Northark Drama Presents: All in the Timing — Thur–Sat Nov. 16–18 @ 7:00 & Sunday, Nov. 19 @ 2:00 — #LiveAtTheLyric!

 

Award-winning One Acts:
All in the Timing
Thursday–Saturday, Nov. 16–18 at 7:00PM
Sunday, Nov. 19 at 2:00PM

All in the Timing, a Northark Drama production, will be performed at Harrison’s historic Lyric Theater Thursday through Saturday, November 16–18, at 7:00pm and Sunday, November 19, at 2:00pm. Advance tickets: $4 general public, $2 Northark students (with Northark ID); at-the-door tickets: $5 general public, $3 Northark students. Advance tickets available at TheLyric.org or by calling (870) 391-3504.

This fall, live at the historic Lyric Theater on the downtown Harrison, Arkansas squareNorthark Drama brings to life a series of curious events that defy dimensions and transcend time. The award-winning All in the Timing, written by David Ives, is a collection of five one-act plays that detail happenings in apparently dissimilar worlds that are, upon deeper inspection, more alike than not.

Beginning this journey is the story of Bill (Jesse Janus), who sets his sights on an attractive young woman named Betty (Shelby Stracner). Bill tries flirting with Betty, but she only has eyes for…William Faulkner. When Bill begins to fail horribly in his attempted wooing, he is granted merciful aid by Mysterious Fate (Brianna Marcil) and her Magic Bell, which rings every time Bill sticks his foot in his mouth.

The setting fades (and the times change!) to a laboratory where an eccentric scientist has captured three chimps, intending the trio to “write into infinity,” if need be, until they create of their own accord the famous and much beloved Shakespearean tragedy Hamlet. This apparently eternal sentence brings the chimps to question their existence…and why they’re named Kafka (Callie Johnson), Milton (Raelyn Selvidge), and Swift (Stacy Fisher). Kafka is more than thrilled to attempt this feat, while Swift rocks the boat, and Milton tries to protect the scientist.

We are then swept into a darkened room where a young woman named Dawn (Jacklyn Walker) appears, quiet, nervous, and stuttering. She’s greeted by a mysterious man named Don (Carrie Armstrong), who speaks a language all his own. As Don begins to teach Dawn his tongue in hopes of ridding her of her stuttering impediment, Dawn begins to realize that there is much more to communication than words.

The scene changes to a dimly lit diner where, under the greyness of a world with no concept of time, a sleazy man named Al (Landon Helsel) tries to order more than food from a waitress (Ariel Uildriks) who has more than once seen players like him. He is interrupted by his friend Mark (Jacob Kolb) who begins to explain the odd occurrences that have been happening to him all day.

In the final display of a universe gone wild, the tale of a famous historical figure is on display. Trotsky (Matthew Joyner) is busy, feverishly writing at his table when his wife, Mrs. Trotsky (Kaleigh Billings), tells of him a very unfortunate event: that he died the previous day. 

Says Director and Northark Drama Instructor, Michael Mahoney:

“I’m certainly enjoying working with this young cast. Out of all of them, only one has been in a small play, and all the rest are making their stage debut. These students are doing excellent work with David Ives’s material. These are very challenging scripts because of the way they are written, and the language is extremely hard, but their concentration, hard work, and dedication is sure to make this a fun evening at the theater!”

Come and spend your time with this wonderful cast as they spend their time(s) with us!

Please Note: This production contains adult themes and content;
parental guidance recommended.

OAC Ticketing Link

Americana Legend David Olney (with Daniel Seymour) — Friday, December 1, 2017 at 7pm — #LiveAtTheLyric!

Americana Legend David Olney
Friday, December 1 at 7:00PM 

Master craftsman, acclaimed singer/songwriter and globe-trotting performer David Olney has released more 30 solo albums over four decades, including six live recordings. His music has been prominently featured in ABC-TV’s Nashville

Photograph by John Partipilo

and his stellar songs have  been recorded by Johnny Cash, Emmylou Harris, Linda Ronstadt, Del McCoury, Tim O’Brien, Townes Van Zandt, Steve Young, and Steve Earle, among many others. While you can (and should!) catch up with David on his weekly live, You Never Know streamcast—starring “Nashville’s Answer to the Bard” performing a song and sharing the story behind it—every Tuesday on DavidOlney.com and YouTube., you can catch him #LiveAtTheLyric, as he will be heading to “The Roots Palace of the Ozarks,” Harrison, Arkansas’s historic Lyric Theater on Friday, December 1, 2017, at 7:00, accompanied by while longtime bass player, Daniel Seymour.

