Arkansas Shakespeare Theatre and the Ozark Arts Council Present:
Romeo and Juliet!
Friday, November 1, 7:00PM
The Ozark Arts Council is thrilled to welcome Arkansas Shakespeare Theatre for a special November 1 7:00pm performance of their Family Theatre production of Romeo and Juliet #LiveAtTheLyric! Tickets are only $10 and are available through TheLyric.org .
Tickets at the door—in the unlikely event that any are available—will be $15.
Arkansas Shakespeare Theatre is Arkansas’s Only professional Shakespeare Company. Each year it produces a selection of the Bard’s plays (along with other productions) in its summer festival in Conway.
Arkansas Shakespeare Theatre, which has been featured in The New York Times, is also a major educational force in Arkansas. This professional company brings respected and experienced Shakespearean actors to Arkansas for each season, producing vibrant, engaging, lively and provocative performances for all Arkansans.
With a mission to entertain, engage, and enrich the community by creating professional and accessible productions of Shakespeare and other works that promote educational opportunities, community
involvement, and the highest artistic standards, Arkansas Shakespeare Theatre works with the Arkansas Arts Council as a part of its “Artists on Tour” program to help small venues keep these performances affordable.
In Romeo and Juliet, the fighting families of Montague and Capulet put their feud before their children’s happiness in Shakespeare’s classic tale of “star-crossed” young love, reimagined for audiences of all ages in this one-hour adaptation.
Note from AST: This adaptation is intended for audiences of all ages, and has been shortened to approximately one hour. There are songs and comedy, but also intense emotional situations and some violence. The original story is intact, including Romeo and Juliet’s tragic ending.
“Our play begins in Italy in the city of fair Verona with a vendetta as old as time. The Capulets and the Montagues have been enemies for as long as either side can remember. Romeo Montague and his friends crash an ancient ball held by Lord and Lady Capulet, risking their lives and the continuation of the feud. Romeo first sees the enchanting Juliet here and immediately falls in love with her. At the end of the ball, Romeo meets Juliet at her balcony, where they express their undying love for each other. The two, with the help of Friar Lawrence and Juliet’s Nurse, marry secretly, despite their feuding families. Blissfully newlywed for just a short while, Juliet is soon shocked to discover that her father plans to force her to marry Count Paris only three days later.
“Romeo walks the streets of fair Verona and stumbles upon his friends Mercutio and Benvolio fighting Tybalt, Juliet’s cousin, who he learns has challenged him to a fight. In Romeo’s attempt to halt that fight, Tybalt meets his end at the hand of Romeo, resulting in Romeo’s banishment from Verona. When Juliet learns of this, her desperation to remain with Romeo leads her to Friar Lawrence and he arranges a plot for Juliet to fake her own death. However, the message carrying the information of the plot never reaches Romeo in Mantua and he truly believes that his beloved has died. Because of this, Romeo arranges his own plan to end his life and travels back to Verona to be with Juliet. Upon his return, Romeo enters the Capulet tomb, and sees his Juliet who appears to be dead.”
The above is taken from AST’s excellent and accessible (barely 20 pages) introduction to the play, to Shakespeare, and to live theatre in general, which you may read online (or download and print, by right-clicking/Command-clicking on this link and saving).
This is the first time we have had the honor of hosting AST at the Lyric, and we hope it is just the beginning of a long relationship with them for the enrichment of our community—and the first of many partnerships with those from our larger region to bring us the richness of professional theatre and theatre education, such as we have been so pleased to have from our member organization, Northark Drama.
Tickets to AST Family Theatre’s November 1 production of Romeo and Juliet are available now here at TheLyric.org by clicking any “Get Tickets” link, by stopping by the OAC office at 115 W. Rush Ave. between 9 & 1 Tuesday through Friday, or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).
In Truvy’s (Trish Lockridge), beauty salon in Chinquapin, Louisiana, where all the ladies who are anybody come to have their hair done, the shop is abuzz with gossip and coffee and hairspray. Helped by her eager new assistant, Annelle (Katie Blessing), who may or may not be married, the wise-cracking Truvy dispenses shampoo and free advice to the town’s rich curmudgeon, Ouiser (Mary Bishop), whose 40-year-old bad mood has only sharpened her wit; an eccentric millionaire, Miss Clairee (Gwen Gresham), who has a sweet tooth for football teams; and the local social leader, M’Lynn (Lisa Johnson) and her vivacious daughter, Shelby (Callie Johnson), who is about to marry a “good ol’ boy.” Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions between the five ladies, the play moves toward tragedy when the spunky Shelby (who has 
Steel Magnolias will be performed #LiveAtTheLyric August 16 and 17 at 7:00pm, and August 18 at 2:00pm. Proceeds from the August 16 show will go to the 
focused on vocals, acting, and choreography, as well as the proper etiquette for being in a play and attending a play, all of which culminated in a short performance for the family and friends of the children—many of whom are gracing the Lyric stage for the first time ever. Only then was attention turned fully to this play, where those new or refined acting, singing, and dancing skills could be put into practice for the sellout performances this July will bring.
