POSTPONED: Máire Ní Chathasaigh and Chris Newman: Traditional Celtic Music, Baroque, Bluegrass, and Swing with Harp and Guitar — Thursday, November 2, 2017 at 7pm — #LiveAtTheLyric!

Máire Ní Chathasaigh and Chris Newman:
Celtic Traditional, Baroque, Bluegrass, Swing
with Harp and Guitar
POSTPONED Due to Visa Problems Thursday, November 2 at 7:00PM 

The celebrated virtuoso partnership of “the doyenne of Irish harpers” (Scotland on Sunday) and “one of the UK’s most staggering and influential acoustic guitarists” (fRoots) is coming to “The Roots Music Palace of the Ozarks,” Harrison, Arkansas’s historic Lyric Theater, Thursday, November 2, at 7:00! Their performances—described by The Irish Times as “music of fire and brilliance from the high-wire act in traditional music”—are rooted but eclectic, emotional but adventurous: a breathtaking blend of traditional Irish music, hot jazz, bluegrass and baroque, coupled with striking new compositions and Chris’s delightfully subversive wit.

The children of the neighborhood teased Máire Ní Chathasaigh and her sister as they walked down the street. Her family in Brandon, West Cork, Ireland was the only one playing traditional music, so they would be teased for being out of step with the times. “We used to be laughed at by other kids because they thought we were being old hat, she says. But that first Planxty album let people see that traditional music could be modern and sophisticated, that it wasn’t some sort of hick music.” (Quoted from “Harping in the Traditions,” by Rob Adams.)

Not only her name (pronounced, Moyruh Nee Kha-huuh-sig), but her upbringing was in keeping with the traditional ways of the Gaelic-speaking Irish, her family featuring generations of musicians and poets carrying forward the folklore of her heritage. She and her sister, fiddler Nollaig Casey (Casey being the Anglicised version of Chathasaigh), were trained in both classical and folk music, both instrumental and vocal. While many worked at bringing forward the old music in new forms for pipes and fiddle, Máire revitalized the harp tradition virtually all by herself. “Since then, there’ve been lots of young people playing traditional music on the harp but there wasn’t anybody else playing when I was coming up,” she says. “If you played the pipes there were loads of recordings and a whole tradition to learn from. But I had nobody, just my ears, and I created techniques and ornaments, ways of doing things, and it was all done by trial and error, by myself. So if I got a lot of attention, it was because I was the first to do it.” (Quotes from “Harping in the Traditions.”)

Having become the first harpist to record an album primarily off Irish dance music in 1985, Máire first teamed up with English guitarist Chris Newman two years later. Celebrating their thirtieth anniversary of collaboration with their current tour of the United States, Máire and Chris will bring their internationally-heralded mastery of styles from traditional Celtic to Baroque to Swing along with a penchant for inventive soloing and challenging interaction between the artists to Harrison’s Lyric Theater for a 7:00 performance on Thursday, November 2.

“When I met Chris, he liked, but didn’t know that much about, traditional music, so he spent a lot of time learning from me,” says Maire. “Then we started experimenting with things he was proficient in, like swing, which he played with Stephane Grappelli as a teenager. We’re completely open, if we hear something nice, we’ll just say, ‘let’s play that.’ It’s extremely enjoyable to experiment and see just what your instruments can do, and we never run out of things to play.” (Quotes from “Harping in the Traditions.”)

Máire won the Senior All-Ireland Fleadh Cheoil Harp Competition three times in succession, in 1975, 1976 and 1977—a record that is still unsurpassed. More recently, she was Female Musician of the Year in the Live Ireland Music Awards 2016, where she was described in the citation as “the greatest Celtic harper of our age”. This recognition is not confined to Ireland, though, as she also was named Female Musician of the Year in the Chicago Irish American News Top TIR Awards 2016.

She is the best harp player in Irish music. There are several great Irish harpists—we think of Michelle Mulcahy, Catriona McDonald, Ailie Robertson, and Emer Mallon. There are more. They are all uber-fab. But, then there is Maire. Her new album is called Sibling Revelry. Really, there are no words. Just know this.

