You can feel even closer to us and stop by from 6:00-8:00pm for some to-go nachos, hot dog, beer, or wine!
Chris Dees is a talented and accomplished local guitarist, with a mixed style from rock to blues to pop. He has been involved with Fever Blue and headed up Dees & Friends. He was also lead guitar in the Ozark Arts Council/NorthArk Drama productions Footloose and Grease! Chris will be taking requests through the evening.
Thank you for supporting the Arts and please be safe and healthy.
NEW Blues from and for the Working Man: Albert Cummings Returns to the Lyric—Believe!
Sunday, September 20 at 7PM
The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does[…]. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.”
– Guitar Edge Magazine
Hard-edged and mellow-without-being-prissy, Blues-rock guitar with lyrical mastery is headed back, in all its glory, to the historic Lyric Theater, as Harrison, Arkansas enjoys “An Evening with Albert Cummings” on Sunday, September 20 at 7:00 PM, for which tickets are now available.
Entertaining audiences from his phenomenal guitar work to his incredibly impassioned lyrics and overall songwriting prowess – one thing has certainly become clear about Albert Cummings’s music: he is far more than simply just the guitarist or the bluesman he’s often painted as by fans and the media alike. He offers the complete package.
Though undoubtedly a masterful guitar player who burst onto the blues-rock scene in the early 2000s and almost immediately began gaining praise in that realm, his latest live release “Live at the ‘62 Center” and his new studio album, “Believe,” further portray not only his versatility as singer/songwriter and live performer but as an artist first and foremost.
While generally performing live as a trio, the true spontaneity and creative spirit of these albums show Albert’s mastery of the whole art form, as he put together a newly formed version of his usual trio that afternoon of the October 2016 recording, along with keyboards and backing vocals that hint at just how massive Albert’s talent for composition and improvisation really is. With longtime friend and Grammy Winner Jim Gaines behind the soundboard, what comes through in both sight and sound is an incredible journey into the live performance world and true artistry of one of today’s most seasoned musicians.
“His muscular guitar work is simply outstanding. He’s a great blues singer as well, with passion for the tunes inherent in his full-throttle approach.”
– Rock and Blues Muse on Live at the ‘62 Center
Like many greats before him who’ve been painted into a corner as merely great blues players, or guitar players, or singers, Cummings seeks to rise above these labels and be praised for the devotion to his overall craft as a true musician. In artist terms, he’s sought to be known for ‘the overall pallet of his music’, rather than one specific color. From greats like Eric Clapton to the more recent stylings of John Mayer, his artistic integrity has allowed him to focus on the big picture, writing songs from the heart rather than catering to his specifics strengths as a singer, guitarist, or bandleader (all of which he does impeccably, however!).
His musical journey began when young Albert first picked up a guitar – learning the requisite three chords from his father, but later switched over to banjo at the age of 12 after becoming a bluegrass fan. After hearing the early recordings of Stevie Ray Vaughan, he was impressed by the sheer virtuosity of the artist, and following his first chance to see him live while in college in Boston he returned to the guitar with a new outlook and resolve.
“He attacks his axe with unbridled ferocity and deep soulfulness… his depth and expression are matched only by his terrifying technique and tone.”
– Guitar One
The whiz-kid carpenter began his ascent to masterful blues rock guitarist at age 27, with his first public performance on guitar. As he continued to grow in his newfound passion, he landed on the Northeast blues circuit with his first band Swamp Yankee. Then, in 1998, after walking into a Northeast Blues Society open jam, Cummings won the right to compete in the Blues Foundation’s International Blues Challenge the following year. By 2000, his debut single “The Long Way” was released to rave reviews, and began opening new doors for the artist. Bluesprint magazine said it was “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix.”
His first big opportunity came in the form of a chance to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. Having begun his musical journey in part due to Vaughan’s inspiration, it seemed Cummings’ passion had brought him full-circle.
Cummings’ soulful and explosive approach to blues and rock then caught the attention of Blind Pig Records (Muddy Waters, Jimmy Vivino, Elvin Bishop), which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, fully showcasing his well-rounded talents.
“a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix. – Bluesprint Magazine
Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience.
