Two-Time Grammy Winner Laurence Juber Returns! — Saturday, September 22, 2018 at 7:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber Returns to The Lyric!
Saturday, September 22 at 7:00PM

Join us on September 22 at 7:00pm, for universally acknowledged master of the guitar, Laurence Juber!

Laurence JuberThis two-time Grammy-winner (once with Sir Paul McCartney’s “Wings” and once as a solo artist) thrilled the Lyric audience in 2015, and is returning to continue to dazzle us with his wit, which is as evident in his playing as his absolute mastery of his instrument—not only in its standard implementation, but through a variety of tunings that allow him to express far more than one normally associates with the playing of a single acoustic guitar.

As an award-winning fingerstyle acoustic guitarist also known for his electric work as lead guitarist in Wings, LJ has a large following among guitar fans and Beatles/classic rock fans. His shows feature his original compositions along with amazing covers of Beatles and classic rock songs like “Layla” and “Little Wingwhere he literally plays every melody of the song on just one guitar!

Seriously, How Good Is He?

Well, let’s put it this way…when C.F. Martin & Co. make a series of signature guitars named after you, you’re a bit beyond “pretty good.”

Pete Townsend of The Who simply exclaims, “A master!”

As a studio musician, LJ can be heard on recordings from artists as diverse as Dan Hicks & the Hot Licks to Seal to Barry Manilow, plus he is featured on the soundtracks to hundreds of TV shows such as Home Improvement and movies including the academy award-winning Dirty Dancing, Good Will Hunting, and Pocahontas.

You like video games? LJ co-composed the soundtrack of the award-winning video game Diablo III.

You watch the news? LJ crafted the score to the NBC Dateline documentary Children Of The Harvest. His music is also featured in the Ken Burns’ documentary The Tenth Inning.

In other words: You’ve Heard Him Even if You Haven’t Heard of Him!

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine. A dynamic, entertaining performer and an accomplished clinician, LJ brings his passion for the guitar to venues around the world, creating a multi-faceted performance that belies the use of only one instrument. In Spring 2013 Laurence Juber released Under an Indigo Sky on Solid Air Records with a special limited edition vinyl for Record Store Day, and has just released LJ Can’t Stop Playing the Beatles.

At the heart of LJ’s sound and style breathes a near-flawless technique where a fiercely emotional underbelly, alternate tunings, and keen sense of melody and rhythm coalesce into something uniquely his own……you don’t have to be a solo-happy guitar worshipper to appreciate his talents.
– Inland Empire Weekly

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Piano Magic with Scott Carrell — Sunday June 24 at 2pm — #LiveAtTheLyric!

How about Some Musical Sleight of Hand?
The Magic of the Piano with Scott Carrell!
Sunday, June 24 at 2:00PM

We were very honored that he included Oklahoma State University on his tour schedule. While the audience was dazzled by his technical brilliance, they were also drawn in by his thoughtful musical interpretation. He was so engaging and knowledgeable as he talked to the audience; students and community members alike felt as though they came away having learned a great deal. It was also a real treat to have the opportunity to hear him perform his own wonderful composition.

– Ms. Heather Lanners, Assistant Professor of Piano
Oklahoma State University, Stillwater, OK

Showcasing well-known masterpieces as well as less familiar works deserving greater recognition, pianist Scott Carrell is known for his virtuosic flair, expressive playing and informative comments. From Romantic fireworks to graceful classics, he gives audiences the “highest level of classical music entertainment and education.” Now he brings that virtuosity and desire to give all he has received also to every audience member the historic Lyric Theater on the Harrison, Arkansas square. June 24 at 2:00PM is the time for the event and tickets are available in advance for $7.50; at the door, they will be $10. 

A native of Texas, Carrell has performed numerous recitals as soloist and as collaborator, including concerto appearances with the Austin Symphony Orchestra, the Pine Bluff Symphony Orchestra, the Southwestern University Orchestra, the Plainview Symphony Orchestra, the Fort Worth Civic Orchestra, the Little Rock Wind Symphony, the New York Classical Players, and twice with the Harding University/Community Orchestra.

