Of Maids and Men:
Opera with a Touch of Broadway
and a Lot of Love!
Friday/Saturday, September 29/30 at 7:00PM Sunday, October 1 at 2:00PM
Of Maids and Men, a double feature of operatic comedy, will be presented at 7 p.m. Friday and Saturday, Sept. 29 and 30 and on Sunday, Oct. 1 at 2 p.m. at our historic Lyric Theater.
Soprano Genevieve Fulks, and baritone Marvin Murphree will sing some of your favorites from musical theatre to cover the range of a relationship from beginning to full maturity in the first act, then present the opera The Maid Mistress by Pergolesi as the second. Rich in meaning, yet bringing that meaning through humor and some of the most wonderful music the world has ever known, Of Maids and Men will leave the audience both touched and laughing.
Ms. Fulks recently portrayed Susanna in Le nozze di Figaro with Opera in the Ozarks in its 67th season, reprising the role she debuted with Springfield Regional Opera in its 2016 production of Figaro. Fulks is southern raised and trained, originally from the delta of Jonesboro. She made her professional debut with Opera Experience Southeast as Nella and Lauretta cover in Gianni Schicchi. She is at home in both opera and musical theatre and has since performed with Springfield Regional Opera, Opera in the Ozarks, Opera in the Rock, Arkansas Symphony Orchestra, Arkansas Symphony Youth Orchestra, The Messiah Project, Forum Sinfonia of Krakow, Poland, Ozark Family Opera Company, Conway Dinner Theatre, Springfield Little Theatre, and Arkansas Arts Center Children’s Theatre.
Mr. Murphree has performed opera, oratorio and song recital throughout the United States, having sung with Lyric Artists of the West in Denver, Heartland Opera, Springfield Regional Opera, MSU Opera Workshop, Classic Arts Chamber Works, Branson Arts Council, as a University of Central Missouri guest artist, Jubilee Concerts in St. Louis, Kansas City Bach Festival, and many others in Missouri, Central OK Concert Series in Oklahoma City, as guest artist at the University of Oklahoma, Norman, and Trinity Concerts in Hutchinson, Kansas.
For tickets to Of Maids and Men, click any of our ticketing links or call (870) 391-3504.
Classic Rock and Blues with
The Hedley Lamar Band!
Saturday, September 23 at 7:30PM
Join us on September 23 at 7:30pm, for a party to kick off the OAC’s “90 for 90” campaign, featuring the Rock and Blues trio that is always in demand at festivals and clubs across the area, and that was chosen to open for guitar superhero Albert Cummings when he played the Lyric in 2016, The Hedley Lamar Band!
From the Allman Brothers to Zeppelin and ZZ Top, with possible stops at Clapton, Hendrix, Robin Trower, Skynyrd, and Stevie Ray Vaughn along the way, The Hedley Lamar Band hits that fusion of UK and Southern rock and blues that has been “the best of both worlds” from the ’60s to today. Billy Youngblood (primarily bass and vocals) and Tim Taylor (primarily guitar) often switch roles during their concerts, expanding their repertoire to keep the party going all the time. Joined by Jason Ruff or Will Youngblood on percussion, they remind us that it only takes a trio to fill the Lyric with music that keeps the heart pumping.
The Hedley Lamar is helping us raise money to repair extensive water damage in the Lyric. We already have a grant that will cover a lot of the water damage, but part of the water wasn’t the rain that tore up our walls before the wonderful folks at Harness Roofing donated a new roof a few years ago…it’s from malfunctioning air conditioning units in the Bailey Annex. (It would cost nearly as much to do a non-guaranteed temporary fix as to replace them.) By the time it was discovered, a large section of our ten-year-old building’s floor was already ruined. Before we fix the floor with the money we’ve been given for that purpose, we have to repair the AC…and that’s $8,500 that we need to raise as quickly as we can. (Actually, it would be a lot more than that, but Ken Allen of Conward’s remains a great supporter of the Arts and has worked out a great deal for us.)
