12 Angry Jurors, Thursday & Saturday, November 14 & 16 at 6pm, Friday, Nov. 15 at 5pm, and Sunday Nov. 17 at 2pm! #HHSTheatre!

The Ozark Arts Council
is pleased to announce the
Harrison High School Theatre Department’s
production of
12 Angry Jurors

Thursday & Saturday, November 14 & 16, 6:00PM; Friday, November 15, 5:00PM; and
Sunday, November 17, 2:00PM

Harrison High School Theatre Dept. proudly presents 12 Angry Jurors, sponsored by Sprott, Golden & Bardwell. This play will be held in the black box theatre in the Theatre Room at HHS. Tickets are limited as it will be theatre-in-the-round, and are available at TheLyric.org. Note the difference in Friday’s showtime to allow you to see the play and cheer on the Goblins as the state football tournament begins.

Please Note: This play will take place at Harrison High School; many thanks to the Ozark Arts Council for the use of their ticketing software!

12 Angry Jurors is based on the Emmy-Award winning TV movie 12 Angry Men, and students ranging from freshman to senior will present this intense play November 14–17. Our cast includes: Ashlee Piske, Lena Rocole, Natalie Sims, Zach Jimerson, Addie Jones, Mysteri Cotton, Faith Nix, Candace Lambert, Kinder Hinrichs, Jenna Wilson, Serena Bolonsky, Tyler Madison, Liam Dupre, Caleb Lord, Dakota Furr, Chasity Price.

A 19-year-old man has just stood trial for the fatal stabbing of his father. “He doesn’t stand a chance,” mutters the guard as the 12 jurors are taken into the bleak jury room. It looks like an open-and-shut case…until one of the jurors begins opening the others’ eyes to the facts.

12 Angry Jurors featured on GobTV News

“This is a remarkable thing about democracy,” says the foreign-born juror, “that we are noticed by mail to come down to this place and decide the guilt or innocence of a man; of a man we have not known before. We have nothing to gain or lose by our verdict. We should not make it a personal thing.” But personal it does become, with each juror revealing his or her own character as the various testimonies are re-examined, the murder is re-enacted, and a new murder threat is born before their eyes. Tempers get short. Arguments get heated. And the jurors become 12 angry men and women. The jurors’ final verdict and how they reach it will electrify you and keep you on the edge of your seat.

12 Angry Jurors
presented by the HHS Theatre Dept. and sponsored by Sprott, Golden & Bardwell will be performed November 14 and 16 at

Many thanks to our sponsors for their constant support of the Arts in our area!

6:00pm, November 15 at 5:00pm (to allow you to see the play and cheer on the Goblin Football team as the state tournament begins in F. S. Garrison Stadium at 7:00!), and November 17 at 2:00pm.

 

All performances will be at HHS in the black box theatre in the Theatre classroom. Tickets are available at TheLyric.org.

OAC Ticketing Link

The Outsiders, December 2–7 at 7pm, December 8 at 2pm, plus school matinees! #LiveAtTheLyric!

Northark Drama and the
Ozark Arts Council
present:
The Outsiders

Tuesday–Saturday, December 3–7, 7:00PM
and Sunday, December 8, 2:00PM
with School Matinees Monday & Tuesday, December 2 & 3 at 10:00AM

The Ozark Arts Council and NorthArk Drama present The Outsiders #LiveAtTheLyric Theater in Harrison, Arkansas, December 2–8. Tuesday through Saturday will feature evening performances, which start at 7:00pm, and Sunday’s performance will begin at 2:00pm. Monday and Tuesday will feature matinee performances for area schools (and homeschools). Tickets for the evenings and Sunday are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

Matinee tickets must be purchased through the OAC office; please call (870) 391-3504 and leave a message and send an email to our Executive Director.

In the midst of urban warfare, somehow Ponyboy (Karson Deatherage) can’t forget a short poem that speaks of the teens’ fragile young lives:

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
so dawn goes down to day.
Nothing gold can stay.

“Robert Frost wrote it,” Ponyboy tells Johnny (Wyatt Mahoney/US Ella Domino). “I always remembered it because I never quite got what he meant by it.”

Cherry (Chyler Caraway/US Lena Rocole), a beautiful Soc, comes to share a special sensitivity with Ponyboy as she discovers that he remembers poems and needs to watch sunsets. At the same time, Cherry is attracted to the older, tougher Dallas (Gavin Wilson/US Isaac Stevens), and in a sense she’s caught in the violent space between the Greasers (Darry: Andrew Coble/US Daniel Seay; Two-Bit: Laine Hilliard; Sodapop: Nathan Edwards/US Nicholas Allen) and the Socs (Marcia: GiGi Crenshaw/US Jennafer Wilson; Sandy: Eden Wilson/US Faith Nix). While the Socs appear to have everything, the only thing a Greaser has is his friends.

As these young people try to find themselves and each other, as the sadness of sophistication begins to reach them and their battles and relationships reach a resolution, Ponyboy’s friend, Johnny, sends him a message: “I’ve been thinking about the poem that guy wrote. He meant you’re gold when you’re a kid, like green. When you’re a kid everything’s new, dawn. It’s just when you get used to everything that it’s day. Like the way you dig sunsets, Pony. That’s gold. Keep it that way. It’s a good way to be.”

This is a play about young people who are not yet hopeless, about latent decency in the midst of struggle.

Both veteran and novice actors round out this stellar cast, including: Devin O’Brien and US Caleb Lord as Bob/Paul; Kinder Hinrichs and US Daniel Hart as Randy; Joshua Mann as Jerry; Kaleigh Billings as Mrs. O’Bryant; Abi Coble as the Doctor; Lexi Knight as the Nurse; Lexi Sprenger as Mrs. Syme; Laken Steiner, Kaci Flower, Laken Rudelis, Bannon Jones, Zoe Arthur, Brinkley Brewer, Donovan Walters, Sophia Wilson, Callie Caraway, Wynn Mahoney, Lenora Domino, Zachary Linn, Emma Pruitt, Ivan Hanschu, Xavier Hanschu, Kalysta Douglas as Ensemble.