An active chamber musician, he co-founded the Searcy Chamber Music Series and has performed on many of its concerts.  He has also performed in recital and small ensembles in Florence, Italy, and Mainz, Germany and was the guest artist for the 2011 Robert Herrin Piano Festival at Texarkana College.  In 2014, Carrell was invited to Guangzhou, China, to perform a concert, to give lectures, and to teach piano students in masterclasses. Most recently, he was the featured artist for the 2017 Scott Joplin Festival at Northwest Missouri State University, giving a recital, lecture, and masterclass.

In 2005 his compact disc Crossings was released, including the world premiere recording of the title work, an original composition based on a painting by an Arkansas artist.  The disc Ragtime Memories was released in 2007.  Other premieres of original works include a Suite for Brass Quintet (2011), Dance for Oboe and Piano (2011), and Conversation for double-reed trio (2015).

Carrell has spent much of his career exploring the music of French composers, with an emphasis on finding unknown masterpieces deserving recognition.  This work has resulted in several concerts of French music and in the release in 2016 of the disc Piano Works of Noël Gallon, featuring world premiere recordings of music by a Paris Conservatory professor.

Receiving degrees from Southwestern University, the University of Illinois, and the D.M.A. from the University of North Texas, Carrell studied with internationally-known artists Drusilla Huffmaster, Ian Hobson, and Vladimir Viardo and participated in masterclasses with Abbey Simon, Gail Delente, and Dominique Merlet.  The French Piano Institute awarded him a prize for the best performance of a work by Henri Dutilleux at the 1996 FPI Festival in Paris, France.  He was also honored with the Distinguished Teacher Award from Harding University for the 2003-2004 and 2012-2013 academic years.

An active member of the Arkansas State Music Teachers Association, he has presented sessions at both regional and state conferences and serves as a division coordinator of MTNA. Currently teaching piano, piano-related courses, and music theory at Harding University in Searcy, Arkansas, Carrell is in demand as a soloist, collaborative artist, teacher, and adjudicator.

Pianist Scott Carrell will appear at the historic Lyric Theater on the Harrison, Arkansas square. June 24 at 2:00PMTickets are available in advance for $7.50; at the door, they will be $10. 

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White Fox Kill: Album Release Show! — Saturday June 23 at 7:30pm — #LiveAtTheLyric!

“Wild West Fairytale Rock Music”
It’s an Album Release Show
with White Fox Kill!
Saturday, June 23 at 7:30PM

“I wasn’t exactly sure what I was gonna be hearing when I walked into AJ’s for my first White Fox Kill show; (my wife calls me a music snob). They settled into their first song and I knew this was gonna be somethin’ special. Wow….They absolutely Killed it!!!!!…Ozarks Original…..Must See Band. Support your Local Music People, you’re lucky to have these guys in the area!!!!”

–  Brett McDaniel, Facebook review

The Ozark Arts Council is delighted to host the album release show for alternative rock band White Fox Kill. The doors of the Roots Music Palace of the Ozarks—Harrison, Arkansas’s historic Lyric Theater—will open at 6:30 for a 7:30 performance on Saturday, June 23. Adult beverages and general concessions will be available throughout this album release party. Tickets are available in advance for $10; at the door, they will be $15. 

From “the southern wild jungles of Arkansas” comes a new breed of Alternative Rock that has resonated with fans across a broad spectrum of genres: White Fox Kill is exactly the sort of band that those who know Americana and want more of a rock edge would expect to hear at the Lyric!

With influences that range from Johnny Cash to Eminem, from the psychedelic, proto-progressive rock sounds of Pink Floyd to the blue-collar rock of Bruce Springsteen and back to the blues underpinnings of rock giants Led Zeppelin, White Fox Kill has no problem weaving together both lyrical and musical images that are both pleasing and challenging. Considering that they are fans of some of the greatest roots music lyricists of the past century—Bob Dylan, Townes Van Zandt—and have an expressiveness akin to some of today’s top artists (from Kings of Leon to Lana Del Rey), their willingness to mix styles to get their point across is the very picture of being an Arkansawyer in the modern world: they build on the best of the past and extract the best from today, as well. The influences of Nirvana and The Pixies come through, as well, in the band’s willingness to mix hard and soft, all to present their ‘jungles of Arkansas’ take on their subject matter.