“Olney is a talented musical enigma, and he is unquestionably a founding father of Americana music.”

Though a folksinger at heart, Olney incorporates wide-ranging inspirations from honky tonk to rock into his standard repertoire. Born in Rhode Island, David moved to Nashville during the early ’70s and became a major player in the city’s underground folk/country scene, recording a half-dozen albums before the end of the decade. His output during the ’80s slowed considerably, but in the ’90s he recorded with an impressive cast of roots-rock all-stars—Rick Danko, Garth Hudson, Sneaky Pete Kleinow, Rodney Crowell, John Prine, and Brian Ahern, among others. Beside his own albums, his discography on AllMusic.com features 288 credits…so far!

“Though he’s best known as a masterful wordsmith, Olney has a knack for creating the ideal atmosphere for his gothic noir tune.”

– Acoustic Guitar Magazine

Olney remained prolific throughout the coming decade, delivering several studio albums and, with his increasing popularity as a touring artist in Europe, three different live albums, all recorded at various locations in Holland. As previously mentioned, he began hosting a weekly interactive streamcast video series (originally called Hear & Now, but now titled, You Never Know) on which he performs a handful of songs and shares the stories behind them, as well as offering his observations on other things and recitations of classic poetry. Between his weekly videos and busy touring schedule, Olney found the time to release a studio album, When the Deal Goes Down, in 2014 and released another this year, Don’t Try to Fight It, so you can expect to hear music from a wide repertoire, including whatever fresh project he might be working on during this tour!

The late Townes Van Zandt was the best songwriter in the whole wide world, Steve Earle said in an oft-cited quote, “and I’ll stand on Bob Dylan’s coffee table in my cowboy boots and say that.” Seventeen years after Van Zandt’s death, the Americana artists who followed in his wake still speak of him the way rockers invoke John Lennon or Jimi Hendrix — as a standard bearer who represents a pinnacle of credibility and craft.

Had he been the coffee-table orating type, however, whose name would Van Zandt have declared?

“Anytime anyone asks me who my favorite music writers are, I say Mozart, Lightnin’ Hopkins, Bob Dylan, and Dave Olney,” Van Zandt wrote. “Dave Olney is one of the best songwriters I’ve ever heard — and that’s true. I mean that from my heart.”

– Skip Anderson, writing for The Nashville Scene in his article
David Olney is still a contender. Can you say the same?

We’ll excerpt some of the rest of Mr. Anderson’s article here because, as producer and music writer Tommy Goldsmith is quoted in it, “He’s not a household name, but, my God, look at what he’s done over the years. It’s a really impressive body of work.” Thus, Anderson writes, “Olney is a talented musical enigma, and he is unquestionably a founding father of Americana music. And yet, perhaps reflective of his career as an invisible giant, Wikipedia doesn’t even list him among the 135 artists it associates with the genre.”

If David Olney were less of a leader and more of a follower, he might have had an easier path commercially. But as with Van Zandt, the varied and hard-to-summarize gifts that make Olney a marketer’s challenge make him a hero to other songwriters and musicians.

“When I met him, he was a rocker, but he was also this sensitive songwriter,” says Billy Block, longtime host of the radio show, webcast and TV series The Billy Block Show and a session drummer. “He’s got more soul than everybody I can imagine. He embodies what Americana is.”

– Skip Anderson

Unquestionably a founding father of Americana music, David Olney will perform with bassist Daniel Seymour at downtown Harrison’s historic Lyric Theater, “The Roots Music Palace of the Ozarks,” on Friday, December 1, at 7:00. Tickets available now at our ticketing page or by calling (870) 319-3504.

 

OAC Ticketing Link

POSTPONED: Máire Ní Chathasaigh and Chris Newman: Traditional Celtic Music, Baroque, Bluegrass, and Swing with Harp and Guitar — Thursday, November 2, 2017 at 7pm — #LiveAtTheLyric!

Máire Ní Chathasaigh and Chris Newman:
Celtic Traditional, Baroque, Bluegrass, Swing
with Harp and Guitar
POSTPONED Due to Visa Problems Thursday, November 2 at 7:00PM 

The celebrated virtuoso partnership of “the doyenne of Irish harpers” (Scotland on Sunday) and “one of the UK’s most staggering and influential acoustic guitarists” (fRoots) is coming to “The Roots Music Palace of the Ozarks,” Harrison, Arkansas’s historic Lyric Theater, Thursday, November 2, at 7:00! Their performances—described by The Irish Times as “music of fire and brilliance from the high-wire act in traditional music”—are rooted but eclectic, emotional but adventurous: a breathtaking blend of traditional Irish music, hot jazz, bluegrass and baroque, coupled with striking new compositions and Chris’s delightfully subversive wit.