This party also kicks off a new campaign for the OAC: 90 for 90. We want to increase our OAC membership by 90 members and raise $90,000 by the end of The Lyric’s 90th birthday in 2019. This money will go, first, toward restoration of parts of the theater that have been out of use for decades, beginning with the (original) balcony restrooms. From there, along with upkeep and programming needs, we want to increase both the beauty and the functionality of our already-wonderful venue.
All of the usual Lyric Theater concessions will be available, including beer and wine in our ‘speakeasy’, The Balcony, as well as guacamole and corn chips.
This two-time Grammy-winner (once with Sir Paul McCartney’s “Wings” and once as a solo artist) thrilled the Lyric audience in 2015, and is returning to continue to dazzle us with his wit, which is as evident in his playing as his absolute mastery of his instrument—not only in its standard implementation, but through a variety of tunings that allow him to express far more than one normally associates with the playing of a single acoustic guitar.
As an award-winning fingerstyle acoustic guitarist also known for his electric work as lead guitarist in Wings, LJ has a large following among guitar fans and Beatles/classic rock fans. His shows feature his original compositions along with amazing covers of Beatles and classic rock songs like “Layla” and “Little Wing” where he literally plays every melody of the song on just one guitar!
Pete Townsend of The Who simply exclaims, “A master!”
As a studio musician, LJ can be heard on recordings from artists as diverse as Dan Hicks & the Hot Licks to Seal to Barry Manilow, plus he is featured on the soundtracks to hundreds of TV shows such as Home Improvement and movies including the academy award-winning Dirty Dancing, Good Will Hunting, and Pocahontas.
You like video games? LJ co-composed the soundtrack of the award-winning video game Diablo III.
You watch the news? LJ crafted the score to the NBC Dateline documentary Children Of The Harvest. His music is also featured in the Ken Burns’ documentary The Tenth Inning.
In other words: You’ve Heard Him Even if You Haven’t Heard of Him!
LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine. A dynamic, entertaining performer and an accomplished clinician, LJ brings his passion for the guitar to venues around the world, creating a multi-faceted performance that belies the use of only one instrument. In Spring 2013 Laurence Juber released Under an Indigo Sky on Solid Air Records with a special limited edition vinyl for Record Store Day, and has just released LJ Can’t Stop Playing the Beatles.
At the heart of LJ’s sound and style breathes a near-flawless technique where a fiercely emotional underbelly, alternate tunings, and keen sense of melody and rhythm coalesce into something uniquely his own……you don’t have to be a solo-happy guitar worshipper to appreciate his talents.
– Inland Empire Weekly
The Uproarious
One Man, Two Guvnors!
April 27–29 at 7:00PM — April 30 at 2:00PM
May 4–6 at 7:00PM — May 7 at 2:00PM
Under license from Dramatist Play Service, the Ozark Arts Council is pleased to announce the Northark Drama and Theatre Company of the Ozarks collaboration on Richard Bean’s One Man, Two Guvnors, to be performed at the historic Lyric Theater in Harrison, Arkansas!
In 2011, Mr. Bean (no relation…!) completed a wonderful project of making a modern (well, 1960s, anyway) English adaptation of Italian playwright Carlo Goldoni’s 1743 commedia dell’arte, Il servitore di due padroni (Servant of Two Masters). Both the script itself and the pre-show and interval skiffle concerts, with music and lyrics by Grant Olding, are hilarious.
Please Note: the play itself is not a musical, but it has a couple of short concerts that relate to the subject matter of the play, but without giving anything away. Seriously. (If you’re confused, just buy a ticket; this is how Italian comedy redone by the Brits a few centuries later works. We have all been happier since we determined to just get used to it.)
One Man, Two Guvnors received widespread critical acclaim. For example, this is what the press in England had to say:
▪ The Guardian gave it 5 stars, saying that it was “A triumph of visual and verbal comedy. One of the funniest productions in the National’s history.”
▪ The Daily Telegraph described it as “the feelgood hit of the Summer.” ▪ The Independent wrote that it is a “massive hit” and London’s Evening Standard as “a surefire hit”. Blogging site ▪ Everything Theatre described it as “one of the most side-splittingly hilarious productions ever to be staged in London”. ▪ In fact, the show won Best Play at the Evening Standard Theatre Awards for 2011.
