stone Cherry returns to the Lyric! If you know their songs White Trash Millionaire, In My Blood, or Please Come In, you won’t want to miss the driving southern rock of Black Stone Cherry live in support of their new album, Family Tree.

For 17 years, Black Stone Cherry has put forth a new, vicious breed of Southern rock, injecting youthful vitality and a myriad of fresh new influences into the beloved American rock tradition. To date, the band has released five critically-acclaimed studio albums and one well-received blues EP. Black Stone Cherry has also rocked 12,000-cap arena shows, topped the UK charts, and shared the stage with a diverse roster of superstars, including Def Leppard, Lynyrd Skynyrd, Bad Company, Motörhead, and ZZ Top.

Family Tree is the much-anticipated follow up to 2016’s Kentucky, which debuted at #5 on the Official UK Album Chart and went to #1 on the Billboard Album

Anya Svirskaya for Antihero Magazine

Chart. Drummer John Fred Young says, “Family Tree showcases all of our collective musical influences and how we have taken those to create something that is truly our own unique Southern American rock ’n’ roll sound.” Two special guests appear, one bringing the concept of family full circle: lead guitarist/vocalist Chris Robertson’s 5-year-old-old son contributes backup vocals on the swaggering You Got The Blues, while the other, revered jam-band musician Warren Haynes (Allman Bros/Gov’t Mule) offers a guitar cameo and vocals on the delta stomp of Dancing In The Rain. “I remember coming to New York when we first were signed, and hearing Warren’s voice behind me the minute my feet hit the street,” recalls bassist Jon Lawhon. “Hearing him play on this track all these years later gave me chills.”

We grew up in the Kentucky Headhunters’ rehearsal space, looking up at posters of Cream, Led Zeppelin, Uriah Heep, the Stones, Montrose, and the Faces. We were like kids someone took in a time capsule and put in the woods.

— John Fred Young

Family Tree rocks hard with the immediacy and spontaneity of in-the-moment takes, and Chris Robertson mixing perfectly fits the loose, creative process that birthed the album—and makes it so easily translate to the ever-evolving jams of their incredible live show.

The concept of family looms large in the world of Black Stone Cherry’s four band members. John Fred Young’s father Richard and his uncle Fred, are founding members of the Grammy Award-winning country rock n’ roots band, The Kentucky HeadHunters. BSC’s four high school-aged friends—Young, plus frontman/guitarist Chris Robertson, guitarist Ben Wells and bassist Jon Lawhon—grew up honing their craft in the Headhunters’ practice house, an abandoned property on the Young family’s farmland. John Fred says, “We grew up in the Kentucky Headhunters’ rehearsal space, looking up at posters of Cream, Led Zeppelin, Uriah Heep, the Stones, Montrose, and the Faces. We were like kids someone took in a time capsule and put in the woods.”

It’s a great time for Black Stone Cherry to return to the Lyric, “The Roots Music Palace of the Ozarks,” as they have recently moved to Mascot Label Group, home of some of the finest blues icons of this generation, such as Joe Bonamassa, Beth Hart, Walter Trout, Kenny Wayne Shepherd, Eric Gales, Jonny Lang, Robben Ford, Bernie Marsden, Ronnie Baker Brooks, and Sonny Landreth. The move came with the release of their EP of blues covers, Black to Blues, which shows both the foundation and the progress of music through the past century. The band selected 6 of their favorite tunes by Howlin’ Wolf, Muddy Waters, Freddie King, and Albert King, and reimagined them with the meaty moxie of classic BSC.

“It’s amazing to me how four good old boys from nowhere Kentucky can still be around 17 years later,” singer/guitarist Chris Robertson says. Guitarist Ben Wells concludes: “I don’t remember how life was outside of Black Stone Cherry. The four of us are family.” Every album, every concert, is a family reunion, and Black Stone Cherry is happy to have you join the family this October.

With the support of a great team of sponsors—including the “Boulder Bankers” at Stone Bank, the Harrison Convention and Visitors Bureau, and media sponsors ESPN Arkansas 104.3 (“Hit That Line!”), KHOZ 102.9 (“102.9 the Z”), and the Harrison Daily Times—the Ozark Arts Council is pleased to welcome Black Stone Cherry back to the historic Lyric Theater on Friday, February 15 at 7:00. Tickets are just $25 in advance, but $30 at the door (in the unlikely event that any are available); just click any of the ‘Get Tickets’ links here on our website and you’ll be taken to our ticketing page, or call Jules or Dill at (870) 391-3504 or visit Dill at the OAC office M-W-F 8:00–2:00 (or Jules by appointment).

