Tag: shows

He’s BACK! Albert Cummings — Sunday September 11, 2022 at 7pm — #LiveAtTheLyric!

Albert Cummings Returns to the Lyric with his newest album and, as you’d expect, it’s a
TEN!
Sunday September 11 at 7PM

The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does[…]. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.” – Guitar Edge Magazine

From full on, straight ahead hard-edged to mellow-without-being-prissy, Blues-rock guitar with lyrical mastery is headed back, in all its glory, with local favorite The Hedley Lamar Band opening, to the historic Lyric Theater, as Harrison, Arkansas enjoys “TEN” on Sunday, September 11 at 7:00 PM, for which tickets are now available.

Rave reviews are hitting for TEN. “The opening track is pure Cummings blues/rock power. With Ten, it’s not so much the blending of genres that speaks the loudest but it’s the songs themselves…With powerful vocals and harmonies, Albert proves his talent…Albert Cummings gets a 10 on Ten.” – Rock and Blues Muse

Entertaining audiences from his phenomenal guitar work to his incredibly impassioned lyrics and overall songwriting prowess – one thing has certainly become clear about Albert Cummings’s music: he is far more than simply just the guitarist or the bluesman he’s often painted as by fans and the media alike. He offers the complete package.

Albert Cummings
Albert Cummings, Live at the Lyric, 9/11/22 @ 7pm

Though undoubtedly a masterful guitar player who burst onto the blues-rock scene in the early 2000s and almost immediately began gaining praise in that realm, his latest live release “Live at the ‘62 Center” and his new studio album, “TEN,” further portray not only his versatility as singer/songwriter and live performer but as an artist first and foremost.

While generally performing live as a trio, the true spontaneity and creative spirit of these albums show Albert’s mastery of the whole art form, as he put together a newly formed version of his usual trio that afternoon of the October 2016 recording, along with keyboards and backing vocals that hint at just how massive Albert’s talent for composition and improvisation really is. With longtime friend and Grammy Winner Jim Gaines behind the soundboard, what comes through in both sight and sound is an incredible journey into the live performance world and true artistry of one of today’s most seasoned musicians.

“His muscular guitar work is simply outstanding. He’s a great blues singer as well, with passion for the tunes inherent in his full-throttle approach.”

– Rock and Blues Muse on Live at the ‘62 Center

Like many greats before him who’ve been painted into a corner as merely great blues players, or guitar players, or singers, Cummings seeks to rise above these labels and be praised for the devotion to his overall craft as a true musician. In artist terms, he’s sought to be known for ‘the overall pallet of his music’, rather than one specific color. From greats like Eric Clapton to the more recent stylings of John Mayer, his artistic integrity has allowed him to focus on the big picture, writing songs from the heart rather than catering to his specifics strengths as a singer, guitarist, or bandleader (all of which he does impeccably, however!).

His musical journey began when young Albert first picked up a guitar – learning the requisite three chords from his father, but later switched over to banjo at the age of 12 after becoming a bluegrass fan. After hearing the early recordings of Stevie Ray Vaughan, he was impressed by the sheer virtuosity of the artist, and following his first chance to see him live while in college in Boston he returned to the guitar with a new outlook and resolve.

“He attacks his axe with unbridled ferocity and deep soulfulness… his depth and expression are matched only by his terrifying technique and tone.”

– Guitar One

The whiz-kid carpenter began his ascent to masterful blues rock guitarist at age 27, with his first public performance on guitar. As he continued to grow in his newfound passion, he landed on the Northeast blues circuit with his first band Swamp Yankee. Then, in 1998, after walking into a Northeast Blues Society open jam, Cummings won the right to compete in the Blues Foundation’s International Blues Challenge the following year. By 2000, his debut single “The Long Way” was released to rave reviews, and began opening new doors for the artist. Bluesprint magazine said it was “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix.”

Albert Cummings
Albert Cummings, Live at the Lyric, September 11, 2022, 7pm

His first big opportunity came in the form of a chance to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. Having begun his musical journey in part due to Vaughan’s inspiration, it seemed Cummings’ passion had brought him full-circle.

Cummings’ soulful and explosive approach to blues and rock then caught the attention of Blind Pig Records (Muddy Waters, Jimmy Vivino, Elvin Bishop), which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, fully showcasing his well-rounded talents.

 “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix. – Bluesprint Magazine

Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience.

His second release, Working Man (2006), also produced by Jim Gaines, furthered a growing focus and maturity both in Albert’s stinging, incisive guitar work as well as in his fluently idiomatic songwriting, leading Billboard Magazine to exclaim “This recording is the calling card of a star who has arrived”

2008 saw Albert’s first live album “Feel So Good,” recorded at the historic Colonial Theatre in Pittsfield, Massachusetts which has hosted everyone from Will Rogers to Al Jolson. The audience was so enthralled and supportive they became part of the performance in a way that’s rarely heard. As AllMusic put it, “It sounds like it was one hell of a party that night.” Music Connection also called it “one of the best live albums recorded in a long time.”

