Sunpie Barnes and the Louisiana Sunspots
March 11, 7:00PM
New Orleans music icon Bruce “Sunpie” Barnes and the Louisiana Sunspots, his world-class 6-piece band, will be performing at 7:00, Saturday, March 11, at the historic Lyric Theater on the Harrison square. Doors open at 6 p.m. Tickets are now available for $15.
It is no exaggeration to say that Bruce “Sunpie” Barnes is one of the most talented and compelling artists we have ever welcomed to the Lyric stage. Having interned as a river guide right here on the Buffalo, he has been a National Park Ranger in Louisiana for most of his life, spent time as a professional football player with the Kansas City Chiefs, is a photographer, actor, and author, a former high school biology teacher…and his multi-instrumentalist skills, great band, and beautiful baritone vocals make blues/zydeco fusion music that has to be experienced to be understood—but
from the first chord, you’re hooked for life!
Sunpie recently completed a 58 city tour spanning 34 countries, playing in the bands of both Paul Simon and Sting in their “Paul Simon and Sting Together” tour. Along with his musical group, he has traveled worldwide playing festivals with his unique style of what he calls Afro-Louisiana music incorporating blues, zydeco, gospel, Caribbean and African influenced rhythms and melodies. He is a multi-instrumentalist, master accordion and harmonica player, and also plays piano, rubboard, talking drum, and dejembe. His sound is known as Bouje Bouje music meaning “music that moves” and is Louisiana music at its best. Sunpie has performed for over 20 years at the New Orleans Jazz and Heritage Festival and shared the stage at festivals with artists from across the globe including Willie Nelson, BB King, Dr. John, The Neville Brothers, Willie Dixon and Phish. He has recorded 6 critically acclaimed CDs with his compositions currently featured in 16 Hollywood film productions.
When Sunpie plays in Harrison, it is always to a packed house!
With sponsorship by Neighbor’s Mill Bakery & Café, the Ozark Arts Council is thrilled to invite you to the return of a Lyric Theater favorite, Sunpie Barnes and the Louisiana Sunspots! Tickets are on sale now; head to our ticketing page or call (870) 391-3504 early to choose your favorite seats!
Chicago songwriter Heather Styka is not afraid to go where others fear to tread. Beneath “sweet, soulful vocals” (Portland Press Herald) and “nimble fingerpicked guitar” (Dispatch Magazine) lie narratives of vulnerability, strength, and wanderlust, played and sung with fierce and fearless honesty. An award-winning writer with a #3 album on the FOLK-DJ charts and a Kerrville “New Folk” finalist already at the age of 28, she has performed for over a decade, released four full-length albums, and toured from coast to coast. Now, Heather Styka is coming to Harrison’s Lyric Theater with Ronnie Long for a 7:00 concert on Thursday, January 26.
Heather Styka should be a good fit for all of those who have loved live entertainment at the Lyric: with training both as a poet and an actor, she is equal parts wordsmith and entertainer. Colored by a quirky sense of humor and peppered with confessional storytelling, Styka’s live shows are intimate and candid as late night conversation. Heather started writing and performing as a teenager in the Chicago suburbs. Honing her craft among Chicago’s long-standing folk community, she hit the road after graduating with a degree in creative writing.
With a very direct storytelling style, Styka is noted both for her nimble fingerpicking and for her essential poetry and vocal purity. As Tim Carroll of FolkWords says, her “unique delivery combines the influences of a fragile Irish air, the warm effervescence of upbeat Americana, soulful country, and mournful blues.” Her eclectic background shines through both in style and in subject matter; songs like “Love in the Multiverse” and “Caspian Sea” reveal Styka’s intellectual curiosity—and her passion for philosophy, history, and theoretical physics—while the earnest and catchy pop sensibilities of “Careful With My Heart” caught the ears of a number of peers who now cover that song, including Joe Jencks (Brother Sun) and Scott Cook.