– , writing for Live Ireland about
the 2016 Live Ireland Female Artist of the Year Award

Máire has also won awards with Chris Newman, including “Album of the Year” (Live Ireland) and also the “Best Celtic Instrumental Album” (JUST PLAIN FOLKS AWARDS Nashville, Tennessee), 2009 for their album FireWire, as well as “Folk Album of the Year” (The Daily Telegraph) for their 1987 album The Living Wood.

Traditional Celtic music, along with Baroque, Bluegrass, and Swing will be performed by Máire Ní Chathasaigh and Chris Newman at downtown Harrison’s historic Lyric Theater, Thursday, November 2, at 7:00. Tickets available now at our ticketing page or by calling (870) 319-3504.

 

OAC Ticketing Link

Two-Time Grammy Winner Laurence Juber Returns! — Saturday, September 22, 2018 at 7:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber Returns to The Lyric!
Saturday, September 22 at 7:00PM

Join us on September 22 at 7:00pm, for universally acknowledged master of the guitar, Laurence Juber!

Laurence JuberThis two-time Grammy-winner (once with Sir Paul McCartney’s “Wings” and once as a solo artist) thrilled the Lyric audience in 2015, and is returning to continue to dazzle us with his wit, which is as evident in his playing as his absolute mastery of his instrument—not only in its standard implementation, but through a variety of tunings that allow him to express far more than one normally associates with the playing of a single acoustic guitar.

As an award-winning fingerstyle acoustic guitarist also known for his electric work as lead guitarist in Wings, LJ has a large following among guitar fans and Beatles/classic rock fans. His shows feature his original compositions along with amazing covers of Beatles and classic rock songs like “Layla” and “Little Wingwhere he literally plays every melody of the song on just one guitar!

Seriously, How Good Is He?

Well, let’s put it this way…when C.F. Martin & Co. make a series of signature guitars named after you, you’re a bit beyond “pretty good.”

Pete Townsend of The Who simply exclaims, “A master!”

As a studio musician, LJ can be heard on recordings from artists as diverse as Dan Hicks & the Hot Licks to Seal to Barry Manilow, plus he is featured on the soundtracks to hundreds of TV shows such as Home Improvement and movies including the academy award-winning Dirty Dancing, Good Will Hunting, and Pocahontas.

You like video games? LJ co-composed the soundtrack of the award-winning video game Diablo III.

You watch the news? LJ crafted the score to the NBC Dateline documentary Children Of The Harvest. His music is also featured in the Ken Burns’ documentary The Tenth Inning.

In other words: You’ve Heard Him Even if You Haven’t Heard of Him!

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine. A dynamic, entertaining performer and an accomplished clinician, LJ brings his passion for the guitar to venues around the world, creating a multi-faceted performance that belies the use of only one instrument. In Spring 2013 Laurence Juber released Under an Indigo Sky on Solid Air Records with a special limited edition vinyl for Record Store Day, and has just released LJ Can’t Stop Playing the Beatles.

At the heart of LJ’s sound and style breathes a near-flawless technique where a fiercely emotional underbelly, alternate tunings, and keen sense of melody and rhythm coalesce into something uniquely his own……you don’t have to be a solo-happy guitar worshipper to appreciate his talents.
– Inland Empire Weekly

OAC Ticketing Link

Ben de la Cour — March 18, 700pm — #LiveAtTheLyric

Ben de la Cour, 2016 Kerrville “New Folk” Award Winner, presented by Crooked Creek
March 18, 7:00PM

Ben de la Cour has lived a different kind of life. After growing up in Brooklyn, he set out to see the world as an amateur boxer, bartender, janitor, and agricultural worker in Havana, London, Los Angeles and New Orleans before settling in Nashville. Influenced as much by giants such as Townes Van Zandt and Warren Zevon as by Nick Cave and The Gun Club, Ben de la Cour has managed to meld all of these influences into a uniquely modern, haunting and sometimes darkly humorous sound that is all his own. Says No Depression magazine, “Ben de la Cour’s songs are
brimming with urgent authenticity. There is thematic hardness and vulnerability throughout, but what distinguishes de la Cour’s songs from lesser guitar-and-anguished-vocals hacks is the raw humanity of his delivery and the potency of his way with words.” According to Crooked Creek Concerts founder Aaron Smith, Ben’s music is more Hamlet than Howard Stern, and deals with some adult issues, so parental guidance is suggested for those under 18.