Albert Cummings
Albert Cummings, Live at the Lyric, 9/11/22 @ 7pm

As he continued to grow, playing with the likes of legends from B.B. King (who called dubbed him “a great guitarist”), Johnny Winter, Buddy Guy, and many more – Cummings built on not only his all-around songwriting and musicianship but his guitar playing skill as well. Using his knowledge to give back to fellow guitarists wanting to advance in their craft, he released the instructional DVD “Working Man Blues Guitar” in 2011. His next album, 2012’s self-released “No Regrets” followed as a return to his true musical roots, poignantly capturing the core of his influences and displaying the impact that R&B, Rock, Soul, Country, and the Blues have had on both his playing and writing. It debuted at #1 on iTunes music charts in the USA, Canada, and France.

Now, as he continues writing and performing, relentlessly devoting effort to his craft, Cummings is ready to continue on his ever expansive musical journey in support of his new album, “Ten,” scheduled with opener local band The Hedley Lamar Band at the historic Lyric Theater on the Harrison, Arkansas square for Sunday, September 11 at 7:00PM. Tickets are now available.

tickets

Almost, Maine, January 26–28 at 7pm, January 29 at 2pm! #LiveAtTheLyric!

The Theatre Co. of the Ozarks and
the Ozark Arts Council Present:

January 26–28 at 7pm, January 29 at 2pm! #LiveAtTheLyric!

 

The Theatre Co. of the Ozarks and The Ozark Arts Council present Almost, Main performed at the Historic 1929 Lyric Theater January 26–28 at 7:00pm and January 29 at 2:00PM. Tickets are $12 for adults, $10 for seniors and students, and $8 for children, when bought in advance; prices rise $3 if purchased at the door—$11 for children, $13 for seniors and students, and $15 for adults.

Welcome to Almost, Maine, a place that’s so far north, it’s almost not in the United States. It’s almost in Canada. And it’s not quite a town, because its residents never got around to getting organized. So it almost doesn’t exist. One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night’s dream.

“ALMOST, MAINE is a series of nine amiably absurdist vignettes about love, with a touch of good-natured magic realism…witty, romantic, unsentimental. A beautifully structured play, with nifty surprise endings (most but not all of them happy).” —NY Times. “Sweet, poignant, and witty. Nearly perfect. ALMOST, MAINE’s charm is real. [It] packs wit, earns its laughs and, like love, surprises you.” —NY Daily News. “Mega-hit ALMOST, MAINE lands somewhere between Norman Rockwell and Our Town. Unabashedly unhip. There is no pretense of an edge here—the show offers a sweetness and decency that’s become rare at the theater. At this point, it’s a welcome breath of fresh air.” —New York Post.

Join us at The Lyric for Almost, Maine, January 26–28 at 7:00PM, January 29 at 2:00PM #LiveAtTheLyric. Tickets on sale SOON for OAC Members! Tickets for non-OAC Members to open shortly after. Become an OAC Member at Join.TheLyric.org!

 

OAC Ticketing Link

White Christmas, December 1–3 at 7pm, December 4 at 2pm! #LiveAtTheLyric!

NorthArk Drama, HHS Theatre Troupe 2715, and
the Ozark Arts Council Present:

December 1–3 at 7pm, December 4 at 2pm! #LiveAtTheLyric!

 

NorthArk Drama, HHS Theatre Troupe 2715, and The Ozark Arts Council present White Christmas performed at the Historic 1929 Lyric Theater December 1–3 at 7:00pm and December 4 at 2:00PM. Tickets are $18 for adults, $15 for seniors and students, and $12 for children, when bought in advance; prices rise $3 if purchased at the door—$15 for children, $18 for seniors and students, and $21 for adults. Veterans and Active Duty Service Members receive a discount by choosing the Veteran discount ticket.