Styka’s latest album, The Bittersweet Tapes (2016), “tugs the ear on first listen and greets you like an old friend on subsequent visits” (Simon Rigby, Indie Music Portal). These gut-punch pretty songs nod to traditional folk, classic country, and even garage rock, carried by Styka’s emotive vocals. With such diversity, she is recommended for anyone who likes Iris DeMent, Feist, Aoife O’Donovan, Joan Armatrading, Damien Rice, Josh Ritter, Gillian Welch, Ella Fitzgerald, Billie Holiday, Leonard Cohen, or Bonnie Raitt. In other words, Heather Styka will fit well into the Lyric’s catalogue of great artists, from Eric Bibb to the Glenn Miller Orchestra, and is sure to delight everyone who attends this Thursday’s concert.
The Ozark Arts Council, in association with Crooked Creek Concerts, presents Heather Styka, with special guest Ronnie Long. Tickets are $10 and available by clicking any of our Get Tickets links, or by calling (870) 391-3504. The Ozark Arts Council will also be sponsoring Business After Hours for the Harrison Regional Chamber of Commerce prior to the show. Those who attend the 5:00 Business After Hours event will be able to discount their tickets by $2 each. Ugo’s Pizzeria will be running a ready-to-eat single portion special for Business After Hours/Heather Styka attendees, as well, so that you can catch a bite to eat without having to leave the square. (To get the special ticket price when you purchase online, just enter the code BAH when you check out.)
New Year’s Eve EVE Party
w/The Downtown Livewires!
December 30, 2016 – 7:00PM to Midnight
(Party Begins at 7:00, Live Music Begins at 8:00)
The Downtown Livewires, based in one of the fastest growing regions in the nation, Northwest Arkansas (Bentonville/Fayetteville), play high energy Electric Blues/Rock, Memphis blues, and legacy blues. Audiences of their shows love to dance and sing along, no matter the venue, whether it be clubs, festivals, private parties, concerts, or city events. Now, they’re coming to The Lyric to provide music for our five-hour-long New Year’s Eve EVE Party! Come at 7 to grab some drinks and food, find a seat with your friends, and be ready for the show to begin at 8!
Down home Memphis blues in Northwest Arkansas? You bet—Just call THE DOWNTOWN LIVEWIRES! I’ve mixed countless bands over the years and these guys lay it down right. Always a pleasure to work with, too!
Their first CD, “Cruisin’ for a Bluesin,”came out August 2nd, 2013 with a Release Party (with 2 hours of live music from the band) at George’s Majestic Lounge on Dickson St in Fayetteville, Arkansas. Their new CD “I’ll Do It Today, But Not Right Now” came out in January, 2016.
The Downtown Livewires are exactly that! LIVEWIRES! It’s like hiring a party in a box; They come with enthusiasm, talent, energy and always bring a happy crowd! The Downtown Livewires is a group of dedicated, knowledgeable, well- rehearsed and hardworking professional musicians who come to play their hearts out and raise the roof every time…
~ Andy Green, Director of Productions, Downtown Bentonville, Inc.
The leader of the band is Roger Thomas from Bentonville, Arkansas. Roger was born and raised in Memphis, Tennessee (South-Central, Oakhaven neighborhood) until he was 30 (with some time in Harrison, Arkansas, during high school), playing professionally there through his 20’s. Roger is known for talking and picking out people in the audiences with whom to have on-stage conversations, sometimes jumping off the stage and playing, dancing and singing within the crowd. He also invites guests to sing songs on-stage, and maybe even play tambourine.
Bob “Super Harp” Coleman is out of New Haven, Connecticut, and is a world-class harmonica player who also sings some of the lead vocals. Bob has played with blues legends all over the country throughout his illustrious career.
Dan Doebele from Kansas City, Missouri is an absolute beast on lead electric guitar, is known by all other professional musicians to be one of the elite guitarists in the region, and plays slide with anything handy!
Kurt “Where’s Kurt?” Haas is on keyboards and vocals from Lone Star, Texas, and is known for his stellar new arrangements of old blues songs.
The rhythm section of Mark Vanderhoof on drums and Jan Sallings on bass is one of the most tenured blues rhythm sections in the country, and audience members often find themselves fixated on their musicianship and killer beats and fretboard runs.
