The Ozark Arts Council
is pleased to announce the
Harrison High School Theatre Department’s
production of 12 Angry Jurors
Thursday & Saturday, November 14 & 16, 6:00PM; Friday, November 15, 5:00PM; and
Sunday, November 17, 2:00PM
Harrison High School Theatre Dept. proudly presents 12 Angry Jurors, sponsored by Sprott, Golden & Bardwell. This play will be held in the black box theatre in the Theatre Room at HHS. Tickets are limited as it will be theatre-in-the-round, and are available at TheLyric.org. Note the difference in Friday’s showtime to allow you to see the play and cheer on the Goblins as the state football tournament begins.
Please Note: This play will take place at Harrison High School; many thanks to the Ozark Arts Council for the use of their ticketing software!
12 Angry Jurors is based on the Emmy-Award winning TV movie 12 Angry Men, and students ranging from freshman to senior will present this intense play November 14–17. Our cast includes: Ashlee Piske, Lena Rocole, Natalie Sims, Zach Jimerson, Addie Jones, Mysteri Cotton, Faith Nix, Candace Lambert, Kinder Hinrichs, Jenna Wilson, Serena Bolonsky, Tyler Madison, Liam Dupre, Caleb Lord, Dakota Furr, Chasity Price.
A 19-year-old man has just stood trial for the fatal stabbing of his father. “He doesn’t stand a chance,” mutters the guard as the 12 jurors are taken into the bleak jury room. It looks like an open-and-shut case…until one of the jurors begins opening the others’ eyes to the facts.
“This is a remarkable thing about democracy,” says the foreign-born juror, “that we are noticed by mail to come down to this place and decide the guilt or innocence of a man; of a man we have not known before. We have nothing to gain or lose by our verdict. We should not make it a personal thing.” But personal it does become, with each juror revealing his or her own character as the various testimonies are re-examined, the murder is re-enacted, and a new murder threat is born before their eyes. Tempers get short. Arguments get heated. And the jurors become 12 angry men and women. The jurors’ final verdict and how they reach it will electrify you and keep you on the edge of your seat.
12 Angry Jurorspresented by the HHS Theatre Dept. and sponsored by Sprott, Golden & Bardwell will be performed November 14 and 16 at
6:00pm, November 15 at 5:00pm (to allow you to see the play and cheer on the Goblin Football team as the state tournament begins in F. S. Garrison Stadium at 7:00!), and November 17 at 2:00pm.
Tickets at the door—in the unlikely event that any are available—will be $15.
Arkansas Shakespeare Theatre is Arkansas’s Only professional Shakespeare Company. Each year it produces a selection of the Bard’s plays (along with other productions) in its summer festival in Conway.
Arkansas Shakespeare Theatre, which has been featured in The New York Times, is also a major educational force in Arkansas. This professional company brings respected and experienced Shakespearean actors to Arkansas for each season, producing vibrant, engaging, lively and provocative performances for all Arkansans.
With a mission to entertain, engage, and enrich the community by creating professional and accessible productions of Shakespeare and other works that promote educational opportunities, community
involvement, and the highest artistic standards, Arkansas Shakespeare Theatre works with the Arkansas Arts Council as a part of its “Artists on Tour” program to help small venues keep these performances affordable.
In Romeo and Juliet, the fighting families of Montague and Capulet put their feud before their children’s happiness in Shakespeare’s classic tale of “star-crossed” young love, reimagined for audiences of all ages in this one-hour adaptation.
Note from AST: This adaptation is intended for audiences of all ages, and has been shortened to approximately one hour. There are songs and comedy, but also intense emotional situations and some violence. The original story is intact, including Romeo and Juliet’s tragic ending.
“Our play begins in Italy in the city of fair Verona with a vendetta as old as time. The Capulets and the Montagues have been enemies for as long as either side can remember. Romeo Montague and his friends crash an ancient ball held by Lord and Lady Capulet, risking their lives and the continuation of the feud. Romeo first sees the enchanting Juliet here and immediately falls in love with her. At the end of the ball, Romeo meets Juliet at her balcony, where they express their undying love for each other. The two, with the help of Friar Lawrence and Juliet’s Nurse, marry secretly, despite their feuding families. Blissfully newlywed for just a short while, Juliet is soon shocked to discover that her father plans to force her to marry Count Paris only three days later.