On March 18 at 7:00, the Ozark Arts Council welcomes the second chapter of 2017’s Crooked Creek Concert Series with 2016 Kerrville Folk Festival New Folk Winner Ben de la Cour, with an opening act of local talent, Scott and Karen Fancher. Tickets are available online through the OAC ticketing page or at (870) 391-3504.

OAC Ticketing Link

 

Heather Styka in Concert, with Special Guest Ronnie Long – January 26 at 7:00

Heather Styka in Concert
January 26, 7:00PM

micChicago songwriter Heather Styka is not afraid to go where others fear to tread. Beneath “sweet, soulful vocals” (Portland Press Herald) and “nimble fingerpicked guitar” (Dispatch Magazine) lie narratives of vulnerability, strength, and wanderlust, played and sung with fierce and fearless honesty. An award-winning writer with a #3 album on the FOLK-DJ charts and a Kerrville “New Folk” finalist already at the age of 28, she has performed for over a decade, released four full-length albums, and toured from coast to coast. Now, Heather Styka is coming to Harrison’s Lyric Theater with Ronnie Long for a 7:00 concert on Thursday, January 26.

Heather Styka should be a good fit for all of those who have loved live entertainment at the Lyric: with training both as a poet and an actor, she is equal parts wordsmith and entertainer. Colored by a quirky sense of humor and peppered with confessional storytelling, woodenbeadsStyka’s live shows are intimate and candid as late night conversation. Heather started writing and performing as a teenager in the Chicago suburbs. Honing her craft among Chicago’s long-standing folk community, she hit the road after graduating with a degree in creative writing.

With a very direct storytelling style, Styka is noted both for her nimble fingerpicking and for her essential poetry and vocal purity. As Tim Carroll of FolkWords says, her “unique delivery combines the influences of a fragile Irish air, the warm effervescence of upbeat Americana, soulful country, and mournful blues.” Her eclectic background shines through both in style and in subject matter; songs like “Love in the Multiverse” and “Caspian Sea” reveal Styka’s intellectual curiosity—and her passion for philosophy, history, and theoretical physics—while the earnest and catchy pop sensibilities of “Careful With My Heart” caught the ears of a number of peers who now cover that song, including Joe Jencks (Brother Sun) and Scott Cook.

Styka’s latest album, The Bittersweet Tapes (2016), “tugs the ear on first listen and greets you like an old friend on subsequent visits” (Simon Rigby, Indie Music Portal). These gut-punch pretty songs nod to traditional folk, classic country, and even garage rock, carried by Styka’s emotive vocals. With such diversity, she is recommended for anyone who likes Iris DeMent, Feist, Aoife O’Donovan, Joan Armatrading, Damien Rice, Josh Ritter, Gillian Welch, Ella Fitzgerald, Billie Holiday, Leonard Cohen, or Bonnie Raitt. In other words, Heather Styka will fit well into the Lyric’s catalogue of great artists, from Eric Bibb to the Glenn Miller Orchestra, and is sure to delight everyone who attends this Thursday’s concert.

The Ozark Arts Council, in association with Crooked Creek Concerts, presents Heather Styka, with special guest Ronnie Long. Tickets are $10 and available by clicking any of our Get Tickets links, or by calling (870) 391-3504. The Ozark Arts Council will also be sponsoring Business After Hours for the Harrison Regional Chamber of Commerce prior to the show. Those who attend the 5:00 Business After Hours event will be able to discount their tickets by $2 each. Ugo’s Pizzeria will be running a ready-to-eat single portion special for Business After Hours/Heather Styka attendees, as well, so that you can catch a bite to eat without having to leave the square. (To get the special ticket price when you purchase online, just enter the code BAH when you check out.)

Still on the Hill

Still on the Hill Presents a FREE
“Still a River” Concert

Still on the Hill presents a brand new show in this free community concert at the Lyric Theater, 7:30 on October 7! Not only is the concert itself free, but they will stillariverbe giving away CDs to the first 100 families through the door. (Doors open at 6:30.)

Kelly & Donna Mulhollan of Still on the Hill are award winning ‘story telling-song writers’.  Different from most singer-songwriters, this dynamic duo embellishes their songs with a host of unique instruments from the hills they call home. Many of these were hand-made by old-timers and have amazing stories that go with them.

More Details here presently!