Heavy Wrecker & Friends Tribute to Tom Petty Saturday, November 16, 2024 at 7:00PM
Join us on November 16 at 7:00, as Billy, Will, and Dustin—Heavy Wrecker—have done it again: they’ve once again assembled a fantastic group of local musicians and vocalists to pay tribute to Tom Petty and The Heartbreakers. As with the Led Zeppelin tribute the band organized in 2019—the most successful concert of purely local musicians since Screamin’ Freeman’s 24-hour Guinness World Record concert in 1999—this promises to be an experience Harrison area music lovers will talk about for years, and one well worth coming from out of town to see!
With talented vocalists such as Julianna Hamblin, Susan Boone-Rowan, Greg James, Billy Youngblood, and Jerry Rowan, and fabulous musicians such as Billy Youngblood, Dustin Witty, Joshua Still, Will Youngblood, Greg James, and Jerry Rowan, this is sure to be a night you won’t want to miss!
The Hedley Lamar Band & Friends Tribute to Lynyrd Skynyrd Saturday, September 16, 2023 at 7:00PM
Join us on September 16 at 7:00, as Billy, Tim, and Will—The Hedley Lamar Band—have done it again: they’ve once again assembled a fantastic group of local musicians and vocalists to pay tribute to a band that survived great tragedy to influence so many. As with the Led Zeppelin tribute the band organized in 2019—the most successful concert of purely local musicians since Screamin’ Freeman’s 24-hour Guinness World Record concert in 1999—this promises to be an experience Harrison area music lovers will talk about for years, and one well worth coming from out of town to see!
“When people ask me what I sound like, I say, ‘If B.B. King was in AC/DC, that’s what it would be’. That’s High Voltage Blues in a nutshell.”
With all the force of a hurricane in the Mississippi Delta and enough fret-burning fireworks to leave his strings in flames, Anthony Gomes electrifies blues and rock as only a songwriter who truly knows himself can do. Over the years, he’s toppled the Billboard Blues Chart at #1, earned the endorsement of legends such as B.B. King, tallied tens of millions of streams, and packed shows on multiple continents. With his 2022 Rat Pack Records release, High Voltage Blues, he says, “I’ve learned how to embrace my voice as a guitarist and as a singer…I understand who I am, and I use my strengths to my advantage. I have a blues soul and a rock ’n’ roll heart. I love to jump back and forth between both with a modern-day approach.
“I still believe in a world of guitar heroes.”
“When I play rock, it’s got a little more dust to it…As an artist, it was great to circle back to some of my past work and look at it from a different perspective. Billy [Sheehan, bassist for Steve Vai, Mr. Big, David Lee Roth, The Winery Dogs] and Ray [Luzier, of Korn] really pushed the way I play guitar, and they added a whole new element with a little insanity. When people ask me what I sound like, I say, ‘If B.B. King was in AC/DC, that’s what it would be’. That’s High Voltage Blues in a nutshell.”
“Gomes is another power player who is at his best when his gear is in the scorched earth between blues and rock. After all, it’s the electric guitar; sometimes tickling it is not enough.”
Guitar World, 2019, when naming Anthony one of its Top 30
Born and raised in Toronto, Ontario, he fell in love with music as a kid, listening to everyone from Muddy Waters and Jimi Hendrix to Jeff Beck and Eddie Van Halen. At 14 years old, Anthony gravitated to the guitar and his relationship with the instrument was born. After grinding it out, his chops caught the attention of B.B. King’s bus driver at a jam night. Blown away, the driver introduced him to B.B. who invited him to open up a string of tour dates in 2005. Gaining invaluable knowledge from “The King,” he went on to share the stage with the likes of Buddy Guy, Robert Plant, Joe Bonamassa, Heart, Sammy Hagar, Kenny Wayne Shepherd, and more. Along the way, his concert attendees have included Academy® Award winner Morgan Freeman, John Goodman, and Vince Vaughn as well as Eric Clapton, to name but a few.