His second release, Working Man (2006), also produced by Jim Gaines, furthered a growing focus and maturity both in Albert’s stinging, incisive guitar work as well as in his fluently idiomatic songwriting, leading Billboard Magazine to exclaim “This recording is the calling card of a star who has arrived”
2008 saw Albert’s first live album “Feel So Good,” recorded at the historic Colonial Theatre in Pittsfield, Massachusetts which has hosted everyone from Will Rogers to Al Jolson. The audience was so enthralled and supportive they became part of the performance in a way that’s rarely heard. As AllMusic put it, “It sounds like it was one hell of a party that night.” Music Connection also called it “one of the best live albums recorded in a long time.”
As he continued to grow, playing with the likes of legends from B.B. King (who called dubbed him “a great guitarist”), Johnny Winter, Buddy Guy, and many more – Cummings built on not only his all-around songwriting and musicianship but his guitar playing skill as well. Using his knowledge to give back to fellow guitarists wanting to advance in their craft, he released the instructional DVD “Working Man Blues Guitar” in 2011. His next album, 2012’s self-released “No Regrets” followed as a return to his true musical roots, poignantly capturing the core of his influences and displaying the impact that R&B, Rock, Soul, Country, and the Blues have had on both his playing and writing. It debuted at #1 on iTunes music charts in the USA, Canada, and France.
Now, as he continues writing and performing, relentlessly devoting effort to his craft, Cummings is ready to continue on his ever expansive musical journey. “An Evening with Albert Cummings” in support of his new album, “Believe,” is scheduled at the historic Lyric Theater on the Harrison, Arkansas square for Sunday, September 20 at 7:00PM . Tickets are now available.
Fifty Years Later, the Music of
Led Zeppelin Still Holds Up…
Especially, when It’s…
LIVE at the Lyric!
Saturday, September 14 at 7:00PM
Join us September 14 at 7:00pm for the rock you’ve loved your whole life! When Tim Taylor, Billy Youngblood, and Will Youngblood won the OAC’s 2018 Battle of the Bands, they decided not to use the concert opportunity that was part of their prize simply to put their band on the stage for a full-length show, but to gather other musicians to pay tribute with them to the most influential rock band in history. Tickets are available now…for only $5, ifyou buy now!
PLUS: Eli Cook’s Acoustic Blues Guitar Workshop October 5 from 3:00–5:00! Ages 13 and up with moderate to advanced skill levels and an interest in “Blues based music.” You must bring an acoustic guitar (no electric instruments will be allowed this time). If you know basic chords and want to play the Blues or incorporate its influences into your playing, there will be something here for you; if you know more than that, there will be something here for you, too! BUT: Get your concert tickets first, so that you save $10 on this class! (More info below!)
AllMusic noted that Eli Cook “has what it takes to be the best blues singer of his generation.” Blues Matters! stated that Cook is “among the top 3 solo blues artists world-wide.” Arnie Goodman’s words in Elmore Magazine immediately make sense when you consider Eli’s main influences—John Lee Hooker, Muddy Waters, Soundgarden, and Rage Against the Machine—
What Eli is doing is giving an authenticity to the blues, but giving it the energy a modern rock band would give it. That’s the key to it.
As Eli himself says, “Everything I do is always deeply rooted in classic blues—meaning the feeling of it and the music theory aspect of it. It’s especially rooted in what they call pre-war blues, the more acoustic, rootsy stuff.” Joe McSpadden, writing in the roots music quarterly No Depression sums it up this way:
On the seventh album of his career the phenom from Nelson County, Virginia reins in his inner guitar god and makes his most focused roots blues album yet. High-Dollar Gospel finds Cook showcasing his acoustic mojo and the result is the most satisfying record of his career.
That album—released to universally rave reviews in 2017—was a blend of Cook’s love of country pickers to blues rockers and included covers from Muddy Waters and Roosevelt Sykes that have been in his live shows for years, as well as an outstanding cover of Bob Dylan’s “I’ll Be Your Baby Tonight.”
Through the years, Cook has performed and recorded both acoustic and electric blues, and his Primitive Son album (2014), contained guest appearances by Vinny Appice and Artimus Pyle (drums); Tinsley Ellis, Eric Gales, Leslie West, Pat Travers and Harvey Mandel (guitar); Sonny Landreth (slide guitar); Rod Piazza (harmonica); and Reese Wynans (Hammond B3 organ). He has shared the stage with B. B. King and other greats from Johnny Winter, Robert Cray, and Robin Trower to Shemekia Copeland and Parliament-Funkadelic, appearing every where from the Kennedy Center to the South by Southwest festival…and now we are pleased to welcome him to The Roots Music Palace of the Ozarks, Harrison’s historic Lyric Theater!