When the play came to the Unites States, Chris Jones of the Chicago Tribune said that he enjoyed it at its opening, but that the flaw in the performance was in the actors trying to push the comedy, when the comedy was already there. He writes:
Those flaws I mentioned, though, come mostly from not trusting the simple truth of the material — I know, “truth” sounds out of context here, but believability still is the foundation for physical comedy.
One of the great things often noted about directors Bekah Wilson and Michael Mahoney is their dedication to “letting the text speak,” having the plot live through the characters and the characters live through the actors…rehearsing to the point that the words and actions of the characters are natural to the cast.
Says Co-Director Rebekah Wilson:
I was lucky enough to see the Broadway tour of this show a few years back and I fell in love with it. I have never laughed so hard at any show. I also thought it was one of the most difficult shows I had ever seen and someone would have to be crazy to try to direct it at a community theater. Obviously, I happen to be one of those crazies…[the cast has] worked incredibly hard, giving it absolutely their whole hearts. This cast has committed from day one to me and this project and I couldn’t be more proud and excited for them and for our community to see what they have accomplished. Don’t miss out on this one guys. I desperately want to share this unique and hilarious bit of Broadway with our hometown.
Co-Director Michael Mahoneywholeheartedly agrees:
Working on this show has been another blessing and challenge in the theatre. I feel the same way as my dear friend and directing partner Bekah Wilson…It is a very challenging and yet hilarious script. The humor is so deep and rich and yet the level of focus and realistic aspects must be present for this show to work. The cast and crew have grown together in their commitment and dedication to making the production a reality for our community. I am honored to be onstage with all of them.
For great comedy well done, you cannot beat One Man, Two Guvnors!
The Story
In 1963 Brighton, out-of-work skiffle player Francis Henshall (Daniel Seay) becomes separately employed by two men—Roscoe Crabbe (O. Wolfe), a gangster, and Stanley Stubbers (Michael Mahoney), an upper class twit. Francis tries to keep the two from meeting, in order to avoid each of them learning that Francis is also working for someone else.
Complicating events, Roscoe is really Rachel Crabbe (Olivia Wolfe) in disguise, her twin brother Roscoe having been killed by her boyfriend…who is none other than Stanley! Complicating events still further is local mobster Charlie the Duck (Rick Porter), who has arranged his daughter Pauline’s (Rowen Bolonsky) engagement to Roscoe despite her preference for over-the-top amateur actor Alan Dangle (Gavin Wilson). Even further complications are prompted by several letters, a very heavy trunk, several unlucky audience volunteers, an extremely elderly waiter (Preston Garrison), a cast of roughhousers (Wyatt Mahoney, Josiah Reynolds, Isaac Stevens, Jarrett Mann, Billy Dromgoole, Sara Davison) and…Francis’ pursuit of his twin passions: Dolly (Michelle Reynolds), Charlie’s feminist bookkeeper, and food.
Backed up by The Craze—Northern Arkansas’s answer to the UK’s fondness for skiffle in the 1950s and ’60s—One Man, Two Guvnors is one you don’t want to miss!
Please note: Adult language and themes, parental guidance recommended.
The Cast
Francis Henshall — Daniel Seay
Stanley Stubbers — Michael Mahoney
Rachel Crabbe — Olivia Wolfe
Alfie — Preston Garrison
Harry Dangle — Josiah Reynolds
Lloyd Boateng — Isaac Stevens
Pauline Clench — Rowen Bolonsky
Charlie Clench — Rick Porter
Alan Dangle — Gavin Wilson
Dolly Michele — Jewell Reynolds
Gareth — Wyatt Mahoney
Cops — Jarrett Mann, Billy Dromgoole
Ensemble, Old Lady — Sarah Davison
Taxi Driver — Billy Dromgoole
Singers — Callie Johnson, Kt Blessing, Abi Kops
Directors: Rebekah Wilson and Michael Mahoney
Choreographer: Katie Beth Allison
The Craze: Bob Johnson, Abi Kops, James Melton, Curtis Reed, Gray Squires, Eric Stefanski
Stage Manager: Michael Krasowski
GENERAL ADMISSION: $12.00
STUDENTS: $10.00
NORTHARK STUDENTS with NORTHARK COLLEGE ID: $5.00
North Arkansas College in association with
The Theatre Company Presents:
“One Man Two Guvnors”
By
Richard Bean
Sunpie Barnes and the Louisiana Sunspots
March 11, 7:00PM
New Orleans music icon Bruce “Sunpie” Barnes and the Louisiana Sunspots, his world-class 6-piece band, will be performing at 7:00, Saturday, March 11, at the historic Lyric Theater on the Harrison square. Doors open at 6 p.m. Tickets are now available for $15.