This a story that you won’t soon forget.

Says Co-Director and Head of NorthArk Drama, Michael Mahoney:

“I have truly enjoyed working with the cast, crew, and especially my co-director Bekah Wilson on [this play]. Finding a vision and through line for these characters has been a challenging, yet rewarding task. S.E. Hinton’s novel is timeless in the powerful and enlightening story about the hard battles fought during adolescence, the search for true belonging to a family, brotherhood, and, most of all, love. The Outsiders is an extremely dramatic piece. I believe it conveys a powerful message about real social issues that arise in so many American homes and social groups today. I hope our production enlightens and educates people about human compassion and love.” 

The Outsiders will be performed December 3–7 at 7:00PM and December 8 at 2:00PM, with 2 special school-only performances December 2 and 3 at 10:00AM.

(If your school has not been contacted about these special school performances, contact Executive Director, Julianna Hamblin by clicking this link to email her and leaving a message at (870) 391-3504 [in case your email ends up in a spam folder].)

Tickets are on sale now.

Note: US denotes Understudy

OAC Ticketing Link

Romeo and Juliet, ONE Day Only! November 1 at 7pm #LiveAtTheLyric!

Arkansas Shakespeare Theatre and the Ozark Arts Council Present:
Romeo and Juliet!
Friday, November 1, 7:00PM

The Ozark Arts Council is thrilled to welcome Arkansas Shakespeare Theatre for a special November 1 7:00pm performance of their Family Theatre production of Romeo and Juliet #LiveAtTheLyric! Tickets are only $10 and are available through TheLyric.org .

Tickets at the door—in the unlikely event that any are available—will be $15.

Arkansas Shakespeare Theatre is Arkansas’s Only professional Shakespeare Company. Each year it produces a selection of the Bard’s plays (along with other productions) in its summer festival in Conway.

Arkansas Shakespeare Theatre, which has been featured in The New York Times, is also a major educational force in Arkansas. This professional company brings respected and experienced Shakespearean actors to Arkansas for each season, producing vibrant, engaging, lively and provocative performances for all Arkansans.

With a mission to entertain, engage, and enrich the community by creating professional and accessible productions of Shakespeare and other works that promote educational opportunities, community 

involvement, and the highest artistic standards, Arkansas Shakespeare Theatre works with the Arkansas Arts Council as a part of its “Artists on Tour” program to help small venues keep these performances affordable.

In Romeo and Juliet, the fighting families of Montague and Capulet put their feud before their children’s happiness in Shakespeare’s classic tale of “star-crossed” young love, reimagined for audiences of all ages in this one-hour adaptation.

Note from AST: This adaptation is intended for audiences of all ages, and has been shortened to approximately one hour. There are songs and comedy, but also intense emotional situations and some violence. The original story is intact, including Romeo and Juliet’s tragic ending. 

“Our play begins in Italy in the city of fair Verona with a vendetta as old as time. The Capulets and the Montagues have been enemies for as long as either side can remember. Romeo Montague and his friends crash an ancient ball held by Lord and Lady Capulet, risking their lives and the continuation of the feud. Romeo first sees the enchanting Juliet here and immediately falls in love with her. At the end of the ball, Romeo meets Juliet at her balcony, where they express their undying love for each other. The two, with the help of Friar Lawrence and Juliet’s Nurse, marry secretly, despite their feuding families. Blissfully newlywed for just a short while, Juliet is soon shocked to discover that her father plans to force her to marry Count Paris only three days later.

“Romeo walks the streets of fair Verona and stumbles upon his friends Mercutio and Benvolio fighting Tybalt, Juliet’s cousin, who he learns has challenged him to a fight. In Romeo’s attempt to halt that fight, Tybalt meets his end at the hand of Romeo, resulting in Romeo’s banishment from Verona. When Juliet learns of this, her desperation to remain with Romeo leads her to Friar Lawrence and he arranges a plot for Juliet to fake her own death. However, the message carrying the information of the plot never reaches Romeo in Mantua and he truly believes that his beloved has died. Because of this, Romeo arranges his own plan to end his life and travels back to Verona to be with Juliet. Upon his return, Romeo enters the Capulet tomb, and sees his Juliet who appears to be dead.”

The above is taken from AST’s excellent and accessible (barely 20 pages) introduction to the play, to Shakespeare, and to live theatre in general, which you may read online (or download and print, by right-clicking/Command-clicking on this link and saving).

This is the first time we have had the honor of hosting AST at the Lyric, and we hope it is just the beginning of a long relationship with them for the enrichment of our community—and the first of many partnerships with those from our larger region to bring us the richness of professional theatre and theatre education, such as we have been so pleased to have from our member organization, Northark Drama.

Tickets to AST Family Theatre’s November 1 production of Romeo and Juliet are available now here at TheLyric.org by clicking any “Get Tickets” link, by stopping by the OAC office at 115 W. Rush Ave. between 9 & 1 Tuesday through Friday, or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

Dracula, October 24–26 at 7pm, 27 at 2pm & 31 at 7pm! #LiveAtTheLyric!

The Theatre Company of the Ozarks and the Ozark Arts Council Present:
Dracula

Thursday–Saturday, October 24–26, 7:00PM Sunday, October 27, 2:00PM
Thursday, October 31, 7:00PM

The Theatre Company of the Ozarks and The Ozark Arts Council, under license from Playscripts, Inc., will present Dracula, as adapted from Bram Stoker’s novel by William McNulty in the 1920s,  #LiveAtTheLyric the last weekend of October (Thursday–Sunday, October 24–27) and on Halloween! Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

(Parents: you know your children and if you don’t know the story, please check your usual parental advisory sources to see whether the content of this play will be appropriate for your child.)