Veterans Bob Wallace (Bannon Jones) and Phil Davis (Isaiah Wallis) have a successful song-and-dance act after World War II. With romance in mind, the two follow a duo of beautiful singing sisters, Betty (Maci Bright, understudy Savana Tolbert) and Judy (Brinkley Brewer, understudy Ella Domino) Haynes en route to their Christmas show at a Vermont lodge, which just happens to be owned by Bob and Phil’s former army commander, Henry Waverly (Matt Hamblin). Though the General is retired, he must now contend with a failing inn, a has-been-but-still-aspiring actress, Martha (Jenna Wilson), and his precocious granddaughter, Susan (Allyson Hyatt). When Bob and Phil decide to bring their whole crew down to help the General out with a huge Christmas show, new romances will begin, old friendships will be rekindled, and everyone will learn that sometimes, things really can be fixed with a little Theatre in your life. Ensemble cast includes both veteran and novice students of Theatre: Malachi Baker, Jude Bilbee, Emma Bock, Angie Briggs, Valeria Carbajal, Camron Edwards, Lashayla Engel, Lilly Mangrum, Melissa Mao, Tracy Mao, Kamyron Lefebvre, Wyatt Mahoney, Brycen Myers, Andi Jo Parrish, Lexi Poor, Chasity Price, Natalie Sims, Eric Stubbs, Logan Wilson, Karma Wooten, and Rilee Young.

For those who love the movie, the play will give you a double treat, because of the sub-plots and character development, plus the greater involvement of beloved-but-minor characters (especially Susan and Martha!). With a dazzling score featuring well-known standards including “Blue Skies,” “How Deep Is the Ocean” and the perennial title song, White Christmas is an uplifting musical that will surely get you in the holiday spirit!

Join us at The Lyric for White Christmas, December 1–3 at 7:00PM, December 4 at 2:00PM #LiveAtTheLyric. Tickets on sale NOW! Become an OAC Member at Join.TheLyric.org!

 

OAC Ticketing Link

Wait Until Dark, September 29–30, October 1 at 7pm, October 2 at 2pm! #LiveAtTheLyric!

The Theatre Company of the Ozarks and
the Ozark Arts Council Present:

Wait Until Dark, a Suspense Thriller

September 29–30, October 1 at 7pm, October 2 at 2pm! #LiveAtTheLyric!

The Theatre Company of the Ozarks and The Ozark Arts Council present Wait Until Dark, performed at the Historic 1929 Lyric Theater September 29–30, October 1 at 7:00PM and October 2 at 2:00PM. Tickets are$12 for adults, $10 for seniors and

students, and $8 for children, when bought in advance; prices rise $3 if purchased at the door—$11 for children, $13 for seniors and students, and $15 for adults.

A sinister con man, Roat (August Gideon), and two ex-convicts, Mike (Joe Cotton) and Carlino (Lexi Knight), are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix (James Melton) and his blind wife, Susy (Katie Blessing).

Sam apparently had been persuaded to transport the doll across the Canadian border, not knowing several grams of heroin were sewn inside.

When the woman is murdered the situation becomes more urgent. The con man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police (Fred Lutz, Chasity Price) have implicated Sam in the woman’s murder,

and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbor (Emma Pruitt), figures out she is the victim of a bizarre charade. When Roat kills his associates, though, a deadly

game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to maneuver in the dark until the game ends.

Join us at The Lyric for Wait Until Dark, September 29–30 and October 1 at 7:00PM, October 2 at 2:00PM #LiveAtTheLyric. Tickets on sale NOW!

OAC Ticketing Link

To eliminate ticketing and card processing fees
become an OAC Member at Join.TheLyric.org!

Meet the Cast!

My name is Chasity Price and I’m excited to do this play…one thing that the people need to know is that I have autism and I have a love for theatre. Here’s to a good show!

Police woman #2 is the type of cop that is not afraid of anything and she doesn’t care who did what and as long as the killer is put up, every thing is chill.

Fred Lutz is very excited about being in this production. This is his first Lyric experience. Fred has had numerous acting parts but this is the first dark and serious play in which he has been cast. Fred wants to thank his wife Sue for her encouragement.

Policeman 1 is a typical New York policeman that is called out on varied calls to bring calm and restore peace out of chaos. He is taken aback by this call, however, by its darkness and bodies.

I’m Lexi Knight and my world is a stage!—well, since I was 7/8. Acting is my greatest passion and hope to one day see my name in lights! When I am not at home (the Lyric) I am educating and attending to the needs of tiny humans, or at my place of residence watching shows, reading, sewing, or yes blasting showtunes!

Carlino isn’t the sneakiest thief in the night. He is greedy, clusmy, and easily distracted. After all, he is a first grade dropout. He has an interest in photography and also loves food, so the worst thing he will do is raid your fridge, which is probably what got him arrested in the first place!

Joe Cotton says…

“I have been in a few plays, but this is my first non-musical, non-comedy play. Looking forward to my first drama. Acting in the Lyric always brings back good memories. Just remember that the actors are the face of the play, but nothing happens without the backbone of the play, the unseen movers and shakers that make the play happen.

“Mike Talman is your typical con-man, but he makes the unforgivable mistake of developing sympathy for the mark. This is the first film that truly scared the ‘you know what out’ of me that I watched back in the late sixties, at the historic Lyric Theater. Let the suspense begin!”