2018’s Peace, Love & Loud Guitars vaulted to #1 on the iTunes Top Blues Albums Chart and #1 on Amazon Music’s New Release Blues Chart. Meanwhile, Guitar World readers voted him one of “The 30 Best Blues Guitarists in the World Today” in 2019, and the publication noted, “Gomes is another power player who is at his best when his gear is in the scorched earth between blues and rock.” After seven consecutive Top 10 debuts on the Billboard Blues Albums Chart, Containment Blues marked his second #1 on the respective chart in 2020.
“If B.B. King was in AC/DC, that’s what it would be. That’s High Voltage Blues in a nutshell.”
In the end, Anthony Gomes is just the kind of guitar hero we need for today:
“I’m either the last of a dying breed or the start of a new revolution,” he smiles. “I still believe in a world of guitar heroes. I strive for a world where you don’t have to be 19 years old to sell a lot of records and tickets and to make a statement. I’m one of those people who doesn’t think rock—or the blues—is dead. I’m looking for fresh ways to bring them together. I’m at the table rolling the dice all in the name of blues and rock ’n’ roll. I know there’s never been a more exciting time for music, and I’m here for the journey.”
“Hendrix on crank guitar phrasing…all the soul of Otis Redding and the swagger of Steven Tyler. Anthony joyfully blends the distinction between blues and rock.”
Wichita Lineman: Carl Acuff, Jr.’s Tribute to Glen Campbell
Live on the
Harrison Square’s hot new Entertainment District
and inside the always-cool Lyric Theater
7:00PM
Friday, July 14, 2023
Join us on July 14 at 7:00pm, at the Lyric for Carl Acuff, Jr., singing the songs of beloved country music legend Glen Campbell!
Since 1992, the Carl Acuff Jr. Variety Showband has become an American institution…We have New and Old Country, Gospel, Comedy, Nostalgic Rock N Roll, Motown, Doo-wop, Disco, Audience Participation, Impersonations and of course a salute to all of our men and women in uniform from past, present and future that is sure to have you on your feet! The group covers everyone from Hank Williams to Bruno Mars.
Is Carl Related to Roy? Well, guess you’ll have to ask him when we bring him to our town!
As in…
“HeyMama…JaWannaMakesomeMUSICwithMe for some great causes‽
Live on the
Harrison Square’s hot new Entertainment District
and inside the always-cool Lyric Theater
3:00PM–11:00PM
Saturday, June 10, 2023
Join us on June 10, from 3:00–11:00, both in the Lyric (7–11) and on the Harrison Square (3–6) for the first ever Mama JaWanna Music Festival—showcasing talented female performers from our area who have banded together to raise funds for Hope Cottages and The Sanctuary, Inc. of Boone County!
7 Hours of multi-genre music on 2 stages, featuring women singer/songwriters of the area, supported by local musicians.
Singers include: Susan Swanson, Sierra Schwanz, Brooke Albright of Angels and Outlaws, Rachel Hewitt-Groves, Snowflake Henson, Susan Boone-Rowan, Denise Dore, Maggie Lee, and Shelly Watson.
Ticket prices: $20 – preferred seating; $30 – 2 drink tickets; $50 – 2 drink tickets and an invitation to the Aftershow Party at Buffalo Chateau
Matt Schofield
Maybe the Best British Blues Guitarist Since Clapton, Page, and Beck!
Friday, February 17, 2023 at 7:00PM
Join us on February 17 at 7:00PM, for the music of the man whom the Los Angeles Daily News called “the best Blues guitarist from any country in decades… head and shoulders above the herd,” while Guitar & Bass Magazine rated him in the top ten British blues guitarists of all time ranking him with icons Eric Clapton and Peter Green: Matt Schofield! Though he holds a British passport and is an inductee of the British Blues Hall of Fame, Matt Schofield has been making his mark globally as one of the top players in the new class of six string wunderkinds. Born in the industrial city of Manchester and raised amongst the rolling hills and locked in time Cotswolds, Schofield began playing guitar at the age of 12. “My dad relocated to America, but before he left he gave me a BB King video. I watched it before school every day; it was three or four tracks from a concert. Later, when I was in California with my father, he showed me BB King with Albert Collins and Stevie Ray Vaughan on video. It was like, ‘I’ve got to do this.’ There’s something about the way the three of them were jamming. B.B. really was majestic. As an 11-or 12-year-old watching him, I was mesmerized but didn’t think there was any way I could ever do that. It was too special. But when I saw Stevie Ray Vaughan playing with him, I thought maybe I could. Stevie made it seem accessible to people. I taught myself, working my way through my Dad’s great blues record collection. I did my first gig age 13, and I’ve been doing it ever since.”