“Everybody knows the story of the crossroads, where blues guitarists go at midnight to trade their souls to the devil for musical prowess. It’s just a myth, of course, but if it were true, firebrand Eli Cook could have bragging rights, as his scarifying solo-country blues chill like a hellhound on your trail.” – Guitar Player (2007)
Eli Cook is a mystifying soul. He’s a keen observer and a provoking thinker…but with swagger!
Under the messy blonde hair is a passionate heart with fingers of silver and gold that recalls John Lee Hooker, Chris Smither, and Chet Atkins, mixed in with a dirty, grungy sound. It’s clean playing mind you; it’s just his fingers are covered in the dirt left over from the crossroads.
Coming from Albemarle County in Virginia at the Foothills of the Blue Ridge Mountains, Eli Cook grew up listening to the blues, country, classic rock and alternative rock. He grew up with no TV and radio shows like Prairie Home Companion were his Saturday night entertainment. Life moves slowly in this rural area of the world giving him time to hone his skills with his voice and guitar chops. At 18 he was opening up for B.B. King—a few years later he’s playing in Canada the one week and then the next week he’s blending in with his hometown locals.
“It’s what was around me, and I just tried to pick up on everything and everybody, including Doc Watson and Chet Atkins. In fact, hearing Chet fingerpick made me realize I didn’t need a band.” – Guitar Player (2007)
Tickets are available now for Eli Cook’s Saturday, October 5 performance at Harrison’s historic Lyric Theater, now celebrating its 90th year. This is a venue perfectly constructed for a performer like Eli, with the maximized ‘live’ acoustics that were necessary for the first generation of talking motion pictures—and the dedicated Lyric fans that consistently fill our seats for blues concerts will make for the sort of electric environment this acoustic blues concert deserves, so choose your seats early for what promises to be an outstanding evening!
Acoustic Blues Guitar Workshop tuition is $45—but only $35 if you have a concert ticket and use the code on it when you register! In this class, we will discuss the key elements of Blues based guitar playing. This entails crucial rhythmic and melodic concepts and touches on both acoustic and electric styles as well as various finger- and thumb-picking techniques and provides an overview of what makes good Blues guitar.
Classic turnarounds, walking patterns, tricks for transitioning between chords, and signature riffs and licks will all be included and discussed from both a player’s technical standpoint and from a historical perspective, using examples from players such as Robert Johnson, Son House, Albert King, and Stevie Ray Vaughn. This class will have something for anyone who wants to play Blues guitar or just enjoys the music and wants to learn more about it.
The first Glenn Miller Orchestra did not make it at all. It was a total and absolute economic failure. But Glenn knew what he wanted, held to that dedication and relentlessly worked to succeed. He launched his second band–the one that lives on today–in March of 1938. The Glenn Miller Orchestra has been a “hit” ever since.
The legendary Glenn Miller was one of the most successful of all dance bandleaders back in the Swing Era of the 1930’s and 40’s. A matchless string of hit records, the constant impact of radio broadcasts and the drawing power at theatres, hotels and dance pavilion, built and sustained the momentum of popularity.
Glenn disbanded his musical organization in 1942 at the height of its popularity to volunteer for the Army. There, he organized and led the famous Glenn Miller Army Air Force Band. It went to Europe to entertain servicemen performing numerous live and radio shows. On December 15, 1944, Major Miller took off in a single engine plane from Europe to precede his band to France, disappearing over the English Channel, never to be seen again. The army declared him officially dead a year later.
With the release of the major motion movie “The Glenn Miller Story” featuring Jimmy Stewart and June Allyson in 1954, interest and popular demand led the Miller Estate to authorize the formation of the present Glenn Miller Orchestra. On June 6, 1956, and under the direction of drummer Ray McKinley who had become the unofficial leader of the Army Air Force Band after Glenn’s disappearance, the reformed Glenn Miller Orchestra performed its first concert and has been on the road ever since. Other leaders have followed Ray including clarinetists Buddy DeFranco and Peanuts Hucko, trombonists Buddy Morrow, Jimmy Henderson, Larry O’Brien and Gary Tole, and tenor saxophonist Dick Gerhart. Since January 2012, vocalist Nick Hilscher leads the band.
