Americana Legend David Olney (with Daniel Seymour) — Friday, December 1, 2017 at 7pm — #LiveAtTheLyric!

Americana Legend David Olney
Friday, December 1 at 7:00PM 

Master craftsman, acclaimed singer/songwriter and globe-trotting performer David Olney has released more 30 solo albums over four decades, including six live recordings. His music has been prominently featured in ABC-TV’s Nashville

Photograph by John Partipilo

and his stellar songs have  been recorded by Johnny Cash, Emmylou Harris, Linda Ronstadt, Del McCoury, Tim O’Brien, Townes Van Zandt, Steve Young, and Steve Earle, among many others. While you can (and should!) catch up with David on his weekly live, You Never Know streamcast—starring “Nashville’s Answer to the Bard” performing a song and sharing the story behind it—every Tuesday on DavidOlney.com and YouTube., you can catch him #LiveAtTheLyric, as he will be heading to “The Roots Palace of the Ozarks,” Harrison, Arkansas’s historic Lyric Theater on Friday, December 1, 2017, at 7:00, accompanied by while longtime bass player, Daniel Seymour.

“Olney is a talented musical enigma, and he is unquestionably a founding father of Americana music.”

Though a folksinger at heart, Olney incorporates wide-ranging inspirations from honky tonk to rock into his standard repertoire. Born in Rhode Island, David moved to Nashville during the early ’70s and became a major player in the city’s underground folk/country scene, recording a half-dozen albums before the end of the decade. His output during the ’80s slowed considerably, but in the ’90s he recorded with an impressive cast of roots-rock all-stars—Rick Danko, Garth Hudson, Sneaky Pete Kleinow, Rodney Crowell, John Prine, and Brian Ahern, among others. Beside his own albums, his discography on AllMusic.com features 288 credits…so far!

“Though he’s best known as a masterful wordsmith, Olney has a knack for creating the ideal atmosphere for his gothic noir tune.”

– Acoustic Guitar Magazine

Olney remained prolific throughout the coming decade, delivering several studio albums and, with his increasing popularity as a touring artist in Europe, three different live albums, all recorded at various locations in Holland. As previously mentioned, he began hosting a weekly interactive streamcast video series (originally called Hear & Now, but now titled, You Never Know) on which he performs a handful of songs and shares the stories behind them, as well as offering his observations on other things and recitations of classic poetry. Between his weekly videos and busy touring schedule, Olney found the time to release a studio album, When the Deal Goes Down, in 2014 and released another this year, Don’t Try to Fight It, so you can expect to hear music from a wide repertoire, including whatever fresh project he might be working on during this tour!

The late Townes Van Zandt was the best songwriter in the whole wide world, Steve Earle said in an oft-cited quote, “and I’ll stand on Bob Dylan’s coffee table in my cowboy boots and say that.” Seventeen years after Van Zandt’s death, the Americana artists who followed in his wake still speak of him the way rockers invoke John Lennon or Jimi Hendrix — as a standard bearer who represents a pinnacle of credibility and craft.

Had he been the coffee-table orating type, however, whose name would Van Zandt have declared?

“Anytime anyone asks me who my favorite music writers are, I say Mozart, Lightnin’ Hopkins, Bob Dylan, and Dave Olney,” Van Zandt wrote. “Dave Olney is one of the best songwriters I’ve ever heard — and that’s true. I mean that from my heart.”

– Skip Anderson, writing for The Nashville Scene in his article
David Olney is still a contender. Can you say the same?

We’ll excerpt some of the rest of Mr. Anderson’s article here because, as producer and music writer Tommy Goldsmith is quoted in it, “He’s not a household name, but, my God, look at what he’s done over the years. It’s a really impressive body of work.” Thus, Anderson writes, “Olney is a talented musical enigma, and he is unquestionably a founding father of Americana music. And yet, perhaps reflective of his career as an invisible giant, Wikipedia doesn’t even list him among the 135 artists it associates with the genre.”

If David Olney were less of a leader and more of a follower, he might have had an easier path commercially. But as with Van Zandt, the varied and hard-to-summarize gifts that make Olney a marketer’s challenge make him a hero to other songwriters and musicians.

“When I met him, he was a rocker, but he was also this sensitive songwriter,” says Billy Block, longtime host of the radio show, webcast and TV series The Billy Block Show and a session drummer. “He’s got more soul than everybody I can imagine. He embodies what Americana is.”

