Tinsley Ellis
Saturday, March 21, 2026 at 7:00PM
Join us Saturday March 21 at 7:00pm, as we welcome a true blues rock legend, called an “Atlanta Blues Icon” and a “Road Warrior,” due to his extensive touring and blues mastery. Tickets can be purchased directly from this page; if any tickets remain at show time, they will be $5–$10 higher at the gate.
Ellis delivers a powerful punch of deep roots blues and wicked guitar prowess…Hold on to your hat and get ready for a foot-stomping, raucous and raw good time…a joyous and triumphant celebration of acoustic music. You’ll feel it down to the bone.
— Living Blues
Atlanta-based musician Tinsley Ellis—known for decades as one of the greatest electric blues-rock guitarists of his generation—is now also recognized as one of the very best contemporary acoustic blues guitarists, songwriters, and performers in the world. With 2024’s critically acclaimed and Blues Music Award-nominated Naked Truth, Ellis unplugged with his first-ever acoustic album. On it he mixed his own striking original songs — inspired by Son House, Skip James, Robert Johnson and Muddy Waters — with a few reinvented covers. According to No Depression, “Even though it’s just Ellis and his acoustic guitars, there’s plenty of hell-raisin’ blues going on. With the ghost of Elmore James looking over his shoulder and Wolf leaning in…Ellis proves he’s an icon.”
Glorious, raw and propulsive acoustic blues…Ellis’ resonant, crystal-clear baritone delivers chilling lyrics like an Old Testament prophet accompanied by an unruly slide guitar…killer vocals and biting, dazzling guitar work.
— AllMusic
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Georgia Blue, Tinsley’s first Alligator release, hit the unprepared public by surprise in 1988, as press and radio brought his music to more people than ever before. His next four releases—1989’s Fanning The Flames, 1992’s Trouble Time, 1994’s Storm Warning, and 1997’s Fire It Up—further grew his reputation as well as his audience. (His song A Quitter Never Wins, a highlight of Storm Warning, was recorded by Jonny Lang, selling almost two million copies.) Features and reviews ran in The Washington Post, The Los Angeles Times, The Boston Globe, and in many other national and regional publications. And he backed it all up performing hundreds of nights per year. Rolling Stone declared, “Feral blues guitar…non-stop gigging has sharpened his six-string to a razor’s edge…his eloquence dazzles…he achieves pyrotechnics that rival Jeff Beck and Eric Clapton.”
Stripped down and raw, rousing and surprising…gruff unembellished vocals…glistening melodies fingerpicked with delicacy…so genuine it seems like a lost recording from decades ago.
—Blues Music Magazine
Select your seats right on this page and join us on Saturday March 21 at 7:00pm, at “The Roots Music Palace of the Ozarks,” Harrison’s historic 1929 Lyric Theater, as we welcome a true master of blues-rock, Tinsley Ellis!
Next to Normal, with book and lyrics by Brian Yorkey and music by Tom Kitt, explores how one suburban household copes with crisis and mental illness. Winner of three 2009 Tony Awards, including Best Musical Score and the 2010 Pulitzer Prize, Next to Normal was also chosen as “one of the year’s ten best shows” by critics around the country, including The Los AngelesTimes, The Washington Post, Rolling Stone and The New York Times.
focused on vocals, acting, and choreography, as well as the proper etiquette for being in a play and attending a play, all of which culminated in a short performance for the family and friends of the children—many of whom are gracing the Lyric stage for the first time ever. Only then was attention turned fully to this play, where those new or refined acting, singing, and dancing skills could be put into practice for the sellout performances this July will bring.
We hope you will join us both for the entertainment and lesson imparted by this classic story and for the building of our community that attendance at Arts events—especially at young people’s theatre—always brings. The OAC and its Member Organizations are committed to having children of all ages learn about the Arts and develop a love for them that reaches beyond their early years, so that they grow up to be well-rounded, empathetic adults. These “Jr.” plays, and the directors who bless us by giving up a portion of their summers, are a huge first step in that direction.
From the iconic “Hank Williams” to his own “roots/retro” country music, David Church has made a huge impact on music enthusiasts all over the world. David & Terri Lisa have reignited a passion for traditional “RETRO” country music. They have made a connection that has crossed generations, from college students to great grandparents.
Church attributes his success in the music business to the millions of “true country fans” that are tired of what they hear on the radio. “The success that I have had has come from the fans that so long for the traditional sound of country that they have heard in the past, but no longer find in mainstream country music. Those are the fans that have been forgotten. I also feel that a lot of RFD-TV’s success can be attributed to the country music shows that they have been airing, which go along with the country and farm lifestyle. We are proud to be a part of this family oriented TV network.”
West Cork, Ireland was the only one playing traditional music, so they would be teased for being out of step with the times. “We used to be laughed at by other kids because they thought we were being old hat, she says. But that first Planxty album let people see that traditional music could be modern and sophisticated, that it wasn’t some sort of hick music.” (Quoted from