White Fox Kill has been honing their craft on the road and in the studio, releasing several songs (complete with on screen lyrics) via YouTube the past couple of years. Recently, they were able to complete their first album, with Scott Hoffmann in charge of production. He says that they went for a “raw, puckish” sound that lets the composition of the music shine forth as both simple and complex, allowing the hearer to fix on the lyrics that are, he says, “reminiscent of Lennon, Dylan, Cobain, and Townes [Van Zandt].”

White Fox Kill will perform at the Roots Music Palace of the Ozarks at 7:30 on Saturday, June 23. The doors will open at 6:30, and adult beverages and general concessions will be available throughout the show. Tickets are available in advance online or at (870) 391-3504 for $10; at the door, they will be $15. For more WFK videos, check out their YouTube channel;

 

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Lip Sync Showdown — Benefit for Ozark Rape Crisis Center — Saturday, June 2 at 7pm — #LiveAtTheLyric!

Summer Lip Sync Showdown!
in support of
Ozark Rape Crisis Center

Saturday, June 2 at 7:00PM

Ozark Rape Crisis Center is hosting a Summer Lip Sync Showdown fundraiser on June 2nd at the historic Lyric Theater. Tickets are $10 in advance, $12 at the door.

Check out this video on how you can get involved & support victims of sexual violence in our community.

The Ozark Rape Crisis Center provides 24-Hour Crisis Intervention and Advocacy services for victims of sexual violence, as well as violence prevention education for the general public in Boone, Carroll, Johnson, Marion, Newton, Pope and Searcy Counties in Arkansas.

All services are confidential and free of charge. Call ORCC’s Hotline at 1.800.818.1189 for assistance. Visit their website and Facebook page or email ORCC for more information about the services they provide.

Come support ORCC through this fun event and help put an end to sexual violence!

To sign up for the Lip Sync Showdown, please call 870.741.4141.

 

OAC Ticketing Link

Winona Wilde — Thursday May 17 at 7pm — #LiveAtTheLyric!

“Just your
run of the mill,
post-structuralist
cowgirl Americana…”
Crooked Creek presents Winona Wilde!
Thursday, May 17 at 7:00PM

Photo by Brandon Albert, Flare Magazine

“Over simple, well-worn chords, Wilde’s voice sounds weary and wise, and yet still full of life…Her storytelling binds together personal experience and political ideas in relatable ways, the way only the best songwriting can.”

–  Peter Ellman, Exclaim

Crooked Creek Concert Association presents 2017 Kerrville NewFolk Songwriting Award winner Winona Wilde, who will perform at the Roots Music Palace of the Ozarks, Harrison, Arkansas’s historic Lyric Theater, on May 17 at 7:00PM, with special guest opener Fayetteville’s Elizabeth Scott. Tickets are available in advance for $10; at the door, they will be $15. 

Karl Magi recently profiled Winona Wilde for Spinditty, so we’re going to borrow some quotes from his excellent article there. He shows her love for the Roots Music fans and culture: “If I had known all of these people and festivals existed when I started law school, I probably would have quit instead of suffering through it. The sense of community I have felt from the folkies is unlike anything on this earth. It has made me a better person.”

It’s not having gone to law school that makes people wonder most at her rise to prominence in the Americana scene—nor even her being Canadian, since that’s “North Americana,” at least—but the fact that she is a Canadian of Iraqi descent

Photo by Sim Al-Surraj

who has so embraced—and been embraced by—Western “Roots Music”/Americana and its fans.

Wilde (whose non-stage name is Noosa Al-Sarraj) says that music was a part of her life from her earliest days. “I do not come from a musical family, but opportunities for making music always came into my life at the right time. As a little tiny baby, I used to sing my mother’s lullabies back to her, and as a toddler, I was really good at clapping back rhythms and freakishly repeating back entire verses from the Koran, so my mother suspected there was something at play there.”

Her musical influences are wide-ranging. “I grew up on classical music. My faves were the moody, dense composers like Beethoven and Schumann. I spent hours every day alone with the piano, deciphering the language. To this day, I can still recognize a composer from just a few bars of music. Nobody generally cares when it happens, but it always feels like a little bit of a fist-pump moment.”