Article Under Construction…but Mark Your Calendar!
Eli Cook
Maybe the Best Vocals
in Today’s Blues…and the Guitar Work
is Top Notch, Too!
At the Lyric for a Class and a Concert
Saturday, October 22, 2022 Class at 3:00PM — Concert at 7:00PM
Join us on October 22 at 7:00pm, for the guitar mastery and rich baritone voice that brought the writers of Blues Matters magazine to rank him as a “top international solo artist” above Devon Allman and Elvin Bishop…before he had reached his 30th birthday: Eli Cook’s busy hands and feet (resonator and 12-string, plus tambourine and stompbox) are coming back to the Lyric this Fall!
Even Better: Join us earlier in the day, too: from 3:00PM to 5:00PM Eli Cook’s Acoustic Blues Guitar Workshop returns! Ages 13 and up with a moderate skill level and an interest in “Blues-based music” are welcome. You must bring an acoustic guitar (no electric instruments will be allowed this time). If you know basic chords and want to play the Blues or incorporate its influences into your playing, there will be something here for you; if you know more than that, there will be something here for you, too! BUT: Get your concert tickets first, so that you save $10 on this class! (More info below!)
AllMusic noted that Eli Cook “has what it takes to be the best blues singer of his generation.” Blues Matters! stated that Cook is “among the top 3 solo blues artists world-wide.” Arnie Goodman’s words in Elmore Magazine immediately make sense when you consider Eli’s main influences—John Lee Hooker, Muddy Waters, Soundgarden, and Rage Against the Machine—
What Eli is doing is giving an authenticity to the blues, but giving it the energy a modern rock band would give it. That’s the key to it.
As Eli himself says, “Everything I do is always deeply rooted in classic blues—meaning the feeling of it and the music theory aspect of it. It’s especially rooted in what they call pre-war blues, the more acoustic, rootsy stuff.” Joe McSpadden, writing in the roots music quarterly No Depression sums it up this way:
On the seventh album of his career the phenom from Nelson County, Virginia reins in his inner guitar god and makes his most focused roots blues album yet. High-Dollar Gospel finds Cook showcasing his acoustic mojo and the result is the most satisfying record of his career.
That album—released to universally rave reviews in 2017—was a blend of Cook’s love of country pickers to blues rockers and included covers from Muddy Waters and Roosevelt Sykes that have been in his live shows for years, as well as an outstanding cover of Bob Dylan’s “I’ll Be Your Baby Tonight.”
Through the years, Cook has performed and recorded both acoustic and electric blues, and his Primitive Son album (2014), contained guest appearances by Vinny Appice and Artimus Pyle (drums); Tinsley Ellis, Eric Gales, Leslie West, Pat Travers and Harvey Mandel (guitar); Sonny Landreth (slide guitar); Rod Piazza (harmonica); and Reese Wynans (Hammond B3 organ). He has shared the stage with B. B. King and other greats from Johnny Winter, Robert Cray, and Robin Trower to Shemekia Copeland and Parliament-Funkadelic, appearing every where from the Kennedy Center to the South by Southwest festival…and now we are pleased to welcome him back to The Roots Music Palace of the Ozarks,Harrison’s historic Lyric Theater!
“Everybody knows the story of the crossroads, where blues guitarists go at midnight to trade their souls to the devil for musical prowess. It’s just a myth, of course, but if it were true, firebrand Eli Cook could have bragging rights, as his scarifying solo-country blues chill like a hellhound on your trail.” – Guitar Player (2007)
Eli Cook is a mystifying soul. He’s a keen observer and a provoking thinker…but with swagger!
Under the messy blonde hair is a passionate heart with fingers of silver and gold that recalls John Lee Hooker, Chris Smither, and Chet Atkins, mixed in with a dirty, grungy sound. It’s clean playing mind you; it’s just his fingers are covered in the dirt left over from the crossroads.