OAC Ticketing Link

Multi-level Guitar Workshop with Laurence Juber — Saturday, September 22, 2018 at 2:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber to Hold Guitar Workshop!
Saturday, September 22 at @:00PM

Guitarists, join us on September 22 at 2:00pm, for a special class from two-time Grammy winner, Laurence Juber!

Laurence JuberNowhere else in Arkansas can you get this opportunity to study under guitar virtuoso Laurence Juber. LJ will hold a two hour class in the afternoon before his 7:00pm concert at Harrison’s “Roots Music Palace of the Ozarks,” the historic 1929 Lyric Theater! The price for this class is $50—but, if you have a ticket to the concert at the Lyric on Saturday evening (or to Friday’s concert at Sunrise Guitars adjoining venue Sunrise Stage in Fayetteville), you only pay $40!

James White (local guitarist and vocalist and columnist for the Harrison Daily Times) writes, “Although some people refer to ‘Up Close with LJ’ as a master class, he thinks of it as a workshop. He says it’s multi-level and addresses a range of fundamental concepts, some advanced musical information and general guitaristic ‘tune-ups.’ There is a component he calls ‘guitarology,’ in which he explores differing finger style patterns that go back to the beginning of the instrument.

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine—and he is on its cover again for the October, 2018 issue, as he releases his new album, which traces the roots of fingerstyle guitar. From classical to the Beatles and Hendrix, LJ is a master of it all, and is coming to share his insights with you!

To sign up for “Up Close with LJ,” simply go to our ticketing page! Enroll now, as space is limited!

OAC Ticketing Link

Two-Time Grammy Winner Laurence Juber Returns! — Saturday, September 22, 2018 at 7:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber Returns to The Lyric!
Saturday, September 22 at 7:00PM

Join us on September 22 at 7:00pm, for universally acknowledged master of the guitar, Laurence Juber!

Breaking News! LJ to teach multi-level guitar workshop #OnlyAtTheLyric! Follow this link to page for workshop info and signup!

Laurence JuberThis two-time Grammy-winner (once with Sir Paul McCartney’s “Wings” and once as a solo artist) thrilled the Lyric audience in 2015, and is returning to continue to dazzle us with his wit, which is as evident in his playing as his absolute mastery of his instrument—not only in its standard implementation, but through a variety of tunings that allow him to express far more than one normally associates with the playing of a single acoustic guitar.

As an award-winning fingerstyle acoustic guitarist also known for his electric work as lead guitarist in Wings, LJ has a large following among guitar fans and Beatles/classic rock fans. His shows feature his original compositions along with amazing covers of Beatles and classic rock songs like “Layla” and “Little Wingwhere he literally plays every melody of the song on just one guitar!

Seriously, How Good Is He?

Well, let’s put it this way…when C.F. Martin & Co. make a series of signature guitars named after you, you’re a bit beyond “pretty good.”

Pete Townsend of The Who simply exclaims, “A master!”

As a studio musician, LJ can be heard on recordings from artists as diverse as Dan Hicks & the Hot Licks to Seal to Barry Manilow, plus he is featured on the soundtracks to hundreds of TV shows such as Home Improvement and movies including the academy award-winning Dirty Dancing, Good Will Hunting, and Pocahontas.

You like video games? LJ co-composed the soundtrack of the award-winning video game Diablo III.

You watch the news? LJ crafted the score to the NBC Dateline documentary Children Of The Harvest. His music is also featured in the Ken Burns’ documentary The Tenth Inning.

In other words: You’ve Heard Him Even if You Haven’t Heard of Him!

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine.

A dynamic, entertaining performer and an accomplished clinician, LJ brings his passion for the guitar to venues around the world, creating a multi-faceted performance that belies the use of only one instrument. In Spring 2013 Laurence Juber released Under an Indigo Sky on Solid Air Records with a special limited edition vinyl for Record Store Day, and has just released LJ Can’t Stop Playing the Beatles.

At the heart of LJ’s sound and style breathes a near-flawless technique where a fiercely emotional underbelly, alternate tunings, and keen sense of melody and rhythm coalesce into something uniquely his own……you don’t have to be a solo-happy guitar worshipper to appreciate his talents.
– Inland Empire Weekly

OAC Ticketing Link

Cult Classic Alert: “The Rocky Horror Picture Show” on the Big Screen…and Prop Bags Available! — Friday, October 27, 2017 at 9pm!

The Rocky Horror Picture Show
Friday, October 27 at 9:00PM 

Let’s do the Time Warp again!

Some people like “prop comics” and some people don’t…but everybody loves a whole theater full of happy people adding to a movie’s hilarity because they all have the right props!

On October 27th at 9:00 pm, join your fellow Time Warp enthusiasts for The Rocky Horror Picture Show! In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter, a scientist. Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.”

If you have yet to see this cult classic, now is the time! Costumes and props are encouraged! Don’t have a clue? You’re just a click away from the official guide for first time attendees! And if you don’t know what to bring (or don’t have the time to gather the materials), don’t worry: Prop Bags will be available for $5 to the first 100 people through the door OR by reservation onlineNO water or fire (or hotdogs or prunes!) permitted in our historic building. Advance tickets are $10 online or by calling (870) 391-3504, and tickets at the door are $15.

OAC Ticketing Link

Two-Time Grammy Winner Laurence Juber Returns! — Saturday, September 22, 2018 at 7:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber Returns to The Lyric!
Saturday, September 22 at 7:00PM

Join us on September 22 at 7:00pm, for universally acknowledged master of the guitar, Laurence Juber!

Laurence JuberThis two-time Grammy-winner (once with Sir Paul McCartney’s “Wings” and once as a solo artist) thrilled the Lyric audience in 2015, and is returning to continue to dazzle us with his wit, which is as evident in his playing as his absolute mastery of his instrument—not only in its standard implementation, but through a variety of tunings that allow him to express far more than one normally associates with the playing of a single acoustic guitar.

As an award-winning fingerstyle acoustic guitarist also known for his electric work as lead guitarist in Wings, LJ has a large following among guitar fans and Beatles/classic rock fans. His shows feature his original compositions along with amazing covers of Beatles and classic rock songs like “Layla” and “Little Wingwhere he literally plays every melody of the song on just one guitar!

Seriously, How Good Is He?

Well, let’s put it this way…when C.F. Martin & Co. make a series of signature guitars named after you, you’re a bit beyond “pretty good.”

Pete Townsend of The Who simply exclaims, “A master!”

As a studio musician, LJ can be heard on recordings from artists as diverse as Dan Hicks & the Hot Licks to Seal to Barry Manilow, plus he is featured on the soundtracks to hundreds of TV shows such as Home Improvement and movies including the academy award-winning Dirty Dancing, Good Will Hunting, and Pocahontas.

You like video games? LJ co-composed the soundtrack of the award-winning video game Diablo III.

You watch the news? LJ crafted the score to the NBC Dateline documentary Children Of The Harvest. His music is also featured in the Ken Burns’ documentary The Tenth Inning.

In other words: You’ve Heard Him Even if You Haven’t Heard of Him!

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine. A dynamic, entertaining performer and an accomplished clinician, LJ brings his passion for the guitar to venues around the world, creating a multi-faceted performance that belies the use of only one instrument. In Spring 2013 Laurence Juber released Under an Indigo Sky on Solid Air Records with a special limited edition vinyl for Record Store Day, and has just released LJ Can’t Stop Playing the Beatles.

At the heart of LJ’s sound and style breathes a near-flawless technique where a fiercely emotional underbelly, alternate tunings, and keen sense of melody and rhythm coalesce into something uniquely his own……you don’t have to be a solo-happy guitar worshipper to appreciate his talents.
– Inland Empire Weekly

OAC Ticketing Link

Golden Sounds of the Platters! — Friday, June 23, 2017 at 7:00 — #LiveAtTheLyric!

In Support of the Boone County Heritage Museum, It’s Time to Spend
An Evening with the Golden Sounds of
The Platters!

