Benefit Concert for Sanctuary featuring THREE great area bands: The Hedley Lamar Band, Earth Bone, & White Fox Kill! sponsored by Light Up Harrison, the OAC, and the Bands!
Saturday, October 13 3:00PM–8:00PM
Three bands that have consistently kept crowds coming back for more have banded together to support victims of domestic abuse by helping Sanctuary provide food and shelter. Sponsored by Light Up Harrison, which is committed not only to the lighting of the Square and streets of Harrison for the Christmas season, but to keep aglow the light of our area’s residents’ love for those in need, these excellent bands will perform to raise cash and food donations on Saturday, October 13, from 3:00–8:00.
Sanctuary will be able to continue in its mission of providing for those escaping abuse and Light Up Harrison will continue to show the world that our area takes seriously our duty to recognize and enhance all that is good, noble, and beautiful. The OAC remains committed to the contention that great art most often comes from great passion—which is, literally, great suffering, whether from agony or from ecstasy—so that the Arts help us to heal and to thrive, to turn victimization to survival and survival to triumph.
The doors of the Roots Music Palace of the Ozarks—Harrison, Arkansas’s historic Lyric Theater—will open at 2:00 for a performance stretching from 3:00 to 8:00 on Saturday, October 13. Adult beverages and general concessions will be available throughout this concert, and there will be short (5–10 minute) intermissions between bands, as well. Tickets are available in advance for $2.50 and two food items* or for $5; at the door, they will be $5 and two food items.
Chemistry + Talent + Energy = Husband & Wife Americana Duo Building Community Through Excellence as Crooked Creek presents Smokey & The Mirror!
Saturday, October 6 at 7:00PM
“Bryan and Bernice Hembree (Smokey & The Mirror) are making some of the best folk music today. The songs remind me of a time when Guy Clark was unknown and Ray Wylie Hubbard was still a folkie. Smart, cool and never pretentious.”
Smokey & The Mirror is husband/wife duo Bryan and Bernice Hembree. Based out of Fayetteville, Arkansas, Smokey & The Mirror has toured nationally and internationally over the past decade. The band has supported tours for Old Crow Medicine Show, The Wood Brothers, I’m With Her, Elephant Revival, John Fullbright, and many of their musical heroes. They tour most often as a duo, but also play many shows as a four-piece band. Whatever the configuration, the interplay of their two unique voices coupled with engaging, accessible songs form the foundation of Smokey & The Mirror.
The Hembrees work tirelessly on many musical and creative pursuits. They are committed to others’ music as much as their own. They have found that the most satisfying path to longevity in music is to put others’ art in the spotlight or to inspire others’ to find their voice. They believe that the future of music is not winning the “me first” battle, but rather building community. To this end, they are founders and co-creators of the Fayetteville Roots Festival and also spent a year (2017) with Austin-based international songwriting collaborative, House of Songs, to pilot House of Songs Ozarks in Bentonville, Arkansas.
The thing I love most about this band and the evening with them is not only the powerfully beautiful voice of bass player, Bernice Hembree, or the well-written songs of Bryan Hembree, sung with his rustic, true American voice – it’s the energy they bring on stage and to the audience! You can tell when they are performing; they truly treasure what they do. They feed off each other to the point it’s sometimes hard to tell where the guitar stops and the bass starts!” –
What’s the word that you heard…that you heard…
that you heard? If it’s got a groove, if it’s got meaning…
if it is the time…is the place…is the motion…then… Grease
is the way you are feeling!
Performances: Tuesday through Saturday, November 26–December 1 at 7:00PM
Sundays, December 2 & 9 at 2:00PM
It doesn’t matter if you win or lose, it’s what you do with your dancin’ shoes. – “Vince Fontaine”
If Grease is the way you are feeling, the end of November and beginning of December are your time of the year this year, because…yes, Grease the Musical is coming to the Lyric Theater LIVE for your viewing pleasure!
As Executive Director Hamblin was excited to announce, this is a play everyone can enjoy, whether you have nostalgia for the 1950s, for the play and film of the 1970s, or just for young people blasting energy from the stage to invigorate you in the midst of all your holiday preparations!
Join Greased Lightning, the Burger Palace Boys, and the Pink Ladies as they tell one of the most lasting love stories of all time. The 1950s high school dream is about to explode in this rollicking musical that is both an homage to the idealism of the fifties and a satire of high schoolers’ age-old desire to be rebellious, provocative and…rebellious! It’s 1959, and Rydell High School’s senior class is in rare form. The too-cool-for-school “Burger Palace Boys” (Andrew Coble, Gavin Wilson, Daniel Seay, Nathan Edwards) are stealing hub-caps and acting tough, and their gum-snapping, chain-smoking “Pink Ladies” (Katie Blessing, Eden Wilson, Ella Rush, Callie Johnson) are looking hot in bobby sox and pedal pushers.