Today’s “Meet the Cast” is a special one. This person stepped into a role about two and a half weeks prior to opening night. He’s had less than half the amount of time to become his character than the rest of the cast, and we think he’s doing spectacularly! Meet James Ian Melton, playing the role of Sam Hendrix.

A Harrison resident all my life, I have participated in Theatre Company productions doing a variety of roles since I was about 14. My acting work experience was playing “Howard,” the Haint of Mutton Hollow, for about 16 years at Shepherd of the Hills, Branson, Missouri. After not doing acting for several years, I’m trying to get back into it.

Sam Hendrix is a loving husband, who married Susy after an accident had taken her eyesight. He is a perfectionist and a photographer, who wants to see the best in himself and everyone around him. When returning from a photography trip, a woman at the airport asks Sam to hold a doll, that he didn’t know was full of heroin, and she would get it from him later—which leads to other sinister activities.

Emma Pruitt says…

“I am 12 years old and The Lyric is like a second home to me as I have been doing plays regularly since I was 5. I feel this is my biggest and most important role yet. I am excited and honored to be playing the part of Gloria. My dream, when I grow up, is to be on Broadway! Thank you to the directors and all the other amazing castmates! Here’s to a great show!

Gloria, the little girl upstairs plays a very pivotal role in the play. She is a headstrong, bratty, stubborn, and adventurous child. Although she loves Sam, she and Susy don’t always see eye to eye. Gloria gets them all into a big predicament when she takes a toy doll that doesn’t belong to her.

My name is August Gideon and I currently reside in the Branson area. I have always enjoyed art, especially music, but after accepting my first role in “The Shepherd of the Hills Outdoor Drama,” I became addicted to acting. After some encouragement from my friends and family, I decided to branch out to community theater. I am thrilled to be part of this cast and it is a true honor to share the stage with so many talented individuals.

Harry Roat, Jr. is a con man who takes great pleasure in manipulating people. He is a violent mysterious individual who will stop at no end to get what he wants. If you look past the manipulation and the violence you see him for what he really is, an actor who uses his talent for evil.

Kt Blessing is a sixteen-year veteran of the Lyric stage. You may recognize her from past performances as Rizzo (Grease), Philia (A Funny Thing Happened on the Way to the Forum), and Rosencrantz (Hamlet), among many others. Kt would like to thank the amazing cast and directors of Wait Until Dark for all their hard work, and would like to thank her family and friends for all their support during this whirlwind production.

Susy Hendrix is newly married and recently blind. She is still learning how to navigate the world in the dark. And in Wait Until Dark, she has to use her wits and resourcefulness to try to outsmart the conmen invading her home.

 
OAC Ticketing Link

Freaky Friday, July 1–2 & 8–9 at 7pm, July 3 & 10 at 2pm! #LiveAtTheLyric!

The Theatre Company of the Ozarks and
the Ozark Arts Council Present:

Thursday–Saturday, July 1–2 & 8–9, 7:00PM
Sunday, July 3 & 10, 2:00PM

The Theatre Company of the Ozarks and The Ozark Arts Council present Disney’s Freaky Friday, A New Musical, performed at the Historic 1929 Lyric Theater July 1–2 and July 8–9 at 7:00PM, July 3 and 10 at 2:00PM. Tickets are $12 for adults, $10 for seniors and students, and $8 for children, when bought in advance; prices rise $3 if purchased at the door—$11 for children, $13 for seniors and students, and $15 for adults.

Based on the beloved 1972 novel by Mary Rodgers and the hit Disney films, Freaky Friday, A New Musical hits all the right notes!

Teenager Ellie (Bri Coleman) is…annoyed. Her mother, Katherine (Shawna Cash), is in a frenzy planning her own wedding, her brother Fletcher (Landon Clements) is being his usual irritating, little-brother-self, and her soon-to-be-stepfather, Mike (Michael Amburn), is just too overbearing. When Ellie wants to go on a scavenger hunt with her friends (Lexi Poor, Emma Bock) instead of attending Katherine’s rehearsal dinner, she and Katherine argue and end up breaking a magical hourglass…which makes them swap bodies. When they realize they need another hourglass to switch back, they rush to find it, as they have just one day to put things right again!

Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on a classic. With a stellar cast of both new and familiar Lyric faces—including Ann Lemley, Bannon Jones, Liani Cash, Jerome Sweatman, McKenna Franks, Candace Lamberts, Delaney Bowie, Courtney Lantis, Becky Poor, Kinder Hinrichs, Marsha Franks, Jacob Howton, Patrick Franks, Julie Davis, and Joe Cotton—you’ll laugh riotously and be sincerely touched as you see two seemingly opposite people come to appreciate one another’s struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter.