“When I hit my teens I got all the way into older blues artists like Ray Charles and Nat King Cole and then started to experiment with the edgier stuff like Tool and Nine Inch Nails. I loved the melodic metal my younger brother Sim listened to, he got me into Opeth, Dream Theatre and stuff like that. The heaviness of my lyrical content might have something to do with that.”

Magi writes: “Her transformation into a country/folk artist is something for which Noosa has an interesting explanation. She says, ‘My parents both worked a ton so we had a nanny whom we affectionately called Nana. She may have had country music radio on all day, so my young brain had the country music of the 80’s hammered into it without my even noticing. When I eventually heard John Prine and Loretta Lynn as an adult, all of this country music came pouring out of me.’”

Photo by Mary Matheson, BC Musician Magazine

 

Eleni Armenakis makes it clear in her review of the Wilnona Wilde album “Wasted Time” that as much as her music can reach the heights and depths of introspection and social commentary, her music is not one dimensional: “‘Buy a Round’ marks a change in the album, as Al-Sarraj laughs into a pure country number that fittingly rolls in and around itself. There’s more of a folk sound to ‘Black Forest Black Forest’ before ‘To The Corner’ finds a balance between the two to quietly see out the album.” Armenakis concludes, “Al-Sarraj knows what she wants to say and how she wants to say it. Despite the title, she’s clearly not wasting any time.”

“The best introduction to troubadour songwriter Winona Wilde’s wry sensibilities is through her delivered-with-a-wink song, ‘Chick Singer’…She sings with both exasperation and good humour, because, as we all know, sometimes the truth is so bleak, it’s hilarious. The same autobiographical song also references the blank stares she gets from people surprised to see an Iraqi-Canadian woman singing country songs. Wilde, whose real name is Noosa Al-Sarraj, fell in love with country music thanks to a nanny she had as a kid. Her kickass songwriting abilities led to win an award at the Kerrville Folk Festival’s New Folk competition this year—one of few Canadians to do so, and certainly the first of Iraqi descent.”

– Sarah Boesveld, Flare Magazine, 2017-10-18

Winona Wilde will perform at the Roots Music Palace of the Ozarks, Harrison, Arkansas’s historic Lyric Theater, on May 17 at 7:00PM,with special guest opener Fayetteville’s Elizabeth Scott. Tickets are available in advance for $10; at the door, they will be $15.

Can you recall the first song you ever wrote?

From age 11-17, my subjects were mainly animals — for example, “Everything tastes like chicken when you’re not around,” a musical adaptation of Dr. Seuss’s One Fish, Two Fish, and a mini-opera about a donkey who eats spaghetti. Although one early song I remember went something like “darkness into darkness” and had some complex chord changes and a heavy subject. I gave it to my teacher and I never got it back, so I am really curious about what was going on in that song. Perhaps she passed it along to a psychiatrist.

– Interview in BC Musician Magazine, 2015-11-07

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Sail On: The Beach Boys Tribute — Sunday, July 22, 2018 at 2pm — #LiveAtTheLyric!

“Fun, Fun, Fun” is on Its Way:
Sail On: The Beach Boys Tribute
Sunday, July 22 at 2:00PM

Better than the actual Beach Boys!” “Our all time favorite program at the Club EVER!” “How soon can we have them back?” are just some of the comments our club members made after Sail On performed on our stage. Our 450 members of the audience enjoyed great harmonies and the musicianship that each member of the band brought to the show. Sail On delivered  a fun, high energy show of classic songs that filled our evening with summery good vibrations.

–  Director of a Private Club in Dallas

Sail On: The Beach Boys Tribute, the world’s fastest-growing tribute to the music of The Beach Boys, will be playing all your favorite hits such as Good Vibrations, Fun Fun Fun, Barbara Ann and more at Harrison, Arkansas’s historic Lyric Theater at a special matinee performance on Sunday, July 22. 

Photo by @willbyington © 2018

Tickets are available in advance at a deeply discounted price, thanks to our wonderful sponsors! Sail On has consecutively sold-out multiple shows ranging from 300 to 700 seats and is sure to sell out very rapidly at the Lyric with these radically-discounted prices!