Trouble is brewing from the very first moment of William McNulty’s adaptation of Dracula. Dr. Abram Van Helsing has arrived at the estate of his old friend, Dr. Seward, who is desperate for help. Seward’s beloved Mina has recently died of a sudden and mysterious illness. Her horrific symptoms have proved baffling to the bereaved doctor: sudden loss of blood, bouts of sleepwalking in the cemetery, and strange puncture wounds on the neck. To make matters worse, Mina’s friend, Lucy, has begun to display the same symptoms! Seward hopes that Van Helsing, a noted expert in exotic medicine, will be able to uncover the cause of Lucy’s illness and save her before it’s too late.

Meanwhile, Count Dracula, a strange and imposing man from Transylvania, has taken up residence in nearby Carfax Abbey. And Lucy’s fiancé, Jonathan Harker, has mysteriously vanished. A solicitor who helped arrange the sale of the Abbey, Harker traveled to Transylvania a few months ago to finalize business matters with the Count…and never returned home.

At Seward’s estate, Renfield, a mental patient, is becoming more wild and unruly by the day, almost as though he were possessed. Lucy’s symptoms continue to grow worse. And what could be causing the sudden onslaught of howls coming by night from up the hill?

Van Helsing believes the problem they face is a grave one: “My diagnosis is there is no disease! The symptoms are real. But the cause is not internal.” Could it be that Mina, and now Lucy, have suffered at the hands of a vampire? To save Lucy’s life, Van Helsing and Dr. Seward will have to uncover the identity of the life-sucking demon, and destroy him. But the endeavor is a dangerous one.

A vampire is a fearsome enemy, and the risks are greater than death. Should the doctors perish in their pursuit, they too will become vampires, doomed to spend eternity preying upon the bodies and souls of those they once dearly loved. Will Seward and Van Helsing find the vampire and save Lucy’s life—or is the monster about to claim yet another victim?

Join us at The Lyric for this heartwarming tale of the transformative power of love on October 24–27 & 31. Tickets for Dracula are available now here at TheLyric.org by clicking any “Get Tickets” link, by stopping by the OAC office at 115 W. Rush Ave. between 9 & 1 Tuesday through Friday, or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

Steel Magnolias, August 16, 17, 18! Raising Money for #JDRF — #LiveAtTheLyric!

The Theatre Company of the Ozarks and the Ozark Arts Council Present:
Steel Magnolias

Friday & Saturday, August 16 & 17, 7:00PM
Saturday, August 18, 2:00PM

Have a little slice of Southern life and visit the elegant ladies of Chinquapin, Louisiana, a lovely bouquet of Steel Magnolias! Discount tickets are on sale now for Steel Magnolias LIVE at The Lyric Theater in Harrison, Arkansas, on August 16, 17, & 18. Friday and Saturday performances will be at 7:00 pm, and the Sunday performance will be at 2:00 pm. Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

Tickets to the Friday performance will support the Juvenile Diabetes Research Foundation!

In Truvy’s (Trish Lockridge), beauty salon in Chinquapin, Louisiana, where all the ladies who are anybody come to have their hair done, the shop is abuzz with gossip and coffee and hairspray. Helped by her eager new assistant, Annelle (Katie Blessing), who may or may not be married, the wise-cracking Truvy dispenses shampoo and free advice to the town’s rich curmudgeon, Ouiser (Mary Bishop), whose 40-year-old bad mood has only sharpened her wit; an eccentric millionaire, Miss Clairee (Gwen Gresham), who has a sweet tooth for football teams; and the local social leader, M’Lynn (Lisa Johnson) and her vivacious daughter, Shelby (Callie Johnson), who is about to marry a “good ol’ boy.” Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions between the five ladies, the play moves toward tragedy when the spunky Shelby (who has Type I Diabetes) risks pregnancy. Though we see how it much it affects them, we are also shown the strength and love of these women who are delicate as flowers, and tough as steel.

Steel Magnolias will be performed #LiveAtTheLyric August 16 and 17 at 7:00pm, and August 18 at 2:00pm. Proceeds from the August 16 show will go to the JDRF (Juvenile Diabetes Research Foundation). Tickets on sale NOW at TheLyric.org, by calling 870-391-3504, or visiting the office T–F 9:00am–1:00pm. 

OAC Ticketing Link

Beauty & the Beast, Jr., July 20, 25, 27! #LiveAtTheLyric!

The Theatre Company of the Ozarks and the Ozark Arts Council Present:
Beauty & The Beast, Jr.

Saturdays, July 20 & 27, 2:00PM & 7:00PM
Thursday, July 25, 10:00AM

What you’ve been waiting for all summer is almost here: the enchanting and exciting story of Beauty and the Beast! The Theatre Company of the Ozarks and The Ozark Arts Council, under license from Music Theatre International, will present Beauty and the Beast, Jr. LIVE at The Lyric Theater in Harrison, Arkansas, on July 20, 25, and 27. Saturday performances will be at 2:00pm and 7:00pm, and the Thursday performance will be at 10:00am. Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

Shade Roberts and Liani Cash

Don’t let the “Jr.” in the title lead you to expect a watered-down production missing your favorite songs: when Disney commissions an adaptation for young performers, it’s name is still on the line! Based on the original Broadway production that ran for over thirteen years and was nominated for nine Tony Awards, and the Academy Award-winning motion picture, Disney’s Beauty and the Beast, Jr. is a fantastic adaptation of the story of transformation and tolerance.  Disney’s Beauty and the Beast, Jr. features some of the most popular songs ever written by Alan Menken and the late Howard Ashman, along with new songs by Mr. Menken and Tim Rice.

As with many of our children’s plays, rehearsals were preceded by a two-week-long workshop, which focused on vocals, acting, and choreography, as well as the proper etiquette for being in a play and attending a play, all of which culminated in a short performance for the family and friends of the children—many of whom are gracing the Lyric stage for the first time ever. Only then was attention turned fully to this play, where those new or refined acting, singing, and dancing skills could be put into practice for the sellout performances this July will bring.