We hope you will join us both for the entertainment and lesson imparted by this classic story and for the building of our community that attendance at Arts events—especially at young people’s theatre—always brings. The OAC and its Member Organizations are committed to having children of all ages learn about the Arts and develop a love for them that reaches beyond their early years, so that they grow up to be well-rounded, empathetic adults. These “Jr.” plays, and the directors who bless us by giving up a portion of their summers, are a huge first step in that direction.
If I’ve told you once, I’ve told you a hundred times: do not fan the girls when they’re wet! But you’ll never learn; you’ll be a eunuch all your life!
When Senex and Domina leave for the day, Hero declares his love for one of the ladies who live at his next door neighbor’s house, Philia (Katie Blessing), and that’s when Pseudolus begins to hatch a scheme to buy his own freedom.
When the two visit Lycus’s house, once they get past the eunuchs (Donovan Walters and Nicholas Prpich) they meet Tintinabula (Cady Wheeler), a bell-wearing beauty; Vibrata (Kennedy Bottoms), an energetic, lively lovely with a leopard skin bikini; the Geminae (Faith Nix and Dante Lowe), a “matched pair”; Panacea (Nikki Forehand), a seductive dancer; and Gymnasia (Spree Hilliard), with a body upon which “a thousand dramas can be played.” They and the other lovely courtesans (Lena Rocole, Jenna Wilson, Rilee Young, Kaley Jones) are tempting, but Hero and Pseudolus are alarmed to find out that Philia has been sold to the great Captain Miles Gloriosus (Caleb Lord), and will be claimed that very day.
doubled over with laughter, attempting to keep up with what wackiness will occur next.
It doesn’t matter if you win or lose, it’s what you do with your dancin’ shoes.
naming him Wilbur (Preston Garrison), even though her mother, Martha (Kayla Smith), thinks she already spends too much time with the animals, and her brother, Avery (Wyatt Mahoney) is too busy with his frogs to take much notice. When he’s older, Wilbur is sold to Fern’s aunt and uncle, Edith and Homer Zuckeman (Abigail Kops, Landon Helsel), and cared for by their farmhand, Lurvy (Matthew Brown), in whose barnyard he is left yearning for companionship but is snubbed by the other animals (Emily Akins, Laine Hilliard, Shelby Stracner, Elizabeth Smith), until he is befriended by a spider named Charlotte (Callie Johnson), living on a web overlooking Wilbur’s enclosure. Upon Wilbur’s discovery that he is once again intended for slaughter, she promises to hatch a plan guaranteed to spare his life, with a little help from the local barn rat, Templeton (Daniel Seay). As fans already know, and as those new to this beloved tale shall soon find out: “No one had ever had such a friend. So affectionate, so loyal, and so skillful,” as Charlotte.
The show is a challenging one for sure! Asking actors to portray animals and humans all at the same time…well, that gets tricky; but we have an extraordinary cast who is both dedicated and fearless in this adventure and I couldn’t be prouder of them. I am thrilled we were able to get some area schools to attend and I look forward to future 
projects where we can also involve our local school children. That is what it is all about, right? We are bringing the Arts to our community and we are having so much fun doing it. As always, I am grateful for the opportunity to work with Michael Mahoney and North Arkansas College, as well as the Ozark Arts Council. Charlotte’s Web is fun entertainment for the whole family that also provides some amazing life lessons and heartfelt human emotions to which we can all relate. I hope to see everyone in our community come out and support the children and adults who have worked so hard to bring this show to life!
Area schools were invited to four special matinee performances and will be filling the theater with their laughter. We weren’t able to fit all of the students from all of the schools into the theater, though, (and those who get to see it with their classmates will want to come back and share it with Mom, Dad, Grandma, Grandpa, and their siblings!), so make sure not to miss your chance to once again delight in this story of friendship: 
two years from 1953 to 1955. In mid-1955, Mr. Sharkey enlisted in the Army. He served at Sandia Base, New Mexico as a Special Services worker. He wrote, produced, and directed one show per month for the Enlisted Men’s Club. In 1958, Mr. Sharkey went to New York to begin a full-time freelance writing career. He wrote Science Fiction stories and novels, humor articles, and mystery novels. In 1961, he returned to Chicago where he worked as joke editor for Playboy Magazine and then was Editor of the Allstate Insurance Company Magazine for 11 years from 1964-75. Mr. Sharkey wrote his first stage comedy in 1965. At the end of 1975, he went exclusively into playwriting, which he continued until a few months before his death. He has 83 published plays written under his own name and four others – 
$3 Northark students. 
own. As 
universe gone wild, the tale of a famous historical figure is on display. Trotsky (Matthew Joyner) is busy, feverishly writing at his table when his wife, Mrs. Trotsky (Kaleigh Billings), tells of him a very unfortunate event: