Two-Time Grammy Winner Laurence Juber Returns! — Saturday, September 22, 2018 at 7:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber Returns to The Lyric!
Saturday, September 22 at 7:00PM

Join us on September 22 at 7:00pm, for universally acknowledged master of the guitar, Laurence Juber!

Laurence JuberThis two-time Grammy-winner (once with Sir Paul McCartney’s “Wings” and once as a solo artist) thrilled the Lyric audience in 2015, and is returning to continue to dazzle us with his wit, which is as evident in his playing as his absolute mastery of his instrument—not only in its standard implementation, but through a variety of tunings that allow him to express far more than one normally associates with the playing of a single acoustic guitar.

As an award-winning fingerstyle acoustic guitarist also known for his electric work as lead guitarist in Wings, LJ has a large following among guitar fans and Beatles/classic rock fans. His shows feature his original compositions along with amazing covers of Beatles and classic rock songs like “Layla” and “Little Wingwhere he literally plays every melody of the song on just one guitar!

Seriously, How Good Is He?

Well, let’s put it this way…when C.F. Martin & Co. make a series of signature guitars named after you, you’re a bit beyond “pretty good.”

Pete Townsend of The Who simply exclaims, “A master!”

As a studio musician, LJ can be heard on recordings from artists as diverse as Dan Hicks & the Hot Licks to Seal to Barry Manilow, plus he is featured on the soundtracks to hundreds of TV shows such as Home Improvement and movies including the academy award-winning Dirty Dancing, Good Will Hunting, and Pocahontas.

You like video games? LJ co-composed the soundtrack of the award-winning video game Diablo III.

You watch the news? LJ crafted the score to the NBC Dateline documentary Children Of The Harvest. His music is also featured in the Ken Burns’ documentary The Tenth Inning.

In other words: You’ve Heard Him Even if You Haven’t Heard of Him!

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine. A dynamic, entertaining performer and an accomplished clinician, LJ brings his passion for the guitar to venues around the world, creating a multi-faceted performance that belies the use of only one instrument. In Spring 2013 Laurence Juber released Under an Indigo Sky on Solid Air Records with a special limited edition vinyl for Record Store Day, and has just released LJ Can’t Stop Playing the Beatles.

At the heart of LJ’s sound and style breathes a near-flawless technique where a fiercely emotional underbelly, alternate tunings, and keen sense of melody and rhythm coalesce into something uniquely his own……you don’t have to be a solo-happy guitar worshipper to appreciate his talents.
– Inland Empire Weekly

OAC Ticketing Link

White Fox Kill: Album Release Show! — Saturday June 23 at 7:30pm — #LiveAtTheLyric!

“Wild West Fairytale Rock Music”
It’s an Album Release Show
with White Fox Kill!
Saturday, June 23 at 7:30PM

“I wasn’t exactly sure what I was gonna be hearing when I walked into AJ’s for my first White Fox Kill show; (my wife calls me a music snob). They settled into their first song and I knew this was gonna be somethin’ special. Wow….They absolutely Killed it!!!!!…Ozarks Original…..Must See Band. Support your Local Music People, you’re lucky to have these guys in the area!!!!”

–  Brett McDaniel, Facebook review

The Ozark Arts Council is delighted to host the album release show for alternative rock band White Fox Kill. The doors of the Roots Music Palace of the Ozarks—Harrison, Arkansas’s historic Lyric Theater—will open at 6:30 for a 7:30 performance on Saturday, June 23. Adult beverages and general concessions will be available throughout this album release party. Tickets are available in advance for $10; at the door, they will be $15. 

From “the southern wild jungles of Arkansas” comes a new breed of Alternative Rock that has resonated with fans across a broad spectrum of genres: White Fox Kill is exactly the sort of band that those who know Americana and want more of a rock edge would expect to hear at the Lyric!

With influences that range from Johnny Cash to Eminem, from the psychedelic, proto-progressive rock sounds of Pink Floyd to the blue-collar rock of Bruce Springsteen and back to the blues underpinnings of rock giants Led Zeppelin, White Fox Kill has no problem weaving together both lyrical and musical images that are both pleasing and challenging. Considering that they are fans of some of the greatest roots music lyricists of the past century—Bob Dylan, Townes Van Zandt—and have an expressiveness akin to some of today’s top artists (from Kings of Leon to Lana Del Rey), their willingness to mix styles to get their point across is the very picture of being an Arkansawyer in the modern world: they build on the best of the past and extract the best from today, as well. The influences of Nirvana and The Pixies come through, as well, in the band’s willingness to mix hard and soft, all to present their ‘jungles of Arkansas’ take on their subject matter.

White Fox Kill has been honing their craft on the road and in the studio, releasing several songs (complete with on screen lyrics) via YouTube the past couple of years. Recently, they were able to complete their first album, with Scott Hoffmann in charge of production. He says that they went for a “raw, puckish” sound that lets the composition of the music shine forth as both simple and complex, allowing the hearer to fix on the lyrics that are, he says, “reminiscent of Lennon, Dylan, Cobain, and Townes [Van Zandt].”

White Fox Kill will perform at the Roots Music Palace of the Ozarks at 7:30 on Saturday, June 23. The doors will open at 6:30, and adult beverages and general concessions will be available throughout the show. Tickets are available in advance online or at (870) 391-3504 for $10; at the door, they will be $15. For more WFK videos, check out their YouTube channel;

 

tickets

Southern Confession w/Harvey Stone! — Friday, July 20, 2018 at 7pm — #LiveAtTheLyric!

Boone County Original Southern Confession
and Special Guest
Harvey Stone!
Friday, July 20 at 7:00PM

 

Get ready for some killer Alternative Southern Rock with a Boone County Original: Southern Confession, comes home to Harrison, Arkansas’s historic Lyric Theater for a special performance with Branson’s favorite alternative rockers, Harvey Stone on Friday, July 20, 2018, at 7:000PMTickets are available in advance at a deeply discounted price, thanks to the desire of these great bands to give back to the communities that launched them!

Over the past five years, Southern Confession has played all over the mid-south region of the country and has become well known both for the breadth of styles that they cover (both with their own songs and those that have resonated with all of us for decades) and for the live show energy that draws you in and keeps you there throughout the evening.

Southern Confession preparing to open for Saliva in the Fall of 2017.

With the closing of some live performance venues in the Harrison area and a need to keep performing, Southern Confession has had to schedule shows farther away from home lately (and for the rest of the year), but wants to take the opportunities it can to give back to the community that has so embraced them throughout their history. For that reason, they have not only scheduled themselves to play for the free “May Days on the Square” during Harrison’s Crawdad Days festival, but drummer Jody Marshall actually undertook the coordination of all of the live music on the Square for that weekend! Along with that, though, the band wants to give everyone a great time in the middle of summer, bringing you into the cool environs of the historic Lyric…and that with their good friends from Branson, Harvey Stone, and all at a highly-discounted price…or two…!

Yes, there are two prices for tickets purchased in advance: the already-amazingly-low $7.50, and the even-more-amazingly-low $5.00, which is offerred to anyone who wants to see both Southern Confession on July 20 and Sail On: The Beach Boys Tribute on July 22! The band doesn’t want anyone to be left out because feeding the kids and paying the mortgage need to come before seeing them, but they also realize that to keep the Lyric open we have to pay bills, too…so they and we have cut things to the point of just barely covering expenses, so that our whole community can come together to celebrate the summer together at the Lyric. Thanks to the sponsors for Sail On, that means that you can come to both concerts for less than we would typically have to charge for one—and far less than Sail On tickets alone are costing in most venues!

 Southern Confession with special guest Harvey Stone,  Friday, July 20, 2018, at 7:000PM. Tickets are available in advance for $7.50 through our ticketing site (or just $5, if you buy Sail On tickets first!) or by calling (870) 391-3504 (please leave your name, number, and the number of tickets you need on our voicemail and we will call you back); at the door, tickets will be $10.

tickets

Ray Bonneville — Tuesday, February 13, 2018 at 7pm — #LiveAtTheLyric!

“North Americana” — Quebec to Boston to NOLA to Harrison, Arkansas…
Ray Bonneville Returns to the Lyric!
Tuesday, February 13 at 7PM 

Photo by Rodney Burseil Photography, https://rodneybursielphotography.com/

“Ray Bonneville is THE one songwriter you need if you love to get lost in words. Words that create pictures like the best movies you’ve never seen. Stark. Honest. Stripped to the bone.”   –  John Hahn

The poetry, the raw honesty of heart and voice and instrument that is Ray Bonneville, is headed back to The Roots Music Palace of the Ozarks, Harrison, Arkansas’s historic Lyric Theater, on Tuesday, February 13 at 7:00PM Tickets are now available.

Red House recording artist Ray Bonneville is a blues poet of the demimonde whose acclaimed performance groove is the product of a unique, electric guitar style, unrivaled harmonica tone, smoky vocal and unwavering foot percussion. A native French Canadian, Ray is a celebrated songwriter and lives in Austin, Texas. He plays more than 150 shows a year in the US, Canada, and Europe. His performances are riveting and deep, yet full of humor and joy.

Ray has created and mastered a fusion of traditional American Roots and Blues music all his own and deeply influenced by his upbringing in French Canada and the years he spent writing and playing music in New Orleans. He is known as the master of the slow burn, the groove, and is one of the best harmonica players alive today.

Honing his songwriting craft for the last 35 years, “Bonneville’s raw, tell-it-like-it-is storytelling style has won him critical acclaim” (Jim Blum, “Ray Bonneville: True-to-Life Troubadour” NPR Music – Favorite Sessions, May 28, 2008). He has “shared the stage with blues heavyweights B.B. King, Muddy Waters, J.J. Cale, and Robert Cray, and has been nominated for three Juno awards (Canada’s version of the Grammys), winning the 2000 Best Blues Album for his third album Gust of Wind (1999). His fourth release Rough Luck was also nominated, as was his 2004 Red House debut Roll It Down. Since then, his star has been on the rise, with his award-winning release Goin’ By Feel, his folk-charting cover of Bob Dylan’s song “It Takes a Lot to Laugh, It Takes a Train to Cry” (featured on A Nod to Bob 2: An Artists Tribute to Bob Dylan on His 70th Birthday).

In 2009, Ray won the Folk Alliance International Song of the Year award for I Am the Big Easy, featuring post-Katrina New Orleans, and in 2012, he won the International Blues Challenge solo category in Memphis. Having released Easy Gone in 2014, Ray announced this past Summer that he would be releasing a new album in the near future, so he brings to the Lyric’s stage both his previous treasury of great songwriting and what is currently inspiring him to write and perform, so we are in for a great show in Harrison!

Ray is a hard driving, blues dipped, song and groove man who writes about people who live on the fringe of society with a vibe that is loose and soulful. With a greasy guitar style, horn-like harmonica, smoky vocals and pulsing foot percussion he rivets audiences. As John Hahn has said,

Ray Bonneville is the master of rainy nights, of black and white footage of bar lights going out as a man turns up his collar and heads home alone. He captures the outsider inside all of us.


Ray’s last appearance at the Lyric was in 2010, so it’s been a long, long wait for us, but the Ozark Arts Council is pleased and proud to present the hard-driving honesty of Ray Bonneville in a special Tuesday night performance at 7:00 on February 13. Tickets are now available.

“Ray Bonneville is like gunpowder and opium.”
–  Ray Wylie Hubbard

 

tickets

An Evening with Albert Cummings — Friday, March 23, 2018 at 7pm — #LiveAtTheLyric!

Gritty Blues from and for the Working Man Albert Cummings Returns to the Lyric!
Friday, March 23 at 7PM 

The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does[…]. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.” – Guitar Edge Magazine

Blues-rock guitar in all its glory is headed back to the historic Lyric Theater, as Harrison, Arkansas enjoys “An Evening with Albert Cummings” on Friday, September 23 at 7:00 PM, for which tickets are now available.

Albert Cummings writes, plays and sings the blues like nobody else. He has played with blues legends B.B. King, Johnny Winter, and Buddy Guy.  Taken with Albert’s fire and passion bassist Tommy Shannon and drummer Chris Layton, of the band Double Trouble, the late Stevie Ray Vaughan’s rhythm section, volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart.

Albert Cummings
Albert Cummings, Live at the Lyric, 9/23/16 @ 7pm

From these blues greats to Merle Haggard to Led Zeppelin, Albert’s influences coalesce in lyrics that display a country/working man’s sensibility and the guitar virtuosity that rock fans love—a style that covers the best of hard-driving blues, slides comfortably over to intricate ballads, and comes charging right back again “with unbridled ferocity and deep soulfulness…his depth and expression are matched only by his terrifying technique and tone.”

The Massachusetts native learned the requisite three chords on the guitar from his father, but then switched to playing banjo at age 12 and became a fan of bluegrass music. In his late teens he encountered the early recordings of Stevie Ray Vaughan and was floored by the virtuosity. While in college in 1987 he saw Vaughan perform and he returned to the guitar with a new outlook and resolve.

The whiz-kid carpenter began his ascent to masterful blues rock guitarist at age 27, with his first public performance on guitar. Soon he was on the Northeast blues circuit with his band, Swamp Yankee. In 1998 he walked into a Northeast Blues Society open jam, which led to Cummings’ winning the right to compete in the Blues Foundation’s 1999 International Blues Challenge. The following year Albert released his debut recording, The Long Way. Bluesprint magazine said it was “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix.”

Albert Cummings
Albert Cummings, Live at the Lyric, September 23, 2016, 7pm

That in turn opened up an opportunity for him to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. No less a giant of the blues than B.B. King dubbed Cummings “a great guitarist.”

Cummings’ soulful and explosive approach to blues and rock caught the attention of Blind Pig Records, which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the album rocks hard from start to finish. The all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, leading Guitar One to exclaim, “He attacks his axe with unbridled ferocity and deep soulfulness… his depth and expression are matched only by his terrifying technique and tone.”

 “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix. – Bluesprint Magazine

Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience.

His second release, Working Man (2006), also produced by Jim Gaines, betrays a growing focus and maturity both in Albert’s stinging, incisive guitar work as well as in his fluently idiomatic songwriting. From the punchy, stomping cover of Merle Haggard’s blue collar standard “Working Man Blues” to the deeply emotive ballad “Last Dance” that closes the disc, Albert’s songs are always concise and direct, driven by his uniquely muscular yet polished guitar wizardry. Billboard said, “This recording is the calling card of a blues star who has arrived. Cummings’ guitar work is sizzling. This is one of the top blues albums of 2006.”

In 2008 Albert recorded his first live album, Feel So Good, in Pittsfield, Massachusetts at the historic Colonial Theatre, a 95-year-old “little jewel box” – that’s what James Taylor calls it – that’s hosted everyone from Will Rogers to Al Jolson. The audience was so enthralled and supportive they became part of the performance in a way that’s rarely heard. As AllMusic put it, “It sounds like it was one hell of a party that night.”

Albert Cummings
Albert Cummings, Live at the Lyric, 9/23/16 @ 7pm

Albert and his band responded with a blistering set of great originals and killer covers of Zeppelin, Little Feat and Muddy Waters tunes. With producer Jim Gaines again at the controls and Albert’s incredible display of guitar virtuosity and deep emotion, this is one live performance that is bound to become a blues rock classic.

Guitar Edge magazine said, “The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does on his new Feel So Good. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.”

Music Connection called it “one of the best live albums recorded in a long time” and Blurt added, “Cummings’ first live album provides the perfect showcase for the fiery guitarist’s axe-handling skills and enormous onstage charisma.”

In 2011 Albert released an instructional DVD for the Hal Leonard Corporation entitled Working Man Blues Guitar. Cummings’ next CD, No Regrets, was self-released in 2012. It was a return to his true musical roots for the six-string virtuoso, poignantly capturing the core of his influences, displaying the impact that R&B, Rock, Soul, Country and the Blues have had on both his playing and writing. It debuted at #1 on iTunes music charts in the USA, Canada and France.

“An Evening with Albert Cummings” is scheduled at the historic Lyric Theater on the Harrison, Arkansas square for Friday, March 23 at 7:00PM Tickets are now available.

 

tickets

Americana Legend David Olney (with Daniel Seymour) — Friday, December 1, 2017 at 7pm — #LiveAtTheLyric!

Americana Legend David Olney
Friday, December 1 at 7:00PM 

Master craftsman, acclaimed singer/songwriter and globe-trotting performer David Olney has released more 30 solo albums over four decades, including six live recordings. His music has been prominently featured in ABC-TV’s Nashville

Photograph by John Partipilo

and his stellar songs have  been recorded by Johnny Cash, Emmylou Harris, Linda Ronstadt, Del McCoury, Tim O’Brien, Townes Van Zandt, Steve Young, and Steve Earle, among many others. While you can (and should!) catch up with David on his weekly live, You Never Know streamcast—starring “Nashville’s Answer to the Bard” performing a song and sharing the story behind it—every Tuesday on DavidOlney.com and YouTube., you can catch him #LiveAtTheLyric, as he will be heading to “The Roots Palace of the Ozarks,” Harrison, Arkansas’s historic Lyric Theater on Friday, December 1, 2017, at 7:00, accompanied by while longtime bass player, Daniel Seymour.

“Olney is a talented musical enigma, and he is unquestionably a founding father of Americana music.”

Though a folksinger at heart, Olney incorporates wide-ranging inspirations from honky tonk to rock into his standard repertoire. Born in Rhode Island, David moved to Nashville during the early ’70s and became a major player in the city’s underground folk/country scene, recording a half-dozen albums before the end of the decade. His output during the ’80s slowed considerably, but in the ’90s he recorded with an impressive cast of roots-rock all-stars—Rick Danko, Garth Hudson, Sneaky Pete Kleinow, Rodney Crowell, John Prine, and Brian Ahern, among others. Beside his own albums, his discography on AllMusic.com features 288 credits…so far!

“Though he’s best known as a masterful wordsmith, Olney has a knack for creating the ideal atmosphere for his gothic noir tune.”

– Acoustic Guitar Magazine

Olney remained prolific throughout the coming decade, delivering several studio albums and, with his increasing popularity as a touring artist in Europe, three different live albums, all recorded at various locations in Holland. As previously mentioned, he began hosting a weekly interactive streamcast video series (originally called Hear & Now, but now titled, You Never Know) on which he performs a handful of songs and shares the stories behind them, as well as offering his observations on other things and recitations of classic poetry. Between his weekly videos and busy touring schedule, Olney found the time to release a studio album, When the Deal Goes Down, in 2014 and released another this year, Don’t Try to Fight It, so you can expect to hear music from a wide repertoire, including whatever fresh project he might be working on during this tour!

The late Townes Van Zandt was the best songwriter in the whole wide world, Steve Earle said in an oft-cited quote, “and I’ll stand on Bob Dylan’s coffee table in my cowboy boots and say that.” Seventeen years after Van Zandt’s death, the Americana artists who followed in his wake still speak of him the way rockers invoke John Lennon or Jimi Hendrix — as a standard bearer who represents a pinnacle of credibility and craft.

Had he been the coffee-table orating type, however, whose name would Van Zandt have declared?

“Anytime anyone asks me who my favorite music writers are, I say Mozart, Lightnin’ Hopkins, Bob Dylan, and Dave Olney,” Van Zandt wrote. “Dave Olney is one of the best songwriters I’ve ever heard — and that’s true. I mean that from my heart.”

– Skip Anderson, writing for The Nashville Scene in his article
David Olney is still a contender. Can you say the same?

We’ll excerpt some of the rest of Mr. Anderson’s article here because, as producer and music writer Tommy Goldsmith is quoted in it, “He’s not a household name, but, my God, look at what he’s done over the years. It’s a really impressive body of work.” Thus, Anderson writes, “Olney is a talented musical enigma, and he is unquestionably a founding father of Americana music. And yet, perhaps reflective of his career as an invisible giant, Wikipedia doesn’t even list him among the 135 artists it associates with the genre.”

If David Olney were less of a leader and more of a follower, he might have had an easier path commercially. But as with Van Zandt, the varied and hard-to-summarize gifts that make Olney a marketer’s challenge make him a hero to other songwriters and musicians.

“When I met him, he was a rocker, but he was also this sensitive songwriter,” says Billy Block, longtime host of the radio show, webcast and TV series The Billy Block Show and a session drummer. “He’s got more soul than everybody I can imagine. He embodies what Americana is.”

– Skip Anderson

Unquestionably a founding father of Americana music, David Olney will perform with bassist Daniel Seymour at downtown Harrison’s historic Lyric Theater, “The Roots Music Palace of the Ozarks,” on Friday, December 1, at 7:00. Tickets available now at our ticketing page or by calling (870) 319-3504.

 

OAC Ticketing Link

#KeepTheLyricCool with The Hedley Lamar Band! — Saturday, September 23, 2017 at 7:30 — #LiveAtTheLyric!

Classic Rock and Blues with
The Hedley Lamar Band!
Saturday, September 23 at 7:30PM 

Join us on September 23 at 7:30pm, for a party to kick off the OAC’s “90 for 90” campaign, featuring the Rock and Blues trio that is always in demand at festivals and clubs across the area, and that was chosen to open for guitar superhero Albert Cummings when he played the Lyric in 2016, The Hedley Lamar Band!

From the Allman Brothers to Zeppelin and ZZ Top, with possible stops at Clapton, Hendrix, Robin Trower, Skynyrd, and Stevie Ray Vaughn along the way, The Hedley Lamar Band hits that fusion of UK and Southern rock and blues that has been “the best of both worlds” from the ’60s to today. Billy Youngblood (primarily bass and vocals) and Tim Taylor (primarily guitar) often switch roles during their concerts, expanding their repertoire to keep the party going all the time. Joined by Jason Ruff or Will Youngblood on percussion, they remind us that it only takes a trio to fill the Lyric with music that keeps the heart pumping.