Sail On: The Beach Boys Tribute focuses on performing songs by America’s Band, The Beach Boys, to sheer perfection. Members of Sail On have performed with musicians from Brian Wilson’s band, The Zombies, Earth Wind and Fire, Cheap Trick, Mark Lindsay (of Paul Revere and the Raiders), and produced recordings for Micky Dolenz.

Sail On will perform at the Lyric on Sunday, July 22, 2018, at 2:000PMTickets are available in advance for prices ranging from $8–$12 through our ticketing site or by calling (870) 391-3504 (please leave your name, number, and the number of tickets you need on our voicemail and we will call you back); at the door, tickets will be $15.

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Southern Confession w/Harvey Stone! — Friday, July 20, 2018 at 7pm — #LiveAtTheLyric!

Boone County Original Southern Confession
and Special Guest
Harvey Stone!
Friday, July 20 at 7:00PM

 

Get ready for some killer Alternative Southern Rock with a Boone County Original: Southern Confession, comes home to Harrison, Arkansas’s historic Lyric Theater for a special performance with Branson’s favorite alternative rockers, Harvey Stone on Friday, July 20, 2018, at 7:000PMTickets are available in advance at a deeply discounted price, thanks to the desire of these great bands to give back to the communities that launched them!

Over the past five years, Southern Confession has played all over the mid-south region of the country and has become well known both for the breadth of styles that they cover (both with their own songs and those that have resonated with all of us for decades) and for the live show energy that draws you in and keeps you there throughout the evening.

Southern Confession preparing to open for Saliva in the Fall of 2017.

With the closing of some live performance venues in the Harrison area and a need to keep performing, Southern Confession has had to schedule shows farther away from home lately (and for the rest of the year), but wants to take the opportunities it can to give back to the community that has so embraced them throughout their history. For that reason, they have not only scheduled themselves to play for the free “May Days on the Square” during Harrison’s Crawdad Days festival, but drummer Jody Marshall actually undertook the coordination of all of the live music on the Square for that weekend! Along with that, though, the band wants to give everyone a great time in the middle of summer, bringing you into the cool environs of the historic Lyric…and that with their good friends from Branson, Harvey Stone, and all at a highly-discounted price…or two…!

Yes, there are two prices for tickets purchased in advance: the already-amazingly-low $7.50, and the even-more-amazingly-low $5.00, which is offerred to anyone who wants to see both Southern Confession on July 20 and Sail On: The Beach Boys Tribute on July 22! The band doesn’t want anyone to be left out because feeding the kids and paying the mortgage need to come before seeing them, but they also realize that to keep the Lyric open we have to pay bills, too…so they and we have cut things to the point of just barely covering expenses, so that our whole community can come together to celebrate the summer together at the Lyric. Thanks to the sponsors for Sail On, that means that you can come to both concerts for less than we would typically have to charge for one—and far less than Sail On tickets alone are costing in most venues!

 Southern Confession with special guest Harvey Stone,  Friday, July 20, 2018, at 7:000PM. Tickets are available in advance for $7.50 through our ticketing site (or just $5, if you buy Sail On tickets first!) or by calling (870) 391-3504 (please leave your name, number, and the number of tickets you need on our voicemail and we will call you back); at the door, tickets will be $10.

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Play On! — Fridays & Saturdays, September 7, 8 & 14, 15 @ 7:00 & Sundays, September 9 & 16 @ 2:00 — #LiveAtTheLyric!

 

Logic Says to Call It Off, but It’s…
Play On!

AUDITIONS: Monday & Tuesday, May 14 & 15, 6:00PM–8:00PM

Auditions will consist of cold reads from the script; come prepared to have both an American and a British accent!

Artwork courtesy Worcester County Light Opera Club, which now obviously does more than opera!  https://www.wcloc.org

Fridays & Saturdays, September 7, 8 & 14, 15 at 7:00PM
Sundays, September 9 & 16 at 2:00PM

Our little theater group did this play and had the most wonderful time. Props, sets and costumes are as much or as little as you want. I’ve never had so much fun with play in my life. I don’t think it can miss whether you are a little larger group or one almost as small as the group portrayed!
 – Review on Samuel French Website

The Theatre Company of the Ozarks, under license from Samuel French, will present Rick Abbott’s hilarious Play On LIVE at The Lyric Theater in Harrison, Arkansas, on September 7, 8 & 14, 15 at 7:00PM and September 9 & 16 at 2:00PM. Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

Play On! is the hilarious story of a theatre group trying desperately to put on a play in spite of maddening interference from a haughty author who keeps revising the script. Act I is a rehearsal of the dreadful show, Act II is the near disastrous dress rehearsal, and the final act is the actual performance, in which anything that can go wrong, does. When the author decides to give a speech on the state of the modern theatre during the curtain calls, the audience is treated to a madcap climax to a thoroughly hilarious romp. Even the sound effects reap their share of laughter.

Auditions for this full length (3-act) comedy will be held on Monday and Tuesday, May 14 and 15 at Harrison’s historic Lyric Theater from 6:00 to 8:00. The absolute best way to stay informed and up-to-date about these—and all other—auditions, upcoming plays, concerts, and other events at the Lyric is to subscribe to our OAC eNews.

About the Play and the Characters

Time Period:

  • The play itself: Present Day
  • Play within a play: Victorian (British and American)

Settings Of Play: The Stage of a Community Theatre.

Features:

  • Physical Comedy
  • Non-traditional casting
  • Contemporary Costumes / Street Clothes, plus Period Costumes

Cast of Characters: (parentheses is character in the play-within-a-play)

  • AGGIE MANVILLE – a stage manager and prompter.
  • GERALDINE “GERRY” DUNBAR – a community theatre director.
  • HENRY BENISH (“Lord Dudley”) – a Character Actor.
  • POLLY BENISH (“Lady Margaret”) – a Character Actress.
  • MARLA “SMITTY” SMITH (“Doris the maid”) – a supporting player.
  • SAUL WATSON (“Doctor Rex Forbes”) – a Villain.
  • BILLY CAREWE (“Stephen Sellers”) -a Juvenile.
  • VIOLET IMBRY (“Diana Lassiter”) – an Ingenue.
  • LOUISE PEARY – a sound-and-lighting-and-scenic technician.
  • PHYLLIS MONTAGUE – a novice playwright in the community.

About the Playwright

Rick Abbot is one of several pen names for prolific playwright Jack Sharkey (1931-1992). Mr. Sharkey was born on May 6, 1931 in Chicago, Illinois. He began writing when he was 10 years old. He graduated from college with a BA in the Creative Writing Field of the English major. After that, he taught school for two years from 1953 to 1955. In mid-1955, Mr. Sharkey enlisted in the Army. He served at Sandia Base, New Mexico as a Special Services worker. He wrote, produced, and directed one show per month for the Enlisted Men’s Club. In 1958, Mr. Sharkey went to New York to begin a full-time freelance writing career. He wrote Science Fiction stories and novels, humor articles, and mystery novels. In 1961, he returned to Chicago where he worked as joke editor for Playboy Magazine and then was Editor of the Allstate Insurance Company Magazine for 11 years from 1964-75. Mr. Sharkey wrote his first stage comedy in 1965. At the end of 1975, he went exclusively into playwriting, which he continued until a few months before his death. He has 83 published plays written under his own name and four others – Rick AbbotMonk FerrisMark Chandler, and Mike Johnson. Mike Johnson wrote only stage thrillers. All the other plays are comedies and/or musicals. The plays are performed all around the world. Mr. Sharkey passed away on September 28, 1992 after a bout with cancer.

Tickets available by clicking any “Get Tickets” link on this site or by calling (870) 391-3504. Advance Tickets are $12 Adults, $10 Seniors/Students; tickets purchased at the door are $15 Adults, $14 Seniors/Students.

OAC Ticketing Link

David Church RFD TV Star with Terri Lisa and their band — Saturday, January 6, 2018 at 2pm — #LiveAtTheLyric!

RFD TV Star David Church with Terri Lisa
Saturday, January 6 at 2:00PM 

 

Steeped in the music of Hank Williams Jr., David Church brings classic country and his own roots music compositions to the Lyric stage.

From the iconic “Hank Williams” to his own “roots/retro” country music, David Church has made a huge impact on music enthusiasts all over the world. David & Terri Lisa have reignited a passion for traditional “RETRO” country music. They have made a connection that has crossed generations, from college students to great grandparents.

The “Star” of RFD-TV’s MIDWEST COUNTRY for over 10 years, David Church, along with his wife, Terri Lisa, has been lighting up TV sets throughout the US. Midwest Country is featured on prime time Saturday night. With Nielson ratings in the top 3 on the RFD-TV network, David Church is the “most requested and most popular” artist! They have captured the hearts of millions, from baby boomers to college students. With their dazzling rhinestone suits, this dynamic couple has thrilled audiences around the world. David Church is recognized for his authentic rendition of “Hank Williams,” and  recognized by music historians, celebrities, and family members as the “#1 tribute to Hank.”

David Church carries the torch for traditional Country music! His voice and music touches the soul of millions around the globe! The true fans of traditional Country music need a standard-bearer to help keep this sound alive. Luckily, they don’t need to look any further than David Church.

The RFD-TV network has grown by leaps and bounds and is now broadcast to over 65 Million viewers throughout the US. Church has been featured as a regular on the popular show “Midwest Country.” It is easy to understand why he is RFD-TV’s “most requested” artist. Amazingly, without a major hit on mainstream radio, Church has millions of fans all over the world. Bruce Maier, the editor of a major music magazine, Damn Good Tunes called David, “a rare entertainment entity”. He went on to say “he creates a visual presentation that is absolutely dazzling to witness. He does something that 99% of all other artists cannot do and that is stand on their own with their own music.”

A strong advocate for American made products, David and Terri Lisa made the decision a few years ago to only sell American manufactured products on their merchandise table. In April, 2014, The Church’s joined forced with “American Made Matters®” organization as members and ambassadors. The mission is, “to educate consumers that buying US-made products strengthens the American dream,” and to bring awareness of American made products and manufacturers to consumers and strengthen the economy.

David Church can be mesmerizing when performing, as you close your eyes and go back years listening to Hank’s songs. His presentation is done with style, integrity of the music, and from the heart. David has some songs of his own that I believe are some of the very best country music has had in many a year. Catch his performances live and I’ll guarantee you’ll come away totally satisfied and waiting to tell your friends about it and ready for another show.

Minnesota Times, Larry Rose 5/2013

David has been featured in numerous major country music magazines including, Country Weekly, Country Music Report, Nashville, Music Guide, Dreamwest, Damn Good Tunes, Furious, and many others.
Church attributes his success in the music business to the millions of “true country fans” that are tired of what they hear on the radio. “The success that I have had has come from the fans that so long for the traditional sound of country that they have heard in the past, but no longer find in mainstream country music. Those are the fans that have been forgotten. I also feel that a lot of RFD-TV’s success can be attributed to the country music shows that they have been airing, which go along with the country and farm lifestyle. We are proud to be a part of this family oriented TV network.”

David performs throughout the world along with his talented wife, Terri Lisa Church. Terri Lisa is also a recording artist/songwriter. She sings lead and backup vocals. Terri Lisa is a published journalist.

David Church is a rare entertainment entity. David performs the songs and creates a visual presentation that is absolutely dazzling to witness! And, if that were all that David could do in this music business, one would think that’s quite an accomplishment, but David stands on his own with his original music. And that, my friends, makes for a very powerful package! My Rising Star pick: David Church.” 

– Bruce Maier, Editor, Damn Good Tunes Magazine, 3/12/11 www.damngoodtunes.com

RFD’s most requested artist, David Church and Terri Lisa will perform at downtown Harrison’s historic Lyric Theater on Saturday, January 6, at 2:00. Tickets available now at our ticketing page or by calling (870) 391-3504.

 

OAC Ticketing Link

POSTPONED: Máire Ní Chathasaigh and Chris Newman: Traditional Celtic Music, Baroque, Bluegrass, and Swing with Harp and Guitar — Thursday, November 2, 2017 at 7pm — #LiveAtTheLyric!