It is no exaggeration to say that Bruce “Sunpie” Barnes is one of the most talented and compelling artists we have ever welcomed to the Lyric stage. Having interned as a river guide right here on the Buffalo, he has been a National Park Ranger in Louisiana for most of his life, spent time as a professional football player with the Kansas City Chiefs, is a photographer, actor, and author, a former high school biology teacher…and his multi-instrumentalist skills, great band, and beautiful baritone vocals make blues/zydeco fusion music that has to be experienced to be understood—but
from the first chord, you’re hooked for life!
Sunpie recently completed a 58 city tour spanning 34 countries, playing in the bands of both Paul Simon and Sting in their “Paul Simon and Sting Together” tour. Along with his musical group, he has traveled worldwide playing festivals with his unique style of what he calls Afro-Louisiana music incorporating blues, zydeco, gospel, Caribbean and African influenced rhythms and melodies. He is a multi-instrumentalist, master accordion and harmonica player, and also plays piano, rubboard, talking drum, and dejembe. His sound is known as Bouje Bouje music meaning “music that moves” and is Louisiana music at its best. Sunpie has performed for over 20 years at the New Orleans Jazz and Heritage Festival and shared the stage at festivals with artists from across the globe including Willie Nelson, BB King, Dr. John, The Neville Brothers, Willie Dixon and Phish. He has recorded 6 critically acclaimed CDs with his compositions currently featured in 16 Hollywood film productions.
When Sunpie plays in Harrison, it is always to a packed house!
With sponsorship by Neighbor’s Mill Bakery & Café, the Ozark Arts Council is thrilled to invite you to the return of a Lyric Theater favorite, Sunpie Barnes and the Louisiana Sunspots! Tickets are on sale now; head to our ticketing page or call (870) 391-3504 early to choose your favorite seats!
Ben de la Cour, 2016 Kerrville “New Folk” Award Winner, presented by Crooked Creek
March 18, 7:00PM
Ben de la Cour has lived a different kind of life. After growing up in Brooklyn, he set out to see the world as an amateur boxer, bartender, janitor, and agricultural worker in Havana, London, Los Angeles and New Orleans before settling in Nashville. Influenced as much by giants such as Townes Van Zandt and Warren Zevon as by Nick Cave and The Gun Club, Ben de la Cour has managed to meld all of these influences into a uniquely modern, haunting and sometimes darkly humorous sound that is all his own. Says No Depression magazine, “Ben de la Cour’s songs are
brimming with urgent authenticity. There is thematic hardness and vulnerability throughout, but what distinguishes de la Cour’s songs from lesser guitar-and-anguished-vocals hacks is the raw humanity of his delivery and the potency of his way with words.” According to Crooked Creek Concerts founder Aaron Smith, Ben’s music is more Hamlet than Howard Stern, and deals with some adult issues, so parental guidance is suggested for those under 18.
On March 18 at 7:00, the Ozark Arts Council welcomes the second chapter of 2017’s Crooked Creek Concert Series with 2016 Kerrville Folk Festival New Folk Winner Ben de la Cour, with an opening act of local talent, Scott and Karen Fancher. Tickets are available online through the OAC ticketing page or at (870) 391-3504.