At the heart of the story is the romance between hot-rodding gangster Danny Zuko (Laine Hilliard) and the sweet new girl in town, Sandy Dumbrowski (GiGi Crenshaw). They had a secret romance in summer, but now back in the context of school, peer-pressure and cliques make their love a bit more complicated. Can Danny maintain his “cool dude” status and still make demure Sandy his girl? The whole gang (Ann Lemley, Rowen Bolonsky, Nic Prpich, David Wilson, Preston Garrison, Serena Bolonsky, Candace Lambert, Abby Potter, Lena Rocole, Lexi Knight, Spree Hilliard, Haley Bright, Sky Blue Keen, Dylan Newby, Kinder Hinrichs, Jaxon Whitney, Zoe Arthur, Daniel Hart, Wesley Sanders, Liam Dupre, Julian Moehr) sings and dances around Danny and Sandy’s romance, through such hit songs as “Greased Lightnin,” “We Go Together,” and “Mooning,” recalling the music of Buddy Holly, Little Richard and Elvis Presley that became the soundtrack of a generation.
Hamblin adds: “With an absolutely rockin’ 50s band (Steve Richards, Christopher Dees, Chris LaFata, Tony Foster, Jake Woolston, Eli Barrett, and led by Leisa Phillips) you won’t want to miss it! Not only do they play the classic soundtrack to perfection, but for those who arrive before the 7:00 curtain time, they will be performing a mini-concert of songs from ‘back in the day’…so boogie, bunny hop, and hand jive your way at least a half-hour early out to Grease,a NorthArk Drama and Ozark Arts Council production, LIVE at the Lyric Theater, November 27-30, Dec 1 at 7:00 PM, December 2 & 9 at 2:00PM.” Tickets available at TheLyric.org. Special discount if bought online!
Summer 2018 Battle of the Bands featuring FOUR local bands and a tribute to The Beatles!
Saturday, August 4 at 7:00PM
Four great area bands, playing the songs that keep crowds all over Northwest and Central Arkansas and Southern Missouri coming back for more, plus what they’ll be judged on in this show: their covering of a Beatles tune, whether in the original setting or in their own style! Who will most compellingly make a Fab Four song their own and take this Summer’s bragging rights—and the cash prize?
The Ozark Arts Council is delighted to host these wonderful musicians who have graciously chosen to play for us at this fundraising event, through which we are hoping to begin our restoration of the Lyric Theater’s original balcony restrooms, which have been out of service since the 1970s. Thanks to some fantastic sponsors, the bands are competing for a cash prize, as well as area bragging rights, and we’re expecting a dynamite show!
The doors of the Roots Music Palace of the Ozarks—Harrison, Arkansas’s historic Lyric Theater—will open at 6:00 for a 7:00 performance on Saturday, August 4. Adult beverages and general concessions will be available throughout this concert, and there will be short (5–10 minute) intermissions between bands, as well. Tickets are available in advance for $10; at the door, they will be $15.
As you can see from the videos posted here, our bands have very different styles, often showing blues and folk roots with an edge both in their covers and new compositions that shows a personal ‘backstory’ that can make even the same song relate in completely different ways.
Featured bands include The Hedley Lamar Band, LeadFoot 65, Sound Pilot, and Earth Bone, all of whom you’ve heard and loved for several years, and, thanks to our sponsors, you get to hear and love them again but all in one place. Many thanks to Milam Refrigeration, TLD Construction, GFI Inc., Anderson Electric & Plumbing, Quality Construction & Remodeling, Harrison Mini Storage, Elite Plumbing & Construction, The Arnold Team at Weichert Realtors, and Mitchell Electric for sponsoring the grand prize for our Battle!
How about Some Musical Sleight of Hand? The Magic of the Piano with Scott Carrell!
Sunday, June 24 at 2:00PM
“We were very honored that he included Oklahoma State University on his tour schedule. While the audience was dazzled by his technical brilliance, they were also drawn in by his thoughtful musical interpretation. He was so engaging and knowledgeable as he talked to the audience; students and community members alike felt as though they came away having learned a great deal. It was also a real treat to have the opportunity to hear him perform his own wonderful composition.”