Beauty and the Beast tells the story of an arrogant young prince and his castle’s servants who fall under the spell of a wicked enchantress when he turns her away from his door. The enchantress turns the prince into the hideous “Beast” until he can learn to love and to be loved in return. The spirited, headstrong village girl Belle enters Beast’s castle after he imprisons her father, Maurice. With the help of his enchanted servants, including the matronly Mrs. Potts, Belle begins to draw the cold-hearted Beast out of his isolation. But when the similarly cold-hearted Gaston and his henchman Lefou decide to destroy the Beast, will Belle be able to save the Beast from eternal doom?

We hope you will join us both for the entertainment and lesson imparted by this classic story and for the building of our community that attendance at Arts events—especially at young people’s theatre—always brings. The OAC and its Member Organizations are committed to having children of all ages learn about the Arts and develop a love for them that reaches beyond their early years, so that they grow up to be well-rounded, empathetic adults. These “Jr.” plays, and the directors who bless us by giving up a portion of their summers, are a huge first step in that direction.

Says Director Debbie Waters:

“I have been blessed with the best cast of young people between the ages of 6-18 who are a joy to work with.  We have a cast of 30 who are working hard and excited to ask everyone to ‘Be Our Guest’ at the Historic Lyric Theater during our 90th Birthday Celebration season.”

Our Cast and Crew include:

Caleb Lord and Liani Cash

Belle: Liani Cash
Beast: Shade Roberts
Gaston: Caleb Lord
LeFou: Jacob Cothran
Maurice: Logan Cole
Mrs. Potts: Alayna Davis
Chip: Ivan Hanschu
Lumiere: Nicholas Prpich
Babette: Chyler Caraway
Cogsworth: Bannon Jones
Madame de la Grande Bouche: Lexi Sprenger
Silly Girls: Brinkley Brewer, Avery Skinner, Emily Still
Enchantress: AnneJanette Cole

Ensemble: Kaden Allen, Zoë Arthur, Laura Bracken, Callie Caraway, Ethan Causey, Landon Clements, Joshua Cothran, Ella Domino, Dierdra Goldman, Jadah Gregory, Kalel Lewis, Tarron Lewis, Mia Ostberg, Emma Claire Pruitt, Natalie Sims, Jerome Sweatman, Jenna Wilson

Director: Debbie Waters
Assistant Directors: Courtney Lantis, Yaffah Lewis, Michele Reynolds

Back: Caleb Lord & Emily Still
Front: Avery Skinner & Brinkley Brewer

Join us at The Lyric for this heartwarming tale of the transformative power of love on July 20, 25, and 27. Tickets for Beauty and the Beast, Jr. are available now through TheLyric.org by clicking any “Get Tickets” link, by stopping by the OAC office at 115 W. Rush
Ave. between 8 & 2 Tuesday through Friday, or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

A Funny Thing Happened on the Way to the Forum — Fridays & Saturdays, May 3 & 4, 10 & 11 @ 7:00, Sundays, May 5 & 12 @ 2:00 — #LiveAtTheLyric!

Northark Drama and the
Ozark Arts Council Present:
A Funny Thing Happened on the Way to the Forum

Fridays & Saturdays, May 3 & 4, 10 & 11, 7:00PM
Sundays, May 5 & 12, 2:00PM

If I’ve told you once, I’ve told you a hundred times: do not fan the girls when they’re wet! But you’ll never learn; you’ll be a eunuch all your life!
 – Marcus Lycus

This May, come to the Lyric for something familiar…something peculiar…something for everyone…yes, it’s “a comedy tonight”! In fact it’s the comedy of comedies that transcends time and space, A Funny Thing Happened on the Way to the Forum! Produced by NorthArk Drama and The Theatre Company of the Ozarks, in association with the Ozark Arts Council and under license from Music Theatre International, Forum brings a full 21 centuries of laughs from Rome to the Lyric stage on May 3, 4, 10, 11 at 7:00PM and May 5, 12 at 2:00PM. Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

Set in Rome during the first century A.D., when the Roman Empire was in its youth, the film opens with one of musical theatre’s most famous songs, “Comedy Tonight,” performed by Pseudolus (Preston Garrison). The action, Pseudolus tells the audience, takes place in Rome around three adjacent houses: the house of Erronius (Clark Middleton), an old man who has been searching for his children who were stolen by pirates while they were infants; the house of Marcus Lycus (Jamie Taylor), a buyer and seller of beautiful women, and the house of Senex (Jim Gresham), a Roman senator, his wife, Domina (Ann Lemley), their son, Hero (Laine Hilliard), and the family slaves, Pseudolus and Hysterium (Michael Amburn).

When Senex and Domina leave for the day, Hero declares his love for one of the ladies who live at his next door neighbor’s house, Philia (Katie Blessing), and that’s when Pseudolus begins to hatch a scheme to buy his own freedom.

When the two visit Lycus’s house, once they get past the eunuchs (Donovan Walters and Nicholas Prpich) they meet Tintinabula (Cady Wheeler), a bell-wearing beauty; Vibrata (Kennedy Bottoms), an energetic, lively lovely with a leopard skin bikini; the Geminae (Faith Nix and Dante Lowe), a “matched pair”; Panacea (Nikki Forehand), a seductive dancer; and Gymnasia (Spree Hilliard), with a body upon which “a thousand dramas can be played.” They and the other lovely courtesans (Lena Rocole, Jenna Wilson, Rilee Young, Kaley Jones) are tempting, but Hero and Pseudolus are alarmed to find out that Philia has been sold to the great Captain Miles Gloriosus (Caleb Lord), and will be claimed that very day.