The Downtown Livewires put on a show that is out of this world, absolutely engaging, full of fun and great party music, in which audiences keep calling them back for more!
I am never surprised when Roger Thomas and The Downtown Livewires Band brings the largest crowd of the summer to our City of Bentonville’s Orchard Concert Series. They bring their own crowd, and they have a great following. Over the last two years, they have proven to be professional, and one of the best sounds of any band we hire. We will continue to hire them for events in our city.
~ David Wright, Director of Parks and Recreation for the City of Bentonville
Need more recommendations? See Roger’s personal Facebook page where he not only has 4,200+ “Likes,” but segments them by town/city based on where the band plays for events. The Downtown Livewires have fans from all over—and a lot of them travel to every show within a few hours’ drive…so don’t sleep on this, thinking that you’ll always be able to get tickets! This will be a sold out show!
Go ahead and “Like” and “Share” the band’s Facebook page, too; share the good times with your friends!
This is a great video of the band performing in the studio when they were recording their first single, “Just Say It Once”, released August 2nd, 2013:
Kaz Hawkins—winner of Blues and Soul Magazine’s 2014 “Rising Star” Award and Blues Matters Magazine’s “Best Studio Album of 2015” award, among many others—is taking a little trip away from Ireland in December…because, where else would anyone be when they could be downtown on the Harrison, Arkansas square at our historic Lyric Theater!
Tickets are on sale now for the December 17 appearance of Kaz Hawkins. Kaz has been favorably compared to both Etta James and Janis Joplin; mixing through the genres of music she finally found her niche in roots music bringing a fun,
inspiring and hopeful message with her debut album Get Ready self-released in August 2014…and, as indicated in the first paragraph, she’s been out conquering the world ever since!
Called “A Vocal Force” on stage, Kaz Hawkins envelops the fighting spirit of a true powerhouse singer. Kaz is loved for her down to earth attitude, brings fun to every performance and is loved not only by her fans, but anyone who meets her.
The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does[…]. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.” – Guitar Edge Magazine
Blues-rock guitar in all its glory is headed to historic Lyric Theater, as Harrison, Arkansas enjoys “An Evening with Albert Cummings” on Friday, September 23 at 7:00 PM, for which tickets are now available.
Albert Cummings writes, plays and sings the blues like nobody else. He has played with blues legends B.B. King, Johnny Winter, and Buddy Guy. Taken with Albert’s fire and passion bassist Tommy Shannon and drummer Chris Layton, of the band Double Trouble, the late Stevie Ray Vaughan’s rhythm section, volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart.
Albert Cummings, Live at the Lyric, 9/23/16 @ 7pm
From these blues greats to Merle Haggard to Led Zeppelin, Albert’s influences coalesce in lyrics that display a country/working man’s sensibility and the guitar virtuosity that rock fans love—a style that covers the best of hard-driving blues, slides comfortably over to intricate ballads, and comes charging right back again “with unbridled ferocity and deep soulfulness…his depth and expression are matched only by his terrifying technique and tone.”
The Massachusetts native learned the requisite three chords on the guitar from his father, but then switched to playing banjo at age 12 and became a fan of bluegrass music. In his late teens he encountered the early recordings of Stevie Ray Vaughan and was floored by the virtuosity. While in college in 1987 he saw Vaughan perform and he returned to the guitar with a new outlook and resolve.
The whiz-kid carpenter began his ascent to masterful blues rock guitarist at age 27, with his first public performance on guitar. Soon he was on the Northeast blues circuit with his band, Swamp Yankee. In 1998 he walked into a Northeast Blues Society open jam, which led to Cummings’ winning the right to compete in the Blues Foundation’s 1999 International Blues Challenge. The following year Albert released his debut recording, The Long Way.Bluesprint magazine said it was “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix.”
Albert Cummings, Live at the Lyric, September 23, 2016, 7pm
That in turn opened up an opportunity for him to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. No less a giant of the blues than B.B. King dubbed Cummings “a great guitarist.”