Coming from Albemarle County in Virginia at the Foothills of the Blue Ridge Mountains, Eli Cook grew up listening to the blues, country, classic rock, and alternative rock. He grew up with no TV, but radio shows like Prairie Home Companion were his Saturday night entertainment. Life moves slowly in this rural area of the world giving him time to hone his skills with his voice and guitar chops. At 18 he was opening up for B.B. King—a few years later he’s playing in Canada the one week and then the next week he’s blending in with his hometown locals.
“It’s what was around me, and I just tried to pick up on everything and everybody, including Doc Watson and Chet Atkins. In fact, hearing Chet fingerpick made me realize I didn’t need a band.” – Guitar Player (2007)
Tickets are available now for Eli Cook’s Saturday, October 22 performance at Harrison’s historic Lyric Theater, now celebrating its 90th year. This is a venue perfectly constructed for a performer like Eli, with the maximized ‘live’ acoustics that were necessary for the first generation of talking motion pictures—and the dedicated Lyric fans that consistently fill our seats for blues concerts will make for the sort of electric environment this acoustic blues concert deserves, so choose your seats early for what promises to be an outstanding evening!
Classic turnarounds, walking patterns, tricks for transitioning between chords, and signature riffs and licks will all be included and discussed from both a player’s technical standpoint and from a historical perspective, using examples from players such as Robert Johnson, Son House, Albert King, and Stevie Ray Vaughn. This class will have something for anyone who wants to play Blues guitar or just enjoys the music and wants to learn more about it.
Albert Cummings Returns to the Lyric with his newest album and, as you’d expect, it’s a
TEN!
Sunday September 11 at 7PM
The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does[…]. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.” – Guitar Edge Magazine
From full on, straight ahead hard-edged to mellow-without-being-prissy, Blues-rock guitar with lyrical mastery is headed back, in all its glory, with local favorite The Hedley Lamar Band opening, to the historic Lyric Theater, as Harrison, Arkansas enjoys “TEN” on Sunday, September 11 at 7:00 PM, for which tickets are now available.
Rave reviews are hitting for TEN. “The opening track is pure Cummings blues/rock power. With Ten, it’s not so much the blending of genres that speaks the loudest but it’s the songs themselves…With powerful vocals and harmonies, Albert proves his talent…Albert Cummings gets a 10 on Ten.” – Rock and Blues Muse
Entertaining audiences from his phenomenal guitar work to his incredibly impassioned lyrics and overall songwriting prowess – one thing has certainly become clear about Albert Cummings’s music: he is far more than simply just the guitarist or the bluesman he’s often painted as by fans and the media alike. He offers the complete package.
Albert Cummings, Live at the Lyric, 9/11/22 @ 7pm
Though undoubtedly a masterful guitar player who burst onto the blues-rock scene in the early 2000s and almost immediately began gaining praise in that realm, his latest live release “Live at the ‘62 Center” and his new studio album, “TEN,” further portray not only his versatility as singer/songwriter and live performer but as an artist first and foremost.
While generally performing live as a trio, the true spontaneity and creative spirit of these albums show Albert’s mastery of the whole art form, as he put together a newly formed version of his usual trio that afternoon of the October 2016 recording, along with keyboards and backing vocals that hint at just how massive Albert’s talent for composition and improvisation really is. With longtime friend and Grammy Winner Jim Gaines behind the soundboard, what comes through in both sight and sound is an incredible journey into the live performance world and true artistry of one of today’s most seasoned musicians.
“His muscular guitar work is simply outstanding. He’s a great blues singer as well, with passion for the tunes inherent in his full-throttle approach.”
– Rock and Blues Muse on Live at the ‘62 Center
Like many greats before him who’ve been painted into a corner as merely great blues players, or guitar players, or singers, Cummings seeks to rise above these labels and be praised for the devotion to his overall craft as a true musician. In artist terms, he’s sought to be known for ‘the overall pallet of his music’, rather than one specific color. From greats like Eric Clapton to the more recent stylings of John Mayer, his artistic integrity has allowed him to focus on the big picture, writing songs from the heart rather than catering to his specifics strengths as a singer, guitarist, or bandleader (all of which he does impeccably, however!).
