Summer Lip Sync Showdown II! in support of Ozark Rape Crisis Center Saturday, June 1 at 7:00PM Doors open at 6:00PM to view silent auction items and to grab refreshments and get to your seat!
Check out this video on how you can get involved & support victims of sexual violence in our community.
The Ozark Rape Crisis Center provides 24-Hour Crisis Intervention and Advocacy services for victims of sexual violence, as well as violence prevention education for the general public in Boone, Carroll, Johnson, Marion, Newton, Pope and Searcy Counties in Arkansas.
All services are confidential and free of charge. Call ORCC’s Hotline at 1.800.818.1189 for assistance. Visit their website and Facebook page or email ORCC for more information about the services they provide.
Come support ORCC through this fun event and help put an end to sexual violence!
To sign up for the Lip Sync Showdown, please call 870.741.4141.
“Just your run of the mill, post-structuralist cowgirl Americana…” Crooked Creek presents Winona Wilde!
Thursday, May 17 at 7:00PM
“Over simple, well-worn chords, Wilde’s voice sounds weary and wise, and yet still full of life…Her storytelling binds together personal experience and political ideas in relatable ways, the way only the best songwriting can.”
– Peter Ellman, Exclaim
Crooked Creek Concert Association presents 2017 Kerrville NewFolk Songwriting Award winner Winona Wilde, who will perform at the Roots Music Palace of the Ozarks, Harrison, Arkansas’s historic Lyric Theater, on May 17 at 7:00PM, with special guest opener Fayetteville’s Elizabeth Scott. Tickets are available in advance for $10; at the door, they will be $15.
Karl Magi recently profiled Winona Wilde for Spinditty, so we’re going to borrow some quotes from his excellent article there. He shows her love for the Roots Music fans and culture: “If I had known all of these people and festivals existed when I started law school, I probably would have quit instead of suffering through it. The sense of community I have felt from the folkies is unlike anything on this earth. It has made me a better person.”
It’s not having gone to law school that makes people wonder most at her rise to prominence in the Americana scene—nor even her being Canadian, since that’s “North Americana,” at least—but the fact that she is a Canadian of Iraqi descent
who has so embraced—and been embraced by—Western “Roots Music”/Americana and its fans.
Wilde (whose non-stage name is Noosa Al-Sarraj) says that music was a part of her life from her earliest days. “I do not come from a musical family, but opportunities for making music always came into my life at the right time. As a little tiny baby, I used to sing my mother’s lullabies back to her, and as a toddler, I was really good at clapping back rhythms and freakishly repeating back entire verses from the Koran, so my mother suspected there was something at play there.”
Her musical influences are wide-ranging. “I grew up on classical music. My faves were the moody, dense composers like Beethoven and Schumann. I spent hours every day alone with the piano, deciphering the language. To this day, I can still recognize a composer from just a few bars of music. Nobody generally cares when it happens, but it always feels like a little bit of a fist-pump moment.”
“When I hit my teens I got all the way into older blues artists like Ray Charles and Nat King Cole and then started to experiment with the edgier stuff like Tool and Nine Inch Nails. I loved the melodic metal my younger brother Sim listened to, he got me into Opeth, Dream Theatre and stuff like that. The heaviness of my lyrical content might have something to do with that.”
Magi writes: “Her transformation into a country/folk artist is something for which Noosa has an interesting explanation. She says, ‘My parents both worked a ton so we had a nanny whom we affectionately called Nana. She may have had country music radio on all day, so my young brain had the country music of the 80’s hammered into it without my even noticing. When I eventually heard John Prine and Loretta Lynn as an adult, all of this country music came pouring out of me.’”
Eleni Armenakis makes it clear in her review of the Wilnona Wilde album “Wasted Time” that as much as her music can reach the heights and depths of introspection and social commentary, her music is not one dimensional: “‘Buy a Round’ marks a change in the album, as Al-Sarraj laughs into a pure country number that fittingly rolls in and around itself. There’s more of a folk sound to ‘Black Forest Black Forest’ before ‘To The Corner’ finds a balance between the two to quietly see out the album.” Armenakis concludes, “Al-Sarraj knows what she wants to say and how she wants to say it. Despite the title, she’s clearly not wasting any time.”
“The best introduction to troubadour songwriter Winona Wilde’s wry sensibilities is through her delivered-with-a-wink song, ‘Chick Singer’…She sings with both exasperation and good humour, because, as we all know, sometimes the truth is so bleak, it’s hilarious. The same autobiographical song also references the blank stares she gets from people surprised to see an Iraqi-Canadian woman singing country songs. Wilde, whose real name is Noosa Al-Sarraj, fell in love with country music thanks to a nanny she had as a kid. Her kickass songwriting abilities led to win an award at the Kerrville Folk Festival’s New Folk competition this year—one of few Canadians to do so, and certainly the first of Iraqi descent.”
