Rough Winter?
The Mother of Ozark Gospel Blues is Bringing the Cure:
Brick Fields is Coming to the Lyric!
Friday, April 5 at 7:00PM
If the ‘official’ end of winter on March 20 finds you not quite recovered from it all, join us at ‘The Roots Music Palace of the Ozarks’ on April 5 at 7:00, because Brick Fields is coming to provide you with the Blues Therapy you need to have a healthy outlook
for Spring—and the rest of the year! “An unleashed cleansing of the soul” is how the Nashville Blues Society described Brick Fields’ music, and the New Classic Music of Tomorrow music review blog makes it clear why: “Brick Fields is by far the most soulful artist I’ve heard in years!”
Brick Fields is an Arkansas original musical group fronted by the ambrosial voice of Rachel Fields. With her husband, Larry Brick, who has spent over 40 years in the music business as a guitar player and songwriter (and was a worship leader during the California Calvary movement of the 1970s), there is a ‘two talents expressing one flesh’ vibe throughout the music—a unity of purpose in music and vocals that is neither forced nor self-conscious, but just is. Rachel cut her musical teeth first in the Arkansas
River valley, by way of her Uncle Mike “Burger” Scoggins, then in the jam band circuit touring in the late ’90s east and west coast festivals, opening for acts like Government Mule and later singing on a tour with the Jerry Garcia Band. Together, they bring a true Americana Soul feel—weaving Folk, Gospel, and Blues together in such a way that former Buffalo River Concert Association president Rick Hinterheuer told Rachel, “You’re going to have a good time playing at the Lyric!”…because Rick knows what we like!
Brick Fields’ current core band is a treasure of solid creativity including Ben Sass, Kevin Bonner, Hoobie Daniels, and Chris Parker.
- Ben Sass of Jerusalem, Israel is the vibrant enthusiastic steed on and off stage, possibly one of the world’s finest up-and-coming harmonica players on the scene.

- Kevin Bonner is from Northwest Arkansas and honed his drumming chops in the Cate Bro’s garage; he has been the backbone for numerous of NWA’s most loved bands.
- Bass player, Hoobie Daniels, of Southern Mississippi (via Austin Texas), joined Brick Fields in 2016 after retiring to the Ozark Mountains where he is continuing his musical journey.
- Chris Parker adds his Tulsa guitar stylings with influences that largely play themselves out between Chet Atkins and BB King.
Comfortable with themselves and numerous surprise guests, it’s not unusual at a Brick Fields show for the night to end with a few or as many as 20 players on stage. As musicians’ musicians, Brick Fields has been called a magnet for other musicians and music lovers alike. Ever evolving, this couple’s original music can charm venues in an intimate relaxed setting with the acoustic duo telling stories of musical roots or bring a full-on band experience that brings the house to its feet.
The Ozark Arts Council is pleased to welcome Brick Fields to The Roots Music Palace of the Ozarks, Harrison’s historic Lyric Theater, on Friday, April 5 at 7:00. Tickets are just $10 in advance, but $15 at the door; just click any of the ‘Get Tickets’ links here on our website and you’ll be taken to our ticketing page, or call Jules or Dill at (870) 391-3504 or visit Dill at the OAC office M-W-F 8:00–2:00 (or Jules by appointment).


rarefied air, but chew on it all the way home and through the weekend. As the title track from their just-released second album says, there is “More than Meets the Eye” in the rock from Tomahawk!
and he knows when to do each (or both) for best effect. At the same time, Skip Reed’s drum work and Nathan Popejoy’s bass are singing their own deep and steady song for Sean to play off of. This is a great rhythm section and a guitarist that has a feel for how to keep attached to what they’re playing, not just go off and show off his chops in some barely-related way. If you like rock music that puts the emphasis on both the music and the rock, you will love Leadfoot 65.
the earlier wave of Southern rockers, plus all the music that has come since then. They move easily from a Molly Hatchet-like sound to one that is clearly akin to Pantera, without ever falling into the sometime-muddiness of Dixie Witch. Southern Rock with a power groove and the soloing sensibilities of melodic and neo-classical metal without losing the focus of the main musical and lyrical intent; Leadfoot 65 is clearly ‘coming of age’ and not to be missed.
with country and bluegrass music ever since he heard the Grand Ole Opry in 1950 as a 7-year old. He began to play at music parties in the early 1960’s at people’s homes, and later in contests. In 1979 he joined the Heart of the Ozarks Bluegrass Association and formed his group, Southern Grass (later called, Southern Missouri Bluegrass) in 1981. In 2006, Mr. Lewis was commissioned a Kentucky Colonel and the group began
booking as New Kentucky Colonels, They perform bluegrass, country, old time, gospel and the best in family comedy.
a great asset to the group, Dennis now resides in Alton, MO and has played for the group for two years.


In 1999,
a world record, though: it was to help the Ozark Arts Council raise both money and awareness to make it possible to purchase the theater and transform it into the venue for live music, drama, and education that we all love today—and now it’s time to celebrate that historic concert and all the entertainment that followed it these past 20 years!
Fender P-Bass drives the music with every bit of intense energy that Fender’s naming it “Precision-Bass” was meant to convey: Precision = Power! Powerful rock and blues classics and the band’s own compositions drive up the excitement all night long.
The doors of the Roots Music Palace of the Ozarks—Harrison, Arkansas’s historic Lyric Theater—will open at 6:00 for a 7:00 performance on Saturday, March 16. Adult beverages and general concessions will be available throughout the concert, and
Earth Bone
by Susan Boone whose renditions of blues and ballads are exciting to hear to say the least. Dave Dore ties it all together with his vocals, keyboard and guitar. Wayne Angel’s conga, djembe and cajon riffs add a taste of the exotic to all of Earth Bone’s songs. The band is often joined by Denise Dore, who provides strong backup vocals.
The doors of the Roots Music Palace of the Ozarks—Harrison, Arkansas’s historic Lyric Theater—will open at 6:00 for a 7:00 performance on Saturday, January 26. Adult beverages and general concessions will be available throughout the concert, and
For 17 years, Black Stone Cherry has put forth a new, vicious breed of Southern rock, injecting youthful vitality and a myriad of fresh new influences into the beloved American rock tradition. To date, the band has released five critically-acclaimed studio albums and one well-received blues EP. Black Stone Cherry has also rocked 12,000-cap arena shows, topped the UK charts, and shared the stage with a diverse roster of superstars, including Def Leppard, Lynyrd Skynyrd, Bad Company, Motörhead, and ZZ Top.



“Bryan and Bernice Hembree (Smokey & The Mirror) are making some of the best folk music today. The songs remind me of a time when Guy Clark was unknown and Ray Wylie Hubbard was still a folkie. Smart, cool and never pretentious.”