The Hedley Lamar is helping us raise money to repair extensive water damage in the Lyric. We already have a grant that will cover a lot of the water damage, but part of the water wasn’t the rain that tore up our walls before the wonderful folks at Harness Roofing donated a new roof a few years ago…it’s from malfunctioning air conditioning units in the Bailey Annex. (It would cost nearly as much to do a non-guaranteed temporary fix as to replace them.) By the time it was discovered, a large section of our ten-year-old building’s floor was already ruined. Before we fix the floor with the money we’ve been given for that purpose, we have to repair the AC…and that’s $8,500 that we need to raise as quickly as we can. (Actually, it would be a lot more than that, but Ken Allen of Conward’s remains a great supporter of the Arts and has worked out a great deal for us.)

This party also kicks off a new campaign for the OAC: 90 for 90. We want to increase our OAC membership by 90 members and raise $90,000 by the end of The Lyric’s 90th birthday in 2019. This money will go, first, toward restoration of parts of the theater that have been out of use for decades, beginning with the (original) balcony restrooms. From there, along with upkeep and programming needs, we want to increase both the beauty and the functionality of our already-wonderful venue.

All of the usual Lyric Theater concessions will be available, including beer and wine in our ‘speakeasy’, The Balcony, as well as guacamole and corn chips.

Get $1 off of your first Balcony drink by purchasing your ticket in advance by clicking this link or calling (870) 391-3504!

Two-Time Grammy Winner Laurence Juber Returns! — Saturday, September 22, 2018 at 7:00 — #LiveAtTheLyric!

Two-Time Grammy Winner Laurence Juber Returns to The Lyric!
Saturday, September 22 at 7:00PM

Join us on September 22 at 7:00pm, for universally acknowledged master of the guitar, Laurence Juber!

Laurence JuberThis two-time Grammy-winner (once with Sir Paul McCartney’s “Wings” and once as a solo artist) thrilled the Lyric audience in 2015, and is returning to continue to dazzle us with his wit, which is as evident in his playing as his absolute mastery of his instrument—not only in its standard implementation, but through a variety of tunings that allow him to express far more than one normally associates with the playing of a single acoustic guitar.

As an award-winning fingerstyle acoustic guitarist also known for his electric work as lead guitarist in Wings, LJ has a large following among guitar fans and Beatles/classic rock fans. His shows feature his original compositions along with amazing covers of Beatles and classic rock songs like “Layla” and “Little Wingwhere he literally plays every melody of the song on just one guitar!

Seriously, How Good Is He?

Well, let’s put it this way…when C.F. Martin & Co. make a series of signature guitars named after you, you’re a bit beyond “pretty good.”

Pete Townsend of The Who simply exclaims, “A master!”

As a studio musician, LJ can be heard on recordings from artists as diverse as Dan Hicks & the Hot Licks to Seal to Barry Manilow, plus he is featured on the soundtracks to hundreds of TV shows such as Home Improvement and movies including the academy award-winning Dirty Dancing, Good Will Hunting, and Pocahontas.

You like video games? LJ co-composed the soundtrack of the award-winning video game Diablo III.

You watch the news? LJ crafted the score to the NBC Dateline documentary Children Of The Harvest. His music is also featured in the Ken Burns’ documentary The Tenth Inning.

In other words: You’ve Heard Him Even if You Haven’t Heard of Him!

LJ has released 17 critically acclaimed solo albums which feature his celebrated arrangements of popular tunes and genre-crossing compositions. In Fall 2010, he released the highly anticipated LJ Plays the Beatles Vol. 2. He was voted “Guitarist of the Year” by the readers of Fingerstyle Guitar Magazine and named one of the top acoustic guitar players of all time by Acoustic Guitar Magazine. A dynamic, entertaining performer and an accomplished clinician, LJ brings his passion for the guitar to venues around the world, creating a multi-faceted performance that belies the use of only one instrument. In Spring 2013 Laurence Juber released Under an Indigo Sky on Solid Air Records with a special limited edition vinyl for Record Store Day, and has just released LJ Can’t Stop Playing the Beatles.

At the heart of LJ’s sound and style breathes a near-flawless technique where a fiercely emotional underbelly, alternate tunings, and keen sense of melody and rhythm coalesce into something uniquely his own……you don’t have to be a solo-happy guitar worshipper to appreciate his talents.
– Inland Empire Weekly

OAC Ticketing Link

New Year’s Eve EVE Party with the Downtown Livewires! – December 30, 2016 at 7:00

New Year’s Eve EVE Party
w/The Downtown Livewires!
December 30, 2016 – 7:00PM to Midnight
(Party Begins at 7:00, Live Music Begins at 8:00)

The Downtown Livewires, based in one of the fastest growing regions in the nation, Northwest Arkansas (Bentonville/Fayetteville), play high energy Electric Blues/Rock, Memphis blues, and legacy blues. Audiences of their shows love to dance and sing along, no matter the venue, whether it be clubs, festivals, private parties, concerts, or city events. Now, they’re coming to The Lyric to provide music for our five-hour-long New Year’s Eve EVE Party! Come at 7 to grab some drinks and food, find a seat with your friends, and be ready for the show to begin at 8!

Down home Memphis blues in Northwest Arkansas? You bet—Just call THE DOWNTOWN LIVEWIRES! I’ve mixed countless bands over the years and these guys lay it down right. Always a pleasure to work with, too!

~ Evan Chronister, SCB Audio Productions

The band’s first gig was on Halloween 2011. They have played at many venues since, including a two-night weekend gig at Club 152 on world famous Beale Street in Memphis, multiple Oklahoma casinos, special events including The Grape Festival as the “warm-up” band for Country Platinum recording artist Collin Raye, and for The Reverend Horton Heat concert in Downtown Bentonville, AR in Oct 2015.

Their first CD, “Cruisin’ for a Bluesin,”came out August 2nd, 2013 with a Release Party (with 2 hours of live music from the band) at George’s Majestic Lounge on Dickson St in Fayetteville, Arkansas.  Their new CD “I’ll Do It Today, But Not Right Now” came out in January, 2016.

The Downtown Livewires are exactly that! LIVEWIRES! It’s like hiring a party in a box; They come with enthusiasm, talent, energy and always bring a happy crowd! The Downtown Livewires is a group of dedicated, knowledgeable, well- rehearsed and hardworking professional musicians who come to play their hearts out and raise the roof every time…

~ Andy Green, Director of Productions, Downtown Bentonville, Inc.

  • The leader of the band is Roger Thomas from Bentonville, Arkansas.  Roger was born and raised in Memphis, Tennessee (South-Central, Oakhaven neighborhood) until he was 30 (with some time in Harrison, Arkansas, during high school), playing professionally there through his 20’s.  Roger is known for talking and picking out people in the audiences with whom to have on-stage conversations, sometimes jumping off the stage and playing, dancing and singing within the crowd. He also invites guests to sing songs on-stage, and maybe even play tambourine.
  • Bob “Super Harp” Coleman is out of New Haven, Connecticut, and is a world-class harmonica player who also sings some of the lead vocals. Bob has played with blues legends all over the country throughout his illustrious career.
  • Dan Doebele from Kansas City, Missouri is an absolute beast on lead electric guitar, is known by all other professional musicians to be one of the elite guitarists in the region, and plays slide with anything handy!
  • Kurt “Where’s Kurt?” Haas is on keyboards and vocals from Lone Star, Texas, and is known for his stellar new arrangements of old blues songs.
  • The rhythm section of Mark Vanderhoof on drums and Jan Sallings on bass is one of the most tenured blues rhythm sections in the country, and audience members often find themselves fixated on their musicianship and killer beats and fretboard runs.

The Downtown Livewires put on a show that is out of this world, absolutely engaging, full of fun and great party music, in which audiences keep calling them back for more!

I am never surprised when Roger Thomas and The Downtown Livewires Band brings the largest crowd of the summer to our City of Bentonville’s Orchard Concert Series. They bring their own crowd, and they have a great following. Over the last two years, they have proven to be professional, and one of the best sounds of any band we hire. We will continue to hire them for events in our city.

~ David Wright, Director of Parks and Recreation for the City of Bentonville

 

 

Need more recommendations? See Roger’s personal Facebook page where he not only has 4,200+ “Likes,” but segments them by town/city based on where the band plays for events. The Downtown Livewires have fans from all over—and a lot of them travel to every show within a few hours’ drive…so don’t sleep on this, thinking that you’ll always be able to get tickets! This will  be a sold out show!

Go ahead and “Like” and “Share” the band’s Facebook page, too; share the good times with your friends!

This is a great video of the band performing in the studio when they were recording their first single, “Just Say It Once”, released August 2nd, 2013:

 OAC Ticketing Link

An Evening with Albert Cummings

 

The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does[…]. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.” – Guitar Edge Magazine

Blues-rock guitar in all its glory is headed to historic Lyric Theater, as Harrison, Arkansas enjoys “An Evening with Albert Cummings” on Friday, September 23 at 7:00 PM, for which tickets are now available.

Albert Cummings writes, plays and sings the blues like nobody else. He has played with blues legends B.B. King, Johnny Winter, and Buddy Guy.  Taken with Albert’s fire and passion bassist Tommy Shannon and drummer Chris Layton, of the band Double Trouble, the late Stevie Ray Vaughan’s rhythm section, volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart.

Albert Cummings
Albert Cummings, Live at the Lyric, 9/23/16 @ 7pm

From these blues greats to Merle Haggard to Led Zeppelin, Albert’s influences coalesce in lyrics that display a country/working man’s sensibility and the guitar virtuosity that rock fans love—a style that covers the best of hard-driving blues, slides comfortably over to intricate ballads, and comes charging right back again “with unbridled ferocity and deep soulfulness…his depth and expression are matched only by his terrifying technique and tone.”

The Massachusetts native learned the requisite three chords on the guitar from his father, but then switched to playing banjo at age 12 and became a fan of bluegrass music. In his late teens he encountered the early recordings of Stevie Ray Vaughan and was floored by the virtuosity. While in college in 1987 he saw Vaughan perform and he returned to the guitar with a new outlook and resolve.

The whiz-kid carpenter began his ascent to masterful blues rock guitarist at age 27, with his first public performance on guitar. Soon he was on the Northeast blues circuit with his band, Swamp Yankee. In 1998 he walked into a Northeast Blues Society open jam, which led to Cummings’ winning the right to compete in the Blues Foundation’s 1999 International Blues Challenge. The following year Albert released his debut recording, The Long Way. Bluesprint magazine said it was “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix.”

Albert Cummings
Albert Cummings, Live at the Lyric, September 23, 2016, 7pm

That in turn opened up an opportunity for him to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. No less a giant of the blues than B.B. King dubbed Cummings “a great guitarist.”

Cummings’ soulful and explosive approach to blues and rock caught the attention of Blind Pig Records, which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the album rocks hard from start to finish. The all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, leading Guitar One to exclaim, “He attacks his axe with unbridled ferocity and deep soulfulness… his depth and expression are matched only by his terrifying technique and tone.”

 “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix. – Bluesprint Magazine

Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience.

His second release, Working Man (2006), also produced by Jim Gaines, betrays a growing focus and maturity both in Albert’s stinging, incisive guitar work as well as in his fluently idiomatic songwriting. From the punchy, stomping cover of Merle Haggard’s blue collar standard “Working Man Blues” to the deeply emotive ballad “Last Dance” that closes the disc, Albert’s songs are always concise and direct, driven by his uniquely muscular yet polished guitar wizardry. Billboard said, “This recording is the calling card of a blues star who has arrived. Cummings’ guitar work is sizzling. This is one of the top blues albums of 2006.”

In 2008 Albert recorded his first live album, Feel So Good, in Pittsfield, Massachusetts at the historic Colonial Theatre, a 95-year-old “little jewel box” – that’s what James Taylor calls it – that’s hosted everyone from Will Rogers to Al Jolson. The audience was so enthralled and supportive they became part of the performance in a way that’s rarely heard. As AllMusic put it, “It sounds like it was one hell of a party that night.”

Albert Cummings
Albert Cummings, Live at the Lyric, 9/23/16 @ 7pm

Albert and his band responded with a blistering set of great originals and killer covers of Zeppelin, Little Feat and Muddy Waters tunes. With producer Jim Gaines again at the controls and Albert’s incredible display of guitar virtuosity and deep emotion, this is one live performance that is bound to become a blues rock classic.

Guitar Edge magazine said, “The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does on his new Feel So Good. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.”

Music Connection called it “one of the best live albums recorded in a long time” and Blurt added, “Cummings’ first live album provides the perfect showcase for the fiery guitarist’s axe-handling skills and enormous onstage charisma.”

In 2011 Albert released an instructional DVD for the Hal Leonard Corporation entitled Working Man Blues Guitar. Cummings’ next CD, No Regrets, was self-released in 2012. It was a return to his true musical roots for the six-string virtuoso, poignantly capturing the core of his influences, displaying the impact that R&B, Rock, Soul, Country and the Blues have had on both his playing and writing. It debuted at #1 on iTunes music charts in the USA, Canada and France.

“An Evening with Albert Cummings” is scheduled at the historic Lyric Theater on the Harrison, Arkansas square for Friday, September 23 at 7:00 PM. Tickets are now available.

 

tickets