– Skip Anderson

Unquestionably a founding father of Americana music, David Olney will perform with bassist Daniel Seymour at downtown Harrison’s historic Lyric Theater, “The Roots Music Palace of the Ozarks,” on Friday, December 1, at 7:00. Tickets available now at our ticketing page or by calling (870) 319-3504.

 

OAC Ticketing Link

POSTPONED: Máire Ní Chathasaigh and Chris Newman: Traditional Celtic Music, Baroque, Bluegrass, and Swing with Harp and Guitar — Thursday, November 2, 2017 at 7pm — #LiveAtTheLyric!

Máire Ní Chathasaigh and Chris Newman:
Celtic Traditional, Baroque, Bluegrass, Swing
with Harp and Guitar
POSTPONED Due to Visa Problems Thursday, November 2 at 7:00PM 

The celebrated virtuoso partnership of “the doyenne of Irish harpers” (Scotland on Sunday) and “one of the UK’s most staggering and influential acoustic guitarists” (fRoots) is coming to “The Roots Music Palace of the Ozarks,” Harrison, Arkansas’s historic Lyric Theater, Thursday, November 2, at 7:00! Their performances—described by The Irish Times as “music of fire and brilliance from the high-wire act in traditional music”—are rooted but eclectic, emotional but adventurous: a breathtaking blend of traditional Irish music, hot jazz, bluegrass and baroque, coupled with striking new compositions and Chris’s delightfully subversive wit.

The children of the neighborhood teased Máire Ní Chathasaigh and her sister as they walked down the street. Her family in Brandon, West Cork, Ireland was the only one playing traditional music, so they would be teased for being out of step with the times. “We used to be laughed at by other kids because they thought we were being old hat, she says. But that first Planxty album let people see that traditional music could be modern and sophisticated, that it wasn’t some sort of hick music.” (Quoted from “Harping in the Traditions,” by Rob Adams.)

Not only her name (pronounced, Moyruh Nee Kha-huuh-sig), but her upbringing was in keeping with the traditional ways of the Gaelic-speaking Irish, her family featuring generations of musicians and poets carrying forward the folklore of her heritage. She and her sister, fiddler Nollaig Casey (Casey being the Anglicised version of Chathasaigh), were trained in both classical and folk music, both instrumental and vocal. While many worked at bringing forward the old music in new forms for pipes and fiddle, Máire revitalized the harp tradition virtually all by herself. “Since then, there’ve been lots of young people playing traditional music on the harp but there wasn’t anybody else playing when I was coming up,” she says. “If you played the pipes there were loads of recordings and a whole tradition to learn from. But I had nobody, just my ears, and I created techniques and ornaments, ways of doing things, and it was all done by trial and error, by myself. So if I got a lot of attention, it was because I was the first to do it.” (Quotes from “Harping in the Traditions.”)

Having become the first harpist to record an album primarily off Irish dance music in 1985, Máire first teamed up with English guitarist Chris Newman two years later. Celebrating their thirtieth anniversary of collaboration with their current tour of the United States, Máire and Chris will bring their internationally-heralded mastery of styles from traditional Celtic to Baroque to Swing along with a penchant for inventive soloing and challenging interaction between the artists to Harrison’s Lyric Theater for a 7:00 performance on Thursday, November 2.

“When I met Chris, he liked, but didn’t know that much about, traditional music, so he spent a lot of time learning from me,” says Maire. “Then we started experimenting with things he was proficient in, like swing, which he played with Stephane Grappelli as a teenager. We’re completely open, if we hear something nice, we’ll just say, ‘let’s play that.’ It’s extremely enjoyable to experiment and see just what your instruments can do, and we never run out of things to play.” (Quotes from “Harping in the Traditions.”)

Máire won the Senior All-Ireland Fleadh Cheoil Harp Competition three times in succession, in 1975, 1976 and 1977—a record that is still unsurpassed. More recently, she was Female Musician of the Year in the Live Ireland Music Awards 2016, where she was described in the citation as “the greatest Celtic harper of our age”. This recognition is not confined to Ireland, though, as she also was named Female Musician of the Year in the Chicago Irish American News Top TIR Awards 2016.

She is the best harp player in Irish music. There are several great Irish harpists—we think of Michelle Mulcahy, Catriona McDonald, Ailie Robertson, and Emer Mallon. There are more. They are all uber-fab. But, then there is Maire. Her new album is called Sibling Revelry. Really, there are no words. Just know this.

– , writing for Live Ireland about
the 2016 Live Ireland Female Artist of the Year Award

Máire has also won awards with Chris Newman, including “Album of the Year” (Live Ireland) and also the “Best Celtic Instrumental Album” (JUST PLAIN FOLKS AWARDS Nashville, Tennessee), 2009 for their album FireWire, as well as “Folk Album of the Year” (The Daily Telegraph) for their 1987 album The Living Wood.

Traditional Celtic music, along with Baroque, Bluegrass, and Swing will be performed by Máire Ní Chathasaigh and Chris Newman at downtown Harrison’s historic Lyric Theater, Thursday, November 2, at 7:00. Tickets available now at our ticketing page or by calling (870) 319-3504.

 

OAC Ticketing Link

Opera with a Touch of Broadway…and a Lot of Love! — Of Maids and Men: Friday and Saturday, September 29 & 30 at 7:00, Sunday, October 1 at 2:00 — #LiveAtTheLyric!

Of Maids and Men:
Opera with a Touch of Broadway
and a Lot of Love!
Friday/Saturday, September 29/30 at 7:00PM Sunday, October 1 at 2:00PM 

Of Maids and Men, a double feature of operatic comedy, will be presented at 7 p.m. Friday and Saturday, Sept. 29 and 30 and on Sunday, Oct. 1 at 2 p.m. at our historic Lyric Theater.

Soprano Genevieve Fulks, and baritone Marvin Murphree will sing some of your favorites from musical theatre to cover the range of a relationship from beginning to full maturity in the first act, then present the opera The Maid Mistress by Pergolesi as the second. Rich in meaning, yet bringing that meaning through humor and some of the most wonderful music the world has ever known, Of Maids and Men will leave the audience both touched and laughing.

Ms. Fulks recently portrayed Susanna in Le nozze di Figaro with Opera in the Ozarks in its 67th season, reprising the role she debuted with Springfield Regional Opera in its 2016 production of Figaro. Fulks is southern raised and trained, originally from the delta of Jonesboro. She made her professional debut with Opera Experience Southeast as Nella and Lauretta cover in Gianni Schicchi. She is at home in both opera and musical theatre and has since performed with Springfield Regional Opera, Opera in the Ozarks, Opera in the Rock, Arkansas Symphony Orchestra, Arkansas Symphony Youth Orchestra, The Messiah Project, Forum Sinfonia of Krakow, Poland, Ozark Family Opera Company, Conway Dinner Theatre, Springfield Little Theatre, and Arkansas Arts Center Children’s Theatre.

Mr. Murphree has performed opera, oratorio and song recital throughout the United States, having sung with Lyric Artists of the West in Denver, Heartland Opera, Springfield Regional Opera, MSU Opera Workshop, Classic Arts Chamber Works, Branson Arts Council, as a University of Central Missouri guest artist, Jubilee Concerts in St. Louis, Kansas City Bach Festival, and many others in Missouri, Central OK Concert Series in Oklahoma City, as guest artist at the University of Oklahoma, Norman, and Trinity Concerts in Hutchinson, Kansas.

For tickets to Of Maids and Men, click any of our ticketing links or call (870) 391-3504.

#KeepTheLyricCool with The Hedley Lamar Band! — Saturday, September 23, 2017 at 7:30 — #LiveAtTheLyric!

Classic Rock and Blues with
The Hedley Lamar Band!
Saturday, September 23 at 7:30PM 

Join us on September 23 at 7:30pm, for a party to kick off the OAC’s “90 for 90” campaign, featuring the Rock and Blues trio that is always in demand at festivals and clubs across the area, and that was chosen to open for guitar superhero Albert Cummings when he played the Lyric in 2016, The Hedley Lamar Band!

From the Allman Brothers to Zeppelin and ZZ Top, with possible stops at Clapton, Hendrix, Robin Trower, Skynyrd, and Stevie Ray Vaughn along the way, The Hedley Lamar Band hits that fusion of UK and Southern rock and blues that has been “the best of both worlds” from the ’60s to today. Billy Youngblood (primarily bass and vocals) and Tim Taylor (primarily guitar) often switch roles during their concerts, expanding their repertoire to keep the party going all the time. Joined by Jason Ruff or Will Youngblood on percussion, they remind us that it only takes a trio to fill the Lyric with music that keeps the heart pumping.

The Hedley Lamar is helping us raise money to repair extensive water damage in the Lyric. We already have a grant that will cover a lot of the water damage, but part of the water wasn’t the rain that tore up our walls before the wonderful folks at Harness Roofing donated a new roof a few years ago…it’s from malfunctioning air conditioning units in the Bailey Annex. (It would cost nearly as much to do a non-guaranteed temporary fix as to replace them.) By the time it was discovered, a large section of our ten-year-old building’s floor was already ruined. Before we fix the floor with the money we’ve been given for that purpose, we have to repair the AC…and that’s $8,500 that we need to raise as quickly as we can. (Actually, it would be a lot more than that, but Ken Allen of Conward’s remains a great supporter of the Arts and has worked out a great deal for us.)

This party also kicks off a new campaign for the OAC: 90 for 90. We want to increase our OAC membership by 90 members and raise $90,000 by the end of The Lyric’s 90th birthday in 2019. This money will go, first, toward restoration of parts of the theater that have been out of use for decades, beginning with the (original) balcony restrooms. From there, along with upkeep and programming needs, we want to increase both the beauty and the functionality of our already-wonderful venue.

All of the usual Lyric Theater concessions will be available, including beer and wine in our ‘speakeasy’, The Balcony, as well as guacamole and corn chips.

Get $1 off of your first Balcony drink by purchasing your ticket in advance by clicking this link or calling (870) 391-3504!

Two-Time Grammy Winner Laurence Juber Returns! — Saturday, September 22, 2018 at 7:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber Returns to The Lyric!
Friday, September 22 at 7:00PM 

Postponed to Fall of 2018

 

 

Join us on September 22 at 7:00pm, for universally acknowledged master of the guitar, Laurence Juber!

Laurence JuberThis two-time Grammy-winner (once with Sir Paul McCartney’s “Wings” and once as a solo artist) thrilled the Lyric audience in 2015, and is returning to continue to dazzle us with his wit, which is as evident in his playing as his absolute mastery of his instrument—not only in its standard implementation, but through a variety of tunings that allow him to express far more than one normally associates with the playing of a single acoustic guitar.

As an award-winning fingerstyle acoustic guitarist also known for his electric work as lead guitarist in Wings, LJ has a large following among guitar fans and Beatles/classic rock fans. His shows feature his original compositions along with amazing covers of Beatles and classic rock songs like “Layla” and “Little Wing” where he literally plays every melody of the song on just one guitar!

Seriously, How Good Is He?

Well, let’s put it this way…when C.F. Martin & Co. make a series of signature guitars named after you, you’re a bit beyond “pretty good.”

Pete Townsend of The Who simply exclaims, “A master!”

As a studio musician, LJ can be heard on recordings from artists as diverse as Dan Hicks & the Hot Licks to Seal to Barry Manilow, plus he is featured on the soundtracks to hundreds of TV shows such as Home Improvement and movies including the academy award-winning Dirty Dancing, Good Will Hunting, and Pocahontas.

You like video games? LJ co-composed the soundtrack of the award-winning video game Diablo III.

You watch the news? LJ crafted the score to the NBC Dateline documentary Children Of The Harvest. His music is also featured in the Ken Burns’ documentary The Tenth Inning.

In other words: You’ve Heard Him Even if You Haven’t Heard of Him!

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine. A dynamic, entertaining performer and an accomplished clinician, LJ brings his passion for the guitar to venues around the world, creating a multi-faceted performance that belies the use of only one instrument. In Spring 2013 Laurence Juber released Under an Indigo Sky on Solid Air Records with a special limited edition vinyl for Record Store Day, and has just released LJ Can’t Stop Playing the Beatles.

At the heart of LJ’s sound and style breathes a near-flawless technique where a fiercely emotional underbelly, alternate tunings, and keen sense of melody and rhythm coalesce into something uniquely his own……you don’t have to be a solo-happy guitar worshipper to appreciate his talents.
– Inland Empire Weekly

OAC Ticketing Link

Golden Sounds of the Platters! — Friday, June 23, 2017 at 7:00 — #LiveAtTheLyric!

In Support of the Boone County Heritage Museum, It’s Time to Spend
An Evening with the Golden Sounds of
The Platters!

June 23 at 7:00PM 

 

On June 23 at 7:00pm, join us at the Lyric for a fundraiser for the Boone County Heritage Museum with An Evening with the Platters!

All ticket proceeds will go to benefit this vitally important and necessary organization. Come enjoy The Platters while they rock the house!

Special guest and longtime Harrison favorite James White will be opening the show.

Tickets are $16 (tax and fees included) and general admission and can be obtained at TheLyric.org or by calling 870-391-3504.

Come help us support this local treasure, the Boone County Heritage Museum!

OAC Ticketing Link

 

Sunpie Barnes and the Louisiana Sunspots — March 11, 7:00PM — #LiveAtTheLyric

Sunpie Barnes and the Louisiana Sunspots
March 11, 7:00PM

New Orleans music icon Bruce “Sunpie” Barnes and the Louisiana Sunspots, his world-class 6-piece band, will be performing at 7:00, Saturday, March 11, at the historic Lyric Theater on the Harrison square. Doors open at 6 p.m. Tickets are now available for $15.

It is no exaggeration to say that Bruce “Sunpie” Barnes is one of the most talented and compelling artists we have ever welcomed to the Lyric stage. Having interned as a river guide right here on the Buffalo, he has been a National Park Ranger in Louisiana for most of his life, spent time as a professional football player with the Kansas City Chiefs, is a photographer, actor, and author, a former high school biology teacher…and his multi-instrumentalist skills, great band, and beautiful baritone vocals make blues/zydeco fusion music that has to be experienced to be understood—but
from the first chord, you’re hooked for life!

Sunpie recently completed a 58 city tour spanning 34 countries, playing in the bands of both Paul Simon and Sting in their “Paul Simon and Sting Together” tour. Along with his musical group, he has traveled worldwide playing festivals with his unique style of what he calls Afro-Louisiana music incorporating blues, zydeco, gospel, Caribbean and African influenced rhythms and melodies. He is a multi-instrumentalist, master accordion and harmonica player, and also plays piano, rubboard, talking drum, and dejembe. His sound is known as Bouje Bouje music meaning “music that moves” and is Louisiana music at its best. Sunpie has performed for over 20 years at the New Orleans Jazz and Heritage Festival and shared the stage at festivals with artists from across the globe including Willie Nelson, BB King, Dr. John, The Neville Brothers, Willie Dixon and Phish. He has recorded 6 critically acclaimed CDs with his compositions currently featured in 16 Hollywood film productions.

When Sunpie plays in Harrison, it is always to a packed house!

With sponsorship by Neighbor’s Mill Bakery & Café, the Ozark Arts Council is thrilled to invite you to the return of a Lyric Theater favorite, Sunpie Barnes and the Louisiana Sunspots! Tickets are on sale now; head to our ticketing page or call (870) 391-3504 early to choose your favorite seats!

 

 

 

OAC Ticketing Link

Ben de la Cour — March 18, 700pm — #LiveAtTheLyric

Ben de la Cour, 2016 Kerrville “New Folk” Award Winner, presented by Crooked Creek
March 18, 7:00PM

Ben de la Cour has lived a different kind of life. After growing up in Brooklyn, he set out to see the world as an amateur boxer, bartender, janitor, and agricultural worker in Havana, London, Los Angeles and New Orleans before settling in Nashville. Influenced as much by giants such as Townes Van Zandt and Warren Zevon as by Nick Cave and The Gun Club, Ben de la Cour has managed to meld all of these influences into a uniquely modern, haunting and sometimes darkly humorous sound that is all his own. Says No Depression magazine, “Ben de la Cour’s songs are
brimming with urgent authenticity. There is thematic hardness and vulnerability throughout, but what distinguishes de la Cour’s songs from lesser guitar-and-anguished-vocals hacks is the raw humanity of his delivery and the potency of his way with words.” According to Crooked Creek Concerts founder Aaron Smith, Ben’s music is more Hamlet than Howard Stern, and deals with some adult issues, so parental guidance is suggested for those under 18.

On March 18 at 7:00, the Ozark Arts Council welcomes the second chapter of 2017’s Crooked Creek Concert Series with 2016 Kerrville Folk Festival New Folk Winner Ben de la Cour, with an opening act of local talent, Scott and Karen Fancher. Tickets are available online through the OAC ticketing page or at (870) 391-3504.

OAC Ticketing Link

 

Heather Styka in Concert, with Special Guest Ronnie Long – January 26 at 7:00

Heather Styka in Concert
January 26, 7:00PM

micChicago songwriter Heather Styka is not afraid to go where others fear to tread. Beneath “sweet, soulful vocals” (Portland Press Herald) and “nimble fingerpicked guitar” (Dispatch Magazine) lie narratives of vulnerability, strength, and wanderlust, played and sung with fierce and fearless honesty. An award-winning writer with a #3 album on the FOLK-DJ charts and a Kerrville “New Folk” finalist already at the age of 28, she has performed for over a decade, released four full-length albums, and toured from coast to coast. Now, Heather Styka is coming to Harrison’s Lyric Theater with Ronnie Long for a 7:00 concert on Thursday, January 26.

Heather Styka should be a good fit for all of those who have loved live entertainment at the Lyric: with training both as a poet and an actor, she is equal parts wordsmith and entertainer. Colored by a quirky sense of humor and peppered with confessional storytelling, woodenbeadsStyka’s live shows are intimate and candid as late night conversation. Heather started writing and performing as a teenager in the Chicago suburbs. Honing her craft among Chicago’s long-standing folk community, she hit the road after graduating with a degree in creative writing.

With a very direct storytelling style, Styka is noted both for her nimble fingerpicking and for her essential poetry and vocal purity. As Tim Carroll of FolkWords says, her “unique delivery combines the influences of a fragile Irish air, the warm effervescence of upbeat Americana, soulful country, and mournful blues.” Her eclectic background shines through both in style and in subject matter; songs like “Love in the Multiverse” and “Caspian Sea” reveal Styka’s intellectual curiosity—and her passion for philosophy, history, and theoretical physics—while the earnest and catchy pop sensibilities of “Careful With My Heart” caught the ears of a number of peers who now cover that song, including Joe Jencks (Brother Sun) and Scott Cook.

Styka’s latest album, The Bittersweet Tapes (2016), “tugs the ear on first listen and greets you like an old friend on subsequent visits” (Simon Rigby, Indie Music Portal). These gut-punch pretty songs nod to traditional folk, classic country, and even garage rock, carried by Styka’s emotive vocals. With such diversity, she is recommended for anyone who likes Iris DeMent, Feist, Aoife O’Donovan, Joan Armatrading, Damien Rice, Josh Ritter, Gillian Welch, Ella Fitzgerald, Billie Holiday, Leonard Cohen, or Bonnie Raitt. In other words, Heather Styka will fit well into the Lyric’s catalogue of great artists, from Eric Bibb to the Glenn Miller Orchestra, and is sure to delight everyone who attends this Thursday’s concert.

The Ozark Arts Council, in association with Crooked Creek Concerts, presents Heather Styka, with special guest Ronnie Long. Tickets are $10 and available by clicking any of our Get Tickets links, or by calling (870) 391-3504. The Ozark Arts Council will also be sponsoring Business After Hours for the Harrison Regional Chamber of Commerce prior to the show. Those who attend the 5:00 Business After Hours event will be able to discount their tickets by $2 each. Ugo’s Pizzeria will be running a ready-to-eat single portion special for Business After Hours/Heather Styka attendees, as well, so that you can catch a bite to eat without having to leave the square. (To get the special ticket price when you purchase online, just enter the code BAH when you check out.)

Marvelous Misfits Vaudeville Variety Show – RESCHEDULING for January 2017

Marvelous Misfits Vaudeville Variety Show
December 3 Show CANCELLED
RESCHEDULING for January, 2017 (Will still be an 8:00PM showtime) Tickets will be on sale presently!

Hey, Harrison: some Marvelous Misfits are headed your way!raven-1

The Marvelous Misfits Vaudeville Variety Show,
headquartered in Little Rock, but with performers from all over the country, features juggling, hooping, magic, mentalism, comedy, theater, singing, sideshow
and dancing acts. The show is different each time, with a rotating cast of performers. Paul Prater (who marvelously mystified many when he performed solo at The Lyric a few years ago) is your emcee for this night of fun, excitement and incredible entertainment. You may see a little sideshow, some mind-reading, or maybe some magic; you never know what Paul will provide!

josh-stage2Paul’s co producer is Arty Dodger—the Dapper Dabbler in Danger, the Virtuoso of Vaudeville, the Beethoven of Balance, the Juggernaut of Jugglers, and Devourer Incendium. A small town boy with Southern charm, Arty Dodger has spent years honing his craft of the art of juggling and balance. With the influence of early vaudeville and variety performers, Arty boasts a wide repertoire, including stilt walking, fire eating and hat, cane, and cigar manipulation as well as high energy juggling with fire, knives, and any other inanimate object that beseech him. (Better look lively in your seat or he may try to juggle you!)

Paul and Arty have assembled a group of performers that never fail to amaze and entertain, and they will be #LiveAtTheLyric at 8:00pm on Saturday, December 3!

OAC Ticketing Link