As with any adaptation of a book to a live performance, we suggest a (re-)reading of the book both before and after the performance. We suggest this because it both prolongs the entertainment and makes the experience more enriching. By reading the book before and after, you are able to engage your own imagination of the characters and scenery, etc., or even of the nuances of the plot, then gain insight into the playwright’s imagination of the same, and then deepen and broaden your own imagination through the post-performance reading. You may agree or disagree with any playwright’s choices in an adaptation…and, maybe, if you disagree enough, another playwright will have been created!

To read the novel by Mary Rodgers, visit the Boone County Public Library or a library near you…or buy it online. If you follow our links to buy the book, you’ll notice that where ‘www’ normally is, it says ‘smile’, which means you can designate the OAC/Lyric to receive a portion of what you pay for the book (it won’t increase your price or take money away from creators or producers of a product, but comes out of Amazon’s profit).

Join us at The Lyric for Disney’s Freaky Friday, A New Musical, July 1–2 and July 8–9 at 7:00PM, July 3 and 10 at 2:00PM #LiveAtTheLyric. Tickets are available now here at TheLyric.org by clicking any “Get Tickets” link, or calling the OAC office at (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

Once Upon a Mattress, April 20–23 at 7pm, Live At The PAC!

ITS Troupe 2715 and
Harrison High School Theatre present:

Once Upon a Mattress

Wednesday–Saturday, April 20–23, 7:00PM

Harrison High School Theatre Dept. and International Thespian Society Troupe 2715 present Once Upon a Mattress, performed at the Harrison High School Performing Arts Center April 20-23 at 7:00pm. Tickets at HHSPAC.org – $12 adult, $10 senior/student, $8 children (prices raise $3 if purchased at the door).

Once Upon A Mattress, based on the famous fairy tale, The Princess and the Pea, is a hilarious retelling with quite the twist! Many moons ago in a far-off place, Queen Aggravain (Jenna Wilson), aided by her loyal Wizard (Mandy Prpich), has decreed that no couples shall marry until her son, Prince Dauntless (Zach Jimerson), finds a bride. Her husband, King Sextimus (Donovan Walters), might have something to say about that…if he could do any speaking, that is. Princesses (Iria Delgado) come from far and wide to win the hand of the prince, but none can pass the impossible tests given to them by the Queen and Wizard.

The Knights and Ladies of the Court (Jude Bilbee, Lily Brockelman, Joseph Claus, Ellie denHollander, Mya Dodson, Ella Domino, Camron Edwards, Lashayla Engel, Michelle Gregory, Victoria Hudson, Cassi Johnson, Lilly Mangrum, Landon McKellep, Katey Sims, Natalie Sims, Maegen Sterling, Jerome Sweatman, William Tanner, Lydia Thomas, Serenity Yang) are distressed by the situation, but the most concerned are Lady Larken (double cast Faith Nix and Valeria Carbajal) and her handsome knight, Sir Harry (Hayden Allen). Sir Harry, determined to find a true princess for Dauntless, sets off for unexplored parts and comes back with a shy swamp princess, Winnifred the Woebegone (double cast V. Grae Smith and Rilee Young).

Meanwhile, the Minstrel (Addie Jones) and Jester (Brinkley Brewer) have their hands full trying to solve everyone’s problems and stay out of trouble themselves, but things become more complicated when it turns out that the Queen’s underhanded schemes are no match for a delicate thing like a Swamp Princess. When a pea is placed under 20 mattresses and a Nightingale (double cast Maci Bright and Faith Nix) is provided to sing Princess Fred to sleep, some side-splitting shenanigans are most definitely in store!

Harrison High School Theatre Dept. and International Thespian Society Troupe 2715 present Once Upon a Mattress, performed at the Harrison High School Performing Arts Center April 20-23 at 7:00pm. Tickets are at HHSPAC.org – $12 adult, $10 senior/student, $8 children (prices raise $3 if purchased at the door).

OAC Ticketing Link

Neil Simon’s The Prisoner of 2nd Avenue, May 5–7 at 7pm, May 8 at 2pm #LiveAtTheLyric!