Chicago songwriter Heather Styka is not afraid to go where others fear to tread. Beneath “sweet, soulful vocals” (Portland Press Herald) and “nimble fingerpicked guitar” (Dispatch Magazine) lie narratives of vulnerability, strength, and wanderlust, played and sung with fierce and fearless honesty. An award-winning writer with a #3 album on the FOLK-DJ charts and a Kerrville “New Folk” finalist already at the age of 28, she has performed for over a decade, released four full-length albums, and toured from coast to coast. Now, Heather Styka is coming to Harrison’s Lyric Theater with Ronnie Long for a 7:00 concert on Thursday, January 26.
Heather Styka should be a good fit for all of those who have loved live entertainment at the Lyric: with training both as a poet and an actor, she is equal parts wordsmith and entertainer. Colored by a quirky sense of humor and peppered with confessional storytelling, Styka’s live shows are intimate and candid as late night conversation. Heather started writing and performing as a teenager in the Chicago suburbs. Honing her craft among Chicago’s long-standing folk community, she hit the road after graduating with a degree in creative writing.
With a very direct storytelling style, Styka is noted both for her nimble fingerpicking and for her essential poetry and vocal purity. As Tim Carroll of FolkWords says, her “unique delivery combines the influences of a fragile Irish air, the warm effervescence of upbeat Americana, soulful country, and mournful blues.” Her eclectic background shines through both in style and in subject matter; songs like “Love in the Multiverse” and “Caspian Sea” reveal Styka’s intellectual curiosity—and her passion for philosophy, history, and theoretical physics—while the earnest and catchy pop sensibilities of “Careful With My Heart” caught the ears of a number of peers who now cover that song, including Joe Jencks (Brother Sun) and Scott Cook.
Styka’s latest album, The Bittersweet Tapes (2016), “tugs the ear on first listen and greets you like an old friend on subsequent visits” (Simon Rigby, Indie Music Portal). These gut-punch pretty songs nod to traditional folk, classic country, and even garage rock, carried by Styka’s emotive vocals. With such diversity, she is recommended for anyone who likes Iris DeMent, Feist, Aoife O’Donovan, Joan Armatrading, Damien Rice, Josh Ritter, Gillian Welch, Ella Fitzgerald, Billie Holiday, Leonard Cohen, or Bonnie Raitt. In other words, Heather Styka will fit well into the Lyric’s catalogue of great artists, from Eric Bibb to the Glenn Miller Orchestra, and is sure to delight everyone who attends this Thursday’s concert.
The Ozark Arts Council, in association with Crooked Creek Concerts, presents Heather Styka, with special guest Ronnie Long. Tickets are $10 and available by clicking any of our Get Tickets links, or by calling (870) 391-3504. The Ozark Arts Council will also be sponsoring Business After Hours for the Harrison Regional Chamber of Commerce prior to the show. Those who attend the 5:00 Business After Hours event will be able to discount their tickets by $2 each. Ugo’s Pizzeria will be running a ready-to-eat single portion special for Business After Hours/Heather Styka attendees, as well, so that you can catch a bite to eat without having to leave the square. (To get the special ticket price when you purchase online, just enter the code BAH when you check out.)
Marvelous Misfits Vaudeville Variety Show December 3 Show CANCELLED
RESCHEDULING for January, 2017 (Will still be an 8:00PM showtime) Tickets will be on sale presently!
The Marvelous Misfits Vaudeville Variety Show,
headquartered in Little Rock, but with performers from all over the country, features juggling, hooping, magic, mentalism, comedy, theater, singing, sideshow
and dancing acts. The show is different each time, with a rotating cast of performers. Paul Prater (who marvelously mystified many when he performed solo at The Lyric a few years ago) is your emcee for this night of fun, excitement and incredible entertainment. You may see a little sideshow, some mind-reading, or maybe some magic; you never know what Paul will provide!
Paul’s co producer is Arty Dodger—the Dapper Dabbler in Danger, the Virtuoso of Vaudeville, the Beethoven of Balance, the Juggernaut of Jugglers, and Devourer Incendium. A small town boy with Southern charm, Arty Dodger has spent years honing his craft of the art of juggling and balance. With the influence of early vaudeville and variety performers, Arty boasts a wide repertoire, including stilt walking, fire eating and hat, cane, and cigar manipulation as well as high energy juggling with fire, knives, and any other inanimate object that beseech him. (Better look lively in your seat or he may try to juggle you!)