Today, the 18 member ensemble continues to play many of the original Miller arrangements both from the civilian band and the AAFB libraries. Additionally, it also plays some more modern selections arranged and performed in the Miller style and sound. The Glenn Miller Orchestra is owned and operated by Glenn Miller Productions, Inc., under license from the Miller Estate. Glenn Miller Productions, Inc., has the sole and exclusive right to use the Glenn Miller Orchestra name—so, this is not a “tribute to the Glenn Miller Orchestra,” but the orchestra that is in official and unbroken succession to the original.
The big-band business today requires almost constant travel as a result of an arduous schedule of one-night stands. The Glenn Miller Orchestra is “on the road” longer and more continuously than any other in the whole world, having celebrated its 60th year anniversary on June 6. It covers over a hundred thousand miles a year, working most every night for 48 weeks out of every 52-nearly 300 playing dates, performing for an “in person” audience that adds up to more than a half million people annually.
Just as it was in Glenn’s day, the Glenn Miller Orchestra today is still the most sought after big band in the world. But when it comes to seeing the Glenn Miller Orchestra in Arkansas in 2019, there is exactly ONE place to do it: #OnlyAtTheLyric! With the overwhelming response to the special appearance of The World Famous Glenn Miller Orchestra at the Lyric in 2016, the band has loved returning to Harrison and is doing so again as it’s only Arkansas performance of 2019, 6:00 p.m. on Monday, August 12!
Sam amazed a lot of people with his first trip to Harrison…friends and media members for one reason, but the Lyric audience for a completely different one! Outsiders ‘warned him’ about Harrison, but they didn’t know to warn him about the Lyric…and from the moment he stepped on stage it was obvious to everyone that he had found a new ‘second home’! When Sam got back to his previously-adopted hometown of Denver, he thought about how best to share his experience in Harrison and, as one might expect, he did so at Comedy Works in Denver. People found his new “not scared…but concerned” routine as hilarious as the Lyric crowd did. There was something more, though: as with his “True Color” routine that brought him to our attention (and, now, about 30 million other people’s!), in the middle of their laughter, people were touched.
One of those who were touched by the new addition to Sam’s repertoire was Ann Macari Healey, who owns (with her husband) about 20 community newspapers throughout the Denver metro area and who set about researching to write a story about Sam…and us in Harrison! Another was Jeff Kingery, a former play-by-play man for the Denver Nuggets and Rockies who had been making films since high school and had now also accumulated years of experience as a sports and news documentary filmmaker. The morning after seeing Sam’s show in January, he got in touch with Sam and said, “I was absolutely captivated last night and I’ve got to tell your story.” (We had hoped that the film would be in production by Sam’s return to Harrison, but fundraising for the high-quality and culturally-important documentary that is envisioned will take some time.)
Don’t know Sam? Smooth. Clever. Hilarious. These words are used often to describe Sam Adams on stage. His energetic, comically-insightful act is 100 percent profanity-free and filled with observations about every-day encounters. Sam is a headline performer, and also has shared stages with national-touring comedians and music recording artists.
In 2009 Sam entered the Great American Comedy Festival held annually in Johnny Carson’s childhood hometown of Norfolk, Nebraska. Sam left the festival as its most unique winner still to this date. Entered in the festival initially as an amateur, Sam won that competition. Later he was asked to compete with the professionals after one of the entrants fell ill. In a field of experienced comedians with national comedy club tours and late-night TV show appearances on their resumes, Sam took second place. It was an impetus for him to pursue a professional career in stand-up comedy.
Sam has been described by many in the entertainment field as a Renaissance Man. In addition to performing comedy on stage, Sam also is booked as a Keynote Speaker for his motivational “Laughter Is Good Business” presentation, where he brings comedy and business to an intersection by showing ‘How To Spell Success With The Letter P.’ Sam also has served as Master of Ceremonies for numerous high-profile events and has appeared in several TV commercial ads seen nationally.
Sam’s an author, too, with a book titled If You Don’t Believe Me: Lessons Learned from Listening To The Greats. In the book, Pro Football Hall of Famer John Elway offered the following tribute: “Through the ups and downs of an NFL career, I developed great trust, respect and appreciation for him. Blending an uncanny ability to mix humor with keen insight and knowledge, Sam is a one-of-a-kind storyteller.”
Off the record, Sam has nearly 25 years of experience as a newspaper sports journalist. His work, as a staff writer and columnist, has appeared in The Denver Post, Rocky Mountain News and The Charlotte Observer. In 2003 Sam received the Print Journalist of the Year award from his peers in Colorado. He also is credited with television appearances on ESPN, Fox Sports, CBS and NFL Network, and has covered championship events at all levels — most notably four Super Bowls, two Olympiads, two NCAA men’s basketball Final Fours, one Stanley Cup Finals and one World Series. In 2014 Denver’s NBC affiliate KUSA-9NEWS added Sam as a regular contributor to its sports programming, with weekly appearances on the station’s Sports A to Z and Broncos Game Day Live shows.
There were two stars on the night…….Host Sam Adams….not the beer guy…..who was hysterical in a PG way that reminded us of Bill Cosby. They should have let him do the whole two hours. The other big winner was the funnel cake fries which were sweet and delicious and served in a big basket. Sam Adams, in my opinion, is a spectacular talent waiting to be discovered on a national stage. If you see him on the list of performers, you should go. — Review of Comedy Works of Denver
Sam has appeared with the likes of Daniel Tosh, Mike Epps, Jake Johannsen, Wendy Liebman, Greg Warren, and Frank Caliendo, as well as opening for musicians and bands like The Guess Who, Three Dog Night, Al Jarreau, Air Supply, Al Stewart, and Starship. A world class entertainer—and a classy guy in general—the Ozark Arts Council is thankful for the sponsorship of Jeff Crocket Properties that allowed us to bring Sam Adams to the Lyric stage for the affordable price of just $15 per ticket, which has given us the courage to bring him back at the same price, because we believe that the theater will be completely full this time around!
Comedian Sam Adams #LiveAtTheLyric Saturday, September 7, 2019 at 7:00. Tickets are available on our ticketing page, by visiting the OAC office at 115 W. Rush Ave. (just to the left of the Lyric doors) or by calling (870) 391-3504; $15 in advance, $18 at the door.
Devoted to the King…
…Devoted to His Fans…
…Devoted to Harrison! Tony Award-nominated and recognized by Elvis Presley Enterprises as the “Ultimate Elvis Tribute Artist” Cody Ray Slaughter!
Saturday, June 15, 7:00PM
Cody Ray Slaughter is a Harrison original: a true Southern boy whose passion for the music and memory of Elvis has driven him to a life dedicated to serving the King’s fans. Cody has performed all across the country as “Elvis” in the traveling production of the Tony Award-winning sensation “Million Dollar Quartet” and was nominated as best featured actor for his role. This June 15, he returns home to Harrison’s historic Lyric Theater with the raw talent and passion that Elvis himself exhibited. Tickets go on sale online at 12:01 am on Saturday, March 16 and the Lyric box office will be open to sell tickets for his concert to those attending the Lyric’s 90th Anniversary concert with Guinness World Record setter Screamin’ Freeman that evening.
Cody Ray Slaughter is hailed as one of the most talented, young Actors, Singer and Elvis Tribute Artist in the country. Born and raised in Harrison, Arkansas, gateway to the beautiful Ozark Mountains, Cody Slaughter began entertaining at the young age of 13. A true Southern boy, Cody’s true passion for Elvis’ music and memory has directed his career path.
Cody has performed all across the country as Elvis in the traveling production of the Tony Award-winning sensation Million Dollar Quartet and was nominated as best featured actor for his role. Slaughter has performed in many theaters in Branson, MO, such as Tony Roi’s Elvis Experience, Legends In Concert, 50’s At The Hop and The Liverpool Legends as well as in Pigeon Forge, TN where Cody was the featured entertainer at The Tennessee Shindig for over a year at the young age of 17. Cody also appeared on MTV’s My Super Sweet 16 and Late Night with David Letterman. Slaughter has performed at special events, corporate functions, and entertainment venues throughout the United States, Canada, and the UK. His uncanny portrayal of Elvis Presley exhibits his amazing love for whom he calls, “the greatest entertainer of all time.”