– Ms. Heather Lanners, Assistant Professor of Piano
Oklahoma State University, Stillwater, OK
Showcasing well-known masterpieces as well as less familiar works deserving greater recognition, pianist Scott Carrell is known for his virtuosic flair, expressive playing and informative comments. From Romantic fireworks to graceful classics, he gives audiences the “highest level of classical music entertainment and education.” Now he brings that virtuosity and desire to give all he has received also to every audience member the historic Lyric Theater on the Harrison, Arkansas square. June 24 at 2:00PM is the time for the event and tickets are available in advance for $7.50; at the door, they will be $10.
A native of Texas, Carrell has performed numerous recitals as soloist and as collaborator, including concerto appearances with the Austin Symphony Orchestra, the Pine Bluff Symphony Orchestra, the Southwestern University Orchestra, the Plainview Symphony Orchestra, the Fort Worth Civic Orchestra, the Little Rock Wind Symphony, the New York Classical Players, and twice with the Harding University/Community Orchestra.
An active chamber musician, he co-founded the Searcy Chamber Music Series and has performed on many of its concerts. He has also performed in recital and small ensembles in Florence, Italy, and Mainz, Germany and was the guest artist for the 2011 Robert Herrin Piano Festival at Texarkana College. In 2014, Carrell was invited to Guangzhou, China, to perform a concert, to give lectures, and to teach piano students in masterclasses. Most recently, he was the featured artist for the 2017 Scott Joplin Festival at Northwest Missouri State University, giving a recital, lecture, and masterclass.
In 2005 his compact disc Crossings was released, including the world premiere recording of the title work, an original composition based on a painting by an Arkansas artist. The disc Ragtime Memories was released in 2007. Other premieres of original works include a Suite for Brass Quintet (2011), Dance for Oboe and Piano (2011), and Conversation for double-reed trio (2015).
Carrell has spent much of his career exploring the music of French composers, with an emphasis on finding unknown masterpieces deserving recognition. This work has resulted in several concerts of French music and in the release in 2016 of the disc Piano Works of Noël Gallon, featuring world premiere recordings of music by a Paris Conservatory professor.
Receiving degrees from Southwestern University, the University of Illinois, and the D.M.A. from the University of North Texas, Carrell studied with internationally-known artists Drusilla Huffmaster, Ian Hobson, and Vladimir Viardo and participated in masterclasses with Abbey Simon, Gail Delente, and Dominique Merlet. The French Piano Institute awarded him a prize for the best performance of a work by Henri Dutilleux at the 1996 FPI Festival in Paris, France. He was also honored with the Distinguished Teacher Award from Harding University for the 2003-2004 and 2012-2013 academic years.
An active member of the Arkansas State Music Teachers Association, he has presented sessions at both regional and state conferences and serves as a division coordinator of MTNA. Currently teaching piano, piano-related courses, and music theory at Harding University in Searcy, Arkansas, Carrell is in demand as a soloist, collaborative artist, teacher, and adjudicator.
“Wild West Fairytale Rock Music” It’s an Album Release Show with White Fox Kill!
Saturday, June 23 at 7:30PM
“I wasn’t exactly sure what I was gonna be hearing when I walked into AJ’s for my first White Fox Kill show; (my wife calls me a music snob). They settled into their first song and I knew this was gonna be somethin’ special. Wow….They absolutely Killed it!!!!!…Ozarks Original…..Must See Band. Support your Local Music People, you’re lucky to have these guys in the area!!!!”
The Ozark Arts Council is delighted to host the album release show for alternative rock band White Fox Kill. The doors of the Roots Music Palace of the Ozarks—Harrison, Arkansas’s historic Lyric Theater—will open at 6:30 for a 7:30 performance on Saturday, June 23. Adult beverages and general concessions will be available throughout this album release party. Tickets are available in advance for $10; at the door, they will be $15.
From “the southern wild jungles of Arkansas” comes a new breed of Alternative Rock that has resonated with fans across a broad spectrum of genres: White Fox Kill is exactly the sort of band that those who know Americana and want more of a rock edge would expect to hear at the Lyric!
With influences that range from Johnny Cash to Eminem, from the psychedelic, proto-progressive rock sounds of Pink Floyd to the blue-collar rock of Bruce Springsteen and back to the blues underpinnings of rock giants Led Zeppelin, White Fox Kill has no problem weaving together both lyrical and musical images that are both pleasing and challenging. Considering that they are fans of some of the greatest roots music lyricists of the past century—Bob Dylan, Townes Van Zandt—and have an expressiveness akin to some of today’s top artists (from Kings of Leon to Lana Del Rey), their willingness to mix styles to get their point across is the very picture of being an Arkansawyer in the modern world: they build on the best of the past and extract the best from today, as well. The influences of Nirvana and The Pixies come through, as well, in the band’s willingness to mix hard and soft, all to present their ‘jungles of Arkansas’ take on their subject matter.
White Fox Kill has been honing their craft on the road and in the studio, releasing several songs (complete with on screen lyrics) via YouTube the past couple of years. Recently, they were able to complete their first album, with Scott Hoffmann in charge of production. He says that they went for a “raw, puckish” sound that lets the composition of the music shine forth as both simple and complex, allowing the hearer to fix on the lyrics that are, he says, “reminiscent of Lennon, Dylan, Cobain, and Townes [Van Zandt].”
Summer Lip Sync Showdown! in support of Ozark Rape Crisis Center
Saturday, June 2 at 7:00PM
Ozark Rape Crisis Center is hosting a Summer Lip Sync Showdown fundraiser on June 2nd at the historic Lyric Theater. Tickets are $10 in advance, $12 at the door.
Check out this video on how you can get involved & support victims of sexual violence in our community.
The Ozark Rape Crisis Center provides 24-Hour Crisis Intervention and Advocacy services for victims of sexual violence, as well as violence prevention education for the general public in Boone, Carroll, Johnson, Marion, Newton, Pope and Searcy Counties in Arkansas.
“Just your run of the mill, post-structuralist cowgirl Americana…” Crooked Creek presents Winona Wilde!
Thursday, May 17 at 7:00PM
“Over simple, well-worn chords, Wilde’s voice sounds weary and wise, and yet still full of life…Her storytelling binds together personal experience and political ideas in relatable ways, the way only the best songwriting can.”
Karl Magi recently profiled Winona Wilde for Spinditty, so we’re going to borrow some quotes from his excellent article there. He shows her love for the Roots Music fans and culture: “If I had known all of these people and festivals existed when I started law school, I probably would have quit instead of suffering through it. The sense of community I have felt from the folkies is unlike anything on this earth. It has made me a better person.”
It’s not having gone to law school that makes people wonder most at her rise to prominence in the Americana scene—nor even her being Canadian, since that’s “North Americana,” at least—but the fact that she is a Canadian of Iraqi descent
who has so embraced—and been embraced by—Western “Roots Music”/Americana and its fans.
Wilde (whose non-stage name is Noosa Al-Sarraj) says that music was a part of her life from her earliest days. “I do not come from a musical family, but opportunities for making music always came into my life at the right time. As a little tiny baby, I used to sing my mother’s lullabies back to her, and as a toddler, I was really good at clapping back rhythms and freakishly repeating back entire verses from the Koran, so my mother suspected there was something at play there.”
Her musical influences are wide-ranging. “I grew up on classical music. My faves were the moody, dense composers like Beethoven and Schumann. I spent hours every day alone with the piano, deciphering the language. To this day, I can still recognize a composer from just a few bars of music. Nobody generally cares when it happens, but it always feels like a little bit of a fist-pump moment.”
“When I hit my teens I got all the way into older blues artists like Ray Charles and Nat King Cole and then started to experiment with the edgier stuff like Tool and Nine Inch Nails. I loved the melodic metal my younger brother Sim listened to, he got me into Opeth, Dream Theatre and stuff like that. The heaviness of my lyrical content might have something to do with that.”
Magi writes: “Her transformation into a country/folk artist is something for which Noosa has an interesting explanation. She says, ‘My parents both worked a ton so we had a nanny whom we affectionately called Nana. She may have had country music radio on all day, so my young brain had the country music of the 80’s hammered into it without my even noticing. When I eventually heard John Prine and Loretta Lynn as an adult, all of this country music came pouring out of me.’”
Eleni Armenakis makes it clear in her review of the Wilnona Wilde album “Wasted Time” that as much as her music can reach the heights and depths of introspection and social commentary, her music is not one dimensional: “‘Buy a Round’ marks a change in the album, as Al-Sarraj laughs into a pure country number that fittingly rolls in and around itself. There’s more of a folk sound to ‘Black Forest Black Forest’ before ‘To The Corner’ finds a balance between the two to quietly see out the album.” Armenakis concludes, “Al-Sarraj knows what she wants to say and how she wants to say it. Despite the title, she’s clearly not wasting any time.”
“The best introduction to troubadour songwriter Winona Wilde’s wry sensibilities is through her delivered-with-a-wink song, ‘Chick Singer’…She sings with both exasperation and good humour, because, as we all know, sometimes the truth is so bleak, it’s hilarious. The same autobiographical song also references the blank stares she gets from people surprised to see an Iraqi-Canadian woman singing country songs. Wilde, whose real name is Noosa Al-Sarraj, fell in love with country music thanks to a nanny she had as a kid. Her kickass songwriting abilities led to win an award at the Kerrville Folk Festival’s New Folk competition this year—one of few Canadians to do so, and certainly the first of Iraqi descent.”
Winona Wilde will perform at the Roots Music Palace of the Ozarks, Harrison, Arkansas’s historic Lyric Theater, on May 17 at 7:00PM,with special guest opener Fayetteville’s Elizabeth Scott. Tickets are available in advance for $10; at the door, they will be $15.
Can you recall the first song you ever wrote?
From age 11-17, my subjects were mainly animals — for example, “Everything tastes like chicken when you’re not around,” a musical adaptation of Dr. Seuss’s One Fish, Two Fish, and a mini-opera about a donkey who eats spaghetti. Although one early song I remember went something like “darkness into darkness” and had some complex chord changes and a heavy subject. I gave it to my teacher and I never got it back, so I am really curious about what was going on in that song. Perhaps she passed it along to a psychiatrist.
“Fun, Fun, Fun” is on Its Way: Sail On: The Beach Boys Tribute
Sunday, July 22 at 2:00PM
“Better than the actual Beach Boys!” “Our all time favorite program at the Club EVER!” “How soon can we have them back?” are just some of the comments our club members made after Sail On performed on our stage. Our 450 members of the audience enjoyed great harmonies and the musicianship that each member of the band brought to the show. Sail On delivered a fun, high energy show of classic songs that filled our evening with summery good vibrations.
– Director of a Private Club in Dallas
Sail On: The Beach Boys Tribute, the world’s fastest-growing tribute to the music of The Beach Boys, will be playing all your favorite hits such as Good Vibrations, Fun Fun Fun, Barbara Ann and more at Harrison, Arkansas’s historic Lyric Theater at a special matinee performance on Sunday, July 22.
Tickets are available in advance at a deeply discounted price, thanks to our wonderful sponsors! Sail On has consecutively sold-out multiple shows ranging from 300 to 700 seats and is sure to sell out very rapidly at the Lyric with these radically-discounted prices!
Sail On: The Beach Boys Tribute focuses on performing songs by America’s Band, The Beach Boys, to sheer perfection. Members of Sail On have performed with musicians from Brian Wilson’s band, The Zombies, Earth Wind and Fire, Cheap Trick, Mark Lindsay (of Paul Revere and the Raiders), and produced recordings for Micky Dolenz.
Boone County Original Southern Confession
and Special Guest Harvey Stone!
Friday, July 20 at 7:00PM
Get ready for some killer Alternative Southern Rock with a Boone County Original: Southern Confession, comes home to Harrison, Arkansas’s historic Lyric Theater for a special performance with Branson’s favorite alternative rockers, Harvey Stone on Friday, July 20, 2018, at 7:000PM. Tickets are available in advance at a deeply discounted price, thanks to the desire of these great bands to give back to the communities that launched them!
Over the past five years, Southern Confession has played all over the mid-south region of the country and has become well known both for the breadth of styles that they cover (both with their own songs and those that have resonated with all of us for decades) and for the live show energy that draws you in and keeps you there throughout the evening.
With the closing of some live performance venues in the Harrison area and a need to keep performing, Southern Confession has had to schedule shows farther away from home lately (and for the rest of the year), but wants to take the opportunities it can to give back to the community that has so embraced them throughout their history. For that reason, they have not only scheduled themselves to play for the free “May Days on the Square” during Harrison’s Crawdad Days festival, but drummer Jody Marshall actually undertook the coordination of all of the live music on the Square for that weekend! Along with that, though, the band wants to give everyone a great time in the middle of summer, bringing you into the cool environs of the historic Lyric…and that with their good friends from Branson, Harvey Stone, and all at a highly-discounted price…or two…!
Yes, there are two prices for tickets purchased in advance: the already-amazingly-low $7.50, and the even-more-amazingly-low $5.00, which is offerred to anyone who wants to see both Southern Confession on July 20 and Sail On: The Beach Boys Tribute on July 22! The band doesn’t want anyone to be left out because feeding the kids and paying the mortgage need to come before seeing them, but they also realize that to keep the Lyric open we have to pay bills, too…so they and we have cut things to the point of just barely covering expenses, so that our whole community can come together to celebrate the summer together at the Lyric. Thanks to the sponsors for Sail On, that means that you can come to both concerts for less than we would typically have to charge for one—and far less than Sail On tickets alone are costing in most venues!