His musical journey began when young Albert first picked up a guitar – learning the requisite three chords from his father, but later switched over to banjo at the age of 12 after becoming a bluegrass fan. After hearing the early recordings of Stevie Ray Vaughan, he was impressed by the sheer virtuosity of the artist, and following his first chance to see him live while in college in Boston he returned to the guitar with a new outlook and resolve.
“He attacks his axe with unbridled ferocity and deep soulfulness… his depth and expression are matched only by his terrifying technique and tone.”
– Guitar One
The whiz-kid carpenter began his ascent to masterful blues rock guitarist at age 27, with his first public performance on guitar. As he continued to grow in his newfound passion, he landed on the Northeast blues circuit with his first band Swamp Yankee. Then, in 1998, after walking into a Northeast Blues Society open jam, Cummings won the right to compete in the Blues Foundation’s International Blues Challenge the following year. By 2000, his debut single “The Long Way” was released to rave reviews, and began opening new doors for the artist. Bluesprint magazine said it was “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix.”
Albert Cummings, Live at the Lyric, September 11, 2022, 7pm
His first big opportunity came in the form of a chance to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. Having begun his musical journey in part due to Vaughan’s inspiration, it seemed Cummings’ passion had brought him full-circle.
Cummings’ soulful and explosive approach to blues and rock then caught the attention of Blind Pig Records (Muddy Waters, Jimmy Vivino, Elvin Bishop), which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, fully showcasing his well-rounded talents.
“a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix. – Bluesprint Magazine
Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience.
His second release, Working Man (2006), also produced by Jim Gaines, furthered a growing focus and maturity both in Albert’s stinging, incisive guitar work as well as in his fluently idiomatic songwriting, leading Billboard Magazine to exclaim “This recording is the calling card of a star who has arrived”
2008 saw Albert’s first live album “Feel So Good,” recorded at the historic Colonial Theatre in Pittsfield, Massachusetts which has hosted everyone from Will Rogers to Al Jolson. The audience was so enthralled and supportive they became part of the performance in a way that’s rarely heard. As AllMusic put it, “It sounds like it was one hell of a party that night.” Music Connection also called it “one of the best live albums recorded in a long time.”
Albert Cummings, Live at the Lyric, 9/11/22 @ 7pm
As he continued to grow, playing with the likes of legends from B.B. King (who called dubbed him “a great guitarist”), Johnny Winter, Buddy Guy, and many more – Cummings built on not only his all-around songwriting and musicianship but his guitar playing skill as well. Using his knowledge to give back to fellow guitarists wanting to advance in their craft, he released the instructional DVD “Working Man Blues Guitar” in 2011. His next album, 2012’s self-released “No Regrets” followed as a return to his true musical roots, poignantly capturing the core of his influences and displaying the impact that R&B, Rock, Soul, Country, and the Blues have had on both his playing and writing. It debuted at #1 on iTunes music charts in the USA, Canada, and France.
Now, as he continues writing and performing, relentlessly devoting effort to his craft, Cummings is ready to continue on his ever expansive musical journey in support of his new album, “Ten,” scheduled with opener local band The Hedley Lamar Band at the historic Lyric Theater on the Harrison, Arkansas square for Sunday, September 11 at 7:00PM. Tickets are now available.
Ozarks DynaCom FiveStar Talent Contest Semi-Finals II, November 6 at 7pm #LiveAtTheLyric!
We Believe…
Our region of the Ozarks is overflowing with talent.
Amazing vocalists, dancers, comics and musicians appear regularly on stages, at events, in theaters, restaurants, bars and festivals throughout the Ozarks.
And we know, there’s incredible talent that isn’t very well-known too. There are up-and-comers and less experienced performers who are dedicated and working hard on their skills. They might be young, or they might have had to put their talent on the back-burner, or just decided that their special gifts and talents were going to be a hobby, instead of a career.
Ozarks DynaCom wants to give striving performers, the unknown and the inexperienced their moment in the spotlight. The Ozarks DynaCom FiveStar Talent Contest is the perfect opportunity to dust off the cobwebs, fine tune performance skills, or test new material on a real audience.