Cummings’ soulful and explosive approach to blues and rock caught the attention of Blind Pig Records, which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the album rocks hard from start to finish. The all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, leading Guitar One to exclaim, “He attacks his axe with unbridled ferocity and deep soulfulness… his depth and expression are matched only by his terrifying technique and tone.”
“a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix. – Bluesprint Magazine
Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience.
His second release, Working Man (2006), also produced by Jim Gaines, betrays a growing focus and maturity both in Albert’s stinging, incisive guitar work as well as in his fluently idiomatic songwriting. From the punchy, stomping cover of Merle Haggard’s blue collar standard “Working Man Blues” to the deeply emotive ballad “Last Dance” that closes the disc, Albert’s songs are always concise and direct, driven by his uniquely muscular yet polished guitar wizardry. Billboard said, “This recording is the calling card of a blues star who has arrived. Cummings’ guitar work is sizzling. This is one of the top blues albums of 2006.”
In 2008 Albert recorded his first live album, Feel So Good, in Pittsfield, Massachusetts at the historic Colonial Theatre, a 95-year-old “little jewel box” – that’s what James Taylor calls it – that’s hosted everyone from Will Rogers to Al Jolson. The audience was so enthralled and supportive they became part of the performance in a way that’s rarely heard. As AllMusic put it, “It sounds like it was one hell of a party that night.”
Albert Cummings, Live at the Lyric, 9/23/16 @ 7pm
Albert and his band responded with a blistering set of great originals and killer covers of Zeppelin, Little Feat and Muddy Waters tunes. With producer Jim Gaines again at the controls and Albert’s incredible display of guitar virtuosity and deep emotion, this is one live performance that is bound to become a blues rock classic.
Guitar Edge magazine said, “The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does on his new Feel So Good. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.”
Music Connection called it “one of the best live albums recorded in a long time” and Blurt added, “Cummings’ first live album provides the perfect showcase for the fiery guitarist’s axe-handling skills and enormous onstage charisma.”
In 2011 Albert released an instructional DVD for the Hal Leonard Corporation entitled Working Man Blues Guitar. Cummings’ next CD, No Regrets, was self-released in 2012. It was a return to his true musical roots for the six-string virtuoso, poignantly capturing the core of his influences, displaying the impact that R&B, Rock, Soul, Country and the Blues have had on both his playing and writing. It debuted at #1 on iTunes music charts in the USA, Canada and France.
“An Evening with Albert Cummings” is scheduled at the historic Lyric Theater on the Harrison, Arkansas square for Friday, September 23 at 7:00 PM. Tickets are now available.
Jack Broadbent is an incredible singer/songwriter who started his career with busking (performing in the street, sitting on a small amp with the public throwing coins into his open guitar case) and has been leaving audiences spellbound from the very first. His live shows and unique style of slide guitar (take a look at that ‘slide’ up close!) are a demonstration of what real music is: not the tools, but the musician—what the heart and hands of the artist can do with whatever media life has set before him. The key to his performance on stage is that he never forgets the need to draw a crowd on the street and he treats his ticketed-in-advance audiences today as deserving that same “I have to prove myself worthy to them” attitude that drew the crowds on the street and the millions of YouTube viewers.
The Blues has not seen such Good News in quite some time
~ Bootsy Collins
Raised in rural England and with a musician father, Jack was brought up on a diet of music that would later be evident as his main influences, including acts such as John Lee Hooker, Peter Green, Jimi Hendrix, Robert Johnson and Crosby, Stills, Nash and Young.
With feet planted firmly in an authentic blues style, Jack Broadbent in now making waves globally as one of the most exciting modern bluesmen of our time. Jack’s slide performances are attracting millions of views online and a rapidly expanding fan base.
Experiencing Jack Broadbent live is an opportunity not to be missed!
On June 23 at 7:00pm, join us at the Lyric for a fundraiser for the Boone County Heritage Museum with An Evening with the Platters!
blues/zydeco fusion music that has to be experienced to be understood—but
genres of music she finally found her niche in roots music bringing a fun,