Northark Drama and
the Ozark Arts Council present Neil Simon’s:

The Prisoner of 2nd Avenue

Thursday-Saturday, May 5–7, 7:00PM
Sunday, May 8, 2:00PM

Northark Drama and The Ozark Arts Council will present Neil Simon’s The Prisoner of 2nd Avenue #LiveAtTheLyric Wednesday–Saturday, May 5–7, 2022 at 7:00pm and Sunday, May 8 at 2:00pm. Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults

Edna and Mel are a struggling, middle-aged couple living in New York City. Mel has just lost his job, the walls of their apartment are much too thin, and the city is in the middle of a heatwave. Their troubles escalate when Mel suffers a nervous breakdown. Mel becomes slightly paranoid, the apartment is robbed, and their neighbors, well, they don’t help matters much. Throughout it all, Edna does her best to support her husband, even getting a job of her own after Mel is fired. Her efforts aren’t enough, however, and Mel’s siblings are called in as backup. Quickly, in a crowded apartment in the most crowded city in the world, all hell breaks loose, and it becomes apparent that the only thing Mel and Edna can rely on are the people closest to them.

Neil Simon’s The Prisoner of 2nd Avenue willl be performed #LiveAtTheLyric Wednesday–Saturday, May 5–7, 2022 at 7:00pm and Sunday, May 8 at 2:00pm. Tickets are available by clicking any “Get Tickets” link, or calling the OAC office at (870) 391-3504 (please leave a detailed message if you get our voicemail). Advance Tickets are priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

OAC Ticketing Link

The Best Christmas Pageant Ever, December 2–4 at 7pm, December 5 at 2pm Live At the #HHSPAC!

The Harrison High School
Theatre Department,
ITS Troupe 2715,
and the
Ozark Arts Council
present:

The Best
Christmas Pageant
Ever!

Thursday–Saturday, December 2–4, 7:00PM
Sunday, December 5, 2:00PM

Harrison High School Theatre Department presents The Best Christmas Pageant Ever at the HHS PAC on December 2, 3, 4 at 7:00pm and December 5 at 2:00pm. Tickets are available through HHSPAC.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults. All performances will be held at the Harrison High School Performing Arts Center (HHS PAC).

Thanksgiving is over and Christmas is speeding merrily closer! What better way to get in the holiday mood than by going to a performance of The Best Christmas Pageant Ever?

 

In this hilarious Christmas classic, a mother (Faith Nix) struggles to put on a church Christmas pageant with her husband’s (Joseph Claus) help, but is faced with casting the Herdman kids—probably the most inventively awful kids in history (Cookie Simpson, Jude Bilbee, Donovan Walters, Rilee Young, Lily Brockelman, Addie Jones), as well as wrangling her own unenthusiastic children Beth (Lilly Mangrum) and Charlie (Zachary Jimerson) into assisting.

When you add an unwilling menagerie of kids of all ages into the mix (Ricky Bates, Brinkley Brewer, Maci Bright, Mysteri Cotton, Liam Dupre, Victoria Hudson, Caden Lambert, Ethan Rouse), as well as some nosy busybodies who can’t wait to see it all crash and burn (Mandy Prpich, Jennafer Wilson, Iria Delgado, Camron Edwards, Laken Steiner, Elijah Ford), you’re in for one wild sleigh ride! You won’t believe the mayhem—and the fun—when the Herdmans collide with the Christmas story head on!

This delightful comedy is adapted from the best-selling Young Adult book by Barbara Robinson, and will certainly put you in the mood to sing a carol, drink some hot chocolate, and pull your loved ones in close. 

The Best Christmas Pageant Ever will be performed at the HHS PAC on December 2, 3, 4 at 7:00pm, December 5 at 2:00pm. Tickets available at HHSPAC.org and TheLyric.org (please note: all performances of this play will be at the HHS PAC; the ticket selection page will indicate accessible seating options).

Donations are also being accepted for Children’s Charity Ministry at each performance. If you would like to donate, please bring your donations to the play and put them in front of the tree at the entrance to the PAC.

The following are the items we need donated; please stick to this list, as it is what CCM is equipped to use:

  • Single-serve mac and cheese
  • Single-serve cereal
  • Single-serve oatmeal
  • Fruit/applesauce/jello/pudding cups
  • Granola bars
  • Beanie weenies
  • Vienna sausage
  • Ramen noodles
  • Snack cracker packs
  • Pull-tab Chef Boyardee pasta
  • Pull-tab soups

Hey, Herdmans…it’s a BOOK, too!

As with any adaptation of a book to a live performance—and our season is full of them this year!—we suggest a (re-) reading of the book both before and after the performance. We suggest this because it both prolongs the entertainment and makes the experience more enriching. By reading the book before and after, you are able to engage your own imagination of the characters and scenery, etc., or even of the nuances of the plot, then gain insight into the playwright’s imagination of the same, and then deepen and broaden your own imagination through the post-performance reading. You may agree or disagree with any playwright’s choices in an adaptation…and, maybe, if you disagree enough, another playwright will have been created!