The confusion, comedy, and chases that ensue when Captain Miles and his illustrious soldiers (Kinder Hinrichs, Laken Rudelis, Andrew Coble, Daniel Hart, Wynn Mahoney) come to claim her will have audiences
doubled over with laughter, attempting to keep up with what wackiness will occur next.

So join us again at the Lyric Theater for a fun evening, where “weighty affairs will just have to wait,” and where we promise to have “morals tomorrow, comedy tonight!”

A Funny Thing Happened on the Way to the Forum will be performed May 3, 4, 10, 11 at 7:00 pm, and May 5, 12 at 2:00 pm. Tickets are on sale now at TheLyric.org or by calling 870-391-3504 or visiting the Ozark Arts Council office M-W-F 8:00-2:00. Advance Tickets are $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

OAC Ticketing Link

Charlotte’s Web — Saturdays & Sundays, May 5 & 6, 12 & 13 @ 2:00 — #LiveAtTheLyric!

 

“Northark Drama and the Ozark Arts Council Present:
Charlotte’s Web

Thursdays & Fridays, May 3 & 4, 10 & 11 (Sold Out) 
Saturdays & Sundays, May 5 & 6, 12 & 13, 2:00PM  (Going Fast!)

It is not often that someone comes along who is a true friend and a good writer. Charlotte was both.
 – E.B. White, Charlotte’s Web

NorthArk Drama and The Ozark Arts Council, under license from Dramatic Publishing, will present Charlotte’s Web LIVE at The Lyric Theater in Harrison, Arkansas, on May 5, 6, 12, 13 at 2:00 pm. Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

The Ozark Arts Council is hosting a barn-raising that will make any farmer proud, as E. B. White’s beloved ‘Wilbur’ moves into the Lyric! The favorite little piggie of children everywhere has taken up residence as he prepares to entertain us in the NorthArk Drama/OAC production of the beloved classic, Charlotte’s Web! With an amazing cast of both veterans and newcomers, audiences of all ages will delight in this heartwarming story of a spider’s becoming the advocate of the little guy that she declares is “Some Pig.” Performances are May 5, 6, 12, 13 at 2pm and tickets are on sale now and going fast!

After her father, John Arable (Jacob Kolb) spares the life of a piglet from slaughter, his daughter, Fern (Gigi Crenshaw), nurtures the piglet lovingly, naming him Wilbur (Preston Garrison), even though her mother, Martha (Kayla Smith), thinks she already spends too much time with the animals, and her brother, Avery (Wyatt Mahoney) is too busy with his frogs to take much notice. When he’s older, Wilbur is sold to Fern’s aunt and uncle, Edith and Homer Zuckeman (Abigail Kops, Landon Helsel), and cared for by their farmhand, Lurvy (Matthew Brown), in whose barnyard he is left yearning for companionship but is snubbed by the other animals (Emily Akins, Laine Hilliard, Shelby Stracner, Elizabeth Smith), until he is befriended by a spider named Charlotte (Callie Johnson), living on a web overlooking Wilbur’s enclosure. Upon Wilbur’s discovery that he is once again intended for slaughter, she promises to hatch a plan guaranteed to spare his life, with a little help from the local barn rat, Templeton (Daniel Seay). As fans already know, and as those new to this beloved tale shall soon find out: “No one had ever had such a friend. So affectionate, so loyal, and so skillful,” as Charlotte.

With a cast of colorful characters ranging from adults to small children, and narrated by a skilled trio (Brinkley Brewer, Lexi Sprenger, Ella Domino), don’t miss this heartwarming (and sometimes heartbreaking) tale that proves friendship can come in the most unlikely of packages and that words have the power to save anyone, even the sweetest of little pigs.

I would like to say “Thank You” to all the cast and community members that have worked on this production. It is a joy working with a cast of all ages. Children from six years of age, middle school, and young college students are making this production thrive. What a wonderful story to be able to share with all of our community. See you at the Lyric!
— Michael Mahoney
Also included in this stunning cast are: Kinley Bray, Maci Bright, Regan Bright, Zoey DeChambre, Lenora Domino, Liam Dupre, Joey Jones, Caden Lambert, Zachary Linn, Shyanne Lusk, Wynn Mahoney, Annaleigh Mitchell, Dylan Newby, Emmalynn Parker, Raelynn Pendergrass, Emma Pruitt, Jessica Wheeler.

Charlotte’s Web was one of my all-time favorite books and movies as a child, so when Michael asked me to help out with the show, I could hardly say no. The show is a challenging one for sure! Asking actors to portray animals and humans all at the same time…well, that gets tricky; but we have an extraordinary cast who is both dedicated and fearless in this adventure and I couldn’t be prouder of them. I am thrilled we were able to get some area schools to attend and I look forward to future projects where we can also involve our local school children. That is what it is all about, right? We are bringing the Arts to our community and we are having so much fun doing it. As always, I am grateful for the opportunity to work with Michael Mahoney and North Arkansas College, as well as the Ozark Arts Council. Charlotte’s Web is fun entertainment for the whole family that also provides some amazing life lessons and heartfelt human emotions to which we can all relate.  I hope to see everyone in our community come out and support the children and adults who have worked so hard to bring this show to life!
— Bekah Wilson
Area schools were invited to four special matinee performances and will be filling the theater with their laughter. We weren’t able to fit all of the students from all of the schools into the theater, though, (and those who get to see it with their classmates will want to come back and share it with Mom, Dad, Grandma, Grandpa, and their siblings!), so make sure not to miss your chance to once again delight in this story of friendship: get your tickets while seats still remain!
Charlotte’s Web LIVE at the Lyric Theater May 5, 6, 12, 13 at 2:00 PM. Join us at The Lyric for this heartwarming tale of friendship. Tickets for Charlotte’s Web are available by clicking any “Get Tickets” link on this site or by calling (870) 391-3504. Advance Tickets are $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

OAC Ticketing Link

Don Giovanni

Don Giovanni

A perfect start to your Halloween weekend, Don Giovanni (the Italian for Don
Juan) is the story of the great lover Don Juan, the wealthy nobleman who spends his life seducing women…and ultimately is pulled into hell.  Don Giovanni will be performed at the historic Lyric Theater on Fridaydon-1 and Saturday, October 28 &
29
, at 7:00 and on Sunday, October 30 at
2:00; tickets are now available through the OAC’s ticketing web site or by calling our office at (870) 391-3504.

With music composed by Wolfgang Amadeus Mozart and words by Lorenzo Da Ponte, Don Giovanni is a thrilling musical ride of a traditional morality play, from the tantalizing rush of lust and pride in which the young may be so easily engulfed to the ‘engulfed’ end of one whose debauchery goes unrepented.

The setting is mid-18th century Seville. Leporella (Lisa Marie Gerstenkorn), servant to the nobleman Don Giovanni (Marvin Murphree), keeps watch outside the Commendatore’s (Norman Cochran) home at night. Suddenly, the Commendatore’s daughter, Donna Anna (Jennifer White), rushes out, struggling with the masked Giovanni and followed by her father. The Commendatore challenges Giovanni to a duel and is killed…but Anna is unaware of who has marvinmkilled him. Giovanni and Leporella thus escape, but Anna asks her fiancé, Don Ottavio (Andrew Etherington), to find the ‘unknown’ killer and avenge her father’s death.

In the morning, Giovanni and Leporella encounter one of Giovanni’s former conquests, Donna Elvira (Rebecca Claborn), who is devastated by his betrayal. Leporella tells her she is neither the first nor the last woman to fall victim to Giovanni and shows her his catalogue with the name of every woman Giovanni has seduced.

When peasants celebrate the marriage of Masetto (Seth Dylan Hunt) and Zerlina (Lisa Murphy), Giovanni flirts with the bride, telling her she is destined for a better life, but Elvira warns Zerlina to flee her suitor. Anna, who is still unawareof the identity of her father’s murderer, has asked Giovanni for help in finding the man, and Elvira tries to warn her, as well. Giovanni, of course, insists that Elvira is mad, and Anna and Ottavio wonder what to believe…until Anna recognizes his voice as that of the murderer!

In our production, Giovanni’s servant will be female (Leporella), while that character was originally written as a male (Leporello). This change adds a different dynamic to the relationship between Giovanni and his servant. The sexual appetite of Giovanni is what is generally pointed out, but it is a much deeper story than that—truth, not simply titillation: in the song “O Come to the Window,” Giovanni reveals, through subtext, his feelings of abandonment by his mother as a child. It is this sense of abandonment that has led him to seek to conquer all the women with whom he comes in contact.

Backed by a fantastic piano score and translated to modern English, our singers are from around the United States and have sung nationally and internationally.

Don Giovanni will be performed at the historic Lyric Theater on Friday October 28 and Saturday October 29 at 7:00PM and on Sunday, October 30 at 2:00PM; tickets are now available through the OAC’s ticketing web site or by calling our office at (870) 391-3504.

Because of the adult themes, parental guidance is suggested.

Bios of Featured Cast

Don Giovanni – Marvin Murphree, baritone, has appeared in opera, oratorio, song recital and musical theatre throughout the United States and Central America and is a National Association of Teachers of mmheadshot-1-2014Singing Award winner.

Among his operatic roles are Don Alfonzo in Cosi fan Tutte, Sgt. Belcore in L’elisir D’ Amore, Sonora in La Fanciulla del West, Morales in Carmen, Baron Duphol in La Traviata, Count Almaviva in Nozze de Figaro, Silvio in Pagliacci, Guglielmo in Cosi fan tutte, Pirate King in Pirates of Penzance, Father in Hansel und Gretel, Usher in Trial By Jury, Uberto in La Serva Pedrona, Signor Deluso in Signor Deluso and others. His musical theatre credits include Tommy Albright-Brigadoon, Fred Graham/Petruchio- Kiss Me Kate, Lancelot-Camelot and Curly-Oklahoma. He has been featured soloist for oratorios such as Messiah-Handel, Creation-Haydn, Stabat Mater dolorosa-Pergolesi, Christmas Oratorio-Saint-Saenz, Seven Last Words-Dubois. Some of the organizations with which he has appeared are: Springfield Regional Opera, Lyric Artists of the West in Denver, Heart of Atlanta Network, Radio Kansas NPR Network, The Modern Music Festival in Boulder, CO, Trinity Concerts, Central Oklahoma Concert Series, The Kansas City Bach Festival, Jubilate Concerts in St. Louis and colleges and universities throughout the Midwest.  Critics have called his singing “passionate” and “especially vivid” and he continues to be in demand as both an operatic and concert performer.

As a teacher of singing, his students have consistently been awarded “I” ratings at district and state music contest at the high school level and his collegiate students have won multiple awards by the National Association of Teachers of Singing.  Additionally, select students have appeared on the stages of professional opera companies, on international radio programs and on television.  He has coached performers who have gone on to appear in leading roles on Broadway and major opera companies around the world.

As a conductor he has worked with both professional and amateur choirs and orchestras, directing a wide variety of music from contemporary small works, to major classical works with full orchestra including Mendelssohn’s Elijah and St. Paul, Haydn’s Creation, Handel’s Messiah, Saint-Saëns’ Christmas Oratorio and many others.

Mr. Murphree holds both Bachelor and Master of music degrees and has studied voice with Edwin Quistorff, Harry Morrison and Vernon Yenne. He studied voice pedagogy with the late James McKinney.  Conducting mentors have been Conan Castle, C. David Keith and Robert Burton.

Murphree is the founder and artistic director of The Mosaic Vocal Ensemble, a professional vocal quartet, is in great demand as a Missouri State High School Activities Association vocal music judge, and presents frequent workshops and master classes in high schools and universities.  He has served on the voice faculties of Missouri Southern State University, Missouri State University, and The Missouri Fine Arts Academy. He has been Chorus Master for the Springfield Regional Opera.  Additionally, he has provided music ministry leadership in churches in Missouri, Texas, Arkansas and Kansas.