Together with our listeners, online fans, and social media friends, we might even discover the next entertainment sensation of the Ozarks, or beyond!
Show details and winner prizes will be announced as those items are confirmed.
Contest Timeline
• Online Entries: August 16 – September 12, 2021 • Online Voting: September 17 – October 10, 2021 • Live Semi-Final Shows: November 5 and November 6, 2021 • Live Final Championship Show: November 20, 2021, 2pm at Presley’s Country Jubilee in Branson!
NEW Blues from and for the Working Man: Albert Cummings Returns to the Lyric—
Believe!
Re-Rescheduled to September 23 at 7PM
The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does[…]. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.”
– Guitar Edge Magazine
From full on, straight ahead hard-edged to mellow-without-being-prissy, Blues-rock guitar with lyrical mastery is headed back, in all its glory, to the historic Lyric Theater, as Harrison, Arkansas enjoys “An Evening with Albert Cummings” on Thursday, September 23 at 7:00 PM, for which tickets are now available.
Entertaining audiences from his phenomenal guitar work to his incredibly impassioned lyrics and overall songwriting prowess – one thing has certainly become clear about Albert Cummings’s music: he is far more than simply just the guitarist or the bluesman he’s often painted as by fans and the media alike. He offers the complete package.
Albert Cummings, Live at the Lyric, 9/23/21 @ 7pm
Though undoubtedly a masterful guitar player who burst onto the blues-rock scene in the early 2000s and almost immediately began gaining praise in that realm, his latest live release “Live at the ‘62 Center” and his new studio album, “Believe,” further portray not only his versatility as singer/songwriter and live performer but as an artist first and foremost.
While generally performing live as a trio, the true spontaneity and creative spirit of these albums show Albert’s mastery of the whole art form, as he put together a newly formed version of his usual trio that afternoon of the October 2016 recording, along with keyboards and backing vocals that hint at just how massive Albert’s talent for composition and improvisation really is. With longtime friend and Grammy Winner Jim Gaines behind the soundboard, what comes through in both sight and sound is an incredible journey into the live performance world and true artistry of one of today’s most seasoned musicians.
“His muscular guitar work is simply outstanding. He’s a great blues singer as well, with passion for the tunes inherent in his full-throttle approach.”
– Rock and Blues Muse on Live at the ‘62 Center
Like many greats before him who’ve been painted into a corner as merely great blues players, or guitar players, or singers, Cummings seeks to rise above these labels and be praised for the devotion to his overall craft as a true musician. In artist terms, he’s sought to be known for ‘the overall pallet of his music’, rather than one specific color. From greats like Eric Clapton to the more recent stylings of John Mayer, his artistic integrity has allowed him to focus on the big picture, writing songs from the heart rather than catering to his specifics strengths as a singer, guitarist, or bandleader (all of which he does impeccably, however!).
His musical journey began when young Albert first picked up a guitar – learning the requisite three chords from his father, but later switched over to banjo at the age of 12 after becoming a bluegrass fan. After hearing the early recordings of Stevie Ray Vaughan, he was impressed by the sheer virtuosity of the artist, and following his first chance to see him live while in college in Boston he returned to the guitar with a new outlook and resolve.
“He attacks his axe with unbridled ferocity and deep soulfulness… his depth and expression are matched only by his terrifying technique and tone.”
– Guitar One
The whiz-kid carpenter began his ascent to masterful blues rock guitarist at age 27, with his first public performance on guitar. As he continued to grow in his newfound passion, he landed on the Northeast blues circuit with his first band Swamp Yankee. Then, in 1998, after walking into a Northeast Blues Society open jam, Cummings won the right to compete in the Blues Foundation’s International Blues Challenge the following year. By 2000, his debut single “The Long Way” was released to rave reviews, and began opening new doors for the artist. Bluesprint magazine said it was “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix.”
Albert Cummings, Live at the Lyric, September 23, 2021, 7pm
His first big opportunity came in the form of a chance to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. Having begun his musical journey in part due to Vaughan’s inspiration, it seemed Cummings’ passion had brought him full-circle.
Cummings’ soulful and explosive approach to blues and rock then caught the attention of Blind Pig Records (Muddy Waters, Jimmy Vivino, Elvin Bishop), which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, fully showcasing his well-rounded talents.
“a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix. – Bluesprint Magazine
Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience.
His second release, Working Man (2006), also produced by Jim Gaines, furthered a growing focus and maturity both in Albert’s stinging, incisive guitar work as well as in his fluently idiomatic songwriting, leading Billboard Magazine to exclaim “This recording is the calling card of a star who has arrived”
2008 saw Albert’s first live album “Feel So Good,” recorded at the historic Colonial Theatre in Pittsfield, Massachusetts which has hosted everyone from Will Rogers to Al Jolson. The audience was so enthralled and supportive they became part of the performance in a way that’s rarely heard. As AllMusic put it, “It sounds like it was one hell of a party that night.” Music Connection also called it “one of the best live albums recorded in a long time.”
Albert Cummings, Live at the Lyric, 9/23/21 @ 7pm
As he continued to grow, playing with the likes of legends from B.B. King (who called dubbed him “a great guitarist”), Johnny Winter, Buddy Guy, and many more – Cummings built on not only his all-around songwriting and musicianship but his guitar playing skill as well. Using his knowledge to give back to fellow guitarists wanting to advance in their craft, he released the instructional DVD “Working Man Blues Guitar” in 2011. His next album, 2012’s self-released “No Regrets” followed as a return to his true musical roots, poignantly capturing the core of his influences and displaying the impact that R&B, Rock, Soul, Country, and the Blues have had on both his playing and writing. It debuted at #1 on iTunes music charts in the USA, Canada, and France.
Now, as he continues writing and performing, relentlessly devoting effort to his craft, Cummings is ready to continue on his ever expansive musical journey. “An Evening with Albert Cummings” in support of his new album, “Believe,” is scheduled at the historic Lyric Theater on the Harrison, Arkansas square for Thursday, September 23 at 7:00PM . Tickets are now available.
“A Blues Soul with a Rock ’n’ Roll Heart”
Born and raised in Toronto, Ontario, he fell in love with music as a kid, listening to everyone from Muddy Waters and Jimi Hendrix to Jeff Beck and Eddie Van Halen. At 14 years old, Anthony gravitated to the guitar and his relationship with the instrument was born. After grinding it out, his chops caught the attention of B.B. King’s bus driver at a jam night. Blown away, the driver introduced him to B.B. who invited him to open up a string of tour dates in 2005. Gaining invaluable knowledge from “The King,” he went on to share the stage with the likes of Buddy Guy, Robert Plant, Joe Bonamassa, Heart, Sammy Hagar, Kenny Wayne Shepherd, and more. Along the way, his concert attendees have included Academy® Award winner Morgan Freeman, John Goodman, and Vince Vaughn as well as Eric Clapton, to name but a few.
2018’s Peace, Love & Loud Guitars vaulted to #1 on the iTunes Top Blues Albums Chart and #1 on Amazon Music’s New Release Blues Chart. Meanwhile, Guitar World readers voted him one of “The 30 Best Blues Guitarists in the World Today” in 2019, and the publication noted, “Gomes is another power player who is at his best when his gear is in the scorched earth between blues and rock.” After seven consecutive Top 10 debuts on the Billboard Blues Albums Chart, Containment Blues marked his second #1 on the respective chart in 2020.
“I’m either the last of a dying breed or the start of a new revolution,” he smiles. “I still believe in a world of guitar heroes. I strive for a world where you don’t have to be 19 years old to sell a lot of records and tickets and to make a statement. I’m one of those people who doesn’t think rock—or the blues—is dead. I’m looking for fresh ways to bring them together. I’m at the table rolling the dice all in the name of blues and rock ’n’ roll. I know there’s never been a more exciting time for music, and I’m here for the journey.”
has been making his mark globally as one of the top players in the new class of six string wunderkinds.
A—
international solo artist” above Devon Allman and Elvin Bishop…before he had reached his 30th birthday: 
Our region of the Ozarks is overflowing with talent.