To read Barbara Robinson’s The Best Christmas Pageant Ever (and the other two volumes of her series with the Herdman kids!), visit the Boone County Public Library or a library near you…or buy it online for under $6! A version to read on tablets (or with the Kindle app for Chromebooks and MacOS, Windows, and Linux computers) is available for FREE in the same place! If you follow our links to buy the book, you’ll notice that where ‘www’ normally is, it says ‘smile’, which means you can designate the OAC/Lyric to receive a portion of what you pay for the book (it won’t increase your price or take money away from creators or producers of a product, but comes out of Amazon’s profit).

Join us at The Harrison High School Performing Arts Center for a literary classic brought to life! Tickets for The Best Christmas Pageant Ever, December 2–5 Live At The #HHSPAC, are available now through HHSPAC.org or here at TheLyric.org by clicking any “Get Tickets” link, or calling the OAC office at (870) 391-3504 (please leave a detailed message if you get our voicemail).

OAC Ticketing Link

Rudyard Kipling’s The Jungle Book, November 17–20 at 7pm, November 21 at 2pm #LiveAtTheLyric!

Northark Drama and
the Ozark Arts Council present Rudyard Kipling’s:

The Jungle Book

Thursday-Saturday, November 17–20, 7:00PM
Sunday, November 21, 2:00PM

Landon Clements and Andrew Coble square off as Mowgli and Shere Khan!

Northark Drama and The Ozark Arts Council, will present Vera Morris’s beloved adaptation of Rudyard Kipling’s The Jungle Book #LiveAtTheLyric Wednesday–Saturday, November 17–20, 2021 at 7:00pm and Sunday, November 21 at 2:00pm. Tickets are available through TheLyric.org with Advance Tickets priced at $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.

Mowgli and Friends: Brinkley Brewer as Kaa the Python, Dante Lowe as Baloo the Bear, Landon Clements as Mowgli, and Wyatt Mahoney as Bagheera the Panther

Come hear the incredible tale of Mowgli (Landon Clements), a young boy raised by wolves. With the help of his friends—the bear Baloo (Dante Lowe), the panther Bagheera (Wyatt Mahoney) and the python Kaa (Brinkley Brewer)—Mowgli learns the ways of the jungle. Some of the jungle boy’s adventures are gripping, like the time he encounters the hooded cobra (Michael Amburn) who guards the treasure vault in the Deserted City.  Others, like the coconut-tossing monkeys (Landon Kirkpatrick, Maegen Sterling, Lexi Knight, Macy Middleton, Zachary Linn, Emma Pruitt, Chasity Price, Lexi Poor) who take him prisoner, are hysterical. But the jungle is also dangerous, for it is the home of Shere Khan (Andrew Coble), the man-eating tiger who has vowed to destroy Mowgli. With his fawning jackal follower (Jude Bilbee), Shere Khan plots to take control of the jungle. Mowgli must use all his strength and courage, and the help of his friends to stop Shere Khan before it is too late.

Not birds of a feather! Mang (William Dorsey) is a night-flying mammal, while Mor (Valeria Carbajal) has brilliant feathers, but doesn’t fly much at all.

With a stellar cast including Danielle Devito, Maci Bright, Wynn Mahoney, Caleb Lord, Michele Reynolds, William Dorsey, Valeria Carbajal, Elise Halsted, Lily Brockelman, Jacob Cothran, Laura Bracken, Jennafer Wilson, Skyler Grebe, Emily Perkins, Jerome Sweatman), this adaptation will enchant you and have you cheering when Mowgli declares, “I am Mowgli, Keeper of the Law and Guardian of the Jungle!”

Please Note: Along with Disney, we acknowledge that this play includes negative depictions and/or mistreatment of people or cultures. These stereotypes were wrong then and they are wrong now. Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversation to create a more inclusive future together. The producers of this play believe that, perhaps in spite of Kipling’s or the playwright’s own understanding of the these issues, the search and struggle for belonging presented in Mowgli’s story is the very key to understanding the struggles that are even more magnified among us today.

Super Group ALERT! The Village People + The Monkees…and Mowgli, too!

As with any adaptation of a book to a live performance—and our season is full of them this year!—we suggest a (re-) reading of the book both before and after the performance. We suggest this because it both prolongs the entertainment and makes the experience more enriching. By reading the book before and after, you are able to engage your own imagination of the characters and scenery, etc., or even of the nuances of the plot, then gain insight into the playwright’s imagination of the same, and then deepen and broaden your own imagination through the post-performance reading. You may agree or disagree with any playwright’s choices in an adaptation…and, maybe, if you disagree enough, another playwright will have been created!