The children of the neighborhood teased Máire Ní Chathasaigh and her sister as they walked down the street. Her family in Brandon, West Cork, Ireland was the only one playing traditional music, so they would be teased for being out of step with the times. “We used to be laughed at by other kids because they thought we were being old hat, she says. But that first Planxty album let people see that traditional music could be modern and sophisticated, that it wasn’t some sort of hick music.” (Quoted from “Harping in the Traditions,” by Rob Adams.)

Not only her name (pronounced, Moyruh Nee Kha-huuh-sig), but her upbringing was in keeping with the traditional ways of the Gaelic-speaking Irish, her family featuring generations of musicians and poets carrying forward the folklore of her heritage. She and her sister, fiddler Nollaig Casey (Casey being the Anglicised version of Chathasaigh), were trained in both classical and folk music, both instrumental and vocal. While many worked at bringing forward the old music in new forms for pipes and fiddle, Máire revitalized the harp tradition virtually all by herself. “Since then, there’ve been lots of young people playing traditional music on the harp but there wasn’t anybody else playing when I was coming up,” she says. “If you played the pipes there were loads of recordings and a whole tradition to learn from. But I had nobody, just my ears, and I created techniques and ornaments, ways of doing things, and it was all done by trial and error, by myself. So if I got a lot of attention, it was because I was the first to do it.” (Quotes from “Harping in the Traditions.”)

Having become the first harpist to record an album primarily off Irish dance music in 1985, Máire first teamed up with English guitarist Chris Newman two years later. Celebrating their thirtieth anniversary of collaboration with their current tour of the United States, Máire and Chris will bring their internationally-heralded mastery of styles from traditional Celtic to Baroque to Swing along with a penchant for inventive soloing and challenging interaction between the artists to Harrison’s Lyric Theater for a 7:00 performance on Thursday, November 2.

“When I met Chris, he liked, but didn’t know that much about, traditional music, so he spent a lot of time learning from me,” says Maire. “Then we started experimenting with things he was proficient in, like swing, which he played with Stephane Grappelli as a teenager. We’re completely open, if we hear something nice, we’ll just say, ‘let’s play that.’ It’s extremely enjoyable to experiment and see just what your instruments can do, and we never run out of things to play.” (Quotes from “Harping in the Traditions.”)

Máire won the Senior All-Ireland Fleadh Cheoil Harp Competition three times in succession, in 1975, 1976 and 1977—a record that is still unsurpassed. More recently, she was Female Musician of the Year in the Live Ireland Music Awards 2016, where she was described in the citation as “the greatest Celtic harper of our age”. This recognition is not confined to Ireland, though, as she also was named Female Musician of the Year in the Chicago Irish American News Top TIR Awards 2016.

She is the best harp player in Irish music. There are several great Irish harpists—we think of Michelle Mulcahy, Catriona McDonald, Ailie Robertson, and Emer Mallon. There are more. They are all uber-fab. But, then there is Maire. Her new album is called Sibling Revelry. Really, there are no words. Just know this.

– , writing for Live Ireland about
the 2016 Live Ireland Female Artist of the Year Award

Máire has also won awards with Chris Newman, including “Album of the Year” (Live Ireland) and also the “Best Celtic Instrumental Album” (JUST PLAIN FOLKS AWARDS Nashville, Tennessee), 2009 for their album FireWire, as well as “Folk Album of the Year” (The Daily Telegraph) for their 1987 album The Living Wood.

Traditional Celtic music, along with Baroque, Bluegrass, and Swing will be performed by Máire Ní Chathasaigh and Chris Newman at downtown Harrison’s historic Lyric Theater, Thursday, November 2, at 7:00. Tickets available now at our ticketing page or by calling (870) 319-3504.

 

OAC Ticketing Link

Two-Time Grammy Winner Laurence Juber Returns! — Saturday, September 22, 2018 at 7:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber Returns to The Lyric!
Friday, September 22 at 7:00PM 

Postponed to Fall of 2018

 

 

Join us on September 22 at 7:00pm, for universally acknowledged master of the guitar, Laurence Juber!