“My greatest joy is when I’m paying tribute to Elvis, his music, and keeping his spirit alive with his fans.“
Cody Ray Slaughter, 2011 Ultimate Elvis Tribute Artist Harrison, AR
Among some of Cody’s most exciting accolades were winning The People’s Choice Award during Elvis Week 2008. In July of 2011. At the Las Vegas Elvis Fest, Cody received The New Horizon Award for best new Elvis Tribute Artist. The award was given on the same stage where Elvis made history at the Las Vegas Hilton
Representing Tupelo, Mississippi (Elvis’ Birthplace) Elvis Presley Enterprises’ named Cody the 2011 ‘Ultimate Elvis Tribute Artist’ in Memphis TN in 2011.
Cody Slaughter has the raw talent and passion that Elvis himself exhibited when he first started. Apart from his tribute to Elvis, Slaughter has a budding career as a country music singer and songwriter. But in spite of his repertoire and building a reputation with his own music Slaughter still says “My greatest joy is when I’m paying tribute to Elvis, his music and keeping his spirit alive with his fans.”
The doors of the Roots Music Palace of the Ozarks—Harrison, Arkansas’s historic Lyric Theater—will open at 6:00 for a 7:00 performance on Saturday, June 15. Adult beverages and general concessions will be available throughout the concert, and tickets are available in advance for $25.00–$35.00; at the door, they will be $5 more.
Brick Fields is an Arkansas original musical group fronted by the ambrosial voice of Rachel Fields. With her husband, Larry Brick, who has spent over 40 years in the music business as a guitar player and songwriter (and was a worship leader during the California Calvary movement of the 1970s), there is a ‘two talents expressing one flesh’ vibe throughout the music—a unity of purpose in music and vocals that is neither forced nor self-conscious, but just is. Rachel cut her musical teeth first in the Arkansas River valley, by way of her Uncle Mike “Burger” Scoggins, then in the jam band circuit touring in the late ’90s east and west coast festivals, opening for acts like Government Mule and later singing on a tour with the Jerry Garcia Band. Together, they bring a true Americana Soul feel—weaving Folk, Gospel, and Blues together in such a way that former Buffalo River Concert Association president Rick Hinterheuer told Rachel, “You’re going to have a good time playing at the Lyric!”…because Rick knows what we like!
Brick Fields’ current core band is a treasure of solid creativity including Ben Sass, Kevin Bonner, Hoobie Daniels, and Chris Parker.
Ben Sass of Jerusalem, Israel is the vibrant enthusiastic steed on and off stage, possibly one of the world’s finest up-and-coming harmonica players on the scene.
Kevin Bonner is from Northwest Arkansas and honed his drumming chops in the Cate Bro’s garage; he has been the backbone for numerous of NWA’s most loved bands.
Bass player, Hoobie Daniels, of Southern Mississippi (via Austin Texas), joined Brick Fields in 2016 after retiring to the Ozark Mountains where he is continuing his musical journey.
Chris Parker adds his Tulsa guitar stylings with influences that largely play themselves out between Chet Atkins and BB King.
Comfortable with themselves and numerous surprise guests, it’s not unusual at a Brick Fields show for the night to end with a few or as many as 20 players on stage. As musicians’ musicians, Brick Fields has been called a magnet for other musicians and music lovers alike. Ever evolving, this couple’s original music can charm venues in an intimate relaxed setting with the acoustic duo telling stories of musical roots or bring a full-on band experience that brings the house to its feet.
The Ozark Arts Council is pleased to welcome Brick Fields to The Roots Music Palace of the Ozarks, Harrison’s historic Lyric Theater, on Friday, April 5 at 7:00. Tickets are just $10 in advance, but $15 at the door; just click any of the ‘Get Tickets’ links here on our website and you’ll be taken to our ticketing page, or call Jules or Dill at (870) 391-3504 or visit Dill at the OAC office M-W-F 8:00–2:00 (or Jules by appointment).
Put the Pedal to the Metal and Keep on Rockin’ with Leadfoot 65!