June 23 at 7:00PM 

 

On June 23 at 7:00pm, join us at the Lyric for a fundraiser for the Boone County Heritage Museum with An Evening with the Platters!

All ticket proceeds will go to benefit this vitally important and necessary organization. Come enjoy The Platters while they rock the house!

Special guest and longtime Harrison favorite James White will be opening the show.

Tickets are $16 (tax and fees included) and general admission and can be obtained at TheLyric.org or by calling 870-391-3504.

Come help us support this local treasure, the Boone County Heritage Museum!

OAC Ticketing Link

 

The World Famous Glenn Miller Orchestra RETURNS 7/8/17! #LiveAtTheLyric! #OnlyAtTheLyric!

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The World Famous
Glenn Miller Orchestra!
July 8 at 6:00PM 

The world famous Glenn Miller Orchestra will be swinging back into the historic Lyric Theater on the Harrison, Arkansas square at 6:00 on July 8, 2017! After an initial pre-sale period to Ozark Arts Council members, ticket sales are now open to the public. (To be eligible for our ticket pre-sales—which for some events include ticket discounts—join the OAC today, and to be always up to date on OAC news, Be watching this site and subscribe to our OAC eNews.)

The first Glenn Miller Orchestra did not make it at all. It was a total and absolute economic failure. But Glenn knew what he wanted, held to that dedication and relentlessly worked to succeed. He launched his second band–the one that lives on today–in March of 1938. The Glenn Miller Orchestra has been a “hit” ever since.

The legendary Glenn Miller was one of the most successful of all dance bandleaders back in the Swing Era of the 1930’s and 40’s. A matchless string of hit records, the constant impact of radio broadcasts and the drawing power at theatres, hotels and dance pavilion, built and sustained the momentum of popularity.

Glenn disbanded his musical organization in 1942 at the height of its popularity to volunteer for the Army. There, he organized and led the famous Glenn Miller Army Air Force Band. It went to Europe to entertain servicemen performing numerous live and radio shows. On December 15, 1944, Major Miller took off in a single engine plane from Europe to precede his band to France, disappearing over the English Channel, never to be seen again. The army declared him officially dead a year later.

With the release of the major motion movie “The Glenn Miller Story” featuring Jimmy Stewart and June Allyson in 1954, interest and popular demand led the Miller Estate to authorize the formation of the present Glenn Miller Orchestra. On June 6, 1956, and under the direction of drummer Ray McKinley who had become the unofficial leader of the Army Air Force Band after Glenn’s disappearance, the reformed Glenn Miller Orchestra performed its first concert and has been on the road ever since. Other leaders have followed Ray including clarinetists Buddy DeFranco and Peanuts Hucko, trombonists Buddy Morrow, Jimmy Henderson, Larry O’Brien and Gary Tole, and tenor saxophonist Dick Gerhart. Since January 2012, vocalist Nick Hilscher leads the band.

Today, the 18 member ensemble continues to play many of the original Miller arrangements both from the civilian band and the AAFB libraries. Additionally, it also plays some more modern selections arranged and performed in the Miller style and sound. The Glenn Miller Orchestra is owned and operated by Glenn Miller Productions, Inc., under license from the Miller Estate. Glenn Miller Productions, Inc., has the sole and exclusive right to use the Glenn Miller Orchestra name—so, this is not a “tribute to the Glenn Miller Orchestra,” but the orchestra that is in official and unbroken succession to the original.

The big-band business today requires almost constant travel as a result of an arduous schedule of one-night stands. The Glenn Miller Orchestra is “on the road” longer and more continuously than any other in the whole world, having celebrated its 60th year anniversary on June 6. It covers over a hundred thousand miles a year, working most every night for 48 weeks out of every 52-nearly 300 playing dates, performing for an “in person” audience that adds up to more than a half million people annually.

Just as it was in Glenn’s day, the Glenn Miller Orchestra today is still the most sought after big band in the world. But when it comes to seeing the Glenn Miller Orchestra in Arkansas in 2017, there is exactly ONE place to do it: #OnlyAtTheLyric!
After the overwhelming response to the special appearance of the world famous Glenn Miller Orchestra on June 26, 2016, the band will be returning to Harrison for it’s only Arkansas performance of 2017, 6:00 p.m. on Saturday, July 8!