Máire Ní Chathasaigh and Chris Newman:
Celtic Traditional, Baroque, Bluegrass, Swing
with Harp and Guitar
POSTPONED Due to Visa Problems Thursday, November 2 at 7:00PM 

The celebrated virtuoso partnership of “the doyenne of Irish harpers” (Scotland on Sunday) and “one of the UK’s most staggering and influential acoustic guitarists” (fRoots) is coming to “The Roots Music Palace of the Ozarks,” Harrison, Arkansas’s historic Lyric Theater, Thursday, November 2, at 7:00! Their performances—described by The Irish Times as “music of fire and brilliance from the high-wire act in traditional music”—are rooted but eclectic, emotional but adventurous: a breathtaking blend of traditional Irish music, hot jazz, bluegrass and baroque, coupled with striking new compositions and Chris’s delightfully subversive wit.

The children of the neighborhood teased Máire Ní Chathasaigh and her sister as they walked down the street. Her family in Brandon, West Cork, Ireland was the only one playing traditional music, so they would be teased for being out of step with the times. “We used to be laughed at by other kids because they thought we were being old hat, she says. But that first Planxty album let people see that traditional music could be modern and sophisticated, that it wasn’t some sort of hick music.” (Quoted from “Harping in the Traditions,” by Rob Adams.)

Not only her name (pronounced, Moyruh Nee Kha-huuh-sig), but her upbringing was in keeping with the traditional ways of the Gaelic-speaking Irish, her family featuring generations of musicians and poets carrying forward the folklore of her heritage. She and her sister, fiddler Nollaig Casey (Casey being the Anglicised version of Chathasaigh), were trained in both classical and folk music, both instrumental and vocal. While many worked at bringing forward the old music in new forms for pipes and fiddle, Máire revitalized the harp tradition virtually all by herself. “Since then, there’ve been lots of young people playing traditional music on the harp but there wasn’t anybody else playing when I was coming up,” she says. “If you played the pipes there were loads of recordings and a whole tradition to learn from. But I had nobody, just my ears, and I created techniques and ornaments, ways of doing things, and it was all done by trial and error, by myself. So if I got a lot of attention, it was because I was the first to do it.” (Quotes from “Harping in the Traditions.”)

Having become the first harpist to record an album primarily off Irish dance music in 1985, Máire first teamed up with English guitarist Chris Newman two years later. Celebrating their thirtieth anniversary of collaboration with their current tour of the United States, Máire and Chris will bring their internationally-heralded mastery of styles from traditional Celtic to Baroque to Swing along with a penchant for inventive soloing and challenging interaction between the artists to Harrison’s Lyric Theater for a 7:00 performance on Thursday, November 2.

“When I met Chris, he liked, but didn’t know that much about, traditional music, so he spent a lot of time learning from me,” says Maire. “Then we started experimenting with things he was proficient in, like swing, which he played with Stephane Grappelli as a teenager. We’re completely open, if we hear something nice, we’ll just say, ‘let’s play that.’ It’s extremely enjoyable to experiment and see just what your instruments can do, and we never run out of things to play.” (Quotes from “Harping in the Traditions.”)

Máire won the Senior All-Ireland Fleadh Cheoil Harp Competition three times in succession, in 1975, 1976 and 1977—a record that is still unsurpassed. More recently, she was Female Musician of the Year in the Live Ireland Music Awards 2016, where she was described in the citation as “the greatest Celtic harper of our age”. This recognition is not confined to Ireland, though, as she also was named Female Musician of the Year in the Chicago Irish American News Top TIR Awards 2016.

She is the best harp player in Irish music. There are several great Irish harpists—we think of Michelle Mulcahy, Catriona McDonald, Ailie Robertson, and Emer Mallon. There are more. They are all uber-fab. But, then there is Maire. Her new album is called Sibling Revelry. Really, there are no words. Just know this.

– , writing for Live Ireland about
the 2016 Live Ireland Female Artist of the Year Award

Máire has also won awards with Chris Newman, including “Album of the Year” (Live Ireland) and also the “Best Celtic Instrumental Album” (JUST PLAIN FOLKS AWARDS Nashville, Tennessee), 2009 for their album FireWire, as well as “Folk Album of the Year” (The Daily Telegraph) for their 1987 album The Living Wood.

Traditional Celtic music, along with Baroque, Bluegrass, and Swing will be performed by Máire Ní Chathasaigh and Chris Newman at downtown Harrison’s historic Lyric Theater, Thursday, November 2, at 7:00. Tickets available now at our ticketing page or by calling (870) 319-3504.

 

OAC Ticketing Link