Laurence JuberThis two-time Grammy-winner (once with Sir Paul McCartney’s “Wings” and once as a solo artist) thrilled the Lyric audience in 2015, and is returning to continue to dazzle us with his wit, which is as evident in his playing as his absolute mastery of his instrument—not only in its standard implementation, but through a variety of tunings that allow him to express far more than one normally associates with the playing of a single acoustic guitar.

As an award-winning fingerstyle acoustic guitarist also known for his electric work as lead guitarist in Wings, LJ has a large following among guitar fans and Beatles/classic rock fans. His shows feature his original compositions along with amazing covers of Beatles and classic rock songs like “Layla” and “Little Wing” where he literally plays every melody of the song on just one guitar!

Seriously, How Good Is He?

Well, let’s put it this way…when C.F. Martin & Co. make a series of signature guitars named after you, you’re a bit beyond “pretty good.”

Pete Townsend of The Who simply exclaims, “A master!”

As a studio musician, LJ can be heard on recordings from artists as diverse as Dan Hicks & the Hot Licks to Seal to Barry Manilow, plus he is featured on the soundtracks to hundreds of TV shows such as Home Improvement and movies including the academy award-winning Dirty Dancing, Good Will Hunting, and Pocahontas.

You like video games? LJ co-composed the soundtrack of the award-winning video game Diablo III.

You watch the news? LJ crafted the score to the NBC Dateline documentary Children Of The Harvest. His music is also featured in the Ken Burns’ documentary The Tenth Inning.

In other words: You’ve Heard Him Even if You Haven’t Heard of Him!

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine. A dynamic, entertaining performer and an accomplished clinician, LJ brings his passion for the guitar to venues around the world, creating a multi-faceted performance that belies the use of only one instrument. In Spring 2013 Laurence Juber released Under an Indigo Sky on Solid Air Records with a special limited edition vinyl for Record Store Day, and has just released LJ Can’t Stop Playing the Beatles.

At the heart of LJ’s sound and style breathes a near-flawless technique where a fiercely emotional underbelly, alternate tunings, and keen sense of melody and rhythm coalesce into something uniquely his own……you don’t have to be a solo-happy guitar worshipper to appreciate his talents.
– Inland Empire Weekly

OAC Ticketing Link

Cat on a Hot Tin Roof

Cat on a Hot Tin Roof

October 8 & 15 at 7:00 pm; October 9 & 16 at 2:00 pm
The Historic Lyric Theater – Harrison, Arkansas

In a plantation home, on a single summer evening, a family gathers for a boisterous celebration the 65th birthday of baron of the Delta’s biggest cotton
plantation, Big Daddy Pollitt (Bill catweb-jjEdwards). In spite of the festivities, the mood is somber as the news that Big Daddy is dying spreads throughout the family and they must prepare to tell his wife, Big Mama (Mary Bishop).

Upstairs, Big Daddy’s son, Brick (Marrick O’Quin), is laid up in his room after the preceding night’s ‘outing’ has left him with a broken ankle; he’s decided that staying in a mild alcoholic haze will solve his inner turmoil and get him through both the evening and his wife’s machinations. His wife, Maggie (Julianna Stefanski), catweb-famis more concerned with making sure that their position in Big Daddy’s will is secured, and that Brick forgives her for a past indiscretion…because, meanwhile, on the lawn, Brick’s brother and sister-in-law, Gooper (Michael Amburn) and Mae (Kelly Raynor) have begun their own crusade to win Big Daddy’s favor, by using their children to impress upon Big Daddy and Big Mama how well they are passing on the family name while Maggie and Brick still have not.

By evening’s end, will Maggie’s ingenuity, fortitude, and passion, and Brick’s love for his father, never before expressed, be able to retrieve Brick from his path of destruction?catweb-croq

The Ozark Arts Council and The Theatre Company of the Ozarks are proud to present the most famous of Tennessee Williams’ plays (the winner of his second Pulitzer Prize), a stunning and heart-rending tale about a family that is caught in the grip of multiple evils: lying; greed; the sins of the past; a desperate, clawing hope for the future; and the ever-present feeling of being a cat on a hot tin roof.

Cat on a Hot Tin Roof will be performed the second and third weekends of October, 2016: Saturdays October  & 15 at 7:00 pm and Sundays October 9 & 16 at 2:00 pm Tickets on sale now through our ticketing web site or by calling the OAC office at (870) 391-3504.

Please Note: While considered a modern classic, Cat on a Hot Tin Roof contains mature subject matter and coarse language, so parental guidance is suggested.

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