To read Kipling’s collection of short stories, visit the Boone County Public Library or a library near you…or buy it online. A version to read on tablets is available for under two dollars and is available in the same place. If you follow our links to buy the book, you’ll notice that where ‘www’ normally is, it says ‘smile’, which means you can designate the OAC/Lyric to receive a portion of what you pay for the book (it won’t increase your price or take money away from creators or producers of a product, but comes out of Amazon’s profit).

Join us at The Lyric for a literary classic brought to life! Tickets for The Jungle Book, November 17–21 #LiveAtTheLyric, are available now here at TheLyric.org by clicking any “Get Tickets” link, or calling the OAC office at (870) 391-3504 (please leave a detailed message if you get our voicemail).

And…the cast goes wild on the savannah…!
 
OAC Ticketing Link

The Remnants of Rock — July 23, 2022 at 7pm — #LiveAtTheLyric!

Get ready for that good times feeling to return,
those good times of Rock’s Golden Era, with…
The Remnants of Rock!
July 23, 2022 at 7PM

All the best from Rock’s Golden Era is headed back to the historic Lyric Theater, as Harrison, Arkansas relives those glorious days when The St. James Group brought that fantastic music to Harrison High School and NACC—as headliners and to open for such bands as The Amazing Rhythm Aces—on Saturday, July 23 at 7:00PM, for which tickets will go on sale at midnight on Halloween!

“The Remnants of Rock brought down the house during their recent appearance in the Woodlands Auditorium. Hot Springs Village residents were treated to an authentic experience from the Golden Era or Classic Rock and Roll. And from the crowd’s reaction, their music struck the right chords. The band presented a stellar performance to a full house and kept the crowd engaged throughout the evening. The audience was on its feet singing along…even after the encore. The Remnants of Rock produced an evening of new memories for the HSV residents fortunate to hear them play. Rock on.”

– Suzanne Sweeten, Hot Springs Village Voice

Rock and Roll was born in the late 1950s, and by the end of the 1960s, the music had produced such legends as Elvis Presley, The Beatles, The Beach Boys, and the Motown and Memphis sounds. The consensus among historians is that the greatest popular music of all time was created during this ten-year period. Unquestionably, the music defined a generation and continues to be embraced by younger generations.

The St. James Group in 1968
The St. James Group in 1968

The St. James Group formed in 1968 in the middle of this historic era and performed professionally until 1978. The original members all grew up within walking-distance of each other in the small town of Morrilton, Arkansas. The band shared the stage with some of the biggest artists of the 1970s and performed on college campuses from New Orleans to Chicago and all points in between. Unfortunately, The St. James Group quit preforming after the unexpected death of Chuck Gordon, the band’s original keyboard player. The Remnants of Rock is now the musical legacy of The St. James Group.

The Remnants today, ready to rock the Lyric on 2/19/22!
The Remnants today, ready to rock the Lyric!

The Remnants of Rock is composed of original band members that started out together in 1968, with the addition of the current keyboard player. The band’s goal is to successfully recreate the music of the 1960s as authentically as possible. Imagine walking into the student union for the homecoming dance on any college campus during the years 1965-1969 and hearing the best dance band you’ve ever heard! Close your eyes and think back, because this is the performance The Remnants will deliver! The band plays only the top hits from 1959–1969 – the sweet spot of the era.

“The Remnants (of Rock) put on a fantastic show at the Rialto Theater on June third. The crowd knew every word to every song in their set and even got up to dance in their seats! The performance was capped by a sing-a-long in front of the stage and followed by a couple of encores.”

– Rich Moellers, Manager Motown 92.5 Radio

Members of the band have performed with, recorded with, and served as engineers for some of the biggest names in music—from Alice Cooper to Willie Nelson…Dollie Parton, Styx, the Righteous Brothers, and so many more. Their production values are obvious when it’s mentioned thattheir keyboardist was the musical director for “50s at the Hop” in Branson, MO and their sound engineer from day one is the head of audio at Verizon Arena in Little Rock and has worked with Sir Paul McCartney in that capacity.

“The Remnants performed a spectacular concert to a capacity crowd and former classmates and the general public rocked to the awesome music of the 1960s. The band cycled through a collection of classic hits and many in the audience sang alone throughout the concert. The band performed a fast-paced show that kept everyone spellbound and everyone enjoyed the music.”

– Eleanor Stanley

Whether you were there when The St. James Group played the Jr./Sr. Dance in ’74 or when they brought The Amazing Rhythm Aces to NACC, or not, The Remnants of Rock will not only bring back memories, but create new ones! What a fantastic time to re-live that era, to introduce it to grandkids and great-grandkids, or just to admit what everybody knows: that the music of Rock’s Golden Age is a thing to rejoice in at any time and any age! Join us the historic Lyric Theater, as the Remnants bring the house down again on Saturday, July 23 at 7:00PM! Tickets are on sale now!

tickets