“Romeo walks the streets of fair Verona and stumbles upon his friends Mercutio and Benvolio fighting Tybalt, Juliet’s cousin, who he learns has challenged him to a fight. In Romeo’s attempt to halt that fight, Tybalt meets his end at the hand of Romeo, resulting in Romeo’s banishment from Verona. When Juliet learns of this, her desperation to remain with Romeo leads her to Friar Lawrence and he arranges a plot for Juliet to fake her own death. However, the message carrying the information of the plot never reaches Romeo in Mantua and he truly believes that his beloved has died. Because of this, Romeo arranges his own plan to end his life and travels back to Verona to be with Juliet. Upon his return, Romeo enters the Capulet tomb, and sees his Juliet who appears to be dead.”
This is the first time we have had the honor of hosting AST at the Lyric, and we hope it is just the beginning of a long relationship with them for the enrichment of our community—and the first of many partnerships with those from our larger region to bring us the richness of professional theatre and theatre education, such as we have been so pleased to have from our member organization, Northark Drama.
Tickets to AST Family Theatre’s November 1 production of Romeo and Julietare available now here at TheLyric.org by clicking any “Get Tickets” link, by stopping by the OAC office at 115 W. Rush Ave. between 9 & 1 Tuesday through Friday, or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).
(Parents: you know your children and if you don’t know the story, please check your usual parental advisory sources to see whether the content of this play will be appropriate for your child.)
Trouble is brewing from the very first moment of William McNulty’s adaptation of Dracula. Dr. Abram Van Helsing has arrived at the estate of his old friend, Dr. Seward, who is desperate for help. Seward’s beloved Mina has recently died of a sudden and mysterious illness. Her horrific symptoms have proved baffling to the bereaved doctor: sudden loss of blood, bouts of sleepwalking in the cemetery, and strange puncture wounds on the neck. To make matters worse, Mina’s friend, Lucy, has begun to display the same symptoms! Seward hopes that Van Helsing, a noted expert in exotic medicine, will be able to uncover the cause of Lucy’s illness and save her before it’s too late.
Meanwhile, Count Dracula, a strange and imposing man from Transylvania, has taken up residence in nearby Carfax Abbey. And Lucy’s fiancé, Jonathan Harker, has mysteriously vanished. A solicitor who helped arrange the sale of the Abbey, Harker traveled to Transylvania a few months ago to finalize business matters with the Count…and never returned home.
At Seward’s estate, Renfield, a mental patient, is becoming more wild and unruly by the day, almost as though he were possessed. Lucy’s symptoms continue to grow worse. And what could be causing the sudden onslaught of howls coming by night from up the hill?
Van Helsing believes the problem they face is a grave one: “My diagnosis is there is no disease! The symptoms are real. But the cause is not internal.” Could it be that Mina, and now Lucy, have suffered at the hands of a vampire? To save Lucy’s life, Van Helsing and Dr. Seward will have to uncover the identity of the life-sucking demon, and destroy him. But the endeavor is a dangerous one.
A vampire is a fearsome enemy, and the risks are greater than death. Should the doctors perish in their pursuit, they too will become vampires, doomed to spend eternity preying upon the bodies and souls of those they once dearly loved. Will Seward and Van Helsing find the vampire and save Lucy’s life—or is the monster about to claim yet another victim?
Join us at The Lyric for this heartwarming tale of the transformative power of love on October 24–27 & 31. Tickets for Dracula are available now here at TheLyric.org by clicking any “Get Tickets” link, by stopping by the OAC office at 115 W. Rush Ave. between 9 & 1 Tuesday through Friday, or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).
Fifty Years Later, the Music of
Led Zeppelin Still Holds Up…
Especially, when It’s…
LIVE at the Lyric!
Saturday, September 14 at 7:00PM
Join us September 14 at 7:00pm for the rock you’ve loved your whole life! When Tim Taylor, Billy Youngblood, and Will Youngblood won the OAC’s 2018 Battle of the Bands, they decided not to use the concert opportunity that was part of their prize simply to put their band on the stage for a full-length show, but to gather other musicians to pay tribute with them to the most influential rock band in history. Tickets are available now…for only $5, ifyou buy now!
PLUS: Eli Cook’s Acoustic Blues Guitar Workshop October 5 from 3:00–5:00! Ages 13 and up with moderate to advanced skill levels and an interest in “Blues based music.” You must bring an acoustic guitar (no electric instruments will be allowed this time). If you know basic chords and want to play the Blues or incorporate its influences into your playing, there will be something here for you; if you know more than that, there will be something here for you, too! BUT: Get your concert tickets first, so that you save $10 on this class! (More info below!)
AllMusic noted that Eli Cook “has what it takes to be the best blues singer of his generation.” Blues Matters! stated that Cook is “among the top 3 solo blues artists world-wide.” Arnie Goodman’s words in Elmore Magazine immediately make sense when you consider Eli’s main influences—John Lee Hooker, Muddy Waters, Soundgarden, and Rage Against the Machine—
What Eli is doing is giving an authenticity to the blues, but giving it the energy a modern rock band would give it. That’s the key to it.
As Eli himself says, “Everything I do is always deeply rooted in classic blues—meaning the feeling of it and the music theory aspect of it. It’s especially rooted in what they call pre-war blues, the more acoustic, rootsy stuff.” Joe McSpadden, writing in the roots music quarterly No Depression sums it up this way:
On the seventh album of his career the phenom from Nelson County, Virginia reins in his inner guitar god and makes his most focused roots blues album yet. High-Dollar Gospel finds Cook showcasing his acoustic mojo and the result is the most satisfying record of his career.
That album—released to universally rave reviews in 2017—was a blend of Cook’s love of country pickers to blues rockers and included covers from Muddy Waters and Roosevelt Sykes that have been in his live shows for years, as well as an outstanding cover of Bob Dylan’s “I’ll Be Your Baby Tonight.”
Through the years, Cook has performed and recorded both acoustic and electric blues, and his Primitive Son album (2014), contained guest appearances by Vinny Appice and Artimus Pyle (drums); Tinsley Ellis, Eric Gales, Leslie West, Pat Travers and Harvey Mandel (guitar); Sonny Landreth (slide guitar); Rod Piazza (harmonica); and Reese Wynans (Hammond B3 organ). He has shared the stage with B. B. King and other greats from Johnny Winter, Robert Cray, and Robin Trower to Shemekia Copeland and Parliament-Funkadelic, appearing every where from the Kennedy Center to the South by Southwest festival…and now we are pleased to welcome him to The Roots Music Palace of the Ozarks, Harrison’s historic Lyric Theater!
“Everybody knows the story of the crossroads, where blues guitarists go at midnight to trade their souls to the devil for musical prowess. It’s just a myth, of course, but if it were true, firebrand Eli Cook could have bragging rights, as his scarifying solo-country blues chill like a hellhound on your trail.” – Guitar Player (2007)
Eli Cook is a mystifying soul. He’s a keen observer and a provoking thinker…but with swagger!
Under the messy blonde hair is a passionate heart with fingers of silver and gold that recalls John Lee Hooker, Chris Smither, and Chet Atkins, mixed in with a dirty, grungy sound. It’s clean playing mind you; it’s just his fingers are covered in the dirt left over from the crossroads.
Coming from Albemarle County in Virginia at the Foothills of the Blue Ridge Mountains, Eli Cook grew up listening to the blues, country, classic rock and alternative rock. He grew up with no TV and radio shows like Prairie Home Companion were his Saturday night entertainment. Life moves slowly in this rural area of the world giving him time to hone his skills with his voice and guitar chops. At 18 he was opening up for B.B. King—a few years later he’s playing in Canada the one week and then the next week he’s blending in with his hometown locals.
“It’s what was around me, and I just tried to pick up on everything and everybody, including Doc Watson and Chet Atkins. In fact, hearing Chet fingerpick made me realize I didn’t need a band.” – Guitar Player (2007)
Tickets are available now for Eli Cook’s Saturday, October 5 performance at Harrison’s historic Lyric Theater, now celebrating its 90th year. This is a venue perfectly constructed for a performer like Eli, with the maximized ‘live’ acoustics that were necessary for the first generation of talking motion pictures—and the dedicated Lyric fans that consistently fill our seats for blues concerts will make for the sort of electric environment this acoustic blues concert deserves, so choose your seats early for what promises to be an outstanding evening!
Acoustic Blues Guitar Workshop tuition is $45—but only $35 if you have a concert ticket and use the code on it when you register! In this class, we will discuss the key elements of Blues based guitar playing. This entails crucial rhythmic and melodic concepts and touches on both acoustic and electric styles as well as various finger- and thumb-picking techniques and provides an overview of what makes good Blues guitar.
Classic turnarounds, walking patterns, tricks for transitioning between chords, and signature riffs and licks will all be included and discussed from both a player’s technical standpoint and from a historical perspective, using examples from players such as Robert Johnson, Son House, Albert King, and Stevie Ray Vaughn. This class will have something for anyone who wants to play Blues guitar or just enjoys the music and wants to learn more about it.
In Truvy’s (Trish Lockridge), beauty salon in Chinquapin, Louisiana, where all the ladies who are anybody come to have their hair done, the shop is abuzz with gossip and coffee and hairspray. Helped by her eager new assistant, Annelle (Katie Blessing), who may or may not be married, the wise-cracking Truvy dispenses shampoo and free advice to the town’s rich curmudgeon, Ouiser (Mary Bishop), whose 40-year-old bad mood has only sharpened her wit; an eccentric millionaire, Miss Clairee (Gwen Gresham), who has a sweet tooth for football teams; and the local social leader, M’Lynn (Lisa Johnson) and her vivacious daughter, Shelby (Callie Johnson), who is about to marry a “good ol’ boy.” Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions between the five ladies, the play moves toward tragedy when the spunky Shelby (who has Type I Diabetes) risks pregnancy. Though we see how it much it affects them, we are also shown the strength and love of these women who are delicate as flowers, and tough as steel.
Don’t let the “Jr.” in the title lead you to expect a watered-down production missing your favorite songs: when Disney commissions an adaptation for young performers, it’s name is still on the line! Based on the original Broadway production that ran for over thirteen years and was nominated for nine Tony Awards, and the Academy Award-winning motion picture, Disney’s Beauty and the Beast, Jr. is a fantastic adaptation of the story of transformation and tolerance. Disney’s Beauty and the Beast, Jr. features some of the most popular songs ever written by Alan Menken and the late Howard Ashman, along with new songs by Mr. Menken and Tim Rice.
As with many of our children’s plays, rehearsals were preceded by a two-week-long workshop, which focused on vocals, acting, and choreography, as well as the proper etiquette for being in a play and attending a play, all of which culminated in a short performance for the family and friends of the children—many of whom are gracing the Lyric stage for the first time ever. Only then was attention turned fully to this play, where those new or refined acting, singing, and dancing skills could be put into practice for the sellout performances this July will bring.
Beauty and the Beast tells the story of an arrogant young prince and his castle’s servants who fall under the spell of a wicked enchantress when he turns her away from his door. The enchantress turns the prince into the hideous “Beast” until he can learn to love and to be loved in return. The spirited, headstrong village girl Belle enters Beast’s castle after he imprisons her father, Maurice. With the help of his enchanted servants, including the matronly Mrs. Potts, Belle begins to draw the cold-hearted Beast out of his isolation. But when the similarly cold-hearted Gaston and his henchman Lefou decide to destroy the Beast, will Belle be able to save the Beast from eternal doom?
We hope you will join us both for the entertainment and lesson imparted by this classic story and for the building of our community that attendance at Arts events—especially at young people’s theatre—always brings. The OAC and its Member Organizations are committed to having children of all ages learn about the Arts and develop a love for them that reaches beyond their early years, so that they grow up to be well-rounded, empathetic adults. These “Jr.” plays, and the directors who bless us by giving up a portion of their summers, are a huge first step in that direction.
Says Director Debbie Waters:
“I have been blessed with the best cast of young people between the ages of 6-18 who are a joy to work with. We have a cast of 30 who are working hard and excited to ask everyone to ‘Be Our Guest’ at the Historic Lyric Theater during our 90th Birthday Celebration season.”
Our Cast and Crew include:
Belle: Liani Cash Beast: Shade Roberts Gaston: Caleb Lord LeFou: Jacob Cothran Maurice: Logan Cole Mrs. Potts: Alayna Davis Chip: Ivan Hanschu Lumiere: Nicholas Prpich Babette: Chyler Caraway Cogsworth: Bannon Jones Madame de la Grande Bouche: Lexi Sprenger Silly Girls: Brinkley Brewer, Avery Skinner, Emily Still Enchantress: AnneJanette Cole
Ensemble: Kaden Allen, Zoë Arthur, Laura Bracken, Callie Caraway, Ethan Causey, Landon Clements, Joshua Cothran, Ella Domino, Dierdra Goldman, Jadah Gregory, Kalel Lewis, Tarron Lewis, Mia Ostberg, Emma Claire Pruitt, Natalie Sims, Jerome Sweatman, Jenna Wilson
Join us at The Lyric for this heartwarming tale of the transformative power of love on July 20, 25, and 27. Tickets for Beauty and the Beast, Jr. are available now through TheLyric.org by clicking any “Get Tickets” link, by stopping by the OAC office at 115 W. Rush
Ave. between 8 & 2 Tuesday through Friday, or by calling (870) 391-3504 (please leave a detailed message if you get our voicemail).
The first Glenn Miller Orchestra did not make it at all. It was a total and absolute economic failure. But Glenn knew what he wanted, held to that dedication and relentlessly worked to succeed. He launched his second band–the one that lives on today–in March of 1938. The Glenn Miller Orchestra has been a “hit” ever since.
The legendary Glenn Miller was one of the most successful of all dance bandleaders back in the Swing Era of the 1930’s and 40’s. A matchless string of hit records, the constant impact of radio broadcasts and the drawing power at theatres, hotels and dance pavilion, built and sustained the momentum of popularity.
Glenn disbanded his musical organization in 1942 at the height of its popularity to volunteer for the Army. There, he organized and led the famous Glenn Miller Army Air Force Band. It went to Europe to entertain servicemen performing numerous live and radio shows. On December 15, 1944, Major Miller took off in a single engine plane from Europe to precede his band to France, disappearing over the English Channel, never to be seen again. The army declared him officially dead a year later.
With the release of the major motion movie “The Glenn Miller Story” featuring Jimmy Stewart and June Allyson in 1954, interest and popular demand led the Miller Estate to authorize the formation of the present Glenn Miller Orchestra. On June 6, 1956, and under the direction of drummer Ray McKinley who had become the unofficial leader of the Army Air Force Band after Glenn’s disappearance, the reformed Glenn Miller Orchestra performed its first concert and has been on the road ever since. Other leaders have followed Ray including clarinetists Buddy DeFranco and Peanuts Hucko, trombonists Buddy Morrow, Jimmy Henderson, Larry O’Brien and Gary Tole, and tenor saxophonist Dick Gerhart. Since January 2012, vocalist Nick Hilscher leads the band.
Today, the 18 member ensemble continues to play many of the original Miller arrangements both from the civilian band and the AAFB libraries. Additionally, it also plays some more modern selections arranged and performed in the Miller style and sound. The Glenn Miller Orchestra is owned and operated by Glenn Miller Productions, Inc., under license from the Miller Estate. Glenn Miller Productions, Inc., has the sole and exclusive right to use the Glenn Miller Orchestra name—so, this is not a “tribute to the Glenn Miller Orchestra,” but the orchestra that is in official and unbroken succession to the original.