Saturday, March 30 at 7:30PM
Join us on March 30 at 7:30, as Leadfoot 65 speeds onto the Lyric stage! If you heard them at last Summer’s Battle of the Bands or elsewhere, you know that they waste no time in getting your adrenalin flowing and keep it building throughout their set with both riffs and lyrics so solid that you not only can taste the music in the theater’s rarefied air, but chew on it all the way home and through the weekend. As the title track from their just-released second album says, there is “More than Meets the Eye” in the rock from Tomahawk!
Sean Bing’s vocals are a good match for his guitar playing. Even in something as ‘pretty’ as the introduction to “Black Smoke Rollin’” (and later, in the melodic solo), there is an edge and you know that at any moment it could become all edge; Sean can actually both sing and growl — with both instruments — and he knows when to do each (or both) for best effect. At the same time, Skip Reed’s drum work and Nathan Popejoy’s bass are singing their own deep and steady song for Sean to play off of. This is a great rhythm section and a guitarist that has a feel for how to keep attached to what they’re playing, not just go off and show off his chops in some barely-related way. If you like rock music that puts the emphasis on both the music and the rock, you will love Leadfoot 65.
Leadfoot 65’s two albums reveal a band that is bringing in what we might call ‘The New Mainstream of Southern Rock’. That is, they display a broad set of roots and influences that include the same background as the earlier wave of Southern rockers, plus all the music that has come since then. They move easily from a Molly Hatchet-like sound to one that is clearly akin to Pantera, without ever falling into the sometime-muddiness of Dixie Witch. Southern Rock with a power groove and the soloing sensibilities of melodic and neo-classical metal without losing the focus of the main musical and lyrical intent; Leadfoot 65 is clearly ‘coming of age’ and not to be missed.
The Ozark Arts Council is pleased to welcome Leadfoot 65 back to the historic Lyric Theater on Saturday, March 30 at 7:30. Tickets are just $5 in advance, but $10 at the door; just click any of the ‘Get Tickets’ links here on our website and you’ll be taken to our ticketing page, or call Jules or Dill at (870) 391-3504 or visit Dill at the OAC office M-W-F 8:00–2:00 (or Jules by appointment).
135 Years of Bluegrass Excellence on One Stage! The New Kentucky Colonels!
Saturday, April 6 at 7:00PM
The New Kentucky Colonels are a premier bluegrass group with over 135 years of musical talent. They tour nationally across the US each year and have played internationally, as well. Leader Eric Lewis has been in love with country and bluegrass music ever since he heard the Grand Ole Opry in 1950 as a 7-year old. He began to play at music parties in the early 1960’s at people’s homes, and later in contests. In 1979 he joined the Heart of the Ozarks Bluegrass Association and formed his group, Southern Grass (later called, Southern Missouri Bluegrass) in 1981. In 2006, Mr. Lewis was commissioned a Kentucky Colonel and the group began booking as New Kentucky Colonels, They perform bluegrass, country, old time, gospel and the best in family comedy.
Over the past 38 years, a number of people have been part of the group and Eric has performed with many of the names in the business, has won several awards, has written and recorded several CD projects, and had his own live television show for several years in Arkansas and Missouri. Eric is an honorary member of the Country Music Hall of Fame in Nashville, founded the George D. Hay Society at West Plains, MO (a historical society to preserve the Ozarks’ history and heritage). With his connection to the Grand Ole Opry, in 2005 he presented a lifetime achievement award to Louise and Earl Scruggs at the Country Music Hall of Fame.
Current members of the band include Gary Shipley, Dennis Reese, and Corky Dow.
Gary Shipley was born and raised in Granby, MO. He began playing and singing at an early age and plays multiple instruments—guitar, banjo, and dobro. Gary sings lead and harmony with the group, having re-joined the New Kentucky Colonels in 2016.
Dennis Reese was born and raised in Mammoth Spring, AR and began playing the bass at an early age. He has played with several different people in his many years of music and is an accomplished musician and a great asset to the group, Dennis now resides in Alton, MO and has played for the group for two years.
Corky Dow was raised in Alaska and has played most of his life. He previously performed with the group, The Fabulous Back Roads Drifters. Corky plays mandolin, writes songs, and sings lead and harmony, having joined New Kentucky Colonels in 2016.
Saturday, April 6 is the date and tickets are $15 in advance ($12 for seniors), whether online or at the OAC Office (115 W. Rush, just to the left of the theater; hours 8–2, M-W-F; phone 870-391-3504) and $20 ($15 for seniors) at the door.