Paul and Arty have assembled a group of performers that never fail to amaze and entertain, and they will be #LiveAtTheLyricat 8:00pm on Saturday, December 3!
New Year’s Eve EVE Party
w/The Downtown Livewires!
December 30, 2016 – 7:00PM to Midnight
(Party Begins at 7:00, Live Music Begins at 8:00)
The Downtown Livewires, based in one of the fastest growing regions in the nation, Northwest Arkansas (Bentonville/Fayetteville), play high energy Electric Blues/Rock, Memphis blues, and legacy blues. Audiences of their shows love to dance and sing along, no matter the venue, whether it be clubs, festivals, private parties, concerts, or city events. Now, they’re coming to The Lyric to provide music for our five-hour-long New Year’s Eve EVE Party! Come at 7 to grab some drinks and food, find a seat with your friends, and be ready for the show to begin at 8!
Down home Memphis blues in Northwest Arkansas? You bet—Just call THE DOWNTOWN LIVEWIRES! I’ve mixed countless bands over the years and these guys lay it down right. Always a pleasure to work with, too!
Their first CD, “Cruisin’ for a Bluesin,”came out August 2nd, 2013 with a Release Party (with 2 hours of live music from the band) at George’s Majestic Lounge on Dickson St in Fayetteville, Arkansas. Their new CD “I’ll Do It Today, But Not Right Now” came out in January, 2016.
The Downtown Livewires are exactly that! LIVEWIRES! It’s like hiring a party in a box; They come with enthusiasm, talent, energy and always bring a happy crowd! The Downtown Livewires is a group of dedicated, knowledgeable, well- rehearsed and hardworking professional musicians who come to play their hearts out and raise the roof every time…
~ Andy Green, Director of Productions, Downtown Bentonville, Inc.
The leader of the band is Roger Thomas from Bentonville, Arkansas. Roger was born and raised in Memphis, Tennessee (South-Central, Oakhaven neighborhood) until he was 30 (with some time in Harrison, Arkansas, during high school), playing professionally there through his 20’s. Roger is known for talking and picking out people in the audiences with whom to have on-stage conversations, sometimes jumping off the stage and playing, dancing and singing within the crowd. He also invites guests to sing songs on-stage, and maybe even play tambourine.
Bob “Super Harp” Coleman is out of New Haven, Connecticut, and is a world-class harmonica player who also sings some of the lead vocals. Bob has played with blues legends all over the country throughout his illustrious career.
Dan Doebele from Kansas City, Missouri is an absolute beast on lead electric guitar, is known by all other professional musicians to be one of the elite guitarists in the region, and plays slide with anything handy!
Kurt “Where’s Kurt?” Haas is on keyboards and vocals from Lone Star, Texas, and is known for his stellar new arrangements of old blues songs.
The rhythm section of Mark Vanderhoof on drums and Jan Sallings on bass is one of the most tenured blues rhythm sections in the country, and audience members often find themselves fixated on their musicianship and killer beats and fretboard runs.
The Downtown Livewires put on a show that is out of this world, absolutely engaging, full of fun and great party music, in which audiences keep calling them back for more!
I am never surprised when Roger Thomas and The Downtown Livewires Band brings the largest crowd of the summer to our City of Bentonville’s Orchard Concert Series. They bring their own crowd, and they have a great following. Over the last two years, they have proven to be professional, and one of the best sounds of any band we hire. We will continue to hire them for events in our city.
~ David Wright, Director of Parks and Recreation for the City of Bentonville
Need more recommendations? See Roger’s personal Facebook page where he not only has 4,200+ “Likes,” but segments them by town/city based on where the band plays for events. The Downtown Livewires have fans from all over—and a lot of them travel to every show within a few hours’ drive…so don’t sleep on this, thinking that you’ll always be able to get tickets! This will be a sold out show!
Go ahead and “Like” and “Share” the band’s Facebook page, too; share the good times with your friends!
This is a great video of the band performing in the studio when they were recording their first single, “Just Say It Once”, released August 2nd, 2013: