Gritty Blues from and for the Working Man Albert Cummings Returns to the Lyric!
Friday, March 23 at 7PM
The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does[…]. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.” – Guitar Edge Magazine
Blues-rock guitar in all its glory is headed back to the historic Lyric Theater, as Harrison, Arkansas enjoys “An Evening with Albert Cummings” on Friday, September 23 at 7:00 PM, for which tickets are now available.
Albert Cummings writes, plays and sings the blues like nobody else. He has played with blues legends B.B. King, Johnny Winter, and Buddy Guy. Taken with Albert’s fire and passion bassist Tommy Shannon and drummer Chris Layton, of the band Double Trouble, the late Stevie Ray Vaughan’s rhythm section, volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart.
From these blues greats to Merle Haggard to Led Zeppelin, Albert’s influences coalesce in lyrics that display a country/working man’s sensibility and the guitar virtuosity that rock fans love—a style that covers the best of hard-driving blues, slides comfortably over to intricate ballads, and comes charging right back again “with unbridled ferocity and deep soulfulness…his depth and expression are matched only by his terrifying technique and tone.”
The Massachusetts native learned the requisite three chords on the guitar from his father, but then switched to playing banjo at age 12 and became a fan of bluegrass music. In his late teens he encountered the early recordings of Stevie Ray Vaughan and was floored by the virtuosity. While in college in 1987 he saw Vaughan perform and he returned to the guitar with a new outlook and resolve.
The whiz-kid carpenter began his ascent to masterful blues rock guitarist at age 27, with his first public performance on guitar. Soon he was on the Northeast blues circuit with his band, Swamp Yankee. In 1998 he walked into a Northeast Blues Society open jam, which led to Cummings’ winning the right to compete in the Blues Foundation’s 1999 International Blues Challenge. The following year Albert released his debut recording, The Long Way. Bluesprint magazine said it was “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix.”
That in turn opened up an opportunity for him to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. No less a giant of the blues than B.B. King dubbed Cummings “a great guitarist.”
Cummings’ soulful and explosive approach to blues and rock caught the attention of Blind Pig Records, which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the album rocks hard from start to finish. The all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, leading Guitar One to exclaim, “He attacks his axe with unbridled ferocity and deep soulfulness… his depth and expression are matched only by his terrifying technique and tone.”
“a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix. – Bluesprint Magazine
Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience.
His second release, Working Man (2006), also produced by Jim Gaines, betrays a growing focus and maturity both in Albert’s stinging, incisive guitar work as well as in his fluently idiomatic songwriting. From the punchy, stomping cover of Merle Haggard’s blue collar standard “Working Man Blues” to the deeply emotive ballad “Last Dance” that closes the disc, Albert’s songs are always concise and direct, driven by his uniquely muscular yet polished guitar wizardry. Billboard said, “This recording is the calling card of a blues star who has arrived. Cummings’ guitar work is sizzling. This is one of the top blues albums of 2006.”
In 2008 Albert recorded his first live album, Feel So Good, in Pittsfield, Massachusetts at the historic Colonial Theatre, a 95-year-old “little jewel box” – that’s what James Taylor calls it – that’s hosted everyone from Will Rogers to Al Jolson. The audience was so enthralled and supportive they became part of the performance in a way that’s rarely heard. As AllMusic put it, “It sounds like it was one hell of a party that night.”
Albert and his band responded with a blistering set of great originals and killer covers of Zeppelin, Little Feat and Muddy Waters tunes. With producer Jim Gaines again at the controls and Albert’s incredible display of guitar virtuosity and deep emotion, this is one live performance that is bound to become a blues rock classic.
Guitar Edge magazine said, “The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does on his new Feel So Good. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.”
Music Connection called it “one of the best live albums recorded in a long time” and Blurt added, “Cummings’ first live album provides the perfect showcase for the fiery guitarist’s axe-handling skills and enormous onstage charisma.”
In 2011 Albert released an instructional DVD for the Hal Leonard Corporation entitled Working Man Blues Guitar. Cummings’ next CD, No Regrets, was self-released in 2012. It was a return to his true musical roots for the six-string virtuoso, poignantly capturing the core of his influences, displaying the impact that R&B, Rock, Soul, Country and the Blues have had on both his playing and writing. It debuted at #1 on iTunes music charts in the USA, Canada and France.
“An Evening with Albert Cummings” is scheduled at the historic Lyric Theater on the Harrison, Arkansas square for Friday, March 23 at 7:00PM . Tickets are now available.
$3 Northark students. 
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universe gone wild, the tale of a famous historical figure is on display. Trotsky (Matthew Joyner) is busy, feverishly writing at his table when his wife, Mrs. Trotsky (Kaleigh Billings), tells of him a very unfortunate event: 
West Cork, Ireland was the only one playing traditional music, so they would be teased for being out of step with the times. “We used to be laughed at by other kids because they thought we were being old hat, she says. But that first Planxty album let people see that traditional music could be modern and sophisticated, that it wasn’t some sort of hick music.” (Quoted from 
trained, originally from the delta of Jonesboro. She made her professional debut with Opera Experience Southeast as Nella and Lauretta cover in Gianni Schicchi. She is at home in both opera and musical theatre and has since performed with Springfield Regional Opera, Opera in the Ozarks, Opera in the Rock, Arkansas Symphony Orchestra, Arkansas Symphony Youth Orchestra, The Messiah Project, Forum Sinfonia of Krakow, Poland, Ozark Family Opera Company, Conway Dinner Theatre, Springfield Little Theatre, and Arkansas Arts Center Children’s Theatre.
Opera, Springfield Regional Opera, MSU Opera Workshop, Classic Arts Chamber Works, Branson Arts Council, as a University of Central Missouri guest artist, Jubilee Concerts in St. Louis, Kansas City Bach Festival, and many others in Missouri, Central OK Concert Series in Oklahoma City, as guest artist at the University of Oklahoma, Norman, and Trinity Concerts in Hutchinson, Kansas.
Skynyrd, and Stevie Ray Vaughn along the way, The Hedley Lamar Band hits that fusion of UK and Southern rock and blues that has been “the best of both worlds” from the ’60s to today. Billy Youngblood (primarily bass and vocals) and Tim Taylor (primarily guitar) often switch roles during their concerts, expanding their repertoire to keep the party going all the time. Joined by Jason Ruff or Will Youngblood on percussion, they remind us that it only takes a trio to fill the Lyric with music that keeps the heart pumping.
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The Lyric Theater for an outstanding play OF the kids, BY the kids, and FOR the kids: Roald Dahl’s James and the Giant Peach, Jr.! Based on one of Roald Dahl’s most poignantly quirky stories, 
ensemble of wild, wacky, wonderful characters, from 5 years old to 18 years old! From Willy Wonka and his Oompa-Loompas, to Bitsy Botana and her Ladies Garden Guild, there is sure to be a colorful character that you will love! The ensemble includes children from previous productions, and quite a few new ones too, all lending their time and talent to make this production abso-fruit-ly fantastic: 
Serena Bolonsky, Zoey Bolonsky, Callie Caraway, Jocelyn Green, Lorelai Green, Declan Jenkins, Kyran Jenkins, Candace Lambert, Zachary Linn, Cammie Linscott, Shyanne Lusk, Chloe Monk, Faith Nix, Emma Pruitt, Sadie Sharp, Elizabeth Smith, Kayla Smith, Lexi Sprenger.