The big-band business today requires almost constant travel as a result of an arduous schedule of one-night stands. The Glenn Miller Orchestra is “on the road” longer and more continuously than any other in the whole world, having celebrated its 60th year anniversary on June 6. It covers over a hundred thousand miles a year, working most every night for 48 weeks out of every 52-nearly 300 playing dates, performing for an “in person” audience that adds up to more than a half million people annually.
Just as it was in Glenn’s day, the Glenn Miller Orchestra today is still the most sought after big band in the world. But when it comes to seeing the Glenn Miller Orchestra in Arkansas in 2019, there is exactly ONE place to do it: #OnlyAtTheLyric! With the overwhelming response to the special appearance of The World Famous Glenn Miller Orchestra at the Lyric in 2016, the band has loved returning to Harrison and is doing so again as it’s only Arkansas performance of 2019, 6:00 p.m. on Monday, August 12!
Sam amazed a lot of people with his first trip to Harrison…friends and media members for one reason, but the Lyric audience for a completely different one! Outsiders ‘warned him’ about Harrison, but they didn’t know to warn him about the Lyric…and from the moment he stepped on stage it was obvious to everyone that he had found a new ‘second home’! When Sam got back to his previously-adopted hometown of Denver, he thought about how best to share his experience in Harrison and, as one might expect, he did so at Comedy Works in Denver. People found his new “not scared…but concerned” routine as hilarious as the Lyric crowd did. There was something more, though: as with his “True Color” routine that brought him to our attention (and, now, about 30 million other people’s!), in the middle of their laughter, people were touched.
One of those who were touched by the new addition to Sam’s repertoire was Ann Macari Healey, who owns (with her husband) about 20 community newspapers throughout the Denver metro area and who set about researching to write a story about Sam…and us in Harrison! Another was Jeff Kingery, a former play-by-play man for the Denver Nuggets and Rockies who had been making films since high school and had now also accumulated years of experience as a sports and news documentary filmmaker. The morning after seeing Sam’s show in January, he got in touch with Sam and said, “I was absolutely captivated last night and I’ve got to tell your story.” (We had hoped that the film would be in production by Sam’s return to Harrison, but fundraising for the high-quality and culturally-important documentary that is envisioned will take some time.)
Don’t know Sam? Smooth. Clever. Hilarious. These words are used often to describe Sam Adams on stage. His energetic, comically-insightful act is 100 percent profanity-free and filled with observations about every-day encounters. Sam is a headline performer, and also has shared stages with national-touring comedians and music recording artists.
In 2009 Sam entered the Great American Comedy Festival held annually in Johnny Carson’s childhood hometown of Norfolk, Nebraska. Sam left the festival as its most unique winner still to this date. Entered in the festival initially as an amateur, Sam won that competition. Later he was asked to compete with the professionals after one of the entrants fell ill. In a field of experienced comedians with national comedy club tours and late-night TV show appearances on their resumes, Sam took second place. It was an impetus for him to pursue a professional career in stand-up comedy.
Sam has been described by many in the entertainment field as a Renaissance Man. In addition to performing comedy on stage, Sam also is booked as a Keynote Speaker for his motivational “Laughter Is Good Business” presentation, where he brings comedy and business to an intersection by showing ‘How To Spell Success With The Letter P.’ Sam also has served as Master of Ceremonies for numerous high-profile events and has appeared in several TV commercial ads seen nationally.
Sam’s an author, too, with a book titled If You Don’t Believe Me: Lessons Learned from Listening To The Greats. In the book, Pro Football Hall of Famer John Elway offered the following tribute: “Through the ups and downs of an NFL career, I developed great trust, respect and appreciation for him. Blending an uncanny ability to mix humor with keen insight and knowledge, Sam is a one-of-a-kind storyteller.”
Off the record, Sam has nearly 25 years of experience as a newspaper sports journalist. His work, as a staff writer and columnist, has appeared in The Denver Post, Rocky Mountain News and The Charlotte Observer. In 2003 Sam received the Print Journalist of the Year award from his peers in Colorado. He also is credited with television appearances on ESPN, Fox Sports, CBS and NFL Network, and has covered championship events at all levels — most notably four Super Bowls, two Olympiads, two NCAA men’s basketball Final Fours, one Stanley Cup Finals and one World Series. In 2014 Denver’s NBC affiliate KUSA-9NEWS added Sam as a regular contributor to its sports programming, with weekly appearances on the station’s Sports A to Z and Broncos Game Day Live shows.
There were two stars on the night…….Host Sam Adams….not the beer guy…..who was hysterical in a PG way that reminded us of Bill Cosby. They should have let him do the whole two hours. The other big winner was the funnel cake fries which were sweet and delicious and served in a big basket. Sam Adams, in my opinion, is a spectacular talent waiting to be discovered on a national stage. If you see him on the list of performers, you should go. — Review of Comedy Works of Denver
Sam has appeared with the likes of Daniel Tosh, Mike Epps, Jake Johannsen, Wendy Liebman, Greg Warren, and Frank Caliendo, as well as opening for musicians and bands like The Guess Who, Three Dog Night, Al Jarreau, Air Supply, Al Stewart, and Starship. A world class entertainer—and a classy guy in general—the Ozark Arts Council is thankful for the sponsorship of Jeff Crocket Properties that allowed us to bring Sam Adams to the Lyric stage for the affordable price of just $15 per ticket, which has given us the courage to bring him back at the same price, because we believe that the theater will be completely full this time around!
Comedian Sam Adams #LiveAtTheLyric Saturday, September 7, 2019 at 7:00. Tickets are available on our ticketing page, by visiting the OAC office at 115 W. Rush Ave. (just to the left of the Lyric doors) or by calling (870) 391-3504; $15 in advance, $18 at the door.
Set in Rome during the first century A.D., when the Roman Empire was in its youth, the film opens with one of musical theatre’s most famous songs, “Comedy Tonight,” performed by Pseudolus (Preston Garrison). The action, Pseudolus tells the audience, takes place in Rome around three adjacent houses: the house of Erronius (Clark Middleton), an old man who has been searching for his children who were stolen by pirates while they were infants; the house of Marcus Lycus (Jamie Taylor), a buyer and seller of beautiful women, and the house of Senex (Jim Gresham), a Roman senator, his wife, Domina (Ann Lemley), their son, Hero (Laine Hilliard), and the family slaves, Pseudolus and Hysterium (Michael Amburn).
When Senex and Domina leave for the day, Hero declares his love for one of the ladies who live at his next door neighbor’s house, Philia (Katie Blessing), and that’s when Pseudolus begins to hatch a scheme to buy his own freedom.
When the two visit Lycus’s house, once they get past the eunuchs (Donovan Walters and Nicholas Prpich) they meet Tintinabula (Cady Wheeler), a bell-wearing beauty; Vibrata (Kennedy Bottoms), an energetic, lively lovely with a leopard skin bikini; the Geminae (Faith Nix and Dante Lowe), a “matched pair”; Panacea (Nikki Forehand), a seductive dancer; and Gymnasia (Spree Hilliard), with a body upon which “a thousand dramas can be played.” They and the other lovely courtesans (Lena Rocole, Jenna Wilson, Rilee Young, Kaley Jones) are tempting, but Hero and Pseudolus are alarmed to find out that Philia has been sold to the great Captain Miles Gloriosus (Caleb Lord), and will be claimed that very day.
The confusion, comedy, and chases that ensue when Captain Miles and his illustrious soldiers (Kinder Hinrichs, Laken Rudelis, Andrew Coble, Daniel Hart, Wynn Mahoney) come to claim her will have audiences
doubled over with laughter, attempting to keep up with what wackiness will occur next.
So join us again at the Lyric Theater for a fun evening, where “weighty affairs will just have to wait,” and where we promise to have “morals tomorrow, comedy tonight!”
A Funny Thing Happened on the Way to the Forum will be performed May 3, 4, 10, 11 at 7:00 pm, and May 5, 12 at 2:00 pm. Tickets are on sale now at TheLyric.org or by calling 870-391-3504 or visiting the Ozark Arts Council office M-W-F 8:00-2:00. Advance Tickets are $8 children, $10 seniors, $12 adults. Ticket prices at the door will be $11 children, $13 seniors, $15 adults.