Leporella – Lisa Marie Gerstenkorn, contralto, is a frequent performer of varied musical styles, including opera, art song, musical theatre, jazz and sacred music.  Lisa recently performed with the Ozark Family Opera Company in Bentonville, AR as Ms. Denari in a new production titled Opera Idol.  In lisagSpring 2017 she will perform as Marquise de Birkenfeld in Donizetti’s Daugher of the Regiment with the Heartland Opera Theatre in Joplin, MO.  She is also singing in her tenth season as a member of the professional chorus for the Tulsa Opera, with whom she made her solo debut as Sister Lillianne in Jake Heggie’s Dead Man Walking.

Lisa has been a Resident Artist with the Ohio Light Opera and the College Light Opera Company in Falmouth, MA.  She has also performed with the American Opera Studio, Mosaic Vocal Ensemble, Shawnee Mission Theatre in the ParkSpringfield Regional Opera, Pittsburg Community Theatre, and with her alma mater, Pittsburg State University.  Favorite roles include La Principessa in Suor Angelica, Zita in Gianni Schicchi, Third Lady in Mozart’s The Magic Flute, Little Buttercup in HMS Pinafore, and Glinda in The Wizard of Oz.

In addition to her busy performing schedule, Ms. Gerstenkorn is an Adjunct Voice Instructor at both Pittsburg State University and Missouri Southern State University, and also teaches through her private Voice Studio.

Donna Anna – Dr. Jennifer White , soprano, enjoys an active performing and teaching career. Teaching now in the Kansas City area, she has performed as a soloist for the William Baker Festival Singers, the St. Joseph Community Chorus, the Sacred Arts Chorale, Lawrence Opera Theatre, KC VITAs Chamber Choir, and the Kansas City Philharmonia.

jennifer-white

Previously, she spent a summer Italy, where she performed in concerts at Piobicco and Urbania with the Si parla, si canta program and later returned to Modena, Italy to spend time studying with world-famous soprano Mirella Freni. As a student at the University of Kansas, she was heard as La Ciesca in KU Opera’s Gianni Schicchi, and the Mother in Menotti’s beloved opera Amahl and the Night Visitors. Other roles include Pamina in Mozart’s Die Zauberflöte, Nella in Puccini’s Gianni Schicchi, which she performed with the Kansas City Puccini Fest, Marcellina in Mozart’s Le Nozze di Figaro, Flora in Verdi’s La Traviata and Gertrude in Humperdinck’s opera Hansel and Gretel. She has sung with the Lyric Opera of Kansas City in their productions of Les Pêcheurs de Perles, Aïda, Lucia di Lammermoor, and Carmen.

She completed her undergraduate studies at Roberts Wesleyan College and then received her Masters degree from the University of Missouri-Kansas City Conservatory of Music and Dance. Currently she teaches at Missouri Western State University, Rockhurst University, and Meyer Music Studio. She received her DMA in voice in 2014 from the University of Kansas.

Don Ottavio – Andrew Etherington, tenor, hails from Overland Park, Kansas, a suburb of Kansas City.  His interest in singing began at his high school, where three musicals were produced a year.  Seeking to break him out of the chorus,
andrew-etherington-tenorAndrew’s mother took the initiative to sign up, the then aspiring baseball player, for voice lessons. After being dragged kicking and screaming to his initial voice consultation, Andrew quickly realized his voice had an affinity for the classical technique and, as they say, the opera bug bit.

Andrew received his undergraduate at Ole Miss and honed his singing and stage skills with Dr. Bill Hall’s American Opera Studio, performing small roles in European and American tours of The Dialogues of the Carmelites, The Ballad of Baby Doe, and Albert Herring as well as various concerts containing operatic, Broadway, and sacred repertoire. In 2010, Andrew moved to Baltimore to attend The Peabody Institute.  While there, Andrew expanded his skills beyond that of a performer by receiving mentorship in vocal pedagogy in addition to conducting a volunteer choir at the Johns Hopkins Hospital.  He also performed regularly in the professional choruses of Lyric Opera of Baltimore, Baltimore Concert Opera, and Washington National Opera.

Andrew and his wife relocated to Silverdale, Washington for her career in 2015.  Recently, Andrew performed the lead role of Ralph Rackstraw in the Bremerton Symphony’s production of HMS Pinafore and attended Pacific Lutheran University’s Summer Opera Workshop, directed by Dr. James Brown.  He also has been hired as an adjunct voice instructor at Olympic College in Bremerton, Washington. Andrew currently studies with Barry Johnson and coaches with Phillip Kelse

Donna Elvira – Rebecca Claborn, Mezzo-Soprano, recently finished her Master’s Degree in Voice Performance at Cincinnati College-Conservatory of Music. Before CCM, Ms. Claborn received her Bachelor’s Degree from Simpson College in Indianola, IA.claborn-rebecca-headshot2

She has had the great privilege to work with companies such as Wolf Trap Opera, Cincinnati Opera, Des Moines Metro Opera and Cedar Rapids Opera Theater. This past spring she played the role of Rooster in Leoš Janáček’s Cunning Little Vixen with CCM Opera. This past summer, Rebecca returned to Wolf Trap Opera as a studio artist to cover the role of Stonatrilla in the U.S. premier of Florian Gassmann’s L’Opera Seria. While there, she also had the great honor to perform selections from Sondheim’s A Little Night Music with the National Symphony Orchestra.

Some other noted performances include Mrs, Mitchell in Meet John Doe, Anna Maurrant in Street Scene, Dorabella in Cosi fan tutte and the title role in Cendrillon.

Commendatoren – Norman Cochran, a native of Tulsa, Oklahoma, was active in theater there throughout his school years, with roles of Pooh Bahnormanc in The Mikado, Marco the Magnificent in Carnival, and parts in Brigadoon, My Fair Lady, and numerous other musicals and plays.  During his adult years, he was involved in multiple musical ensembles, choirs, and solo performances in churches in several states.

As a great lover of Gilbert and Sullivan, Norman decided to return to public performance in recent years when he learned that Tri-Lakes Community Theatre in Branson was staging The Pirates of Penzance, and was awarded the role of Major General Stanley.  He returned to feature with TLC as Horace Vandergelder in Hello, Dolly, and as Sir Danvers Carew in Jekyll and Hyde, the Musical.

Norman’s first appearance in a Springfield production was as part of the ensemble in Evita, with Springfield Contemporary Theatre.  He also appeared at  SCT in The Threepenny Opera, as Bob the Saw, and other small roles and in the chorus.  Norman has been in the chorus of several operas with Springfield Regional Opera, including La Traviata, The Barber of Seville, The Elixir of Love, and The Marriage of Figaro, and was cast as Abraham Kaplan in Street Scene with SRO.

Norman lives in Springfield with his wife of 38 years, Terri, and has two children and four grandchildren.  He is employed with Mercy Health Systems and has the privilege of working from home! Their daughter, Rachel, was in several productions with her dad with TLC, SCT, and SRO.  He is thrilled to be part of this production as The Commander!

Zerlina – Lisa Murphy, soprano, is originally from Ireland and graduated from the Cork School of Music (CSM) with a BMus, after training as a classical soprano under Robert Craig & Mary lisa-murphyMacSweeney. While there she performed with the CSM Jazz Big Band, accompanying them on their tour to Chicago, Illinois.

During this time, Lisa took her first professional job in the role of Lucy Brown in Kurt Weill’s Threepenny Opera, directed by Kevin Mallon & Mary Curtin. Other roles include Mrs. Sherman in FAME and Diana Morales in Chorus Line.

Lisa’s first American role was as Martha Jefferson in 1776 at Joplin Little Theater, directed by Lisa Olliges-Green. Following this she took roles at Springfield Contemporary Theater as Annie in Evil Dead: The Musical and R.C. in BUG, both directed by Nathan Shelton. She also played the three wonderful roles of Annabella Schmidt, Pamela, and Margaret in The 39 Steps, directed by Rick Dines

Lisa is excited to be returning to opera as Mozart’s Zerlina.

Massetto – Seth Dylan Hunt is thrilled to be a member of this project!
With talent ranging from Shakespearean tragedy to grand opera to Musical theatre, Seth has been privileged with sdhheadshotsome amazing experiences. 

Seth’s operatic debut was La Boheme fallowed shortly by Tosca and La Traviata. Seth’s true passion is opera but his love will always be the musical theatre. Starting at an early age Seth would ape accents, learn songs, and even memorize dialogue from films or albums. Recent musical credits include Seymour in Little Shop of Horrors, Chris in Hand on a Hard Body, and Balladeer in Stephen Sondheim’s Assassins. Other credits include Dr. Jekyll/Mr. Hyde in Jekyll and Hyde, Giuseppe Naccarelli in The Light in the Piazza starring Kim Crosby, and Les Miserables—twice, once directed by Tony-nominated actor Robert Westenberg, and the second directed by Broadway director Richard Jay-Alexander.

Don Giovanni will be performed at the historic Lyric Theater on Friday and Saturday, October 28 & 29, at 7:00 and on Sunday, October 30 at 2:00; tickets are now available through the OAC’s ticketing web site or by calling our office at (870) 391-3504.

Because of the adult themes, parental guidance is suggested.

Cat on a Hot Tin Roof

Cat on a Hot Tin Roof

October 8 & 15 at 7:00 pm; October 9 & 16 at 2:00 pm
The Historic Lyric Theater – Harrison, Arkansas

In a plantation home, on a single summer evening, a family gathers for a boisterous celebration the 65th birthday of baron of the Delta’s biggest cotton
plantation, Big Daddy Pollitt (Bill catweb-jjEdwards). In spite of the festivities, the mood is somber as the news that Big Daddy is dying spreads throughout the family and they must prepare to tell his wife, Big Mama (Mary Bishop).

Upstairs, Big Daddy’s son, Brick (Marrick O’Quin), is laid up in his room after the preceding night’s ‘outing’ has left him with a broken ankle; he’s decided that staying in a mild alcoholic haze will solve his inner turmoil and get him through both the evening and his wife’s machinations. His wife, Maggie (Julianna Stefanski), catweb-famis more concerned with making sure that their position in Big Daddy’s will is secured, and that Brick forgives her for a past indiscretion…because, meanwhile, on the lawn, Brick’s brother and sister-in-law, Gooper (Michael Amburn) and Mae (Kelly Raynor) have begun their own crusade to win Big Daddy’s favor, by using their children to impress upon Big Daddy and Big Mama how well they are passing on the family name while Maggie and Brick still have not.

By evening’s end, will Maggie’s ingenuity, fortitude, and passion, and Brick’s love for his father, never before expressed, be able to retrieve Brick from his path of destruction?catweb-croq

The Ozark Arts Council and The Theatre Company of the Ozarks are proud to present the most famous of Tennessee Williams’ plays (the winner of his second Pulitzer Prize), a stunning and heart-rending tale about a family that is caught in the grip of multiple evils: lying; greed; the sins of the past; a desperate, clawing hope for the future; and the ever-present feeling of being a cat on a hot tin roof.

Cat on a Hot Tin Roof will be performed the second and third weekends of October, 2016: Saturdays October  & 15 at 7:00 pm and Sundays October 9 & 16 at 2:00 pm Tickets on sale now through our ticketing web site or by calling the OAC office at (870) 391-3504.

Please Note: While considered a modern classic, Cat on a Hot Tin Roof contains mature subject matter and coarse language, so parental guidance is suggested.

catweb-brimagstandcatweb-castOAC Ticketing Link