Ozarks DynaCom FiveStar Talent Contest Semi-Finals II, November 6 at 7pm #LiveAtTheLyric!
Our region of the Ozarks is overflowing with talent.
Amazing vocalists, dancers, comics and musicians appear regularly on stages, at events, in theaters, restaurants, bars and festivals throughout the Ozarks.
And we know, there’s incredible talent that isn’t very well-known too. There are up-and-comers and less experienced performers who are dedicated and working hard on their skills. They might be young, or they might have had to put their talent on the back-burner, or just decided that their special gifts and talents were going to be a hobby, instead of a career.
Ozarks DynaCom wants to give striving performers, the unknown and the inexperienced their moment in the spotlight. The Ozarks DynaCom FiveStar Talent Contest is the perfect opportunity to dust off the cobwebs, fine tune performance skills, or test new material on a real audience.
Together with our listeners, online fans, and social media friends, we might even discover the next entertainment sensation of the Ozarks, or beyond!
Show details and winner prizes will be announced as those items are confirmed.
• Online Entries: August 16 – September 12, 2021 • Online Voting: September 17 – October 10, 2021 • Live Semi-Final Shows: November 5 and November 6, 2021 • Live Final Championship Show: Mid November 2021
The Ozark Arts Council proudly presents the first-ever entirely student-driven production by HHS Theatre at the Lyric:
🌲 Tuck Everlasting ❤️
Thursday–Saturday, Sept. 30–Oct. 2, 6:00PM Saturday, October 3, 1:00PM
HHS•Theatre@TheLyric and The Ozark Arts Council will bring a beloved book to the Lyric stage with a most intriguing cast and crew: Mrs. Hamblin is turning her veteran youth loose on the community to treat us to all of the energy—and all of the angst—that Tuck Everlasting deserves, with Harrison High School’s first student-led (from director to actors to tech!) production. Performed #LiveAtTheLyric September 30–October 2 (with two performances on Saturday),tickets are available through The Lyric’s ticketing page with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults. Face coverings for disease transmission are no longer required by the state, but no one will object if you still wish to wear one.
10-year-old Winnie Foster, trapped by the rules imposed by her strait-laced family, runs away and discovers the humble Tucks who had accidentally stumbled upon a spring long ago that gave them eternal life. Winnie promises to keep their dangerous secret but then a sinister stranger in a yellow suit arrives at their door with intentions to steal the immortal water for himself. Ultimately Winnie must choose whether or not to drink the immortal water and join them in an everlasting adventure—or live on in a natural way, living a life full of the ordinary beauty of growth and change.
Directed by Khloe Shorb, the Tuck Everlasting cast includes:
Winnie Foster: Faith Nix Angus Tuck: Zach Jimerson Mae Tuck: Mysteri Cotton Jesse Tuck: Tori Hudson Miles Tuck: Joe Claus Stranger: Jude Bilbee Constable: Charlie Knieff Granny Foster: Sara Sims Voices: Kaci Flower, Donovan Walters, Mandy Prpich, Rilee Young, Jenna Wilson, Addie Jones
NEW Blues from and for the Working Man: Albert Cummings Returns to the Lyric—
Re-Rescheduled to September 23 at 7PM
The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does[…]. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.”
– Guitar Edge Magazine
From full on, straight ahead hard-edged to mellow-without-being-prissy, Blues-rock guitar with lyrical mastery is headed back, in all its glory, to the historic Lyric Theater, as Harrison, Arkansas enjoys “An Evening with Albert Cummings” on Thursday, September 23 at 7:00 PM, for which tickets are now available.
Entertaining audiences from his phenomenal guitar work to his incredibly impassioned lyrics and overall songwriting prowess – one thing has certainly become clear about Albert Cummings’s music: he is far more than simply just the guitarist or the bluesman he’s often painted as by fans and the media alike. He offers the complete package.
Though undoubtedly a masterful guitar player who burst onto the blues-rock scene in the early 2000s and almost immediately began gaining praise in that realm, his latest live release “Live at the ‘62 Center” and his new studio album, “Believe,” further portray not only his versatility as singer/songwriter and live performer but as an artist first and foremost.
While generally performing live as a trio, the true spontaneity and creative spirit of these albums show Albert’s mastery of the whole art form, as he put together a newly formed version of his usual trio that afternoon of the October 2016 recording, along with keyboards and backing vocals that hint at just how massive Albert’s talent for composition and improvisation really is. With longtime friend and Grammy Winner Jim Gaines behind the soundboard, what comes through in both sight and sound is an incredible journey into the live performance world and true artistry of one of today’s most seasoned musicians.
“His muscular guitar work is simply outstanding. He’s a great blues singer as well, with passion for the tunes inherent in his full-throttle approach.”
– Rock and Blues Muse on Live at the ‘62 Center
Like many greats before him who’ve been painted into a corner as merely great blues players, or guitar players, or singers, Cummings seeks to rise above these labels and be praised for the devotion to his overall craft as a true musician. In artist terms, he’s sought to be known for ‘the overall pallet of his music’, rather than one specific color. From greats like Eric Clapton to the more recent stylings of John Mayer, his artistic integrity has allowed him to focus on the big picture, writing songs from the heart rather than catering to his specifics strengths as a singer, guitarist, or bandleader (all of which he does impeccably, however!).
His musical journey began when young Albert first picked up a guitar – learning the requisite three chords from his father, but later switched over to banjo at the age of 12 after becoming a bluegrass fan. After hearing the early recordings of Stevie Ray Vaughan, he was impressed by the sheer virtuosity of the artist, and following his first chance to see him live while in college in Boston he returned to the guitar with a new outlook and resolve.
“He attacks his axe with unbridled ferocity and deep soulfulness… his depth and expression are matched only by his terrifying technique and tone.”
– Guitar One
The whiz-kid carpenter began his ascent to masterful blues rock guitarist at age 27, with his first public performance on guitar. As he continued to grow in his newfound passion, he landed on the Northeast blues circuit with his first band Swamp Yankee. Then, in 1998, after walking into a Northeast Blues Society open jam, Cummings won the right to compete in the Blues Foundation’s International Blues Challenge the following year. By 2000, his debut single “The Long Way” was released to rave reviews, and began opening new doors for the artist. Bluesprint magazine said it was “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix.”
His first big opportunity came in the form of a chance to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. Having begun his musical journey in part due to Vaughan’s inspiration, it seemed Cummings’ passion had brought him full-circle.
Cummings’ soulful and explosive approach to blues and rock then caught the attention of Blind Pig Records (Muddy Waters, Jimmy Vivino, Elvin Bishop), which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, fully showcasing his well-rounded talents.
“a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix. – Bluesprint Magazine
Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience.
His second release, Working Man (2006), also produced by Jim Gaines, furthered a growing focus and maturity both in Albert’s stinging, incisive guitar work as well as in his fluently idiomatic songwriting, leading Billboard Magazine to exclaim “This recording is the calling card of a star who has arrived”
2008 saw Albert’s first live album “Feel So Good,” recorded at the historic Colonial Theatre in Pittsfield, Massachusetts which has hosted everyone from Will Rogers to Al Jolson. The audience was so enthralled and supportive they became part of the performance in a way that’s rarely heard. As AllMusic put it, “It sounds like it was one hell of a party that night.” Music Connection also called it “one of the best live albums recorded in a long time.”
As he continued to grow, playing with the likes of legends from B.B. King (who called dubbed him “a great guitarist”), Johnny Winter, Buddy Guy, and many more – Cummings built on not only his all-around songwriting and musicianship but his guitar playing skill as well. Using his knowledge to give back to fellow guitarists wanting to advance in their craft, he released the instructional DVD “Working Man Blues Guitar” in 2011. His next album, 2012’s self-released “No Regrets” followed as a return to his true musical roots, poignantly capturing the core of his influences and displaying the impact that R&B, Rock, Soul, Country, and the Blues have had on both his playing and writing. It debuted at #1 on iTunes music charts in the USA, Canada, and France.
Now, as he continues writing and performing, relentlessly devoting effort to his craft, Cummings is ready to continue on his ever expansive musical journey. “An Evening with Albert Cummings” in support of his new album, “Believe,” is scheduled at the historic Lyric Theater on the Harrison, Arkansas square for Thursday, September 23 at 7:00PM . Tickets are now available.