Winona Wilde will perform at the Roots Music Palace of the Ozarks, Harrison, Arkansas’s historic Lyric Theater, on May 17 at 7:00PM,with special guest opener Fayetteville’s Elizabeth Scott. Tickets are available in advance for $10; at the door, they will be $15.
Can you recall the first song you ever wrote?
From age 11-17, my subjects were mainly animals — for example, “Everything tastes like chicken when you’re not around,” a musical adaptation of Dr. Seuss’s One Fish, Two Fish, and a mini-opera about a donkey who eats spaghetti. Although one early song I remember went something like “darkness into darkness” and had some complex chord changes and a heavy subject. I gave it to my teacher and I never got it back, so I am really curious about what was going on in that song. Perhaps she passed it along to a psychiatrist.
RFD TV Star David Church with Terri Lisa
Saturday, January 6 at 2:00PM
Steeped in the music of Hank Williams Jr., David Church brings classic country and his own roots music compositions to the Lyric stage.
From the iconic “Hank Williams” to his own “roots/retro” country music, David Church has made a huge impact on music enthusiasts all over the world. David & Terri Lisa have reignited a passion for traditional “RETRO” country music. They have made a connection that has crossed generations, from college students to great grandparents.
The “Star” of RFD-TV’s MIDWEST COUNTRY for over 10 years, David Church, along with his wife, Terri Lisa, has been lighting up TV sets throughout the US. Midwest Country is featured on prime time Saturday night. With Nielson ratings in the top 3 on the RFD-TV network, David Church is the “most requested and most popular” artist! They have captured the hearts of millions, from baby boomers to college students. With their dazzling rhinestone suits, this dynamic couple has thrilled audiences around the world. David Church is recognized for his authentic rendition of “Hank Williams,” and recognized by music historians, celebrities, and family members as the “#1 tribute to Hank.”
David Church carries the torch for traditional Country music! His voice and music touches the soul of millions around the globe! The true fans of traditional Country music need a standard-bearer to help keep this sound alive. Luckily, they don’t need to look any further than David Church.
The RFD-TV network has grown by leaps and bounds and is now broadcast to over 65 Million viewers throughout the US. Church has been featured as a regular on the popular show “Midwest Country.” It is easy to understand why he is RFD-TV’s “most requested” artist. Amazingly, without a major hit on mainstream radio, Church has millions of fans all over the world. Bruce Maier, the editor of a major music magazine, Damn Good Tunes called David, “a rare entertainment entity”. He went on to say “he creates a visual presentation that is absolutely dazzling to witness. He does something that 99% of all other artists cannot do and that is stand on their own with their own music.”
A strong advocate for American made products, David and Terri Lisa made the decision a few years ago to only sell American manufactured products on their merchandise table. In April, 2014, The Church’s joined forced with “American Made Matters®” organization as members and ambassadors. The mission is, “to educate consumers that buying US-made products strengthens the American dream,” and to bring awareness of American made products and manufacturers to consumers and strengthen the economy.
David Church can be mesmerizing when performing, as you close your eyes and go back years listening to Hank’s songs. His presentation is done with style, integrity of the music, and from the heart. David has some songs of his own that I believe are some of the very best country music has had in many a year. Catch his performances live and I’ll guarantee you’ll come away totally satisfied and waiting to tell your friends about it and ready for another show.
– Minnesota Times, Larry Rose 5/2013
David has been featured in numerous major country music magazines including, Country Weekly, Country Music Report, Nashville, Music Guide, Dreamwest, Damn Good Tunes, Furious, and many others.
Church attributes his success in the music business to the millions of “true country fans” that are tired of what they hear on the radio. “The success that I have had has come from the fans that so long for the traditional sound of country that they have heard in the past, but no longer find in mainstream country music. Those are the fans that have been forgotten. I also feel that a lot of RFD-TV’s success can be attributed to the country music shows that they have been airing, which go along with the country and farm lifestyle. We are proud to be a part of this family oriented TV network.”
David performs throughout the world along with his talented wife, Terri Lisa Church. Terri Lisa is also a recording artist/songwriter. She sings lead and backup vocals. Terri Lisa is a published journalist.
David Church is a rare entertainment entity. David performs the songs and creates a visual presentation that is absolutely dazzling to witness! And, if that were all that David could do in this music business, one would think that’s quite an accomplishment, but David stands on his own with his original music. And that, my friends, makes for a very powerful package! My Rising Star pick: David Church.”
– Bruce Maier, Editor, Damn Good Tunes Magazine, 3/12/11 www.damngoodtunes.com
RFD’s most requested artist, David Church and Terri Lisa will perform at downtown Harrison’s historic Lyric Theater on Saturday, January 6, at 2:00. Tickets available now at our ticketing page or by calling (870) 391-3504.
Americana Legend David Olney
Friday, December 1 at 7:00PM
Master craftsman, acclaimed singer/songwriter and globe-trotting performer David Olney has released more 30 solo albums over four decades, including six live recordings. His music has been prominently featured in ABC-TV’s Nashville
and his stellar songs have been recorded by Johnny Cash, Emmylou Harris, Linda Ronstadt, Del McCoury, Tim O’Brien, Townes Van Zandt, Steve Young, and Steve Earle, among many others. While you can (and should!) catch up with David on his weekly live, You Never Know streamcast—starring “Nashville’s Answer to the Bard” performing a song and sharing the story behind it—every Tuesday on DavidOlney.com and YouTube., you can catch him #LiveAtTheLyric, as he will be heading to “The Roots Palace of the Ozarks,” Harrison, Arkansas’s historic Lyric Theater on Friday, December 1, 2017, at 7:00, accompanied by while longtime bass player, Daniel Seymour.
“Olney is a talented musical enigma, and he is unquestionably a founding father of Americana music.”
Though a folksinger at heart, Olney incorporates wide-ranging inspirations from honky tonk to rock into his standard repertoire. Born in Rhode Island, David moved to Nashville during the early ’70s and became a major player in the city’s underground folk/country scene, recording a half-dozen albums before the end of the decade. His output during the ’80s slowed considerably, but in the ’90s he recorded with an impressive cast of roots-rock all-stars—Rick Danko, Garth Hudson, Sneaky Pete Kleinow, Rodney Crowell, John Prine, and Brian Ahern, among others. Beside his own albums, his discography on AllMusic.com features 288 credits…so far!
“Though he’s best known as a masterful wordsmith, Olney has a knack for creating the ideal atmosphere for his gothic noir tune.”
– Acoustic Guitar Magazine
Olney remained prolific throughout the coming decade, delivering several studio albums and, with his increasing popularity as a touring artist in Europe, three different live albums, all recorded at various locations in Holland. As previously mentioned, he began hosting a weekly interactive streamcast video series (originally called Hear & Now, but now titled, You Never Know) on which he performs a handful of songs and shares the stories behind them, as well as offering his observations on other things and recitations of classic poetry. Between his weekly videos and busy touring schedule, Olney found the time to release a studio album, When the Deal Goes Down, in 2014 and released another this year, Don’t Try to Fight It, so you can expect to hear music from a wide repertoire, including whatever fresh project he might be working on during this tour!
The late Townes Van Zandt was the best songwriter in the whole wide world, Steve Earle said in an oft-cited quote, “and I’ll stand on Bob Dylan’s coffee table in my cowboy boots and say that.” Seventeen years after Van Zandt’s death, the Americana artists who followed in his wake still speak of him the way rockers invoke John Lennon or Jimi Hendrix — as a standard bearer who represents a pinnacle of credibility and craft.
Had he been the coffee-table orating type, however, whose name would Van Zandt have declared?
“Anytime anyone asks me who my favorite music writers are, I say Mozart, Lightnin’ Hopkins, Bob Dylan, and Dave Olney,” Van Zandt wrote. “Dave Olney is one of the best songwriters I’ve ever heard — and that’s true. I mean that from my heart.”
We’ll excerpt some of the rest of Mr. Anderson’s article here because, as producer and music writer Tommy Goldsmith is quoted in it, “He’s not a household name, but, my God, look at what he’s done over the years. It’s a really impressive body of work.” Thus, Anderson writes, “Olney is a talented musical enigma, and he is unquestionably a founding father of Americana music. And yet, perhaps reflective of his career as an invisible giant, Wikipedia doesn’t even list him among the 135 artists it associates with the genre.”
If David Olney were less of a leader and more of a follower, he might have had an easier path commercially. But as with Van Zandt, the varied and hard-to-summarize gifts that make Olney a marketer’s challenge make him a hero to other songwriters and musicians.
“When I met him, he was a rocker, but he was also this sensitive songwriter,” says Billy Block, longtime host of the radio show, webcast and TV series The Billy Block Show and a session drummer. “He’s got more soul than everybody I can imagine. He embodies what Americana is.”
Unquestionably a founding father of Americana music, David Olney will perform with bassist Daniel Seymour at downtown Harrison’s historic Lyric Theater, “The Roots Music Palace of the Ozarks,” on Friday, December 1, at 7:00. Tickets available now at our ticketing page or by calling (870) 319-3504.